“A POCKETFUL OF RYE” (1985) Review

photo.Miss-Marple-Une-poignee-de-seigle.54675

“A POCKETFUL OF RYE” (1985) Review

There have been two adaptation of Agatha Christie’s 1953 novel, “A Pocket Full of Rye”. Well . . . as far as I know. I have already seen the recent adaptation that aired on ITV’s “AGATHA CHRISTIE’S MARPLE” series in 2009. Recently, I watched an earlier adaptation that aired on the BBC “MISS MARPLE” series in 1985.

Directed by Guy Slater, this earlier adaptation starred Joan Hickson as the story’s main sleuth, Miss Jane Marple. The story begins in the London office of financier Rex Fortescue, who suddenly dies after drinking his morning tea. At first suspicion falls upon the employees of Fortescue’s firm. But the police coroner discovers that Fortescue had died from taxine, n alkaloid poison obtained from the leaves or berries of the yew tree. Due to this discovery, Detective-Inspector Neele realizes that someone within the Foretescue household may have poisoned the financier during breakfast. Suspicion falls upon Fortescue’s second and much younger wife, Adele after Neele learns of her affair with a local golf pro at a resort. However, Adele is murdered during tea, via poison. Even worse, a third victim, a maid named Gladys Martin, is found in the garden, strangled to death and with a peg on her nose. After Adele and Gladys’ murders are reported by the media; Miss Marple, who used to be Gladys’ employer, pays a visit to the Fortescue home to discover the murderer’s identity among the list of suspects:

*Percival Fortescue – Rex’s older son, who was worried over the financier’s erratic handling of the family business
*Jennifer Fortescue – Percival’s wife, who disliked her father-in-law
*Lance Fortescue – Rex’s younger son, a former embezzler who had arrived home from overseas on the day of Adele and Gladys’ murders
*Patricia Fortescue – Lance’s aristocratic wife, who had been unlucky with her past two husbands
*Mary Dove – the Fortescues’ efficient and mysterious housekeeper
*Vivian Dubois – Adele’s lover and professional golf instructor
*Aunt Effie Ramsbottom – Rex’s fanatically religious ex-sister-in-law

Despite Inspector Neele’s initial inclination to dismiss the elderly Miss Marple, he comes to appreciate her help in solving the three murders.

I like “A POCKETFUL OF RYE”. I like it a lot. I have always been a fan of Christie’s 1953 novel. And if I must be honest, I also enjoyed the 2009 adaptation, as well. Originally, one would be inclined to believe that this earlier adaptation is more faithful to Christie’s novel. Surprisingly, it is not. Screenwriter T.R. Bowen eliminated at least three characters from the novel and changed the murderer’s fate in the end. Otherwise, this adaptation was pretty faithful. But it is not its faithfulness to Christie’s novel that made me enjoy this production. I have read plenty of first-rate novels that translated badly to the television or movie screen. Fortunately, “A POCKETFUL OF RYE” does not suffer from this fate. At least not too much.

Overall, “A POCKETFUL OF RYE” is an entertaining and solid story that left me intrigued. It is also one of the few Christie stories in which the revelation of the murderer’s identity left me feeling very surprised . . . and a little sad. However, even sadder was the third murder . . . that of Gladys Martin. She was the only one of the three victims that was likable. Not only did I find her death sad, but also cruel. But it was also good drama. The movie also featured some strong characterization that I believe enhanced the story. Between the interactions between the members of the Fortescue family members, the interactions between Miss Marple and Inspector Neele, and the interaction between the latter and his assistant Sergeant Hay; this production reeked with strong characterization.

“A POCKETFUL OF RYE” did have its problems. One, I thought the movie’s pacing dragged a bit, following the death of Rex Fortescue. And because of this, the story took its time in reaching Miss Marple’s arrival at the Fortescues’ home. Another problem with Bowen’s script is that it strongly hinted the killer’s identity before Miss Marple could to the police. This problem has been a problem with the Joan Hickson movies throughout its run. For me, the real problem with “A POCKETFUL OF RYE” proved to be the killer’s fate. Apparently, Bowen and director Guy Slater decided that Christie’s version of what happened to the murderer was not enough. Instead, they decided to kill off the murderer in a convoluted manner via a traffic accident. Frankly, I found Christie’s original version more emotionally satisfying.

I certainly had no problem with the movie’s performances. Joan Hickson was top-notch as usual, as Jane Marple. I also enjoyed Tom Wilkinson’s very entertaining performance as Inspector Neele. I find it hard to believe that it took another 13 years or so for him to achieve stardom. There were three other performances that I truly enjoyed. One came from Rachel Bell, who was first-rate in her portrayal the victim’s enigmatic daughter-in-law. Selina Cadell’s portrayal of housekeeper Mary Dove proved to be just as enigmatic and impressive. Both Peter Davidson and Clive Merrison gave interesting performances as the two Fortescue brothers, Lance and Percival, who seemed such complete opposites of one another. I also enjoyed Fabia Drake, who gave an excellent performance as the victim’s religious, yet observant sister-in-law, Effie Ramsbottom. The movie also featured solid performances from Timothy West (whose appearance was sadly too brief), Annette Badland, Stacy Dorning, Jon Glover, Frances Low and Martyn Stanbridge.

“A POCKETFUL OF RYE” proved to be an entertaining and solid adaptation of Christie’s novel, thanks to director Guy Slater and screenwriter T.R. Bowen. The movie also featured excellent performances from a cast led by the always incomparable Joan Hickson. However, I do feel that the movie was somewhat marred by a slow pacing in the middle of the story and an early and unsatisfying revelation of the killer’s identity. Oh well. At least “A POCKETFUL OF RYE” was not a bust or even mediocre.

Advertisements

“THE MURDER OF ROGER ACKROYD” (2000) Review

8794_7_large

 

“THE MURDER OF ROGER ACKROYD” (2000) Review

As many fans of Agatha Christie are aware, one of her most highly acclaimed and controversial novels is “The Murder of Roger Ackroyd”. I had checked the Internet to see how many adaptations had been made from well-regarded tale. I was surprised to learn there were at least seven adaptations, considering its difficult plot twist. The third to the last adaptation proved to be the last adaptation was the 103-minute television movie that aired on ITV’s “AGATHA CHRISTIE’S POIROT” in 2000.

“THE MURDER OF ROGER ACKROYD” seemed like your typical Christie novel. After retiring to the small village of King’s Abbott, Belgian-born detective Hercule Poirot stumbles across a mystery in which an old friend of his, an industrialist named Roger Ackroyd has been murdered. Sometime earlier, another friend of Ackroyd, a widow named Mrs. Ferrars, had committed suicide when she is suspected of killing her husband. Another murder occurs before Poirot, with the help of Chief Inspector Japp and local physician Dr. James Sheppard, solves the murder.

Screenwriter Clive Exton made some changes to Christie’s novel. He deleted a few characters, changed Poirot’s relationship with Ackroyd from simply neighbor to old friend, and added Chief Inspector Japp to the cast of characters. This last change greatly affected the story’s narrative. Christie’s novel was narrated by the Dr. Sheppard character. By having Japp replace him as Poirot’s closest ally, Exton nearly made Dr. Sheppard irrelevant. Exton ended up doing the same to a character in 2001’s “MURDER IN MESOPOTAMIA”, when he added Arthur Hastings to the story, allowing the story’s true narrator, Nurse Amy Leatheran to become irrelevant. However, the addition of Japp to “THE MURDER OF ROGER ACKROYD” transformed Christie’s story from a unique tale, to something . . . well, rather typical. With the addition of Japp, the story became another typical Christie murder mystery set in a small village. Pity.

I also believe that Exton damaged Christie’s original narrative even further with other major changes. One, he revealed major hints of the killer’s identity before Poirot could expose the former. And once the killer was exposed, audiences were subjected to a theatrical and rather silly chase scene throughout Ackroyd’s factoy, involving the police. And if I must be honest, I found myself wondering why on earth Poirot had decided to retire as a detective and move to the country in the first place. How long had he been gone before his reunion with Chief Inspector Japp?

Was there anything I like about “THE MURDER OF ROGER ACKROYD”? I thought it was a tasteful movie, thanks to Rob Harris’ production designs that beautifully recaptured rural England in the mid-1930s. His work was ably complimented by Katie Driscoll’s art direction, and Charlotte Holdich’s costume designs. In fact, I can honestly say that the latter did a first-rate job in not only creating costumes for that particular era, but specifically for each character. Although some of Exton’s narrative changes robbed the story of its famous plot twist and featured a badly-handled revelation of the murderer, I will give kudos to the screenwriter for creating a plausible murder mystery that made it somewhat difficult for any viewer not familiar with Christie’s novel, to guess the killer’s identity . . . to a certain point.

The movie also featured some solid performances. David Suchet gave his usual competent performance as Hercule Poirot. He had one rather amusing scene in which the Belgian detective struggled with the vegetable marrows in his garden. I could say the same about Philip Jackson’s performance as Inspector Japp. Both Oliver Ford-Davies and Selina Cadell were amusing as the much put upon Dr. James Sheppard and his very nosy sister, Caroline. I read somewhere that the Caroline Sheppard character may have been a forerunner of the Jane Marple character. Malcolm Terris gave a very emotional performance as the story’s victim, Roger Ackroyd. Both Daisy Beaumont and Flora Montgomery were also effectively emotional as Ursula Bourne and Flora Ackroyd (the victim’s niece) – the two women in the life of Ralph Paton, Ackroyd’s stepson and major suspect. Speaking of the later, Jamie Bamber gave a solid performance as Ralph. But honestly, he did not exactly rock my boat. However, I was impressed by Roger Frost’s portrayal of Ackroyd’s butler, Parker. I thought he did a very good job in portraying the different aspects of the competent, yet rather emotional manservant.

Looking back, I really wish that Clive Exton had maintained Christie’s narrative style for this television adaptation of her 1926 novel. I believe it could have been possible. By changing the narrative style and adding the Chief Inspector Japp character to the story, Exton transformed “THE MURDER OF ROGER ACKROYD” from a unique story to a typical Christie murder mystery. Pity.