Five Favorite Episodes of “UNDERGROUND” Season One (2016)

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Below is a list of my five favorite episodes from the WGN series, “UNDERGROUND”. Created by Misha Green and Joe Pokaski, the series stars Jurnee Smollett-Bell and Aldis Hodge:

FIVE FAVORITE EPISODES OF “UNDERGROUND” SEASON ONE (2016)

1 - 1.05 Run and Guns

1. (1.05) “Run & Gun” – The attempt by the escapees from the Macon plantation to catch a northbound train out of the state is complicated at every turn; while Tom and Susanna Macon have the remaining slaves – especially Pearly Mae, who was captured while trying to run – questioned about their plans.

2 - 1.09 Black and Blue

2. (1.09) “Black & Blue” – One of the escapees, former house slave Rosalee, is captured in a small Kentucky town and held at a slaughter house, while fellow escapees Noah and Cato plot to rescue her. Underground Railroad agent John Hawkes (who is also Tom Mason’s brother) learns of his wife Elizabeth’s reckless action to save the orphaned escapee Boo from her ex-fiancé and U.S. Federal Marshal Kyle Risdin.

3 - 1.04 Firefly

3. (1.04) “Firefly” – A notorious slave hunter named August Pullman and his son Ben track Noah and Rosalee, following their escape from the Macon plantation at the end of the previous episode. The other slaves involved in Noah’s plot contemplate running, as well. Meanwhile, John and Elizabeth face a lethal predicament, when one of the runaways they are sheltering turns hostile.

5 - 1.01 Macon Seven

4. (1.01) “The Macon 7” – In the series premiere, Noah begins to plot an escape from the Macon plantation to the Ohio River and free states. He contemplates on choosing which slaves to be included in his plan, while dealing with a hostile Cato, who also happens to be one of the plantation field drivers.

4 - 1.07 Cradle

5. (1.07) “Cradle” – This episode featured a collection of vignettes about the younger characters – all children – facing the harsh realities of the world in antebellum America.

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The 19th Century in Television

Recently, I noticed there have been a good number of television productions in both North America and Great Britain, set during the 19th century. Below is a list of those productions I have seen during this past decade in chronological:

THE 19TH CENTURY IN TELEVISION

1. “Copper” (BBC America) – Tom Fontana and Will Rokos created this series about an Irish immigrant policeman who patrols Manhattan’s Five Points neighborhood during the last year of the U.S. Civil War. Tom Weston-Jones, Kyle Schmid and Ato Essandoh starred in this 2012-2013 series.

2. “The Crimson Petal and the White” (BBC) – Romola Garai starred in this 2011 miniseries, which was an adaptation of Michel Faber’s 2002 novel about a Victorian prostitute, who becomes the mistress of a powerful businessman.

3. “Death Comes to Pemberley” (BBC) – Matthew Rhys and Anna Maxwell-Martin starred in this adaptation of P.D. James’ 2011 novel, which is a murder mystery and continuation of Jane Austen’s 1813 novel, “Pride and Prejudice”.

4. “Hell on Wheels” (AMC) – This 2012-2016 series is about a former Confederate Army officer who becomes involved with the construction of the First Transcontinental Railroad during the years after the Civil War. Anson Mount, Colm Meaney, Common, and Dominique McElligott starred.

5. “Mercy Street” (PBS) – This series follows two volunteer nurses from opposing sides who work at the Mansion House Hospital in Alexandria, Virginia during the Civil War. Mary Elizabeth Winstead, Josh Radnor and Hannah James.

6. “The Paradise” (BBC-PBS) – This 2012-2013 series is an adaptation of Émile Zola’s 1883 novel, “Au Bonheur des Dames”, about the innovative creation of the department story – only with the story relocated to North East England. The series starred Joanna Vanderham and Peter Wight.

7. “Penny Dreadful” (Showtime/Sky) – Eva Green, Timothy Dalton and Josh Harnett star in this horror-drama series about a group of people who battle the forces of supernatural evil in Victorian England.

8. “Ripper Street” (BBC) – Matthew Macfadyen stars in this crime drama about a team of police officers that patrol London’s Whitechapel neighborhood in the aftermath of Jack the Ripper’s serial murders.

9. “Underground” (WGN) – Misha Green and Joe Pokaski created this series about runaway slaves who endure a long journey from Georgia to the Northern states in a bid for freedom in the late Antebellum period. Jurnee Smollett-Bell and Aldis Hodge star.

10. “War and Peace” (BBC) – Andrew Davies adapted this six-part miniseries, which is an adaptation of Leo Tolstoy’s 1865–1867 novel about the impact of the Napoleonic Era during Tsarist Russia. Paul Dano, Lily James and James Norton starred.

The UNDERGROUND RAILROAD in Television

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Recently, the WGN Network began airing a new series about a group of Georgia slaves who plan and conduct a daring 600 miles escape to freedom in the Northern states called “UNDERGROUND”. However, it is not the first television production about American slaves making a bid for freedom. Below is a list of previous productions that I have seen over the years:

 

 

THE UNDERGROUND RAILROAD IN TELEVISION

“A WOMAN CALLED MOSES” (1978) – Cicely Tyson starred in this two-part miniseries adaptation of Marcy Heidish’s 1974 novel about the life of escaped slave-turned Underground Railroad conductor/activist Harriet Tubman during the years before the Civil War. The miniseries’ first half focused on Tubman’s years as a Maryland slave and her escape to freedom in December 1849. The second half focused on her years as a conductor with the Underground Railroad. Paul Wendkos directed.

 

 

“THE LIBERATORS” (1987) – Robert Carradine and Larry B. Scott portrayed Virginia-born abolitionist John Fairfield and Bill, the escaped slave of the former’s uncle; who become conductors for the Underground Railroad. After the former helps the latter escape from Virginia, the pair reunite nearly a year later to rescue the relatives of African-American freedmen living in the North. Kenneth Johnson directed.

 

 

“RACE TO FREEDOM: THE UNDERGROUND RAILROAD” (1994) – Janet Bailey and Courtney B. Vance starred in this cable television movie about a group of slaves who risk their lives to escape from their master’s North Carolina plantation to Canada, following the passage of the Compromise of 1850. Look for the surprise twist at the end. The movie co-starred Glynn Turman, Dawnn Lewis, Michael Riley, Falconer Abraham, and Ron White. Don McBrearty directed.

 

 

august and annalees

“THE JOURNEY OF AUGUST KING” (1995) – Jason Patric and Thandie Newton starred in this adaptation of John Ehle’s 1971 novel about an early 19th century farmer in North Carolina, who finds himself helping a runaway slave, while on his way home from the market. Co-starring Larry Drake and Sam Waterston, the movie was directed by John Duigan.

 

 

“CAPTIVE HEART: THE JAMES MINK STORY” (1996) – Lou Gossett Jr. and Kate Nelligan portrayed a Canadian mixed race couple who sought a husband for their only daughter, Mary. The latter ends up marrying a Northern American. Upon their arrival in the United States, he sells her to a Virginian slave dealer and she ends up as a slave in that slave. After Mary manages to send word to her parents, Mr. and Mrs. Mink set out for Virginia to organize a rescue of their daughter with the help of the Underground Railroad. Bruce Pittman directed.

 

 

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Four of the productions on this list – “A WOMAN CALLED MOSES”, “RACE TO FREEDOM: THE UNDERGROUND RAILROAD”, “THE JOURNEY OF AUGUST KING”, and “CAPTIVE HEART: THE JAMES MINK STORY” can be found on DVD. Only “THE LIBERATORS” has not been released on DVD. In fact, I do not know if it has ever been released on VHS.

 

“AGENTS OF S.H.I.E.L.D.” and the Disappointment of Season Two (2014-2015)

“AGENTS OF S.H.I.E.L.D.” AND THE DISAPPOINTMENT OF SEASON TWO (2014-2015)

I might as well put my cards on the table. I did not like Season Two of “AGENTS OF S.H.I.E.L.D.”. In fact, I almost despised it. But what I despised even further is this belief among television viewers and critics that Season Two was an improvement over the series’ first season. This told me that today’s society has no real concept of what constitutes good or bad storytelling.

After the Season One finale, (1.22) “Beginning of the End”, first aired, I made a prediction that the producers and writers would respond to the complaints about the show’s slow storytelling and give them what they want in the following season. When I first saw the Season Two premiere, (2.01) “Shadows”, I saw to my disappointment that Joss Whedon’s Mutant Enemy, Marvel and Disney did exactly that. “Shadows” was a travesty for me. But the worst was yet to come. By the time the series’ mid-season finale (2.10) “What They Become” had aired, I was ready to throw in the towel for this series. So, what kept me watching “AGENTS OF S.H.I.E.L.D.” after that horrible mid-season episode? My family. By this time, the members of my family had become regular viewers of the show. However, I did my level best to ignore as many episodes as I could. Unfortunately, I was unable to ignore most of the episodes that made up the second half of the show.

Where there any aspects of Season Two of “AGENTS OF S.H.I.E.L.D.” that I liked? There were some performances that impressed me. Both Reed Diamond and Dichen Lachman made first-rate villains as former HYDRA commander Werner Reinhardt aka Daniel Whitehall and the Inhumans’ leader Jiaying. I suppose I have to give some credit to Mutant Enemy and Marvel/Disney for promoting Henry Simmons (Alphonso “Mack” MacKenzie) to series regular, despite getting rid of B.J. Britt (Antoine Triplett) and maintaining J. August Richards (Mike Peterson aka Deathlok) as a recurring cast member. This show’s attitude toward non-white characters and performers is still bad enough to make my stomach turn. And there are at least four episodes that I managed to really enjoy this season, namely:

(2.04) “Face My Enemy” – Agent Melinda May is kidnapped and a HYDRA impersonator takes her place in order in order to lure S.H.I.E.L.D. Director Phil Coulson into a trap. This episode first introduced the brainwashed Kara Palamas aka Agent 33.

(2.15) “One Door Closes” – This episode featured flashbacks on how agents like Alfonso MacKenzie, Bobbi Morse and especially Robert Rodriguez survived the fall of S.H.I.E.L.D., while serving aboard one of the agencies’ aircraft carriers and formed their own S.H.I.E.L.D. faction.

(2.17) “Melinda” – Once again, Agent May is the focus. In this episode, she looks into Coulson’s actions as S.H.I.E.L.D. director, while in control of the agency’s main base. This episode also flashed back to how her first encounter with the Inhumans led to a great deal of trauma for her.

(2.21-2.22) “S.O.S.” -The two S.H.I.E.L.D. teams, now under Coulson’s leadership, try to prevent Jiaying from destroying the agency and mankind. Meanwhile, Bobbi Morse is held hostage by Grant Ward and Kara Palamas in order to coerce her into confessing her actions as a S.H.I.E.L.D. mole within HYDRA.

It is a miracle that I actually managed to enjoy three of this season’s twenty-two episodes without being disgusted, bored or pissed off. Why? Because there is a good deal of Season Two that I heartily disliked. One, I disliked the change in the series’ storytelling. I disliked how Joss Whedon, Jed Whedon, Maurissa Tancharoen seemed more interested in providing as much action as possible, without any real consideration toward the series’ narrative. There have been complaints about the series’ convoluted writing for the past season. But most fans and critics have not been listening or paying attention. Even the season finale, “S.O.S.” reflected this penchant to stuff as much action as possible. I found it unnecessary for the writers to include two major story arcs in this episode. They could have saved the Bobbi Morse kidnapping arc for a separate episode.

And then there was (2.19) “The Dirty Half Dozen”, the series’ tie-in to the summer blockbuster, “THE AVENGERS: AGE OF ULTRON”. The writers took a break from the Inhumans story arc to bring back HYDRA and do . . . what? Coulson, his team, Robert Gonzales’ S.H.I.E.L.D. team, Grant Ward and Kara Palamas infiltrated a HYDRA base operated by one Dr. List to save Mike Peterson aka Deathlok and Inhuman Lincoln Campbell, who had been kidnapped by the villainous agency. This gave Coulson the opportunity to discover the location of the main HYDRA base and the organization’s leader, Wolfgang von Strucker. This whole episode was about setting up the prologue for the second “THE AVENGERS movie and trying to repeat the critical success of Season One’s (1.17) “Turn, Turn, Turn”. As far as I am concerned, the Season Two episode failed. Why? The Season One episode had a far reaching impact on both the season and series’ narrative. “The Dirty Half Dozen” barely made an impact on the rest of the season, other than driving Ward and Kara away from S.H.I.E.L.D. And the season’s main narrative immediately returned to the Inhuman story arc. I have never known for Mutant Enemy to be this clumsy in their writing in the past.

Another aspect of Season Two that I disliked so much was the unwillingness of the showrunners to take their time with their stories. “AGENTS OF S.H.I.E.L.D.” is supposed to be at its core, a serial drama. The story lines for serial dramas are supposed to take its time … even to the point of them being played out over several seasons. Due to some need for higher ratings and pleasing the fans who seemed to be unaware of what a serial drama is supposed to be, the Whedons and Tancharoen rushed headlong into Season Two’s story arc without bothering to set up the introductions of the new characters. Well, I take that back. They took their time with the Daniel Whitehall and Jiaying characters. But they rushed headlong into the introductions of Lance Hunter, Alphonso MacKenzie and Bobbi Morse without any real setup. Why? They wanted to rush right into the action. Storytelling has now reached a point in which novels, movies and serial television series have to jump into the action without any real set up or introduction. Why? Because so many people have become so damn impatient. Or else today’s society has the attention span of a gnat.

Mutant Enemy also did a piss-poor job of handling some of their characters. For example . . . there is Grant Ward. Why is this character still on the show? Why is he still a regular? He was in slightly more than half of the episodes, this season. In fact, he was missing a lot in the second half of Season Two. He has become a irrelevant character. Mutant Enemy should have wasted his ass at the end of Season One. Most of Season Two saw Brett Dalton portray Ward as some mysterious super spy, while channeling Julian McMahon’s acting style. It did not help that producer Jeffrey Bell tried to claim that Dalton possessed the same level of acting skills and screen presence as James Marsters of “BUFFY THE VAMPIRE SLAYER”. I did not know whether to laugh at the implication or shake my head in disgust. Worse, I was subjected to three episodes of the saga regarding Ward’s relationship with his brother, Senator Christian Ward (Tim DeKay). The entire story arc came to nothing and no future impact upon the series’ narrative. Ward ended the season with accidentally killing Kara and declaring his intentions of becoming the new HYDRA leader. All I can say is . . . good luck. Why? Recently, Marvel and Disney announced that Daniel Brühl had recently been cast to portray Baron Zemo, the new HYDRA leader for the upcoming film, “CAPTAIN AMERICA: CIVIL WAR”. If so . . . why is Ward still around?

Another problematic character for me proved to be Skye aka Daisy Johnson aka Earthquake (or whatever her name is). I used like Skye . . . back in Season One. I did not like her very much in Season Two. Her story arc dominated the season just a little too much. She also lost some of her sense of humor. Her martial arts skills developed just a bit too fast for me to consider them realistic. And quite honestly, I realized I could not care less about the Inhuman story line. Or the fact that Skye became a “super being”. I am still pissed that Mutant Enemy allowed Skye to become one without any change in her physical looks. Yet, it was so damn important that another character, Raina, have her looks drastically altered. I guess that is what happens when an actress of African descent appears on this show.

Then again, this series’ treatment of its non-white characters, especially African-Americans, has always been problematic . . . even in Season One. It grew worse in Season Two. At least two non-white male characters – Antoine “Tripp” Triplett and the other S.H.I.E.L.D. director Robert Gonzales – were bumped off. I am still angry over Trip’s death. And I am disgusted over the handling of Gonzales character. I cannot count the number of episodes in which Coulson maintained this smug and superior attitude toward Gonzales, which left me feeling disgusted. The manner of his death also disgusted me. But I was not surprised. Mutant Enemy also managed to kill off three non-white female characters in “S.O.S.” – Jiaying, Raina and Kara Palamas. Three non-white women . . . in one episode. What in the fuck?? Disney/Marvel and Mutant Enemy did make Henry Simmons a series regular at the end of the season. Yet, they did so at least sometime after they had promoted Adrianne Palicki. They also promoted Luke Mitchell, who portrays Inhuman Lincoln Campbell. But for some reason, J. August Richards, who has been portraying Mike Peterson since the series’ premiere, is still stuck portraying a recurring character. Why? Was it really that important to Marvel/Disney and Mutant Enemy to provide a white male love interest for Skye? Let me get this straight. It was okay for Mutant Enemy to have two regular characters portrayed by women of Asian descent. It was okay for the production company to have three regular characters portrayed by British white . . . one woman and two men. But for some reason, they cannot maintain more than one regular character of African descent? Too disgusted beyond words.

I do not know what else to say about Season Two of “AGENTS OF S.H.I.E.L.D.”. I disliked it. Immensely. The series’ writing struck me as a clear indication that the quality of storytelling, especially for the serial drama format, is going down the tubes. Even worse, a good number of television viewers and critics seem unaware of this. Their idea of good storytelling is to rush headlong into the narrative with a great deal of action and hardly any setups or introductions. This is sloppy writing at its worst. However, I suspect that nothing will really change for Season Three.  Some of the mistakes I had spotted, while watching Season Two, continued in the 2015-2016 television season. Hmmm. Pity.

“AGENTS OF S.H.I.E.L.D.”: (2.01) “Shadows” Commentary

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I first wrote this article after the airing of the Season Two “AGENTS OF S.H.I.E.L.D.” episode, (2.01) “Shadows” in the fall of 2014:

 

“AGENTS OF S.H.I.E.L.D.” (2.01) “Shadows” Commentary

Ohmigod! Did “AGENTS OF S.H.I.E.L.D.” lose its sense of humor? I realize that the show is supposed to take a darker turn, but they seemed to be overdoing it.

After an hour of viewing, I realized that the only flash of real humor came from Antoine “Trip” Triplett. The episode revealed that Jemma Simmons left the agency during hiatus. And we do not know the circumstances that led her to finally leave. This is a scenario that should have happened either in the Season One finale, (1.22) “Beginning of the End” or in this episode. Instead, it happened off screen. And what was up with that speech from new S.H.I.E.L.D. Director, Phil Coulson near the end of the episode? He sounded as if he had a burr up his ass.

The scene between Skye and Ward was simply wince inducing. Were they trying to make Ward seductive? How can I be brutally frank? I never really cared about Ward. In fact, what was he doing there in the first place? I doubt that he knows everything about HYDRA. I even doubt that he knows everything that Garrett knew. His presence with Coulson and the others make NO SENSE to me whatsoever. As for Skye, she has more or less lost her sense of humor, let alone personality. Now, she is bland.

Why would the U.S. Army give Glenn Talbot a promotion for losing Coulson and his crew in the last season? What were the circumstances that led Lucy Lawless and her crew of mercenaries to join the new S.H.I.E.L.D.? As for Nick Blood – the so-called “sexy” British mercenary and television cliché – could Whedon and Company be more unoriginal? And what was up with that ridiculous slow motion scene near the end of the episode? Was this episode directed by John Woo or something?

Well, it happened . . . just as I had feared. The producers caved in to the public’s inability to deal with the serial drama format . . . and they ended up forcing the action for this season – to the extreme – down our throats. In fact, everything about the writing in“Shadows” was rushed – including the introduction of new characters and situation. Whedon and Co. dumped its usual style of storytelling and rushed the story in order to satisfy the critics, the viewers and the Disney corporate suits who had complained about Season One’s slow development of the story line. Apparently these critics know nothing about story development in a serial drama format. And I guess Whedon and Co. lost that knowledge as well.

The only interesting aspect about this episode was the 1940s flashback featuring Peggy Carter, “Dum Dum” Dugan, Jim Morita and the new Big Bad, Daniel Whitehall. The rest of it was a rushed job filled with over-the-top action, along with grim and humorless characterization. If this new episode had been the first episode of “AGENTS OF S.H.I.E.L.D.” I had seen, I would have given up on this series with the drop of a hat.

“AGENTS OF S.H.I.E.L.D.” Season Two – At Mid Point

 
“AGENTS OF S.H.I.E.L.D.” SEASON TWO – AT MID-POINT

Ever since the second season of Marvel’s “AGENTS OF S.H.I.E.L.D.”, many television viewers and critics have waxed lyrical over their belief over the series’ improvement from Season One. And yet … the ratings for the show seemed to reflect differently from this view. Regardless of the opinions of others or the ratings, I have my own views about the show’s Season Two.

I am going to be blunt. I do not like Season Two of “AGENTS OF S.H.I.E.L.D.”. In fact, it has turned out to be a major disappointment for me. Last season, many fans and critics complained about the show’s pacing and slow revelation of the season’s main story arc. For them, Mutant Enemy’s handling of Season Two’s story arc has improved a great deal. I disagree. I had no problems with the development of Season One’s story arc. For me, it was no different from the formats for previous Sci-Fi/Fantasy serial television shows like “BABYLON 5”, along with Mutant Enemy’s “BUFFY THE VAMPIRE SLAYER” and “ANGEL”. All three shows began their story arcs for each season slowly and eventually build up the story arc to a mind boggling conclusion.“AGENTS OF S.H.I.E.L.D.” did the same. Many fans, critics and even Marvel claimed that Season One’s slow build up and occasional breaks had more to do with allowing the season’s story arc to build up to the plot for “CAPTAIN AMERICA: THE WINTER SOLDIER”. I say bullshit to that.

“AGENTS OF S.H.I.E.L.D.”, like many other television shows with twenty-two (22) episodes per season, usually took occasional breaks in order to stretch out 22 episodes within a time period of seven to eight months. This is nothing new. These breaks have been going on for many television shows for a long time. In their impatience and occasional stupidity, many forgot that. Many also seemed to have forgotten that “AGENTS OF S.H.I.E.L.D.” was a serial drama about government agents that work for an intelligence organization … not about superheroes and superheroines. For some reason, many fans ignored the show’s title and honestly expected the constant appearances of costumed Marvel superheroes and superheroines. Why? I have no idea. But Disney (who owns the ABC Network), Marvel and Mutant Enemy decided to heed the complaints for the sake of ratings and change the series’ style.

What did they do? Well, they introduced new characters – especially new agents – in the wake of the downfall of S.H.I.E.L.D. from the spring of 2014. How did Mutant Enemy introduce these new characters? Actually, they did not. Instead, new characters such as Alphonse “Mack” McKenzie, Lance Hunter and Isabelle Hartley had already been recruited as S.H.I.E.L.D. agents when the first episode, (2.01) “Shadows”. The episode also quickly introduced a new villain, a HYDRA official known as Daniel Whitehall, with a flashback to the past. The new characters, along with familiar characters such as Phil Coulson, Melinda May, Skye and Antoine Triplett, were quickly thrust into a new mission, which quickly morphed into part of the season’s new story arc – the recovery of an alien object known as the Obelisk. Everything about this episode seemed to hint “speed”. Missing from “Shadows” was Agent In fact,“speed” seemed to be the essence of the plotting and pacing for the first half of Season Two.

I find it ironic that many fans complained about how certain characters like Akela Amador, Chan Ho Yin and the Asgardian refugee Dr. Elliot Randolph seemed to have come and gone with the wind. Yet, they failed to realize that similar characters in Season Two did the same … or appeared in at least two to three episodes before disappearing. I refer to characters like Isabelle Hartley, Carl Creel, and Senator Christian Ward. But this did not bother me … except for their handling of Agent Amador and Senator Ward. What really bothered me was the handling of certain recurring or main characters.

There have been complaints about Mutant Enemy’s handling of its minority characters … well, its African-American characters. I never understood why it was so important for the Mike Peterson character to disappear after the Season One episode, (1.22) “Beginning of the End”. What the hell happened to him? Ten Season Two episodes have aired since and not once has the series revealed his whereabouts. Come to think of it … what happened to Akela Amador? She was imprisoned by Coulson’s team … even after they had learned that HYDRA had coerced her into pulling off several robberies on their behalf. HYDRA had released prisoners such as Raina and Ian Quinn, after the S.H.I.E.L.D. Civil War. What about Agent Amador? What happened to her? Off all the new S.H.I.E.L.D. agents introduced during Season Two, only two got the shot end of the stick. One of them was Isabelle Hartley, who was killed off in “Shadows”. The other character was Alphonso “Mack” MacKenzie, who was more or less used as some kind of therapy tool for the Leo Fitz character, before being transformed into some kind of zombie in the episode, (2.09) “…Ye Who Enter Here”. As of the season’s mid-season finale, (2.10) “What They Become”, Mack is no longer a “zombie”. But no one knows if he has fully recovered. I fear that Mack’s fate will become similar to that of the Elam Ferguson character from AMC’s “HELL ON WHEELS”.

Ruth Negga continued her role as Raina, the mysterious woman who had aligned herself with HYDRA and later, a man named Calvin Zabo who might be an Inhuman. As it turned out, Raina is also an Inhuman … like Skye. However, she underwent a physical transformation:

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And Skye … did not:
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Why? Why Raina and not Skye? Why did a character portrayed by an actress of Irish and African ancestry transformed into a non-Human form?

Finally, I come to Antoine “Trip” Triplett. The show’s “Legacy” agent, who had played a major role in the defeat of John Garrett, a S.H.I.E.L.D. agent-turned-HYDRA mole at the end of Season One, seemed to have been shoved to the background by the writers under showrunners Joss and Jed Whedon, Maurissa Tancharoen and producer Jeffrey Bell. Why? Mutant Enemy and Marvel claimed that Britt was under contract to the BET series, “BEING MARY JANE”, which meant in their eyes, they could not use him as much as they “wanted”. Hmmm … more bullshit. They were able to use a great deal of Britt in the second half of Season One. And the actor appeared in less than half of the latest season for “BEING MARY JANE”. In fact, the latter has been scheduled by BET to end in 2015. What was the point in sidelining Britt in that manner? And why did they killed off Britt’s character with some of the most contrived writing I have seen on this show in “What They Become”, without allowing him to have a major appearance in said episode? It was just disgusting to watch.Speaking of contrived writing, I encountered a good deal of it in Season Two. The writers for “AGENTS OF S.H.I.E.L.D.” went through of minor story arcs with the speed of a ballistic missile. I realize that Season One had its share of one-shot episodes – especially in its first half. Again, I have no problems with this. One-shot episodes were pretty common in televised serial dramas like“BUFFY” and “BABYLON 5”. But in Season Two of “AGENTS OF S.H.I.E.L.D.”, the writers would set up a story arc with a great deal of build up and end the story arc within two to five episodes. The series ended up wasting potential characters and story arcs like Carl Creel, Jemma Simmons’ role as a S.H.I.E.L.D. mole within HYDRA, the introduction of Senator Christian Ward and the Daniel Whitehall character. Mind you, Whitehall lasted for ten episodes. Only, I had not expected him to be introduced so fast … and killed off so soon. Speaking of speed, I had no idea that the Skye character would be exposed as an Inhuman – part of a race of superhumans who had been engineered by aliens such as the Kree – so soon. Halfway into Season Two? I found this rather quick, considering that Marvel has plans to release a movie about the Inhumans in 2018, four years from now. Do they really expect“AGENTS OF S.H.I.E.L.D.”, with its sketchy ratings, to last that long? If so, they could have waited a little longer.One last example of the show’s fast-paced narration was its tendency to shove two or three subplots into one episode. Other television shows have done this as well. But in a serial drama format, most writers would include the main story arc and a minor subplot that had little to do with the former. Mutant Enemy’s writers did not utilize this style. In order to keep the story arc going at neck break speed, they would shove two plotlines that had a great deal to do with the main story arc into one episode. This resulted in several episodes coming off as convoluted and very confusing. Several critics have complained about this, but most viewers and critics are pretending that this is a sign of improved writing from last season. Apparently rushed storytelling is now Mutant Enemy/Marvel’s idea of writing for sci-fi serial drama. Really? Speed writing for viewers or critics with the attention span of lice?Another problem I had with Season Two of “AGENTS OF S.H.I.E.L.D.” is the character of Grant Ward – former S.H.I.E.L.D. agent and HYDRA mole. Why is he still alive? Why? I suppose Marvel and especially Mutant Enemy still want actor Brett Dalton around. Just recently, producer Jeffery Bell said the following about the character and the actor:“What we love is that Brett Dalton is this actor that brings this complexity to this guy, a lot of the way that James Marsters brought it to Spike on Buffy and Angel.”

Okay, it is official. Mutant Enemy has a hard-on for Brett Dalton. But when I read the above quote, I did not know whether to laugh or upchuck. Look … Dalton is a tolerable actor. He is pretty solid. But I CANNOT believe that Bell had the nerve to compare Dalton with the likes of James Marsters. To this day, I consider Marsters to be one of the best actors or actresses I have ever seen in a Mutant Enemy production hands down. One of the best … ever. Dalton is nowhere that good. Now, I will admit that although Spike proved to be one of my favorite television characters, I have no love for Grant Ward. I disliked Ward when he was one of the “good guys” during most of Season One. When he proved to be a HYDRA mole, my feelings for him did not change on whit. I realize that Mutant Enemy was trying to make him complex. But thanks to Dalton’s performance, I simply failed to be impressed. But my dislike of the Ward character has nothing to do with my opinion of Dalton as an actor. I also disliked the vampire character Angel, also featured in“BUFFY” and “ANGEL”. But despite my dislike, I cannot deny that actor David Boreanaz’s portrayal of the character was superb. Another actor that made a name for himself portraying a morally questionable fantasy character was Julian McMahon, who portrayed the human-demon hybrid for three seasons in “CHARMED”. Like Marsters and Boreanaz, McMahon was superb in the role, despite producer Brad Kern’s shabby handling of the character during his last year on the show. Hell, he proved to be the best actor during the show’s eight season run. I noticed something else. Ever since the premiere of “AGENTS OF S.H.I.E.L.D.” Season Two, Brett Dalton seems hellbent upon impersonating McMahon. Why, I do not know. Brett Dalton is no Julian McMahon. He should simply give up the effort.

Also, Mutant Enemy’s efforts to retain the Grant Ward character has resulted in some seriously contrived writing. After Ward’s capture in “Beginning of the End”, new S.H.I.E.L.D. Director Phil Coulson decided to keep the former agent at the new hidden base. Why? So that he can provide the new S.H.I.E.L.D. with information on HYDRA? What could Ward possibly know? He was a low-level HYDRA mole. I doubt that John Garrett knew everything. Hell, I doubt that Garrett, who can be very manipulative, told Ward everything. Anyone with brains or common sense should have realized this. Why keep Ward around? So that Dalton can do his Julian McMahon impersonation every now and then? Then Mutant Enemy decided to hire actor Tim DeKay to portray Ward’s older brother, Senator Christian Ward. DeKay appeared in two episodes – (2.06) “A Fractured House” and (2.08) “The Things We Bury” – before his character was killed off camera by Ward. Aside from giving the writers an opportunity for Ward to escape imprisonment, what was the purpose of DeKay’s presence on the show? I cannot decide what was more wasted – the Jemma Simmons w/HYDRA mini arc, Antoine Triplett’s Season Two presence, or the use of the Senator Christian Ward character. Even when the writers finally had a chance to rid the show of Ward in the mid-season finale, “What They Become”, they kept him alive with some ridiculously contrived writing. I suspect this is Mutant Enemy and Marvel’s way of giving Ward some kind of redemption by the end of the season. If so, this will proved to be the fastest redemption arc in television history. And right now, I found myself feeling disgusted over the whole matter.

I really do not know what else to say about “AGENTS OF S.H.I.E.L.D.”. Other than I have washed my hands of this show? I cannot believe this is the same television series that I had fallen in love with, last year. I have to end this article before I find myself in danger of upchucking again. Dear Mutant Enemy. You have become such a disappointment to me.

Top Ten (10) Favorite Episodes of “HOMICIDE: LIFE ON THE STREETS”

Below are my top ten (10) episodes from NBC’s “HOMICIDE: LIFE ON THE STREETS” (1993-1999):

 

TOP TEN (10) FAVORITE EPISODES OF “HOMICIDE: LIFE ON THE STREETS”

1. (5.19) “Deception” – The murder of a Nigerian drug courier sets the scene for an explosive encounter between gangster Luthor Mahoney and Detectives Mike Kellerman, Meldrick Lewis and Terri Stivers. Kellerman’s action will result in repercussion for the squad in over a year.

2. (1.06) “Three Men and Adena” – Tim Bayliss and Frank Pembleton bring in an arabber named Risley Tucker as the prime suspect in the murder of the 11 year-old girl, Adena Watson. With a 12-hour time limit, the two partners try one last interrogation in a desperate attempt to get a confession. Writer Tom Fontana won an Emmy for writing this episode.

3. (3.04) “Crosetti” – The squad reels with shock over the news of Detective Steve Crosetti’s suicide death – especially former partner Lewis, who has difficulty accepting the detective’s death.

4. (3.10) “Every Mother’s Son” – Pembleton and Bayliss investigate the shooting of a 13-year-old boy, Darryl Nawls. During the course of their investigation, the mother of the shooter unknowingly meets the mother of the victim and finds that they have much in common.

5. (6.22) “Fallen Heroes (Part 1) – Junior Bunk is arrested for the death of a corrupt judge named Gibbons. After stealing a revolver from an officer’s death while no one is looking, Junior engages in a shooting spree, killing and wounding several officers – including Laura Ballard and Stu Gharty.

6. (6.23) “Fallen Heroes (Part 2) – The squad goes after the Mahoney organization, following Junior Bunk’s shooting spree in Part 1. This leads to Bayliss getting seriously wounded. Meanwhile, Lieutenant Al Giardello and Pemberton eventually learn about Kellerman’s killing of Luthor Mahoney.

7. (2.02) “Black and Blue” – The department and community pressure the Homicide Unit to solve a cop-involved killing. With the lives and reputations of fellow officers at stake, Giardello clashes with Pembleton over the investigations. Giardello demands a pursuit of civilian suspects, but Pembleton’s instincts tell him the cops are lying.

8. (5.13) “Betrayal” – Bayliss’s shaky history with child victims leads him to reveal a family secret to Pemberton after the two work the beating death of a young girl found by the interstate. Kellerman rejects the Fifth Amendment before a grand jury, and is let off the hook.

9. (7.10) “Shades of Gray” – Rene Sheppard is assaulted when she and Lewis investigate an incident involving the accidental death of a West Indian immigrant at the hands of a white bus driver.

10. (1.07) “And the Rockets’ Dead Glare” – When a student who was a political refugee is murdered, Lewis and Crosetti take it upon themselves to investigate individuals at the Chinese Embassy in Washington, DC. Kay Howard and Beau Felton spend the day in court testifying in the ongoing case against “Pony” Johnson. Pembleton weighs the pros and cons of a possible promotion within the department.