Five Favorite Episodes of “PERSONS OF INTEREST”: Season One (2011-2012)

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Below is a list of my top five favorite episodes from Season One of the CBS series, “PERSONS OF INTEREST”. Created by Jonathan Nolan, the series starred Jim Caviezel, Taraji P. Henson, Kevin Chapman and Michael Emerson: 

 

FIVE FAVORITE EPISODES OF “PERSONS OF INTEREST”: Season One (2011-2012)

1 - 1.13 Root Cause

1. (1.13) “Root Cause” – Harold Finch and John Reese clash with a mysterious hacker over the assassination of a U.S. congressman and the person framed for his murder.

2 - 1.04 Cura Te Ipsum

2. (1.04) “Cura Te Ipsum” – Finch and Reese tries to prevent a doctor (Linda Cardellini) from killing a serial stalker and murderer, who had killed her sister.

3 - 1.07 Witness

3. (1.07) “Witness” – Reese and Finch tries to protect a schoolteacher, who had witnessed a mob hit in Brighton Beach, who proves to be a lot more than he seems to be.

4 - 1.23 Firewall

4. (1.23) “Firewall” – Amy Acker guests stars as a psychologist, who might need protection from an organized group of corrupt police officers, hired to kill her.

5 - 1.10 Number Crunch

5. (1.10) “Number Crunch” – NYPD Detective Jos Carter becomes an ally of Finch and Reese, after she is approached by CIA operative Mark Snow to help her track down Reese, who has been wanted by U.S. government factions.

“DATE NIGHT” (2010) Review

“DATE NIGHT” (2010) Review

After watching the new comedy, ”DATE NIGHT”, I found myself amazed that its two stars – Steve Carell and Tina Fey – had never worked together. At least not before this movie. Both managed to become stars within the last five years. Both possessed a wry, yet off-the-world sense of humor that made their respective television series successful. So, why did it take them so long to work together? 

You know what? Who cares? I should thank my lucky stars that Carell and Fey had finally decided to co-star in this hilarious comedy. Directed by Shawn Levy, ”DATE NIGHT” told the story of a suburban couple named Phil and Claire Foster, suffering from a mid-life crisis in their marriage. They decided to renew their romantic juices by attending a new, upscale restaurant in Manhattan. When they failed to get a table on their own, the Fosters decide to pretend to be another couple named Tripplehorn that failed to appear for their reservation. The two are eventually mistaken as the Tripplehorns by a pair of corrupt police detectives, working for a local mobster. The detectives believed that the Fosters have a small computer flash drive that contains information on a politician with connections to the mobster. Hilarity ensued as the Fosters struggled to stay alive and get their hands on the flash drive in order to clear their names.

The main reason I seemed to be in shock over Steve Carell and Tina Fey is because I believe they had managed to work very well, together. Who am I kidding? While watching ”DATE NIGHT”, I felt as if I had stumbled across a dynamic new screen team. How these two managed not to work together for so many years in the past seemed like a great mystery. The miraculous thing about Carell and Fey’s screen chemistry is not only did their styles merged into comedy magic, both actors-comics did an excellent job in the movie’s one dramatic scene in which their characters – Phil and Claire – expressed pent-up frustrations over the pressures of family life and the diminishing romance in their marriage.

Carell and Fey were ably supported by solid performances from the rest of the cast. Mark Wahlberg was both sexy and humorous as Holbrooke Gran, former intelligence agent-turned-security expert that happened to be a former client of Claire’s. Taraji P. Henson gave a richly sardonic performance as N.Y.P.D. Detective Arroyo, whose help the Fosters tried to recruit. Common and Jimmi Simpson gave subtle, yet sinister performances as Detectives Collins and Armstrong, the corrupt detectives working for a local gangster named Joe Miletto. Ray Liotta gave his usual, hypertensive performance as local mob boss, Miletto. Aside from Carell and Fey, the real laughs also came from a hilarious William Fitchner as the corrupt and perverse District Attorney Frank Crenshaw, whose perversity turned out to be the movie’s catalyst. J.B. Smoove was hysterical as a Manhattan cab driver who inadvertently got drawn into a high speed chase involving the Fosters, the two corrupt detectives and the police. But James Franco and Mila Kunis were just as hilarious as the Tripplehorns, a pair of married low-life criminals whose restaurant reservations had been taken by the Fosters.

Another aspect of ”DATE NIGHT” that I enjoyed so much was the film’s screenplay written by Josh Klausner. Not only did I find it funny, but also well-written with plenty of strong characterizations. Klausner took a common malaise for many married couples and created a hilarious, yet exciting action-adventure. The plot touched upon a good number of topics – crime, sex, police corruption, political corruption, computer technology, love and marriage. And not only did Levy utilized his talented cast and Klausner’s script with great skill, he also provided the movie with sight gags that left me in stitches. One such scene involved the Fosters’ initial escape from the corrupt detectives at a Central Park boathouse. Another featured the Fosters’ attempt to implicate District Attorney Crenshaw at one of Miletto’s local whorehouses.

I am trying to recall a flaw or two that I may have spotted in the movie. If I must be frank, I cannot think of one at the moment. If anyone can recall one, please let me know. Regardless of whether there are any flaws I may have overlooked,”DATE NIGHT” turned out to be one of the funniest movies I have seen in recent years. More importantly, it just might serve as the beginning of a hilarious screen team in the form of Steve Carell and Tina Fey.

“THE CURIOUS CASE OF BENJAMIN BUTTON” (2008) Review

“THE CURIOUS CASE OF BENJAMIN BUTTON” (2008) Review

Based upon F. Scott Fitzgerald’s 1921 short story, ”THE CURIOUS CASE OF BENJAMIN BUTTON” tells the story of a New Orleans man named Benjamin Button who ages backward from 1918 to 2003 with bizarre consequences. The movie was directed by David Fincher and starred Brad Pitt, Cate Blanchett and Taraji P. Henson.

Judging from an article I had read, it is clear that this movie was more or less a loose adaptation of Fitzgerald’s short story. Aside from the premise of a man aging backwards, there are many differences between the two versions. The main differences center around the fact that in the literary version, Benjamin Button is born physically and mentally as an old man (asking for a rocking chair), and dies physically and mentally young. In the film, Benjamin is born physically old, but with the mental capacity of a newborn; and dies physically young, although his mind aged normally throughout his life. Aside from the dynamics of the main character, the setting changes from mostly late nineteenth century Baltimore in the novel, to mostly twentieth century New Orleans. Also Benjamin’s literary wife is named Hildegarde Moncrief, the daughter of a respected Civil War general, to whom he eventually becomes less attracted. Benjamin’s love in the movie is Daisy Fanning, the granddaughter of one of the tenants at the elderly nursing home where he lives with his black adoptive mother, Queenie.

I found ”THE CURIOUS CASE OF BENJAMIN BUTTON” to be a technical wonder. I was very impressed by the film’s use of the CGI effects created by a team supervised by Burt Dalton. The movie’s other technical aspects – costume design by Jaqueline West, the art direction, Victor J. Zolfo’s set decorations, and the cinematography by Claudio Miranda – were first-class. I was especially impressed by how Miranda photographed New Orleans in the movie. With the movie’s art direction, the cinematographer did an excellent capturing the rich atmosphere and charm of the Big Easy. And I was especially impressed by the way he filmed 1918 New Orleans through the use of a sepia color for the movie’s prologue that centered on a clockmaker. And director David Fincher did an excellent job in utilizing the movie’s New Orleans setting and technical effects. If only he could have done something about the script . . . and the movie’s pacing.

Do not get me wrong. I am not saying that ”THE CURIOUS CASE OF BENJAMIN BUTTON” is a bad movie. Far from it. Not only can it boast a first-class production design, but also an excellent cast led by Brad Pitt. I have been a fan of Pitt’s since I first saw him in a movie I would love to forget – ”COOL WORLD”. But I do feel that he has a tendency to be slightly theatrical. It almost seems as if his acting style was more suited for the stage than in front of a camera. However, he does know how to be subtle when the role calls for it. And his portrayal of Benjamin Button is quite subtle. The character does not seemed to develop much – even following the deaths of his blood father, Thomas Button (Jason Flemyng) and his foster mother Queenie (Taraji P. Henson). It took his romantic problems with Daisy (Cate Blanchett) between the mid 1940s and the 1950s, and the realization that he would soon be too young to help raise his daughter Caroline that led his character to assume dimensions that were lacking earlier in the film. Despite this last minute development of the character, I must admit that Pitt gave one of his better performances in his career.

Pitt was ably supported by Cate Blanchett, who portrayed the love of his life – Daisy Fanning. Mind you, I found her character rather shallow at first. I could dismiss this simply as a case of her being young at the time. But there seemed to be lacking something in Daisy’s character that Blanchett’s excellent performance could not overcome. Quite frankly, I did not find her that interesting. Screenwriter Eric Roth (”FOREST GUMP”) tried to inject some angst into her character by having her fall victim to a car accident in Paris that cut short her dancing career. But I could not buy it. I am sorry, but Daisy did not really become interesting to me until she was forced to raise Caroline without Benjamin, and later take care of him before his death. But Blanchett gave it all she could. Without her, Daisy could have been a disaster – at least for me.

The other supporting characters were excellent. Oscar winner Tilda Swinton gave a poignant performance as Elizabeth Abbott, the wife of a British spy whom Benjamin meets and has an affair with in Russia before the Pearl Harbor attack. Jared Harris was colorful and funny as Captain Mike, the commander of the tugboat that Benjamin works for during the 1930s and early 40s. Julia Ormond, whom I have not seen in ages, gave solid support as the adult Caroline. So did Mahershalalhashbaz Ali as Queenie’s husband, Tizzy and Jason Flemyng as Thomas Button, Benjamin’s brother. But I have to say something about Taraji P. Henson. She portrayed Queenie, an attendant at the New Orleans nursing home who adopts Benjamin as her own. I loved her performance. She was colorful, tough, funny, sharp and pretty much the emotional center of the whole damn film. And it seemed a shame that she did not receive a Golden Globe nomination for her performance.

The first thing I had noticed about ”THE CURIOUS CASE OF BENJAMIN BUTTON” was that it strongly reminded me of the 1994 Oscar winning film, ”FOREST GUMP”. In fact, I even nicknamed the movie, ”a backwards ”FOREST GUMP” . And judging from the fact that this movie’s screenwriter, Eric Roth, had also written the 1994 film, I should not have been surprised. But whereas the main tone for ”FOREST GUMP” seemed to be one of historical whimsy, ”BENJAMIN BUTTON” seemed melancholy – especially in the movie’s last hour. The themes of aging and mortality seemed to permeate the movie like a black shroud. Considering the movie’s theme and the fact that Benjamin spent his early years in the company of the elderly, it seemed surprisingly appropriate. And at least it gave the movie its main theme. Without this theme of aging and mortality, the movie could have easily been reduced to a 166 minute film with nothing but a gimmick.

But as much as I liked ”THE CURIOUS CASE OF BENJAMIN BUTTON”, it has some flaws. The movie’s main flaws, at least for me, turned out to be – ironically – the script by Eric Roth and the movie’s pacing. Now I realize that movies that cover a span of years or decades tend to run up to at least two-and-a-half to three hours. But did the pacing of this film have to be so goddamn slow? I realize that Fincher wanted to give the movie a Southern atmosphere, considering its setting, but I feel that he went a bit too far. By the time Daisy gave birth to Caroline in the movie’s second half, I found myself screaming for the movie to end. As for the screenplay, Roth filled it with moments and plot points that dragged the film needlessly. I never understood why the movie’s ”present day”, which featured a dying Daisy telling Caroline about Benjamin, was set during the outset of Hurricane Katrina. What was the point? In the end, the hurricane had nothing to do with the story. And although I found Benjamin’s affair with Elizabeth Abbott rather charming at times, I had some problems with it. The sequence started out well with the circumstances of their first meeting. But the buildup to their affair and eventual parting seemed longer than necessary. The one sequence that really irritated me featured Daisy’s accident in Paris. All Roth had to do was featured her encounter with a Parisian taxicab, Benjamin’s trip to Paris and their meeting in a hospital. But . . . no. Instead, Roth wrote this contrived scene that featured little moments from various strangers that led to Daisy being struck by the taxi. It seemed so ridiculous that I nearly groaned in agony.

Despite its flaws – and this movie certainly had plenty – ”THE CURIOUS CASE OF BENJAMIN BUTTON” turned out to be a first-class period piece with an interesting premise of a man aging backward. Although this premise could have reduced the movie to nothing more than a gimmick, the topic of aging and mortality lifted the movie to an interesting, yet sad tale filled with emotional moments, great cinematography and solid acting, especially from Brad Pitt.  The movie ended up receiving both Golden Globe and Academy Award nominations during last year’s award season.  I still do not know whether it deserved these accolades or not. But I must admit that it was one of the top twenty (20) movies I had seen in 2008.