Favorite Films Set in the 1900s

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Below is a list of my favorite movies (so far) that are set in the 1900s decade:

 

FAVORITE FILMS SET IN THE 1900s

1 - Howards End

1. “Howard’s End” (1992) – Ismail Merchant and James Ivory created this exquisite adaptation of E.M. Forster’s 1910 novel. The movie starred Oscar winner Emma Thompson, Anthony Hopkins, Helena Bonham-Carter, Samuel West and Oscar nominee Vanessa Redgrave.

2 - The Assassination Bureau

2. “The Assassination Bureau” (1969) – Oliver Reed, Diana Rigg and Telly Savalas starred in this delicious adaptation of Jack London’s unfinished novel about a woman journalist who uncovers an organization for professional assassins. Basil Dearden directed.

3 - A Room With a View

3. “A Room With a View” (1985-86) – Ismail Merchant and James Ivory created this excellent adaptation of E.M. Forster’s 1908 novel. The movie starred Helena Bonham-Carter, Julian Sands, Daniel Day-Lewis and Oscar nominees Maggie Smith and Denholm Elliot.

4 - Gigi

4. “Gigi” (1958) – Oscar winner Vincente Minelli directed this superb adaptation of Collette’s 1944 novella about a young Parisian girl being groomed to become a courtesan. Leslie Caron and Louis Jordan starred.

5 - The Illusionist

5. “The Illusionist” (2006) – Neil Burger directed this first-rate adaptation of Steven Millhauser’s short story, “Eisenheim the Illusionist”. The movie starred Edward Norton, Jessica Biel, Paul Giamatti and Rufus Sewell.

6 - The Great Race

6. “The Great Race” (1965) – Blake Edwards directed this hilarious comedy about a long-distance road race between two rival daredevils. The movie starred Jack Lemmon, Tony Curtis and Natalie Wood.

7 - Flame Over India aka North West Frontier

7. “Flame Over India aka North West Frontier” (1959) – Kenneth More and Lauren Bacall starred in this Imperial adventure about a British Army officer who serves as escort to a young Hindu prince being targeted by Muslim rebels. J. Lee Thompson directed.

8 - Meet Me in St. Louis

8. “Meet Me in St. Louis” (1944) – Judy Garland starred in this very entertaining adaptation of Sally Benson’s short stories about a St. Louis family around the time of the Louisiana Purchase Exposition World’s Fair in 1904. Vincente Minelli directed.

9 - The Golden Bowl

9. “The Golden Bowl” (2000) – Ismail Merchant and James Ivory created this interesting adaptation of Henry James’ 1904 novel about an adulterous affair in Edwardian England. The movie starred Uma Thurman, Nick Nolte, Kate Beckinsale and Jeremy Northam.

10 - North to Alaska

10. “North to Alaska” (1960) – John Wayne, Stewart Granger and Capucine starred in this surprisingly fun Western about how a mail-to-order bride nearly came between two partners during the Nome Gold Rush. Henry Hathaway directed.

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“THE GOLDEN BOWL” (2000) Review

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“THE GOLDEN BOWL” (2000) Review

I have never read any of Henry James’ literary works. Never. However, I have seen a few adaptations of his works. Some of them had been adapted by the production team of Ishmail Merchant and James Ivory. Aside from E.M. Forster, they must have been diehard fans of James. They had produced three adaptations of James’ novels, including the 2000 film, “THE GOLDEN BOWL”.

Based upon James’ 1904 novel, “THE GOLDEN BOWL” is a character study of an adulterous affair between an impoverished Italian prince named Amerigo and Charlotte Stant, an equally impoverished American young woman. The movie explores their affair and its impact upon their lives and the lives of their spouses – a father-and-daughter pair named Adam and Maggie Verver. The movie begins with Amerigo’s recent engagement to Maggie in London, July 1903. Amerigo and Charlotte, who were past lovers, visit A.R. Jarvis’ antique store in order for Charlotte to purchase a wedding gift for Maggie, who is an old school friend. Jarvis shows them an ancient bowl, carved from a single piece of crystal and embroidered with gold, he asserts is flawless. Charlotte is indecisive about buying it, and Jarvis offers to set it aside until she can make up her mind. Although Maggie’s aunt, Mrs. Fanny Assingham, is well aware of Amerigo and Charlotte’s past relationship, she suggests to Maggie that Charlotte would make the perfect second wife for Adam Verver some two years later. Concerned about her father’s possible loneliness, Maggie supports Fanny’s idea and eventually, Charlotte becomes her stepmother. Due to their irritation over the unusually close relationship between Maggie and Adam, Charlotte and Amerigo rekindle their affair at a country house party three years later. Although Fanny and her husband Bob Assingham become aware of the affair, they decide to main silence in order to protect Maggie from any personal pain. However, in the end, their efforts prove to be in vain.

This adaptation of James’ novel was not as well received as the 1972 BBC miniseries. Many critics claimed that the movie was not only inferior to the television production, but not as faithful to James’ novel. As I have stated in other reviews, complete faithfulness to a literary source is not needed for a successful film, television or stage adaptation. If the changes help a particular production, then I will have no problems with said changes. The problem with “THE GOLDEN BOWL” is that I have never read James’ novel. So, I cannot decide whether any changes made by screenwriter Ruth Prawer Jhabvala either improved or worsened James’ novel. How do I feel about the movie? Well . . . I rather liked it. Most of it. The older I get, the more I find it difficult to view adultery in fiction with any single-minded disapproval. I have to give credit to Jhabvala for portraying Charlotte and Amerigo’s affair with a good deal of maturity and complexity. Jhabvala made sure that audiences understood the couple’s passion for each other . . . well, Charlotte’s passion. The screenplay also conveyed the couple’s irritation with the Ververs’ close relationship and tendency to spend more time with each other, instead of their respective spouses. On the other hand, Jhabvala’s screenplay does not hesitate to express the negative aspects of the couple’s adultery – especially their careless behavior later in the story and the pain it causes Maggie when she becomes aware of it.

“THE GOLDEN BOWL” is a very beautiful looking film. I cannot deny this. The movie was filmed in both England and Italy. Tony Pierce-Roberts made good use of the locations, thanks to his sharp and colorful photography. But despite the movie’s lush color, I did not walk away feeling dazzled by his work. I believe my feelings stem from Pierce-Roberts’ limited use of exterior shots. On the other hand, I felt very impressed by Andrew Sanders’ production designs, which ably re-created the upper-class worlds of Edwardian Britain and Italy. He was able to achieve this effect with the help of Lucy Richardson’s art direction and Anna Pinnock’s set decorations. However, it was John Bright’s costume designs that really blew me away:

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And yet . . . there are aspects of “THE GOLDEN BOWL” that either did not appeal to me or rubbed me the wrong way. These negative feelings regarding the movie did not pop up until its last 20 to 30 minutes. In the movie, director James Ivory included brief scenes of a turn-of-the-century American city as a visual symbol of the Ververs’ hometown, “American City”. These brief scenes were also used to reflect Charlotte’s distaste for the United States and her fear of returning there. The problem is that I found these scenes very unnecessary and a rather heavy-handed literary device for American living during that period. The look on Uma Thurman’s face whenever someone mentioned the idea of her character returning to States seemed enough to me.

My real problem with “THE GOLDEN BOWL” is the strong hint of misogyny that seemed to mark the consequences that both Amerigo and Charlotte faced for their infidelity. It was bad enough that Fanny Assingham dumped most of the blame for the affair on Charlotte’s shoulders. But apparently, so did Henry James. In the end, Amerigo failed to suffer any consequences for his faithlessness. On the other hand, Charlotte did. She not only lost Amerigo, but Maggie convinced her husband (and Maggie’s father) to return to the United States to build his museum, taking Charlotte along, as well. One could say that Amerigo and Charlotte’s fates were the result of Maggie’s selfish desire to keep her husband. But when Amerigo failed to inform Charlotte that they had been found out and expressed contempt toward her failure to realize that Maggie knew about their affair, I became completely disgusted. Some claim that the latter never happened in James’ novel. Actually, it did. And I can never forgive James’ for his hypocrisy and obvious sexism. This struck me as a clear case of society blaming the woman for an adulterous affair.

“THE GOLDEN BOWL” featured some pretty solid performances and a few that really impressed me. Madeline Potter (an old Merchant-Ivory veteran), Peter Eyre, and Nicholas Day all gave solid performances. Although I would not regard their portrayals of the Assinghams as among their best, both Anjelica Huston and James Fox gave entertaining performances as the pair who seemed aware of the adulterous affair in this story. The chemistry between them struck me as surprisingly effective. Jeremy Northam gave a smooth and complex portrayal of the adulterous Italian prince torn between two American women. And I felt relief that his Italian accent – even if not genuine – did not bordered on the extreme. Kate Beckinsale’s handling of an American accent struck me as a little more genuine . . . but just a little. Her performance for most of the film seemed pretty solid. But once her character became aware of the affair, Beckinsale’s performance became more nuanced and skillful. Uma Thurman was excellent as the passionate, yet shallow Charlotte Stant Verver. Her Charlotte could have easily dissolved into a one-dimensional villainess. But thanks to Thurman’s performance, I saw a passionate woman, whose flaws proved to be her undoing. However, I believe that Nick Nolte gave the best performance in the film as Charlotte’s husband and Maggie’s father, Adam Verver. Superficially, Nolte portrayed the millionaire as a soft-spoken, yet friendly man with a knack of making people feel at home. But there were times – especially in the movie’s second half – in which Nolte kept audiences guessing on whether or not his character knew about the affair between Charlotte and Amerigo.

I would not regard “THE GOLDEN BOWL” as one of my favorite Ismail Merchant-James Ivory productions. But unlike some others, I certainly do not regard it as their worst. My one major complaint about the film was the ending of the Amerigo-Charlotte affair, which seemed to smack of sexism. And frankly, I blame Henry James. However, thanks to a first-rate cast, lush visuals and decent direction by Ivory, I thought it was a pretty decent and interesting film.

“PERCY JACKSON AND THE OLYMPIANS: The Lightning Thief” (2010) Review

“PERCY JACKSON AND THE OLYMPIANS: The Lightning Thief” (2010) Review

Last winter, I discovered there was another literary children’s fantasy franchise other than ”HARRY POTTER” that became a best seller. Well, I am certain there are more than two of these franchises that I am not aware of. But I certainly became aware of the PERCY JACKSON franchise when I saw the trailer for ”PERCY JACKSON AND THE OLYMPIANS: The Lightning Thief”.

The ”PERCY JACKSON AND THE OLYMPIANS” series had been created by a best-selling mystery writer named Rick Riordan. The novels centered around a New York City boy named Percy Jackson who discovered he was a demigod – the offspring of a mortal woman named Sally Jackson and the Greek god Poseidon. He also discovered that his best friend, a physically disabled young man named Grover Underwood was really a satyr assigned to be his protector.

This particular movie is an adaptation of the series’ first novel, ”The Lightning Thief”. Following the discovery of his true identity, a fury disguised as a substitute teacher attacked him during a field trip, while accusing him of stealing the powerful lightning bolt that belonged to his uncle – Zeus, the ruler of Mount Olympus and god of the sky and thunder. He also discovered that one of his other teachers – Mr. Brunner, was the centaur, Chiron at a place for demigods called Camp Half-Blood. His other uncle, Hades, informed Percy that he has his mother in captivity, and is willing to exchange her for Zeus’ lightning bolt. He also learned that he has two weeks to return the lightning bolt or a war will commence between Zeus and his father Poseidon – a war that might have negative repercussions on the mortal world. In the hopes that Hades can convince Zeus of his innocence of the theft, Percy sets out to find to find an entrance to the Underworld, along with three pearls that can help him make a quick exit from that domain. Grover and the demigod daughter of Athena named Annabeth Chase accompany him.

I did not harbor any high expectations before I saw ”PERCY JACKSON AND THE OLYMPIANS”. As I had stated earlier, I have never read any of Riordan’s novels. And considering it had been released during the pre-summer season, I did not expect to enjoy it very much. And yet . . . I did. Much to my surprise. I found the story to be an engaging and entertaining story filled with family drama, humor, actor and dazzling special effects. More importantly – at least for me – the movie’s running time seemed perfect. Not too short and not too long. I also enjoyed the three main characters’ encounters with a variety of characters from Greek mythology during their journey that included a Mintaur, Medusa, and the Lotus Eaters. Most importantly, Percy’s quest to find entry to the Underworld and the three pearls resulted in a travelogue that took the heroes from Manhattan to Los Angeles, via New Jersey, Nashville and Las Vegas. And I just love road trips in movies.

”PERCY JACKSON AND THE OLYMPIANS” does not have the same quality of special effects that had enhanced theHARRY POTTER films. Why did I mention HARRY POTTER? Well, the director of this movie, Chris Columbus, had also directed the first two HARRY POTTER films. And yet, PERCY JACKSON AND THE OLYMPIANS had a slightly more mature style. I suppose that was due to its main characters being four or five years older than the three mainHARRY POTTER characters in their early films. I understand that the Percy Jackson character was younger in the literary version of ”The Lightning Thief”. Since I have never read the novel . . . or intend to, I do not care.

The cast of ”PERCY JACKSON AND THE OLYMPIANS” struck me as pretty solid. Columbus did a good job in steering the actors through the movie. And Logan Lerman, who portrayed Percy, turned out to be better than I had expected. But aside from four performances, I found nothing exceptional about the cast. Who are these four exceptional performers? One of them turned out to be Uma Thurman, who gave a deliciously wicked performance as Medusa, the gorgon who used her eyes to turn humans and other beings into stone for her garden collection. I also enjoyed Steve Coogan’s rather wild and sexy take on the god, Hades. And I must say that I found him surprisingly sexy. And Rosario Dawson also gave a sexy performance as Persephone, the parthenogenic woman who became Hades’ bored and put upon consort in the Underworld. In fact, one of her sexiest moments occurred when she flirted with a very interested Grover. Speaking of Grover, Brandon T. Jackson gave a hilarious performance as the satyr who happened to be Percy’s best friend. I found him brave, resourceful, witty and an absolute hoot.

”PERCY JACKSON AND THE OLYMPIANS” was not the best fantasy film I have ever seen. In some ways, it came off as a poor man’s HARRY POTTER. This is especially apparent in the film’s depiction of Camp Half-Blood, the training camp located off Long Island for children with a Greek god as a parent. It looked so half-assed that I could only shake my head in disbelief. And its production values were certainly not of the same quality as any of the POTTER films or many others I can recall. But I found the movie enjoyable to watch and would have no qualms about seeing it again.