“STAR TREK BEYOND” (2016) Review

“STAR TREK BEYOND” (2016) Review

I might as well place all my cards on the table. I am not a fan of J.J. Abrams’ reboot of the “STAR TREK” franchise. I heartily dislike the 2009 movie of the original title. And I also dislike – to a lesser degree, 2013’s “STAR TREK INTO DARKNESS”. So when I learned there was to be a third movie in this new franchise . . . needless to say I was not enthusiastic over the news. 

The second thing I learned about this third TREK film, “STAR TREK BEYOND”, was that it was not directed by J.J. Abrams. Justin Lin, who had helmed the fourth, fifth and sixth “FAST AND FURIOUS” movies; served as director. And for once, Simon Pegg, who also co-starred as Chief Engineer Montgomery “Scotty” Scott, and Doug Jung served as the movie’s screenwriters; instead of Abrams’ usual scribes – Robert Orci and Alex Kurtzman. No disrespect to Abrams, Orci and Kurtzman, but I did not miss their presence in this production. If anything, I managed to enjoy the TREK reboot for the first time since it began in 2009.

“STAR TREK BEYOND” begins with the arrival of the U.S.S. Enterprise at the Federation Starbase Yorktown for new supplies and shore leave for the crew. Not long after its arrival at Yorktown, an escape pod drifts out of a nearby uncharted nebula. The survivor, Kalara, claims her ship is stranded on Altamid, a planet within the nebula. The rescue turns into an ambush when the Enterprise is quickly torn apart by a massive swarm of small ships. Krall and his crew board the ship, and unsuccessfully search for a relic called an Abronath that Kirk had obtained for a failed diplomatic mission. Krall captures and removes many crew members from the ship. Kirk then orders for the crew to abandon ship as the Enterprise’s saucer section hurtles towards the planet. After more crew members are captured, including Lieutenant Nyota Uhura and Lieutenant Hikaru Sulu, Kirk is forced to find those who have not been captured and find a way to stop Krall from carrying out his plans against the Federation.

If I must be honest, “STAR TREK BEYOND” is not perfect. I believe that it has a major flaw and it centered around the main antagonist, Krall. How can I put this? I found both his true identity and the reason behind his main goal – the destruction of the Federation with the use of a bio weapon – a bit on the lame side. Apparently, Krall was a former Human captain from the pre-Federation era named Captain Balthazar Edison, whose ship had crashed on Altamid. Believing the newly formed Federation had abandoned him, Edison and his surviving crew had used the technology of the Altamid’s natives to prolong their lives and mutate their physiology. I am sorry, but that seemed to reaching a bit. And the reason for Krall/Edison’s desire to destroy the Federation – the belief that the latter had deliberately abandoned him and his crew – definitely seemed a bit lame to me.

If the background of the film’s main villain and his reason to destroy the Federation seemed a bit lame, then why did I like this film? Whatever weaknesses that “STAR TREK BEYOND” had, I can honestly say that it lacked the multiple plot holes that marred 2009’s “STAR TREK” and that ridiculous final half hour from 2013’s “STAR TREK INTO DARKNESS”. The flaws for this film seemed minor in compare to the first two films. I also liked the fact that the characters seemed more mature and established in this movie. Even Krall seemed like an improvement over the first two villains. He did not engage in a convoluted plot that involved time travel. Nor was his character whitewashed and engaged in another ridiculously convoluted plot. Although Krall’s reason to destroy the Federation seemed a bit thin, at least his actual plot – involving the creation of a bio weapon – seemed to be on solid. And for that, I have to thank screenwriters Simon Pegg and Donny Jung.

I have to admit that when it comes to action sequences, the new STAR TREK movies never fail to deliver. There were a handful of sequences in “STAR TREK BEYOND” that definitely impressed me. First and foremost was the attack on the U.S.S. Enterprise by Krall’s fleet and the crash landing on Altamid that followed. Honestly, I feel that director Justin Lin really outdid himself in that particular sequence. I found the minor scenes featuring the Enterprise crew’s efforts to survive on Altamid very engrossing and once again, well handled by Lin. Now that I think about it, just about all of the movie’s actions scenes impressed me – including Kirk and the other non-captured crew members’ efforts to free those who had been captured, the Enterprise crew’s efforts to prevent Krall/Edison from using his new weapon to destroy the Federation’s massive space station, Starbase Yorktown; and Kirk’s final confrontation with the main villain. I also liked the fact that the movie’s two major female characters – Lieutenant Uhura and a castaway named Jaylah – also took part in many of the film’s action sequences. And both seemed more than capable of taking care of themselves.

“STAR TREK BEYOND’ marked a major improvement in the franchise’s characterizations. For the first time, the main characters seemed to be truly comfortable with each other. And all of them seemed to be more mature and believable as Starfleet officers. This especially seemed to be the case for Chris Pine’s performance as James T. Kirk. For the first time, I found it easy to see his Kirk as a worthy captain for the U.S.S. Enterprise. The prat boy from the 2009 and 2013 movies was gone. Zachary Quinto also seemed very comfortable in his role as the Enterprise’s First Officer, Commander Spock. I also enjoyed how both he and Karl Urban, who portrayed Medical Officer Dr. Leonard McCoy, managed to establish a strong and rather funny screen chemistry – something that I do not recall from the two previous films. Quinto’s Spock seemed even more comfortable than ever with Zoë Saldana’s Nyota Uhura. First of all, both had the chance to enact a private drama between Spock and Uhura that did not come off as forced. I find it hard to believe that I had once found the idea of a romance between the two as unbelievable.

The movie also featured solid performances from Idris Elba as the movie’s main antagonist, Krall aka Balthazar Edison, who managed to thankfully convey his character’s emotional nature without engaging in any histrionics. I also enjoyed one particular scene between Elba and Uhura that struck me as both tense and effective, thanks to the actors’ performances. I also enjoyed the performances of John Cho, who always managed to give a cool, yet wry portrayal of Lieutenant Hikaru Sulu; Anton Yelchin, whose Pavel Chekov seemed more controlled and mature than he did in the previous films; Simon Pegg, whose portrayal of Lieutenant-Commander Montgomery “Scotty” Scott seemed a great deal more controlled and still funny; and Sofia Boutella gave an intense and skillful performance as an alien castaway/scavenger named Jaylah with a grudge against Krull.

I understand that “STAR TREK BEYOND” had not performed well at the U.S. box office. Some critics claimed that the movie was not as good as the 2009 movie. When I heard that, I nearly coughed up a lung. Frankly, I think it is a lot better than the two previous films. I thought Justin Lin did a great job as the movie’s director. And he was ably supported by Simon Pegg and Donny Jung’s screenplay, along with a first-rate cast led by Chris Pine. As for why many moviegoers stayed away, I do not have the foggiest idea. What matters is my own personal opinion.

R.I.P. Leonard Nimoy (1931-2015)

R.I.P. Anton Yelchin (1989-2016)

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Favorite Moments in MARVEL Movies and Television

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Below is a list of my favorite moments featured in Marvel movies and television: 

FAVORITE MOMENTS IN MARVEL MOVIES AND TELEVISION

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1. “Spider-Man 2” (2004) – After a brutal fight with Doc Ock on top of a Manhattan El Train and saving the train’s passengers, an exhausted Spider-Man aka Peter Parker is unmasked by the latter in what I regard as the most poignant moment in any Marvel production.

 

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2. “The Avengers” (2012) – During its fight against invading Chitauri troops, director Joss Whedon gave audiences an iconic shot of the newly formed Avengers, before they continued the battle.

 

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3. “Iron-Man 3” (2013) – Iron Man aka Tony Stark saves the surviving passengers and crew of Air Force One in this breathtaking sequence, using aerodynamics, one of his Iron Man bots and his brains.

 

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4. “The Wolverine” (2013) – In this exciting sequence, the Wolverine aka Logan battles members of the Yakuza on top of a Tokyo bullet train, as he tries to prevent them from kidnapping the granddaughter of a recently deceased businessman that he had briefly met at the end of World War II.

 

 

5. “Agents of S.H.I.E.L.D” (1.20) “Nothing Personal” – Agent Phil Coulson rescues his kidnapped subordinate Skye aka Daisy Johnson from HYDRA agents, who had hijacked the fallen agency’s C-17 plane, known as “the Bus”, with his sports car called “L.O.L.A.”.

 

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6. “Captain America: The Winter Soldier” (2014) – While staving off rogue HYDRA agents in Washington D.C., Captain America aka Steve Rogers has a brutal hand-to-hand fight with the assassin known as “the Winter Soldier”. Best fight scene in any Marvel production … at least for me.

 

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7. “Iron Man 3” (2013) – In this hilarious scene, Tony Stark finally comes face-to-face with the “terrorist” known as “the Mandarin”, who proves not to be what many had assumed.

 

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8. “The Hulk” (2003) – The opening credits of the 2003 movie featured the chilling efforts of Dr. David Banner to create super soldiers by introducing modified DNA sequences extracted from various animals to strengthen the human cellular response. This sequence gives me the chills whenever I watch the movie.

 

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9. “X2: X-Men United” (2003) – The second movie in the “X-MEN” franchise featured an exciting attack by a brainwashed Nightcrawler aka Kurt Wagner on the White House, in an attempt to assassinate the U.S. President.

 

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10. “Captain America: The Winter Soldier” (2014) – S.H.I.E.L.D. Director Nick Fury is attacked by HYDRA agents and the assassin known as “the Winter Soldier” on the streets of Washington D.C.

 

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11. “Iron Man 2” (2010) – S.H.I.E.L.D. agent Natasha Romanoff aka the Black Widow fights off security guards at Justin Hammer’s factory in order to prevent Ivan Venko from using James Rhodes in the War Machine suit from killing Tony Stark aka Iron Man.

 

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12. “Ant-Man” (2015) – Scott Laing aka Ant-Man attempts to infiltrate the new Avengers headquarters for a particular device, and has an unexpected encounter with Avenger Sam Wilson aka the Falcon.

 

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13. “Iron Man 3” (2015) – An Extremis enhanced Pepper Potts saves Tony Stark from villain Aldrich Killian by killing the latter.

 

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14. “Captain America: The First Avenger” (2011) – The recently enhanced Steve Rogers is recruited by a U.S. senator for a war bonds tour in this colorful montage, after the former is rejected by Colonel Chester Phillips when the super soldier formula is lost.

 

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15. “Thor” (2011) – Recently cast out from Asgaard by his father Odin, a now mortal Thor struggles to free himself from a hospital’s personnel before he is eventually drugged in this very funny scene.

 

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16. “Guardians of the Galaxy” (2014) – A group of extraterrestrial misfits uses one of the Infinity stones to defeat Kree supervillain Ronan the Accuser, who is bent upon destroying the Nova Empire’s capital city, Xandar.

 

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17. “Captain America: The First Avenger” (2011) – In this emotionally sad scene, S.S.R. Agent Peggy Carter gives in to tears, when communication with Captain America aka Steve Rogers is cut short, after he forces a HYDRA plane with deadly weapons into the Atlantic Ocean.

 

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18. “Spider-Man 3” (2007) – Another sad scene features Spider-Man aka Peter Parker and Mary Jane Watson grieving over the dead body of their friend, Harry Osborn aka New Goblin, after the latter is skewered by villain Venom aka Eddie Brock.

 

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19. “Agent Carter” (1.07) “Snafu” – S.S.R. Chief Roger Dooley jumps to his death in order to save the lives of his subordinates from the bomb device that had been strapped to his body.

 

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20. “The Hulk” (2003) – Ang Lee directed this bizarre scene featuring the death of former military officer Glenn Talbot, after the Hulk aka Bruce Banner escapes from a military base.

 

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Honorable Mention: “The Amazing Spider-Man 2” (2014) – Director Marc Webb directed this heartbreaking sequence in which Gwen Stacy falls to her death, after Spider-Man aka Peter Parker fails to save her from Harry Osborn aka the Green Goblin.

The Celebration of Mediocrity and Unoriginality in “STAR WARS: THE FORCE AWAKENS”

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“THE CELEBRATION OF MEDIOCRITY AND UNORIGINALITY IN “STAR WARS: THE FORCE AWAKENS”

Look … I liked the new “STAR WARS” movie, “THE FORCE AWAKENS”.  I honestly do.  Heck, I feel it is better than J.J. Abrams’ two “STAR TREK” films.  But I am astounded that this film has garnered so much acclaim.  It has won the AFI Award for Best Picture.  It has been nominated by the Critics Choice Award for Best Picture.

“THE FORCE AWAKENS”???  Really?  It did not take long for certain fans to point out that the movie’s plot bore a strong resemblance to the first “STAR WARS” movie, “A NEW HOPE”.  In fact, I am beginning to suspect that J.J. Abrams and Lawrence Kasdan had more or less plagiarized the 1977 film, along with aspects from other movies in the franchise.  Worse, it has some plot holes that Abrams has managed to ineffectively explain to the media.  In other words, his explanations seemed like shit in the wind and the plot holes remained obvious.

Then I found myself thinking about “THE MAN FROM U.N.C.L.E.”, Guy Ritchie’s adaptation of the 1964-1968 television series.  I will not deny that the movie had some flaws.  Just about every movie I have seen throughout my life had some flaws.  But instead of attempting a carbon copy of the television series, Ritchie put his own, original spin of the show for his movie.  And personally, I had left the movie theater feeling impressed.  And entertained.  It is not that Ritchie had created a perfect movie.  But he did managed to create an original one, based upon an old source.  Now that was impressive.

But instead of having his movie appreciated, a good deal of the public stayed away in droves.  Warner Brothers barely publicized the film.  Worse, the studio released in August, the summer movie season’s graveyard.  And for those who did see the movie, the complained that it was not like the television show.  Ritchie had made changes for his film.  In other words, Ritchie was criticized for being original with a movie based upon an old television series.

This is incredibly pathetic.  One director is criticized giving an original spin to his movie adaptation.  Another director is hailed as the savior of a movie franchise for committing outright plagiarism.  This is what Western culture has devolved into, ladies and gentlemen.  We now live in a world in which the only movies that are box office hits are those that form part of a franchise.  We live in a society in which glossy and mediocre shows like “DOWNTON ABBEY” are celebrated.  We live in a world in which a crowd pleasing, yet standard movie biopic like “THE KING’S SPEECH”can receive more acclaim than an original film like “INCEPTION”.

In regard to culture or even pop culture, this society is rushing toward conformity, familiarity and mediocrity.  God help us.

“GUARDIANS OF THE GALAXY” (2014) Review

“GUARDIANS OF THE GALAXY” (2014) Review

Most of the films featured in the Marvel Cinematic Universe have been set on Earth – mainly in the United States – and featured human characters. There have been exceptions – namely the two “THOR” movies that were partly set in the realm of Asgard and 2012’s “THE AVENGERS”, which featured an alien invasion. For the first time, the MCU released a movie mainly set in worlds other than Earth. And it is called “GUARDIANS OF THE GALAXY”.

Directed by James Gunn, who wrote the film with Nicole Perlman, “GUARDIANS OF THE GALAXY” told the story about an uneasy alliance between a group of extraterrestrial misfits, who find themselves on the run after one of them steals a coveted orb. The movie, ironically, begins on Earth in 1988, when a kid named Peter Quill is abducted by a group of space pirates called the Ravagers led by a mercenary named Yondu Udonta, following his mother’s death. Twenty-six years later, Quill steals a valuable orb from the abandoned planet of Morag. Before he can get away, Quill is intercepted by Korath, a subordinate to the fanatical Kree, Ronan. Although Quill escapes with the orb, Yondu discovers his theft and issues a bounty for his capture. Meanwhile Ronan, who originally agreed to acquire the orb on behalf of the villainous titan Thanos, sends an assassin named Gamora after the orb. In return for getting the orb for Thanos, Ronan wants the latter to destroy the Nova Empire.

Quill attempts to sell the orb on the Nova Empire’s capital world, Xandar, when Gamora ambushes him and steals it. A fight ensues, which attracts a pair of bounty hunters – the genetically engineered raccoon Rocket and his tree-like companion, the humanoid Groot. All four are arrested by the Nova Corps and they are sentenced to a prison called Kyln. The four form an alliance to profit from a sale of the orb to a buyer that Gamora knows on an outpost called Nowhere, once Rocket informs them that he knows how to break out of prison. They acquire a new ally named Drax the Destroyer, who wants revenge against Ronan for killing his family. Drax tried to kill Gamora, due to her past association with the Kree, but Quill talks him out of it after Gamora reveals that she never intended to hand over the orb to Ronan. Gamora is willing to betray Ronan, because she is unwilling to allow him to use the orb’s power to destroy the Nova Empire and other worlds. The five misfits eventually discover from Gamora’s buyer, Taneleer Tivan aka the Collector that the orb contains a powerful stone known as one of the Infinity Stones, a collection of gems of immeasurable power that destroys all but the most powerful beings who wield them. Fearful that Ronan might destroy the Universe if he gains possession of the orb, the five friends become determined to stop him from gaining possession of it.

At first glance, “GUARDIANS OF THE GALAXY” seemed to come out of nowhere and with no connection to the other films set in the Marvel Cinematic Universe. In the end, there were quite a few connections to the other films. One, other Infinity Stones – mentioned by Tivan – were featured in other films. “IRON MAN 2”, “THOR”, “CAPTAIN AMERICA: THE FIRST AVENGER” and “THE AVENGERS” all featured the Tesseract. And “THOR: THE DARK WORLD” featured the Aether, which found itself in Tivan’s possession by the end of that film. The character Thanos was revealed to be the one behind the Chitauri invasion in “THE AVENGERS” The character Tivan aka the Collector was featured in a mid-credit scene in “THOR: THE DARK WORLD”. Also, the Ronan character is not the only Kree character to appear in a MCU production. The corpse of a dead Kree was featured in an episode of “AGENTS OF S.H.I.E.L.D.”. So, the connections between “GUARDIANS OF THE GALAXY” and the other MCU films are pretty strong. Many had doubted the success of“GUARDIANS OF THE GALAXY”, due to its unknown factor of the major characters. Although the first “Guardians of the Galaxy” comic book was first published by Marvel in 1969, the following publications of the title have been far and few. In fact, Marvel had to revamp the title in 2008.

Marvel and Disney’s fears proved to be groundless in the end. “GUARDIANS OF THE GALAXY” became a major hit during the late summer of 2014. It even managed to surpass (slightly) the major success of the previous MCU movie,“CAPTAIN AMERICA: THE WINTER SOLDIER”. I understand why “GUARDIANS OF THE GALAXY” became such a success. It is a first-rate film that proved to be the gem of the summer. Thanks to Nicole Perlman and James Gunn’s screenplay, the movie expertly set up the movie’s narrative – first with Peter Quill’s kidnapping and later, his theft of the orb. Mind you, there is nothing particularly original about the narrative for “GUARDIANS OF THE GALAXY”. I cannot recall the numerous films or television productions about a group of outsiders who struggle to form an alliance or friendship in order to overcome an enemy or problem. Hell, this even sounds like the narrative backbone for “THE AVENGERS”. But I have never come across a movie or television that allowed this narrative to play out with such caustic wit and humor. Perlman and Gunn also did an excellent job in allowing the five protagonists to form both an alliance and later, a strong friendship, in a timely manner. In fact, friendship seemed to be the main theme of“GUARDIANS OF THE GALAXY”. And the focus of that friendship centered around the Peter Quill character, who abandoned one set of friends – the Ravengers under Yondu Udonta – that proved to be rather questionable, and formed a more solid friendship with his four new companions.

“GUARDIANS OF THE GALAXY” benefited from some very strong characterizations. Peter Quill – at first glance – seemed like some minor variation of the Tony Stark character. Although adept at defending himself in a fight, Quill never struck me as the aggressive type. I enjoyed how actor Chris Pratt portrayed him as someone who would prefer stealth and charm over action. Some of his facial reactions alone were a joy to watch. Gamora, the assassin who had been trained by Thanos . . . after he wiped out her family, proved to be a surprisingly moral character. In fact, I would say that she possessed the strongest moral center out of the five major characters. And that is an ironic thing to say about an assassin. Thankfully, Zoe Saldana did an excellent job of conveying Gamora’s moral center . . . and dangerous nature at the same time. I never thought I would become attached to a CGI animal described as a genetically-altered raccoon. But I must say that the character Rocket provided a great deal of sharp wit and verbosity that infused a lot of energy into the story. And a lot of that energy came from Bradley Cooper’s voice performance. Another dangerous, yet fascinating character proved to be the vengeful Drax the Destroyer. In fact, I can honestly say that Drax was probably the most chaotic character in Marvel’s Cinematic Universe. But what else can you say about a character who is not only seeking revenge, but does not understand the meaning of metaphors. And I have to say that professional wrestler-turned-actor Dave Batista did a marvelous job in portraying a ferocious, yet humorless character with such sharp comic timing. And finally we have – “I am Groot.”. Ah yes, the talking and walking tree. Rocket’s companion. What can I say? I adored that warm, compassionate and loyal walking piece of timber. And I have to give kudos to Vin Diesel, who only had one line to speak over again, throughout the movie, do so with different inflections.

But there were other interesting characters featured in “GUARDIANS OF THE GALAXY”. Audiences saw the return of Taneleer Tivan aka The Collector, who was last seen in “THOR: THE DARK WORLD”. And once again, Benicio del Toro gave an eccentric, yet very interesting performance of the interstellar collector. Nebula, who was raised as Gamora’s sibling by Thanos, certainly proved to be a character I will never forget. Although not the main villain, Nebula proved to be a scary and intimidating character in her own right, whose own ambiguity is dictated by feelings of jealousy toward Gamora. And actress Karen Gillian did an excellent job in conveying these aspects of Nebula’s character. Despite the presence of Thanos, the movie’s main villain proved to be a Kree fanatic named Ronan the Accuser. The fanatical Ronan refuses to accept a peace treaty between the Kree and the Nova Empire and seeks Thanos’ help in destroying Xandar. In the end, he proved to be something of a one-dimensional character lacking any eccentricities or ambiguities whatsoever. And honestly, one has to thank Lee Pace’s intense performance that managed to maintain my interest in Ronan. Another character that proved to be a minor disappointment was Korath, one of Ronan’s subordinates. And like Ronan, he also struck me as a bit one-dimensional, yet rather intense. However . . . the character had one scene that proved to be rather funny – his first meeting with Quill on Morag, in which he failed to recognized the latter’s nickname. And one has to thank Djimon Hounsou’s performance for making that scene work. It seemed a pity that Hounsou did not have a larger role in the film.

The characters from Xandar struck me as solid, but not particularly memorable. There were two exceptions – Corpsman Rhomann Dey, a professional member of Xandar’s military/police force and whose dry sense of humor strongly reminded me of S.H.I.E.L.D. Agent Phil Coulson; and Nova Prime Irani Rael, the slightly intimidating and righteous leader of the Nova Corps. And both John C. Reilly and Glenn Close gave outstanding performances in their roles. The most fascinating supporting character for me proved to be Yondu Udonta, the temperamental, yet occasionally decent leader of the Ravagers, who had served as Quill’s guardian after snatching him. There were times when I could not tell whether he was a bad guy, a good guy or simply another self-absorbed rogue after his own interest. And I must say that Michael Rooker gave a very entertaining and flamboyant portrayal of the character. I look forward to seeing him in future films.

I have to be honest. Most of the visual effects for “GUARDIANS OF THE GALAXY” did not blow my mind. But there were a few scenes that I found noteworthy. I liked the idea of the Nowhere outpost being set inside the floating head of a Celestial corpse. Very original. And the wide exterior shot of the colony upon the protagonists’ arrival is very impressive, as shown the following image:

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The scene was enhanced by Ben Davis’ photography. I also enjoyed his work in the movie’s final action sequence that featured Ronan’s attempt to destroy Xandar. Gunn’s direction, along with the visual effects made the scene breathtaking. To a certain degree. Some of the aerial action involving Rocket and the Nova Corps struck me as somewhat confusing. I also enjoyed Alexandra Byrne’s costumes, but like the visual effects, they did not take my breath away. I was not expecting anything out of the ordinary, but . . . I found them at best, solid.

The summer of 2014 proved to be very dismal for me, aside from a few films. One of those films that provided some realentertainment was “GUARDIANS OF THE GALAXY”. If it were not for the work of director James Gunn, the exciting and witty screenplay he co-wrote with Nicole Perlman and the first-rate performances from a cast led by Chris Pratt and Zoe Saldana, the 2014 summer could have ended on a bad note for me.

“STAR TREK INTO DARKNESS” (2013) Review

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“STAR TREK INTO DARKNESS” (2013) Review

Following the success of the 2009 movie, “STAR TREK”, producer/director J.J. Abrams continued the saga of this alternate STAR TREK with a sequel called “STAR TREK INTO DARKNESS”. This latest film not only continued the adventures of Starfleet Captain James T. Kirk and his crew, but also re-introduced a well-known villain from the franchise’s past. 

Written by Roberto Orci, Alex Kurtzman and Damon Lindelof, “STAR TREK INTO DARKNESS” begins a year following the events of the 2009 movie. The crew of the U.S.S. Enterprise has been ordered to observe the volcanic activities of Nibiru, a class “M” planet that serves as home for its primitive inhabitants. Unfortunately, Kirk and his crew violate the Federation’s Prime Directive by using a cold fusion device to deactivate the volcano. Worse, in order to fetch Spoke from the volcano’s depth, the Enterprise rises out of the planet’s ocean and is seen by the Nibirians. Upon the starship’s return to Earth, both Kirk and his first officer, Spock, are chewed out by Admiral Christopher Pike for violating the Prime Directive on Nibiru. Spock is reassigned to another starship and Kirk has lost command of the Enterprise and ordered to finish Starfleet Academy.

Meanwhile, a mysterious man offers a vial of blood to a Starfleet officer named Thomas Harewood in order to save the life of the latter’s dying daughter. In exchange, Harewood used the mysterious ring to blow up the Kelvin Memorial Archives (a secret Section 31 facility) on the mysterious man’s behalf. This new emergency leads Starfleet to assign Admiral Pike as commander of the Enterprise. Pike manages to convince Marcus to assign Kirk as his new First Officer. The bombing of the Kelvin Archives leads to a meeting of starship commanders ordered to hunt down the mysterious perpetrator, revealed as rogue Starfleet agent John Harrison. However, an attack upon the meeting by a jumpship piloted by Harrison leaves several Starfleet officers dead – including Pike. Admiral Marcus reinstates Kirk as commander of the Enterprise and orders the latter to hunt down Harrison to the Klingon homeworld, Kronos, and destroy the rogue agent’s base with 72 prototype photon torpedoes placed aboard the Enterprise. However, the manhunt for Harrison ends up providing a good deal of surprises for Kirk and his crew – including the revelation of Harrison’s true identity.

When I first saw “STAR TREK” four years ago, my initial response to J.J. Abrams’ reboot of the franchise had been . . . somewhat positive, yet slightly uneasy. A second viewing of the movie made me realize that it was a piece of crap, thanks to a script riddled with plot holes. I still maintained hope that this new sequel would prove to be a improvement. And it did . . . to a certain extent. The plot for “STAR TREK INTO DARKNESS” did not strike me as particularly original. Rogue Starfleet officers have been used in the franchise before – especially in “STAR TREK DEEP SPACE NINE” and the 1991 film, “STAR TREK VI: THE UNDISCOVERED COUNTRY”. The John Harrison character proved to be none other than Khan Noonien Singh, originally portrayed by Ricardo Montalban in an episode of “STAR TREK: THE ORIGINAL SERIES”and the 1982 movie, “STAR TREK II: THE WRATH OF KHAN”. In fact, the screenwriters not only used the Khan character, but also Dr. Carol Marcus and put a different spin on a famous scene from the 1982 movie. Khan/Harrison’s attack on Admiral Marcus’ meeting bore a strong resemblance to a scene from a “STAR TREK VOYAGER” episode called(2.14) “Alliances”.

Despite the lack of originality that seemed to permeate the film, I must admit that I enjoyed a good deal of it. I found the conspiracy that surrounded Khan’s connections to Admiral Marcus rather interesting. This was especially the case in the jumpship attack scene, the phaser fight on Kronos, Carol Marcus’ rescue of Doctor McCoy from one of the photon torpedoes and finally Kirk and Khan’s transportation to Admiral Marcus’ ship U.S.S. Vengeance via a “space jump”. These scene proved to be very exciting, thanks to Abrams’ excellent direction. The chemistry between Zachary Quinto and Zoë Saldaña as lovers Spock and Nyota Uhura seemed to have vastly improved from the 2009 film. Perhaps the emotions between the two characters seemed more two-way and genuine the second time around. The chemistry between Quinto and Chris Pine’s James Kirk seemed stronger than ever. Bruce Greenwood gave an intense and superb performance as Admirable Christopher Pike, even if I found the character’s faith in Kirk rather questionable. On the other hand, I found Peter Weller’s portrayal as the warmongering Admiral Marcus a bit hammy. And Simon Pegg’s Scots accent became slightly more bearable in this film. But I do feel that Karl Urban, John Cho and Anton Yelchin had less to do in this film, than they did in “STAR TREK”. Benedict Cumberbatch struck me as effectively ambiguous and sinister at the same time. However, if J.J. Abrams needed someone to portray the Indian-born Khan, why did he not consider another actor he had worked with in the past? Namely “LOST” alumni Naveen Andrews. He would have been perfect.

Do I consider “STAR TREK INTO DARKNESS” a vast improvement over “STAR TREK”? There are a good number of fans who view the first film as superior. I simply do not share this opinion. However, I would not exactly label “STAR TREK INTO DARKNESS” as one of the better movies for the summer of 2013. In fact, I view it slightly better than the first film . . . and nothing more.

However, this movie did have its share of problems. And one of them proved to be the film’s opening sequence on Nibiru, which found Kirk and Dr. McCoy being chased through some kind of forest by some of the planet’s inhabitants. Apparently, Kirk had stolen some sacred scroll to led the Nibirians away from the volcano. This tactic proved to be unnecessary, considering there were only two means to save the Nibirians – Spock’s cold fusion device into the volcano’s core, or the physical removal of the planet’s inhabitants. In other words, this chase scene proved to be completely irrelevant. Another aspect of this sequence that proved to be irrelevant was Spock’s protests against Kirk raising the Enterprise from the planet’s ocean floor and exposing it to the Nibirians. One, what was the Enterprise doing below the ocean? Why not simply allow it to orbit the planet? And the Enterprise does not have the ability to land on the ocean floor, let alone on solid ground. It was never the 23rd century version of the U.S.S. Voyager. And why was Spock complaining about Kirk violating the Prime Directive in regard to the Enterprise’s exposure, when he was violating it by saving the planet with the cold fusion device? I suspect his decision to save Nibiru may have been related to the loss of Vulcan in the first movie. But why did he even bother to protest against Kirk’s actions, when he was just as guilty? And by the way, what happened to Earth’s defense system? This movie is set in the mid 23rd century. There is a defense system for early 21st century Washington D.C. Why was there not one for mid 23rd century San Francisco, the main location for the Federation and Starfleet? Khan’s ship could have been easily destroyed before it had a chance to enter Earth’s atmosphere. I would go on about the photon torpedoes that harbored members of Khan’s crew. But I found this scenario too confusing to discuss.

There were other problems. Why did Khan risk his hide to fire at the room of Starfleet captains and Admiral Marcus, when he could have easily achieved his goal with a bomb? What happened to the situation on Kronos? Marcus had sent the Enterprise to Kronos in order to hunt down Khan and start a war against the Klingons. Kirk, Spock, Uhura and Khan’s encounter with the Klingons proved to be violent and especially deadly for the latter. But no war manifested after the incident on Kronos. In fact, the screenwriters and Abrams completely forgot about the Klingons once Admiral Marcus appeared aboard the Vengeance. Many critics complained about Alice Eve (who portrayed Carol Marcus) being shown in her underwear, accusing Abrams of exploiting the actress. Where were these same critics, four years ago, when both Zoë Saldaña (as Uhura) and an actress who portrayed Uhura’s roommate stripped down to undies in “STAR TREK”? I found both Khan and Admiral Marcus’ plans somewhat convoluted. But I was willing to . . . tolerate them. What I could not tolerate was the movie’s last twenty to thirty minutes. Apparently, the screenwriters and Abrams decided it would be cool to pay some kind of “homage” to the famous Spock death scene in “STAR TREK II: THE WRATH OF KHAN”. I wish to God they had not. I really do. I found it embarrassing to watch Kirk and Spock switch roles with the former sacrificing his life to prevent the Enterprise from crashing upon Earth. Listening to some of the titters from other members of the audience did not help. And when Zachary Quinto channeled William Shatner’s cry of “Khaaaannn!”, my inner mind screamed “Whhhhyyyy?” I have never been so embarrassed for any actor as I was for Quinto at that moment. To make matters worse – if that was possible – McCoy brought Kirk back to life by using Khan’s superpower blood. And all I can say is . . . “Whhhhyyyy?”

We come to the main problem of “STAR TREK INTO DARKNESS”. James T. Kirk. I had no problem with Chris Pine’s performance. But I am still wondering why his Kirk is in command of a top-of-the-grade starship. Why? He never finished Starfleet Academy. He never even finished his third year. Yet, Christopher Pike not only saw fit to give him command of the Enterprise at the end of “STAR TREK”, but also prevent Kirk from being sent back to the Academy to finish it. Even after watching “STAR TREK INTO DARKNESS”, it was plain to see that Kirk was not ready to be a starship commander. Yes, he sacrificed his life to save the Enterprise. Hell, anyone – crewman or officer – could have done this. It was Spock who discovered a way to damage the Vengeance . . . . and prevent it from destroying the Enterprise. He should be the one in command of the Enterprise, not Kirk. I wish I could say that Pike paid his decision to make Kirk a starship commander with his life. Unfortunately, Kirk’s command skills had nothing to do with his death. Only bad writing.

What else can I say about “STAR TREK INTO DARKNESS”? I found it somewhat more bearable than 2009’s “STAR TREK”. I found the movie’s photography and special effects rather impressive – except for the lens flares, which I despise. And the movie did feature some solid direction by J.J. Abrams and very solid performances from a cast led by Chris Pine and Zachary Quinto. But in the end, I was not that impressed by the movie. If I must be honest, the screenplay by Roberto Orci, Alex Kurtzman and Damon Lindelof nearly sunk it in the end. Better luck next time, fellas.

Favorite ALIEN INVASION Movies

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Below is a list of my favorite movies about alien invasions: 

FAVORITE ALIEN INVASION MOVIES

1-The Avengers

1. “The Avengers” (2012) – In what probably is one of my favorite movies of all time, various Marvel Comics heroes band together to battle an alien invasion led by Thor’s stepbrother, Loki. The movie featured superb writing and direction by Joss Whedon.

2-Avatar

2. “Avatar” (2009) – In this twist on the alien invasion genre, James Cameron produced, wrote and directed this visually stunning tale about a paraplegic ex-marine who becomes part of a unique science program on the moon of another planet and ends up helping the inhabitants of Pandora protect their world from human invaders. Sam Worthington and Zoe Saldana star.

3-Independence Day

3. “Independence Day” (1996) – Dean Devlin produced and Roland Emmerich directed this blockbuster about humanity facing an alien invasion during the Fourth of July weekend. Will Smith, Jeff Goldblum and Bill Pullman starred.

4-Battle - Los Angeles

4. “Battle: Los Angeles” (2011) – Aaron Eckhart and Michelle Rodriguez star in this surprisingly satisfying science-fiction thriller about a platoon of U.S. Marines battling invading aliens in Los Angeles.

5-War of the Worlds 2005

5. “War of the Worlds” (2005) – Steven Spielberg directed this excellent adaptation of H.G. Wells’ 1898 novel about a New Jersey man who tries to keep his family intact during an alien invasion. Tom Cruise starred.

6-Men in Black 3

6. “Men in Black 3” (2012) – Will Smith, Tommy Lee Jones and Josh Brolin starred in this entertaining third entry in the MEN IN BLACK franchise about Agent J’s effort to prevent an alien assassin from killing his partner in the past . . . and act that will allow the assassin’s species to invade Earth. Barry Sonnenfeld directed.

7-Cowboys and Aliens

7. “Cowboys and Aliens” (2011) – Daniel Craig and Harrison Ford starred in this entertaining adaptation of Scott Mitchell Rosenberg’s graphic novel about a New Mexico community in the 1870s, staving off an alien invasion. Jon Favreau directed.

8-Star Trek - First Contact

8. “Star Trek: First Contact” (1996) – Captain Jean-Luc Picard and the crew of the Enterprise-E travel to Earth’s past to prevent the Borg from assimilating Earth. Jonathan Frakes directed.

9-War of the Worlds 1953

9. “The War of the Worlds” (1953) – Gene Barry and Ann Robinson starred in this solid (and first) adaptation of H.G. Wells’ 1898 novel about Martians invading Earth. Byron Haskin directed.

“TAKERS” (2010) Review

 

“TAKERS” (2010) Review

Over a year ago, a crime thriller about a group of bank robbers operating in Los Angeles was released to the theaters with little fanfare and a great deal of scorn. Although “TAKERS” earned over twice its budget, it barely made a dent with filmgoers. Out of curiosity, I decided to see what the lack of fuss was all about. 

In a nutshell, “TAKERS” began with a successful bank robbery committed by a team of seasoned criminals – including Gordon Cozier, John Rahway, A.J., and brothers Jake and Jesse Attica. Following the success of their heist, the five lead a life of luxury while planning their next job. Unfortunately, a former member of their team named “Ghost” is released fromprison. He convinces the group to strike an armored car carrying $20 million. While the bank robbers carefully plot their strategy, a pair of L.A.P.D. police detectives named Jack Welles and Eddie Hatcher investigate their last job. Welles and Hatcher, aware of Ghost’s release, finally become aware of the five robbers, and set about apprehending them.

“TAKERS” is basically a run-of-the-mill crime drama filled with complex characters and fast-paced action sequences. The movie also unfolded a peak into the private lives of both the robbers and cops – culminating into a series of familial and romantic frustrations, betrayal, and loyalty. The screenplay written by Peter Allen, Gabriel Casseus, John Luessenhop and Avery Duff pretty much touched upon every topic one could find in a story about bank robbers – aside from the hostage situation featured in movies such as 1975’s “DOG DAY AFTERNOON” and 2006’s “INSIDE MAN”. If I must be honest, the story structure and characterizations in “TAKERS” strongly reminded me of Michael Mann’s 1995 opus, “HEAT”, but with less complexity. To a certain degree.

In a way, I could see why most reviewers and moviegoers failed to warm up to “TAKERS” – aside from the controversial presence of Chris Brown in the cast. It is not exactly an crime epic in compare to some of the other movies I have mentioned. Although Michael Barrett’s photography struck me as colorful and glossy, there was nothing unique about it. Some of the dialogue in the film seemed wooden and unmemorable. And I could tell that some of the inexperienced actors like Tip “T.I.” Harris had a little trouble handling it. One of the action sequences featured a shoot-out between the five bank robbers and Russian mobsters at Hollywood’s Roosevelt Hotel. Both Barrett and director John Luessenhop tried to be ambitious by shooting most of the sequence in slow motion, while maintaining the sound effects – dialogue included – at a regular pace. Paul Haslinger’s mournful score somewhat helped the sequence, but the screenwriters’ insipid dialogue nearly undermined it.

I realize that many might find this hard to believe, but “TAKERS” possessed virtues that managed to outweigh its flaws. One, it possessed a first-rate cast lead by the likes Idris Elba and Matt Dillon. Both actors were superb in their roles as British-born immigrant and current leader of the robbers Gordon Cozier and veteran L.A.P.D. detective Jack Welles. The movie also featured first-rate performances from Michael Ealy, Hayden Christensen, Marianne Jean-Baptiste, Jay Hernandez, Zoë Saldaña and yes, even Chris Brown. Paul Walker, Glynn Turman and Tip Harris gave solid support as well. I realize that I had been a little critical of Harris’ handling of some of the dialogue, but I must admit that his portrayal of the manipulative and vindictive “Ghost” really impressed me.

Aside from the Roosevelt Hotel shoot-out, “TAKERS” was filled with some outstanding action sequences, thanks to Luessenhop’s direction, Barrett’s photography and the editing of both Armen Minasian and Colby Parker, Jr. Some of the best sequences featured Hayden Christensen’s (A.J.) encounter with a double-crossing explosive dealer and his crew; the entire heist of an armored truck in downtown Los Angeles; and a chase sequence that featured Chris Brown, Jay Hernandez and Matt Dillon.

However, the one virtue that really made “TAKERS” work for me was the screenplay written by Luessenhop and three other writers. I realize that I might attract a good deal of flap of pointing this out, but the screenplay for “TAKERS”possessed one virtue that the highly regarded “HEAT” lacked – the minor plot lines featuring the some of the characters’ personal lives had strong connections to the movie’s main narrative. This prevented the movie’s pacing from dragging at an unnecessarily long pace.

Although “TAKERS” actually made a profit at the box, it was only able to do so, due to the movie’s low budget. Because otherwise, one might as well call it failure. Well, failure or not, I ended up enjoying “TAKERS” . . . much to my great surprise. It may not be one of the best crime dramas ever made, but I cannot deny that I found it entertaining, suspenseful and exciting.