Five Favorite Episodes of “ONCE UPON A TIME” – Season Four (2014-2015)

Below is a list of my top five favorite episodes from Season Four of “ONCE UPON A TIME”. The series was created by Edward Kitsis and Adam Horowitz:

FIVE FAVORITE EPISODES OF “ONCE UPON A TIME” – SEASON FOUR (2014-2015)

1 - 4.16 Best Laid Plans

1. (4.17) “Best Laid Plans” – While Rumpelstiltskin and the Queens of Darkness continue their search for the “Author” of the town’s Fairy Tale Book, Snow White and Prince David “Charming” try to stop them in order to keep their daughter Emma Swan from discovering their past misdeed, which is finally revealed in flashbacks.

2 - 4.12 Darkness on the Edge of Town

2. (4.13) “Darkness on the Edge of Town” – Rumpelstiltskin aka Mr. Gold returns to Storybrooke with Ursula and Cruella De Vil in tow. Meanwhile, the Charmings, Regina Mills and Killian Joneaka Captain Hook set about freeing the fairies from the Sorcerer’s hat and deal with a threatening Chernabog demon, which was also freed.

3 - 4.17 Heart of Gold

3. (4.18) “Heart of Gold” – Emma, angry over the discovery of her parents’ misdeed, joins the search for the Author. Meanwhile, a captured Regina learns from Rumpelstiltskin on how Robin Hood ended up in the clutches of her allegedly dead sister Zelena Mills in New York City. And Robin has his first encounter with Zelena in the past Land of Oz, as he sets about stealing a magical elixir for Rumpelstiltskin.

4 - 4.07 The Snow Queen

4. (4.07) “The Snow Queen” – The origins of Ingrid, the Snow Queen in Arendelle, are revealed in flashbacks, along with her relationships with her two sisters. In the present, Ingrid manipulates Emma into losing control of her magic in order to make the Charmings fear her.

5 - 4.22 Operation Mongoose Part 1

5. (4.22) “Operation Mongoose, Part 1” – In the first half of the season finale, Henry Mills tries to undo the changes in the universe created by Rumpelstiltskin and Isaac Heller aka the Author.

HM - 4.04 The Apprentice

Honorable Mention: (4.04) “The Apprentice” – Killian blackmails Rumpelstiltskin into giving him a genuine hand for the former’s first date with Emma and ends up facing consequences. And Emma is constantly taunted by Ingrid about the former’s relationship with her parents. Flashbacks reveal Princess Anna of Arendelle’s encounters with both Rumpelstiltskin and the Sorcerer’s Apprentice.

The Great “ONCE UPON A TIME” Costume Gallery II

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Below is a gallery featuring the costumes designed by Eduardo Castro from the third and fourth seasons of the ABC series, “ONCE UPON A TIME” and the 2013-2014 series, “ONCE UPON A TIME IN WONDERLAND”:

THE GREAT “ONCE UPON A TIME” COSTUME Gallery II

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“Trapped By a Title”

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“TRAPPED BY A TITLE”

I feel sorry for Emma Swan. I may not like her very much at the moment. But I do feel sorry for her. More importantly, she has become, since Season Two, one of the most frustrating characters on “ONCE UPON A TIME”. Which is probably why I have just written my third or fourth article about her.

From the moment her son Henry Mills found her in the series’ premiere episode, (1.01) “Pilot” and revealed that she was destined to break a curse cast by his adopted mother, Regina Mills that currently trapped the citizens of Storybrooke; she has been stuck with the role of “Savior”. Yes, I said “stuck”. Because there is no other way to describe her situation, pre-“Dark One” curse. And she will continue to be stuck in the role, once she breaks free of the curse. Henry was the first to forced the role of “Savior”. After Emma broke that first curse, her parents – Snow White and David Prince Chraming – and other citizens of Storybrooke enforced that role upon her as well. But I think this was a mistake on Edward Kitsis and Adam Horowitz’s part. They should have dropped the “Savior” title, after Season One. Instead, they have allowed other characters, including the reformed Regina, to insist that she is the “Savior”.

For me, this is so wrong on so many levels. Perhaps Kitsis and Horowitz are trying to re-create another Buffy Summers. Who knows? But this insistence that she has to be this savior who is supposed to be solely responsible for the lives of others and guarantee their happy endings is ridiculous. And it does not serve Emma’s emotional growth as many believe it will. Instead, it has become something of a character straight jacket. As long as Emma continues to allow the others to dictate what she has to do for the rest of her life, she will never grow as an individual or as a character. Being “the Savior”should not have been her job description in the first place. This is something that was enforced upon her by Rumpelstiltskin’s manipulation, because he wanted a way to the “Land Without Magic” in order to find his missing son, Baelfire. And the Storybrooke citizens have inflicted this role upon her, due to their inability to see her as someone other than a glorified magical vigilante. There is no real law that she has to spend the rest of her life giving people “happy endings”. I see no reason why she always has to be the one who has to defeat some magical Big Bad. Past seasons have allowed others like Regina, Rumpelstiltskin, Snow White, Henry and Anna of Arendelle (via emotional persuasion) to defeat or help defeat the Big Bad. So why is everyone still insisting that Emma has to be “the One”?

However, I fear that once Emma is freed from the “Dark One” curse, she will continue to allow everyone to squeeze her into some straight jacket labeled “Savior”. Because of this belief that she always has to save someone, Emma ended up making one of the biggest mistakes in her life in the Season Three finale, (3.22) “There’s No Place Like Home” when she tried to change the timeline and save Maid Marian’s life. She thought that because she was “the Savior”, she had the right to commit the dangerous act of changing the timeline in order to save someone who had died in the past. Yet, she also believed that Rumpelstiltskin did not have the right to change the timeline in order to prevent Neal’s death. Not only were Emma’s actions hypocritical, they also led to Zelena’s resurgence in their lives (Rumpelstiltskin helped with his so-called act of murder). In the Season Four finale, (4.23) “Operation Mongoose, Part 2” she called herself saving Regina’s moral compass – something which the latter never asked in the first place – from an entity that eventually led her to become the new “Dark One”.

Four years have passed since Emma first found herself stuck with the role of “Savior”. This role has proven to be something of an emotional strain for other fictional “saviors” and “chosen ones” such as Buffy Summer, Jack Shepherd, and Harry Potter. I find it odd that other than late Season One when Henry and August Booth aka Pinocchio kept insisting that she has to break that first curse, Emma has never really dealt with any emotional strain over being a “chosen one”. And the only reason she found it a strain was due to her inability to believe Henry and August about the curse. I find this both odd and unrealistic. The longer other “chosen one” or “savior” characters were forced to accept this role, the harder it became for them to deal with it. Instead, Emma dealt with the problems of her relationship with her parents and Neal, the growing strength of her powers, Henry’s amnesia in late Season Three, Regina’s anger in early Season Four over her time travel escapades, and her parents’ lies regarding Maleficent and the latter’s child, former childhood friend Lily Page. But not since Season One can I recall Emma dealing with the pressures of being the “Savior”.

It occurred to me that sooner or later, Emma needs to break free of that role/straight jacket in order to dictate her own life. I am not stating that she needs to stop saving others or stop being a town sheriff (despite being lousy at the job). But she does not have to make being the “Savior” a life long job description. If Emma continues down this path, she just might make another mistake on the same level as the one she made in “There’s No Place Like Home” or make a decision similar to the one that led her to become the “Dark One” . . . or something even worse. And she will never have the freedom to be herself.

Becoming “the Dark One”

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BECOMING “THE DARK ONE”

I have a confession to make. I am a little disappointed at how Emma Swan became the new “Dark One”. She did so by committing a noble act. And I find that . . . unsatisfying.

The Season One episode, (1.08) “Desperate Soul” revealed that Rumpelstiltskin had originally become “the Dark One” when he was recruited by the title’s previous holder, Zoso, to find the dagger that would either allow the former to control him or acquire magical power by killing him. Zoso goaded Rumpelstiltskin into anger by questioning the paternity of latter’s son, Baelfire/Neal Cassidy, and the latter killed him. Rumpelstiltskin became the new “Dark One” and remained so for several centuries.

But nothing similar happened to Emma. Instead, she recently became “the Dark One” in the series’ Season Four finale, (4.23) “Operation Mongoose, Part II” by saving Regina Mills from an entity that would allow the latter to assume that title. She did so by allowing herself to become possessed by said entity. Before coming possessed, Emma told Regina that she wanted prevent Regina’s moral progress from being disrupted. Well, I am glad that Regina was prevented from becoming “the Dark One”. But . . . pardon me for saying this, but Emma’s reasoning struck me as a bit patronizing. And it seemed that Horowitz and Kitsis may have taken the whole “savior complex” a bit too far. At least to me.

Emma was worried about the regression of Regina’s moral compass? She should have been worried about her own. Despite the Sorcerer Apprentice’s spell that had allegedly transferred Emma’s inner evil to the daughter of Maleficent, Lily Page in a (4.17) “Best Laid Plans” flashback, I personally suspect that his spell went no where. After all, Emma’s moral compass was already questionable by the she first had arrived in Storybrooke. She had spent most of her adolescent as a thief. Both she and former boyfriend, Neal, had stolen a yellow Volkswagen . . . which was never returned by Neal or Emma. When she told Regina that her car was stolen in (4.13) “Darkness on the Edge of Town”, she seemed to be lacking in any remorse over her crime. She had also committed a series of petty crimes – including destruction of private property, and breaking and entering – that should have landed her behind bars in Storybrooke or fired as the town’s sheriff back in Season One. Her rescue of son Henry Mills from the clutches of Cruella de Vil in (4.19) “Sympathy for the De Vil” nearly endangered his life. Yet . . . very few people have commented on this. Her decision to save Maid Marian from being executed by Regina in (3.22) “There’s No Place Like Home”, literally ended in disaster. And if viewers are really to believe that the Apprentice had removed all signs of Emma’s inner evil before she was born; why did the Chernabog demon, which allegedly only sought out one with the heart with the greatest potential for evil in order to devour said heart, went after Emma, instead of the former Evil Queen in “Darkness on the Edge of Town”? What did that say about Emma’s true nature – spell or no spell?

Unfortunately, the series’ reluctance to openly acknowledge Emma’s unpleasant side has not done her character any credit. Sometimes, I get the feeling that Adam Horowitz and Edward Kitsis are afraid of really exploring how low Emma can sink on her own. Or when they are willing to do so, they are very vague about it. Why, I do not know. To this day, no one seems willing to criticize Emma for keeping a stolen vehicle. No one bothered to point out that her decision to act as Marian’s savior had led to disaster. No one. Not a single character on the show (aside from an angry Regina in early Season Four) or any of the series’ viewers. No one had questioned Emma’s method of killing Cruella de Vil in “Sympathy for the De Vil” . . . especially since she could have saved Henry without ending Cruella’s life and nearly endangering his. Well, I take that back. Horowitz and Kitsis claimed that Emma had “stepped over the line” by killing Cruella. The problem is that they never made the effort to clarify their comment – not to the fans or on the show. I have noticed in the past that the only times Emma’s actions were really criticized happened during late Season Three when she was determined to upset the Charming family dynamics by returning to New York City with Henry.

And now, Emma has become “the Dark One”. Through an act of noble sacrifice. UGH! Kitsis and Horowitz spent most of Season Four building up to how unpleasant Emma could be . . . and ended it all in a nice bow tie with forgiveness toward her parents’ perfidy. And what did they do next? Allowed Emma to become “the Dark One” through an act of sacrifice. This whole story arc would have been more interesting if Emma’s Season Four descent into evil could have ended with her falling under “the Dark One” curse. But noooooo! Once again, the possibility in revealing how low Emma can sink winds up being pushed aside or in this case,sugar coated.

When will “ONCE UPON A TIME” be willing to expose Emma’s true potential for evil without resorting to vague or evasive storytelling, or possession by magical entity? They managed to do so with her parents, Snow White and David, Prince Charming. I think Emma could become a more interesting character if Horowitz and Kitsis would allow this to eventually happen. But I have a deep suspicion that the series will end before the two showrunners would be willing to do so.

“ONCE UPON A TIME: Making Excuses”

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“ONCE UPON A TIME: MAKING EXCUSES”

For those of you who believe that Emma Swan did the right thing by killing Cruella de Vil in the “ONCE UPON A TIME” Season Four episode, (4.18) “Sympathy For the de Vil” . . . I could not disagree with you more.

Emma could have used another way to save her son, Henry Mills, from Cruella. She could have teleported him from Cruella’s grasp. She could have teleported Cruella’s gun. Someone on FANFORUM.COM had pointed out that Emma could have saved Henry . . . and not kill Cruella. After all, she managed to stop Zelena aka the Wicked Witch of the West from killing Henry in (3.19) “A Curious Thing”. Yet, she could not have done the same with Cruella in (4.18) “Sympathy For the de Vil”? What made Emma’s action even more problematic is that she did not even warn Henry that she was about to attack Cruella. She just did killed the latter . . . magically shoved her over a cliff. If Henry had not ducked, there is a good chance he would have been dead, as well.

I have written a good number of articles criticizing Emma and other members of the Charming family. And there is a reason why. Many fans like are ALWAYS making excuses for their more questionable actions. The only reason these same fans are now being critical about Snow and David’s actions toward Maleficent’s baby, revealed in (4.16) “Best Laid Plans”, is they had lied to Emma about what they had done. They revealed that they were not as “noble” as Emma – and many fans – originally believed they were.

A lot of fans like to pretend that Emma and Snow did nothing wrong, when the latter tried to kill Mulan in (2.08)“Into the Deep”. So do show runners Adam Horowitz and Edward Kitsis. They have made sure that both Snow and Emma have never paid the consequences for their actions . . . or lack of action in that episode. Many fans have claimed that Snow only attacked Mulan during their fight, after the latter was prevented from stealing away with a magical compass that would have taken them from the Enchanted Forest and back to Storybrooke. What happened was the following . . . Snow and Mulan fought. Snow won and held down Mulan. Mulan told Snow and Emma that she took the locket to save Aurora. Snow lost her temper and decided to kill or maim Mulan anyway. Aurora stopped Snow. Emma did nothing but looked on. She never lifted a finger or raised her voice to stop Snow from a murder attempt.

Many fans still make countless excuses for Snow’s murder of Cora in (2.16) “The Miller’s Daughter”. In fact, they still react the same way as Emma did, when she tried to make excuses for Snow by using Cora’s murderous actions. Snow was not concerned about saving Storybrooke. She wanted revenge against Cora for the murder of her mother, Queen Eva. And she used a cruel way to get her revenge. That is why David was upset at what she had done. He had even offered to kill Cora himself . . . to save Snow’s moral compass and the town. Snow rejected his offer and proceeded to get her revenge anyway. And Emma could not handle the truth when Snow told her why she had killed Cora. These same fans still cannot handle the truth.

Many fans still make excuses for Emma’s possession of the yellow Volkswagen. Neal had first stolen the car. Then Emma tried to steal the car from him. Both ended up using the car together, when they became a couple. When I pointed out that Emma was still driving a stolen car in previous articles and forums, many fans either ignored the topic or responded with some drivel about Emma not being guilty of murder, or the fact that Neal had arranged the car’s registration to reflect her as the true owner. As if that was supposed to excuse Emma knowingly being in possession of a stolen car.

Many fans still make excuses about Emma’s decision to change the timeline and save “Maid Marian” in (3.22) “There’s No Place Like Home”. These same fans continue to claim that saving a life is more important than maintaining the storyline. No, it is not. Especially not for someone who had died in the past. I realize this is a harsh thing to say, but changing the timeline for any reason is a very . . . dangerous . . . thing to do. Both Hook and Rumpelstiltskin had warned Emma not to change the timeline for any reason. But she refused to listen. And what happened? As it turned out, Emma’s decision to change the timeline gave Zelena the opportunity to return to Storybrooke in Marian’s place. I am quite certain that Kitsis and Horowitz will never mention or criticize Emma’s bad decision in a future episode. If they do, I will be happily surprised.

What is it about these fans who seem incapable of dealing with Emma or the other Charmings actually being guilty of a crime or a serious mistake? Is it really that important that the Charming family be portrayed in some idealized manner? Do these same fans really need idealized fictional protagonists who are incapable of a bad deed or mistake in order to deal with this crazy old world of ours? Do they need to cling to some kind of illusion about humanity that only the world of fiction can maintain with any real thoroughness? What is it?

Edward Kitsis and Adam Horowitz used to be part of the writing staff for “LOST”, a television show in which most or nearly all of the characters were guilty of serious mistakes or crimes. The cast of characters could have been easily nicknamed “Murder, Inc.”. Apparently, the show runners for “ONCE UPON A TIME” seem bent upon portraying nearly all of their major characters in a similar light . . . including “the Savior” herself. Is this so hard for many fans to accept? Or are they among those types who can only deal with characters with a one-dimensional moral compass? If the latter, I hope that none of them ever become writers.

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“ONCE UPON A TIME”: Tolerating Ambiguity

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“ONCE UPON A TIME”: TOLERATING AMBIGUITY

A good number of the “ONCE UPON A TIME” fandom seemed to be divided over what was revealed in the series’ latest episode called (4.16) “Best Laid Plans”. This division seems to be especially apparent in the episode’s flashbacks and the moral implications hinted from those sequences.

Since the second half of the series’ Season Four began, there have been rumors and hints on the Internet that two of the series’ leads – Snow White aka Mary-Margaret Blanchard and Prince Charming aka David Nolan – may have done something questionable or even terrible in their past in the Enchanted Forest. The first hint appeared in the episode,(4.12) “Darkness on the Edge of Town”, when the couple had protested against allowing villainesses Ursula the Sea Witch and Cruella DeVille to enter their Maine community, Storyrbooke. Later in the episode, both Snow and Charming warned the villainous pair not to say a word about their past to anyone, especially their daughter Emma Swan.

The episode, (4.13) “Unforgiven” gave further hints of the royal pair’s ominous deed. The Storybrooke sequences featured Snow and Charming’s failed efforts to prevent Ursula and Cruella (with Rumpelstiltskin’s help) from resurrecting their former comrade, Maleficent. The latter had been trapped in dragon form by Regina Mills aka the Evil Queen in a cavern underneath Storybrooke during those 28 years of the first curse, until Emma killed her in the Season One episode, (1.22) “A Land Without Magic”. But the flashbacks for “Unforgiven” revealed that the Charmings had briefly formed an alliance with Maleficent, Ursula and Cruella to find a way to prevent Regina from casting the first curse. The alliance fell apart after Maleficent killed a pair of guards who blocked their way to a magical tree that could give them advice. Snow and Charming eventually learned – ironically from Maleficent – that the former was pregnant with Emma. They also learned that their unborn child would not only have the potential for good, but also for great evil. To anyone with common sense, this would be an apt description of any sentient being. Yet, the idea of their future child – who became dubbed as “the Savior” – possessing a potential for evil frightened the Charmings . . . especially Snow White.

So, what actually happened between the Charmings and the “Queens of Darkness” in the Enchanted Forest? “Best Laid Plans” provided the answer. The episode revealed that the royal couple had stopped to help a roadside peddler, who warned them that Maleficent had torched a village after becoming a dragon and laying an egg. He also advised them to seek advice from a “man in a cottage”. The latter turned out to be the Sorcerer’s Apprentice, the same elderly man who had directed Queen Ingrid aka the Snow Queen to our world and whom Rumpelstiltskin (with Hook’s reluctant help) had entrapped inside the Sorcerer’s Hat. It was the Apprentice who told the Charmings that their child would grow up with the potential for both good and evil . . . like everyone else. He also added that if they wanted to ensure Emma would remain good, they would have to find another sentient being to serve as a vessel to absorb their unborn child’s potential for evil. In the end, the Charmings kidnapped Maleficent’s egg, which carried an unborn child to use as a vessel for Emma’s inner evil. And the Apprentice, who cast a spell that sent Emma’s inner evil into Maleficent’s unborn child, took the royal pair by surprise by declaring that such evil should not reside in the Enchanted Forest. He sent Maleficent’s child to “the Land Without Magic”, sucking Ursula and Cruella into the portal, as well.

The reaction to the Charmings’ actions in the Enchanted Forest and their subsequent lies in present-day Storybrooke proved to be very emotional and mixed within the “ONCE UPON A TIME” fandom. Many fans accepted what the Charmings did and recognized what they had done was wrong. However, other fan reactions to the Charmings’ actions and “Best Laid Plans” has been . . . well, interesting. Some fans have accused show runners Adam Horowitz and Edward Kitsis of retconning Snow White and Charming’s characterizations . . . and bad writing altogether. Others have made excuses for the Charmings, claiming they could understand the couple’s need to save Emma from a life of evil. Others have used the peddler, who turned out to be the Author that many have been seeking, as an excuse for the Charmings’ terrible act. The episode revealed that instead of recording the going-ons in the Enchanted Forest, the peddler had been occasionally manipulating the actions of the inhabitants to “make a better story”. And since the episode revealed that the peddler/Author had manipulated the Apprentice into sending Maleficent’s unborn child to “the Land Without Magic”, he must have manipulated the Charmings into kidnapping the child in the first place. Ironically, the charges of bad writing and excuses reminded me of the reactions to Snow’s murder of Cora Mills aka the Queen of Hearts in Season Two’s (2.16) “The Miller’s Daughter”. For some reason, a certain portion of the series’ fandom find it difficult to accept any signs of moral ambiguity from either Snow White, Prince Charming or their daughter, Emma Swan. And there are those fans who have raked the Charmings over hot coals for their deed. I get the feeling these particular fans are angry at the couple (or at Horowitz and Kitsis) for shattering their ideal image of innate goodness.

Personally, I had sighed with relief over the revelation of the Charmings’ past misdeed. No one was more happier than me when Snow and David proved how low they could sink. Some might view my comment as crowing over the couple’s downfall. Trust me, I am not. I am happy that Adam Horowitz and Edward Kitsis has finally resumed portraying the couple’s moral ambiguity after . . . how many seasons? I believe the last time audiences really saw any signs of questionable morality from either Snow or David was in Season Two’s (2.16) “The Miller’s Daughter”, when Snow murdered Cora Mills aka the Queen of Hearts by cursing the latter’s heart and emotionally manipulating Regina into placing that heart back into Cora’s body. Many fans – to this day – have used Cora’s own moral compass and goal to become the new “Dark One” as an excuse for her murder. These same fans continue to claim that Snow’s intent was to save Storybrooke from Cora’s machinations. But Snow White’s declared intent to murder Cora in revenge for her mother’s death in (2.15) “The Queen Is Dead” makes it clear that Snow White’s only intent was to exact revenge.

There have been other signs throughout the series of Snow’s moral ambiguity. Flashbacks revealed in episodes that she was a kind, yet spoiled and slightly bratty child. I have always wondered about her attempts to redeemed Regina on her own terms, instead of allowing the latter to make the choice to seek redemption, herself. Was this some effort on Snow White’s part to regain the affection of the young woman who first saved her when they met? Or to be the “loving” stepmother and mother substitute she had assumed Regina was before King Leopold’s death? Who knows. I also recalled Snow White’s attempt to murder Regina in the flashbacks featured in Season One’s (1.16) “Heart of Darkness”. Many fans had attributed Snow’s murderous intent to the potion given to her by Rumpelstiltskin, which stripped away her memories of Charming. Those fans seemed to forget that the potion merely erased her memories of Charming. It did not make her murderous. I suspect that the stress of being a fugitive, along with anger and resentment over Regina’s part in Leopold’s death had finally got the best of Snow and she decided to resolve her situation with an act of murder. Thankfully, Charming managed to stop her.

And for quite some time, I have brought up Snow’s action against Mulan in Season Two’s (2.08) “Into the Darkness”, in which she and Emma were trying to leave the Enchanted Forest and return home to Storybrooke. As many know, Mulan had snatched a magical compass that mother and daughter were planning to use to return home. But Mulan wanted to exchange the compass for Princess Aurora, who had been kidnapped by Cora. Snow and Emma managed to catch up in time, before the former engaged in a tussle with Mulan that led to an implausible victory for her. Angry over Mulan’s theft, Snow demanded to know the reason behind it. Even though Mulan admitted that she stole the compass to save Aurora’s life, Snow gave into her anger and tried to kill the former. Fortunately for Mulan, Aurora (who had been freed by Killian Jones aka Captain Hook) stopped Snow from committing murder. Emma, on the other hand, had done nothing to stop her mother. Wow. Snow managed to commit two murder attempts before finally achieving one, when she arranged Cora’s death. Now, her body count is a far, far cry from the likes of Rumpelstiltskin, Regina, Cora, Zelena and other villains. But for someone with a reputation for innate goodness, her penchant for murder (whether successful or not) is at least worth contemplating.

As for David, one of his major character flaws has always been his penchant for judging others with extreme prejudice. Not only has this trait been apparent in his attitude toward Regina – even when she finally managed to achieve some form of full redemption – but also toward others whom he would view as different. This is a trait that Snow White also shares. How else could someone explain the couple’s willingness to use Maleficent’s child as a vessel for Emma’s inner evil? As far as they were concerned, the baby was nothing more than a replica of her mother – a personification of evil. Transferring Emma’s inner evil to her would cause no harm . . . or so they would believe. David was also willing to destroy the book’s page that contained the entrapped Author – an act that could have killed the latter and robbed anyone else of a future “happy ending”. He wanted to destroy that page to hide his and Snow’s theft of Maleficent’s child from everyone . . . especially Emma. His willingness to destroy the page struck me as a stark example of his own personal cowardice that has manifested itself, time and again.

In the Season Two episode, (2.02) “We Are Both”, he told the citizens of Storybrooke that the cursed David Nolan who was too cowardly to be truthful about his adulterous affair with the cursed Mary Margaret Blanchard; and the heroic Prince Charming were one and the same. In Season Three’s (3.14) “The Tower”, he resorted to hiding from others for a few nips of booze in order to hide from his guilt over Emma’s upbringing away from the family and a fear that he might prove to be an ineffective father to his son, Neal, with whom Snow was pregnant at the time. In “Unforgiven”, Snow woke up in the middle of the night following a nightmare about Maleficent, and found David drinking on the staircase to hide his worries over Ursula and Cruella’s arrival in Storybrooke. I am beginning to suspect that he might be a secret lush. Oh dear. And most addicts, if not all, tend to resort to this behavior because they are afraid to face the complete truth about themselves – especially their less than admirable traits. Charming has always struck me as the type willing to face external dangers like evil magic practitioners, dragons, a dangerous water temptress and his malevolent adopted father. Facing his flaws, personal mistakes and demons has always been a problem for him.

Why is it so difficult for some fans to view the Charming family – Snow White, David, Emma and Henry – as morally ambiguous? I never understood this attitude. “ONCE UPON A TIME” is not a television series solely for children. If it was, ABC/Disney would have aired the show on Saturday mornings, instead of during the usual prime time hours. This is the same series in which other heroes and villains have been portrayed in an ambiguous light. Why should the Charmings be exempt from such ambiguity? Because they are among the show’s main protagonists? Some would point out that Emma is a morally ambiguous character, due to her past as a thief and ex-convict. But Emma has committed some questionable acts since the series began – destruction of property, breaking and entering, accessory to her mother’s attempt to kill Mulan in “Into the Deep”, changing the timeline and lying to Henry. In fact, she is still driving the same yellow Volkswagen that she and Neal Cassidy (Baefire) had stolen when they first met. However, many fans tend to brush aside these acts – including the stolen Volkswagen. With the exception of her lies to Henry, which they saw as a threat to the Charming family’s reunion, many fans were willing to brush aside Emma’s questionable acts as long as she was not guilty of murder. Personally, I find this viewpoint rather hypocritical and an example of certain fans’ insistence upon viewing protagonists like the Charmings as morally ideal.

I personally do not care for morally ideal characters. I find them rather boring and unrealistic. I remember reading in a few Agatha Christie novels in which the main character – usually Miss Jane Marple – tend to express the view that just about anyone is capable of murder, given a specific situation. I agree with this assessment. I sometimes feel that human beings like to regard themselves as better than we really are. Perhaps this is why they love the idea of fictional characters – especially those dubbed “the protagonist” or “hero/heroine” – as being morally ideal. Mind you, this is merely an opinion of mine. I tend to find morally ambiguous characters more interesting. Such characters are very entertaining and really do make a story bridle with energy. Characters of one-dimensional morality do not. Even one-dimensional villains. Both Regina and Rumpelstiltskin had struck me as a pair of uninteresting villains in Season One, until episodes like (1.08) “Desperate Souls” and (1.18) “The Stable Boy” revealed just how ambiguous and interesting they truly were.

After Season Two, both Snow White and Charming seemed in danger of becoming a pair of rather dull characters. Between (2.17) “Welcome to Storybrooke” (in which Snow tried to me avert the emotional impact of Cora’s death) and“Darkness on the Edge of Town”, they were not that interesting to me. Well . . . there was the (4.11) “Shattered Sight”episode, in which Queen Ingrid of Arendelle aka the Snow Queen’s spell in which the couple exposed their . . . um, inner resentments and anger toward each other. But for me, that was not the same as deliberately indulging in or utilizing one’s unpleasant traits. After all, they and other Storybrooke’s citizens were under a spell. However, this story arc featuring Maleficent’s stolen child is an entirely different matter. Yes, Snow and Charming’s crime happened in the past. But they were not under a spell.

But there is one potential problem. Earlier, I had revealed that in “Best Laid Plans”, audiences learned the true identity of “the Author” – a peddler who had been commissioned by the Sorcerer and his apprentice to record the happenings in the Enchanted Forest and other “fictional” realms. After the Apprentice had sent Maleficent’s child to “the Land Without Magic”, he confronted the Author and accused the latter of manipulating him into banishing the unborn (or unhatched) child to our world. He also accused the Author of manipulating past events in the “fictional” realms. Certain fans jumped on this narrative turn-of-events and claimed that the Author had manipulated Snow and Charming into stealing Maleficent’s child. Yes, it is possible that the royal pair had been manipulated by the Author. Then again, the Apprentice never accused the Author of that particular act. So, the audience will never learn the truth, until Horowitz and Kitsis decide to reveal it. If they reveal that the Charmings’ act of kidnapping had been manipulated by the Author, then I will be sadly disappointed.

But you know what? Even if the show runners decide to include that Snow and Charming had been manipulated into kidnapping Maleficent’s child, the royal pair still managed to commit some morally questionable acts since the Apprentice had entrapped the Author in that book. And because both of them, along with other characters in “ONCE UPON A TIME”, have shown they are capable of both decent and very questionable acts, I can never regard them as innately good. Frankly, I see that as a good thing. Because in my eyes, there is nothing more boring or damaging to a good story than a morally one-dimensional character.

Five Favorite Episodes of “ONCE UPON A TIME” – Season Three (2013-2014)

Below is a list of my top five favorite episodes from Season Three of “ONCE UPON A TIME”. The series was created by Edward Kitsis and Adam Horowitz:

FIVE FAVORITE EPISODES OF “ONCE UPON A TIME” – Season Three (2013-2014)

1 - 3.11 Going Home

1. (3.11) “Going Home” – In order to stop Peter Pan aka Malcolm’s plans to cast a new curse upon Storybrooke and create a new Neverland, both Rumpelstiltskin aka Mr. Gold and the Evil Queen aka Regina Mills are forced to make big sacrifices.

2. (3.09) “Saving Henry” – Emma Swan, Snow White and Regina struggle to prevent Pan from absorbing a dying Henry Mills’ heart into his body. Flashbacks reveal how Regina ended up adopting Henry.

3 - 3.16 Its Not Easy Being Green

3. (3.16) “It’s Not Easy Being Green” – When Zelena is revealed as the Wicked Witch of the West, she challenges her younger half-sister, Regina, to a duel in Storybrooke’s town square. Flashbacks reveal Zelena’s search for a place in the world, following her adopted mother’s death and her acquaintance with Rumpelstiltskin.

4 - 3.08 Think Lovely Thoughts

4. (3.08) “Think Lovely Thoughts” – The travelers from Storybrooke learn from Wendy Darling about Pan’s true objective – acquire Henry’s heart and achieve immortal youth. Flashbacks reveal how grifter Rumpelstiltskin’s father, Malcolm became Peter Pan and an inhabitant of Neverland.

5 - 3.15 Quiet Minds

5. (3.15) “Quiet Minds” – During the missing year in the Enchanted Forest, Neal Cassidy (Rumpelstiltskin’s son) and Belle seek to find a way to bring Rumpelstiltskin back to life. Neal’s appearance in Storybrooke reveals the consequences of their search.

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Honorable Mention – (3.12) “New York Serenade” – Captain Hook interrupts Emma and Henry’s one-year idyllic life in New York with news that the citizens of Storybrooke need her help. Flashbacks reveal how Snow White, Charming, Regina and the others try to rebuild their homes in the Enchanted Forest and discover that the Wicked Witch of the West poses a serious threat.

“ONCE UPON A TIME”: The Frustration of an Outlaw Queen Shipper

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“ONCE UPON A TIME”: THE FRUSTRATION OF AN OUTLAW QUEEN SHIPPER

The latest plot development of ABC’s “ONCE UPON A TIME” has left me in a state of frustration. This plot development . . . or twist has to do with the relationship between the characters Mayor Regina Mills aka the Evil Queen and Robin Hood aka Robin of Locksley. And the ironic thing is that my frustration is not centered on the actual plot twist, but has a good deal to do with the fan reaction to it.

I guess we all know what happened. In a previous episode called (4.17) “Heart of Gold”, Regina learned from her former mentor, Mr. Gold aka Rumpelstiltskin that not only was her half-sister Zelena aka the Wicked Witch of the West was still alive, she had been impersonating Maid Marian since the second half of the Season Three episode, (3.22) “There’s No Place Like Home”. After being defeated by Regina in (3.20) “Kansas”, Zelena was murdered by a vengeful Rumpelstiltskin, who wanted her dead in retaliation for his son’s death. However, after stabbing Zelena, the latter transformed into essence and eventually opened the time portal she had planned to use to wipe Regina, Snow White, Emma and young Henry Mills from existence. Zelena reformed into human shape in the Enchanted Forest past and followed Emma and Killian Jones aka Captain Hook around. She saw that Emma had decided to change the timeline and save the real Maid Marian from execution on the Evil Queen’s order. Zelena took the opportunity to kill Marian when Emma and Hook were distracted and allow them to drag her to Storybrooke and the 21st century.

In (4.11) “Heroes and Villains”, “Marian” decided that she no longer wanted to be with Robin, since he seemed to be very much in love with Regina. However, the Snow Queen’s freezing spell, which was cast on Zelena in (4.03) “Rocky Road”, began affecting the latter . . . despite the former’s death in the previous episode, (4.10) “Shattered Sight”. Regina insisted that she and Robin end their romance for good and for him to accompany “Marian” out of Storybrooke to take care of her and Roland. In“Heart of Gold”, both she and Rumpelstiltskin learned that “Marian” was Zelena. When Regina accompanied Emma on a road trip to find Maleficent’s daughter in (4.19) “Lily”, they end up in New York City. Regina managed to expose “Marian” as Zelena to a very surprised Robin. But she received her own surprise when Zelena revealed that she was pregnant with Robin’s child.

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Not only did this revelation send shock waves throughout the “ONCE UPON A TIME” fandom, it also exposed some very interesting reactions to this plot twist. Well . . . I did not find these fan reactions “interesting” per se, merely annoying. I was surprised by the number of hostile reactions directed at Robin by the show’s fans. Especially the Outlaw Queen (Regina/Robin) fans. They accused show runners Adam Horowitz and Edward Kitsis of bad writing. They labeled Zelena as something of a cross between a psychotic monster and a slut. But most of their hostility seemed to be directed at Robin. They accused him of stupidity, claiming that he should have known that his wife was not the real Maid Marian. They accused him of being betraying Regina’s love. Some idiots even accused Robin of being fickle in regard to his feelings about Regina. Some fans even wondered how Regina could ever forgive Robin for choosing to be with “Marian” over staying in Storybrooke with her. When I read these complaints and accusations, I could not help but shake my head in disbelief. Does anyone understand what a story is about? Anyone? Did anyone understand what kind of man Robin was . . . or the era that he came from?

I wonder how many of the “ONCE UPON A TIME” fans were aware that Robin was not a veteran of the 21st century like Regina, the Charming family and most of Storybrooke’s citizens. Mind you, he had experienced the 21st century longer than “Marian” (let us assume for a brief moment that we are talking about the real Marian). That is why Regina had convinced him to leave Storybrooke with “Marian” and Roland in the first place. In her mind, “Marian” had no real experience with the 21st century – in Storybrooke and elsewhere. And Roland is a mere child. Regina believed and Robin realized that neither would have been able to survive the outside world on their own. It was either accompany “Marian” and Roland to New York or allow “Marian” to die from Ingrid’s curse.

Did anyone ever understood the era that Robin came from? He came from a period in time that believed in honoring obligations. You know . . . . doing the right thing in the eyes of society, instead of doing what you want to do with no regard to the consequences. Even Regina came from that period, despite her questionable moral compass and three decades in late 20th and early 21st centuries Maine. When Zelena revealed her true identity to Rumpelstiltskin, she informed the latter that she had hoped to ruin Regina’s happiness by making Robin fall in love with her (as “Marian”). However, Zelena realized that she could not use Robin’s past life with Marian and simply seduce him. His feelings for Regina kept getting in the way. In fact, he spent a good deal of their initial time in New York mourning over the end of his relationship with Regina and causing a good deal of tension between him and “Marian”. In the end, it took conversations with both Zelena and Rumpelstiltskin to make Robin believe he had to put Regina behind him for good and try to rebuild his old family for the sake of peace.  Zelena saw Regina’s image on Robin’s cell phone and went into a rant about how his feelings for Regina prevented them from trying to re-establish their lives together in New York (actually, I do wonder how long it took them to get to New York without a car). In other words, Zelena dumped a massive guilt trip on Robin. It did not help that Rumpelstiltskin’s advice about finding happiness wherever he can find it led Robin to believe that he needed to make due with what his life had provided and try to form a stable family life with “Marian” and Roland.

And when Robin found out that “Marian” was Zelena, in his mind he still could not leave her. Especially since he believes that she is pregnant with his child. I doubt very much that Robin cares for Zelena.  Chances are he is probably upset that she had deceived him . . . and probably killed the real Marian. But he is also thinking of his unborn child . . . that is if Zelena is actually pregnant. I simply do not believe that Robin is the type of man who would shirk his own responsibilities. He is simply not the deadbeat type. He obviously feels obligated to take care of his unborn child, whether he wants to or not. Robin is nothing like Zelena’s own father, the gardener who had seduced and abandoned Cora after she became pregnant. And for this, along with his decision to take care of “Marian” and Roland in New York City, Robin is being criticized by many fans.

Personally, I find this anger toward Robin rather baffling. When the character was first introduced, no one had a problem with his “code of honor”, along with his open-mindedness (especially toward Regina). But when it got in the way of a “happily ever after” with Regina – THEIR decision that he needed leave Storybrooke with “Marian” and his refusal to give up on the child he had conceived with “Marian”/Zelena – they dumped all sorts or ire on the man. These fans want him to be a good man . . . as long as his moral code does not get in the way of what they conceive as a perfect romance with Regina. Hypocritical much? Worse, they are now questioning Robin’s true feelings for Regina. Why? Because he had moved past Regina . . . too fast. Robin never really moved past Regina. He simply adjusted to a new life and situation. He is still in love with her. Although it took him a while, Robin came to the conclusion that any kind of life with Regina will always be over as long as “Marian” remains affected by Ingrid’s spell. And since “Marian” is still his wife, with whom he still shares a son . . . This is how Zelena was finally able to garner some kind of affection and intimacy with him, after her previously failed efforts to get him to fall in love with her. And she was only able to achieve this, disguised as Marian. Now, she has an unborn child as a weapon to keep Regina and Robin apart. How long this will last, I have no idea.

Personally, I believe this whole situation with Robin and Zelena is karmic payback for Regina. She is paying the price for using the curse (along with Princess Abigail/Kathryn Nolan) to disrupt Snow and Charming’s relationship. Just as Snow and Charming are experiencing karmic payback for not only taking an unborn Lily, but for using it to manipulate Emma’s own moral compass. In fact, I suspect their earlier loss of Emma through the curse might be payback for kidnapping Lily. Even Emma has experienced karmic payback for giving away Henry (even though her action is not a crime). After all, he will never be completely hers. Never. The same could be said for Regina, who was responsible for the Charmings being forced to give up Emma. And for a brief moment, I believe Emma experienced karmic payback for car theft, when Lily drove away with the yellow Volkswagen bug – the same car that she and Neal had stolen in Portland. It remains to be seen if Emma and the other characters will experience consequences for their other questionable actions.

Following the news of Zelena’s pregnancy, cries that Outlaw Queen was through were posted on the Internet – despite the fact that the series’ run was far from over. These naysayers still believe that Robin needs to dump his “code of honor” in order to have a trouble-free relationship with Regina. They also accused Horowitz and Kitsis of transforming “ONCE UPON A TIME”into a soap opera. HUH? Who are they kidding? The series has always been a combination of a fantasy-adventure and SOAP OPERA. I mean . . . really! The number of bat-shit crazy story arcs and plot twists that have popped up on this show, since its debut in the Fall of 2011 is mind boggling. The most obvious aspect of this series’ soap operish trait is Henry Mills’ crazy family tree. His mother is the first born of Snow White and Prince Charming. His father is Rumpelstiltskin’s son. His step-grandmother is Belle (from “BEAUTY AND THE BEAST”) His paternal grandfather is Peter Pan, who proved to be the most evil and selfish character on this show, so far. His adoptive mother and step-great-grandmother is the Evil Queen. Robin Hood almost became his adoptive father (and he still might by the series’ end). There is a chance that Captain Hook, who had an affair with his paternal grandmother, might become his stepfather. The Queen of Hearts (Cora Mills) is his adoptive grandmother. And the Wicked Witch of the West (Zelena Mills) is his adoptive aunt. I mean . . . what the fuck? Is this bat-shit crazy or what? How can any complain about the latest plot development between Robin and Zelena, when the series has been full of these crazy and soap operish plot twists since it began? Quality writing has never been the hallmark of this series.

Part of me suspect that today’s fans of movies, television and novels long for fictional romances that are trouble free. But why? What is it about today’s audiences that they cannot deal with any kind of emotional conflict or drama between a romantic couple? What is this stupid need for an established couple to be emotionally trouble free and only deal with external threats? It is just so fucking pathetic. It seems as if no one understand or appreciates real storytelling these days. I suspect this is what people really want:

“A couple or family are emotionally secure and lack any hints of moral ambiguity whatsoever. They never fight, make questionable judgments or endure emotional conflicts whatsoever. Instead, all of the conflicts they endure are from an external threat, which is quickly dealt with by the end of a television episode or a movie.

In other words, they want ideal relationships with not moral ambiguity whatsoever and quickly resolved story arcs. I cannot even count the number of times I have spotted comments by television, movie and literary fans on the Internet, who long for an idealized and trouble-free romance between two fictional characters. And I not only fear that storytellers – in all mediums – might give them what they want, but that today’s culture is really going down the drain.

It is rather ironic that when Regina and Robin finally became romantically involved in late Season Three, some fans had complained that their romance seemed a bit too rushed. I had suggested that their story might be far from over. Ever since Emma and Hook brought “Marian”/Zelena to Storybrooke, I proved to be right. But now, these same fans are complaining over the numerous ways that Horowitz and Kitsis seemed to be complicating Regina and Robin’s romance. I swear . . . people can be incredibly fickle.

“LOST” RETROSPECT: (4.10) “Something Nice Back Home”

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Nearly seven years ago, (4.10) “Something Nice Back Home”, a Season Four episode of “LOST” aired for the first time and I wrote a review of the episode nearly two years after it first aired.  However, after a recent viewing, I decided to write another article on the episode:

 

“LOST” RETROSPECT: (4.10) “Something Nice Back Home”

I am beginning to wonder if (4.10) “Something Nice Back Home”, a Season Four episode from “LOST”, might be one of the most misunderstood episodes of the series. When I recently viewed it for a second time in four years, I came to a realization that I may have misunderstood it.

“Something Nice Back Home” is basically a Jack Shephard episode that featured three main subplots – two of them about the very intense Dr. Shephard. One of them centered on James “Sawyer” Ford, Claire Littleton and Miles Straume’s efforts to reach the Oceanic 815 survivors’ beach camp, after surviving the near massacre at the Others’ compound by mercenary Martin Keamy and his merry band of killers. The second subplot was about Dr. Juliet Burke’s efforts to save Jack’s life after he had been struck down by appendicitis. And the final subplot turned out to be a flash forward about Jack’s time with fellow castaways Kate Austen and Aaron Littleton in Los Angeles, three years in the future.

During the first subplot, Sawyer, Claire and Miles’ jungle trek to the beach camp proved to be a tense little adventure that obviously appealed to many viewers. Ever since Sawyer had rescued Claire during Keamy’s attack upon the Others’ compound in (4.09) “The Shape of Things to Come”, fans began labeling him as the series’ “hero”. After my second viewing of the two episodes, I found this odd. Aside from his rescue of Claire, I cannot recall Sawyer doing anything worth noticing. Former Others leader Ben Linus had saved the survivors of Keamy’s attack and the Smoke Monster by leading them out of the besieged compound in “The Shape of Things to Come”. And in “Something Nice Back Home”, pilot Frank Lapidus saved Sawyer, Claire, Miles and Aaron with a warning and prevented them from encountering a very angry Keamy and his surviving men. Frank also convinced Keamy to use another jungle trail in order to distract the latter from the castaways’ hiding place.

One might view Sawyer’s protective attitude toward Claire as an example of his heroism. People are entitled to do so . . . even if I have trouble accepting this. Mind you, I found the exchanges between Sawyer and Miles rather amusing. But when Sawyer caught Miles shooting odd stares at Claire, the former decided to go into a belligerent protective mode and warn Miles to keep his distance. This incident, along with Miles’ detection of Danielle Rousseau and Karl’s bodies were signs of Miles’ psychic ability, but Sawyer was unaware of it. Eventually, Sawyer regretted his warning, when Claire disappeared into the jungle with the Smoke Monster, who was in the form of Christian Shephard – hers and Jack’s father. Like I said, this subplot provided plenty of suspense, adventure and snark. But “LOST” never answered some of the questions that it raised. Why did Claire leave with the Man in Black (Smoke Monster)? Why did she leave Aaron behind? What happened to her during those three years before her reunion with her fellow castaways in Season Six? And was Claire’s disappearance nothing more than a plot device for Kate’s story line featuring those years with baby Aaron?

The second plot line focused on Jack’s appendicitis. In fact, this episode began with this subplot, using the trademark shot of Jack’s eye opening. Not much came from this particular subplot. While gathering surgical instruments and medical supplies at the Staff Station, both Jin and Sun Kwon discovered that one of the freighter newcomers, Charlotte Lewis, spoke Korean. Jin informed Charlotte that he will harm her fellow freighter passenger, Daniel Faraday, if she did not secure a place for the pregnant Sun aboard the Kahuna freighter. The subplot also revealed Juliet’s talent for leadership. She also realized that Jack still loved Kate and that her romantic friendship with him was nothing more than an illusion.

In the end, Charlotte did not ensure Sun’s departure from the island. Juliet did in the Season Four finale, (4.12) “There’s No Place Like Home, Part I”. Knowledge of Charlotte’s ability to speak Korean only allowed her to issue a warning to Jin about the dangers of the island before her death in Season Five’s (5.05) “This Place is Death”. And Juliet’s leadership abilities were never explored in future episodes. Adhering to Hollywood’s sexist codes, John Locke ended up acting as leader of the castaways left behind during the island’s time jumps. Sawyer assumed the role of “leader” following Locke’s departure from the island, via the Orchid Station’s donkey wheel.

And to this day, “LOST fans have no idea on what led to Jack’s attack of appendicitis. Many have speculated, claiming that either it was a sign of the Island’s displeasure over Jack’s eagerness to leave or a symbol of his subconscious reacting to Jack’s desire. Who knows? Fellow castaway Rose Nadler expressed her belief to husband Bernard that Jack’s illness was an ominous warning. In her view, everyone “gets better” on the Island. Naturally, she could only speak from her personal experiences and knowledge of what happened to Locke’s legs. I have decided not to view Jack’s appendicitis from any metaphoric point of view and see it as nothing more than an opportunity for “LOST” writers to end the burgeoning Jack/Juliet romance. When Jack made it clear that he wanted Kate to participate in his operation, Juliet realized that Jack was not in love with her and told Kate. What made this whole mystery surrounding Jack’s infirmity ridiculous is that three years and two seasons later, island guru Jacob told Jack and a few others that staying or leaving the island (and accepting the role as island leader) was a matter of choice.

The episode’s last episode – the 2007 flash forward featuring Jack and Kate’s romance in Los Angeles – seemed to have generated the greatest amount of contempt from the fans and the media. Many fans blamed Jack’s personal flaws for his meltdown and break-up with Kate, complaining about his alcohol and drug dependence, his jealousy toward Kate’s feelings for Sawyer (who had remained on the island), and his controlling nature. They believed if Jack had kept these flaws in check, he could have enjoyed a happy life with Kate and Aaron. Others believed that Jack’s visit to Hurley at the Santa Rosa Mental Health Institute triggered a realization that he needed to return to the Island in order to meet his “destiny”.

I have a different views on the subplot featuring Jack’s meltdown. One, I believe it was the best subplot in “Something Nice Back Home”. It was the only subplot that helped drive the series’ main narrative. And unlike the Sawyer/Claire/Miles and the appendicitis subplots, it did not end with unanswered questions. More importantly, the episode raised a question that many fans, including myself, had failed to notice. What really led to Jack’s post-Island meltdown and break-up with Kate? In my previous review, I had expressed an opinion that Jack’s perfect life with Kate and Aaron was too superficial to last. I never realized the extent of how shallow and false his life was. After viewing “Something Nice Back Home” for the second time, I realized that this question was answered in (4.04) “Eggtown” and in future episodes such as (4.12) “There’s No Place Like Home”, (5.02) “The Lie”, (5.04) “The Little Prince” and (5.11) “Whatever Happened, Happened”.

What am I trying to say? Simple. Jack and the other members of the Oceanic Six had created lives filled with unnecessary and/or selfish lies, deceit, illusions and grief. Audiences had already experienced Hugo “Hurley” Reyes’ crash and burn in flashbacks featured in the Season Four premiere, (4.01) “The Beginning of the End”. In this episode, audiences finally witnessed Jack’s future meltdown. In a flash forward from “Eggtown”, Jack revealed the Oceanic Six’s major lie about the crash of Oceanic Flight 815 during Kate’s criminal trial:

DUNCAN: Were you aware that Ms. Austen was a fugitive being transported by a United States marshal on that flight to Los Angeles for trial?

JACK: I did learn that eventually, yes.

DUNCAN: From the U.S. Marshal?

JACK: No, the marshal died in the crash. I never spoke to him. Ms. Austen told me.

DUNCAN: Did you ever ask her if she was guilty?

JACK: No. Never.

DUNCAN: Well, that seems like a reasonable question. Why not?

JACK: I just assumed that there had been some kind of mistake.

DUNCAN: And why would you think that?

JACK: Only eight of us survived the crash. We landed in the water. I was hurt, pretty badly. In fact, if it weren’t for her, I would have never made it to the shore. She took care of me. She took care of all of us. She — she gave us first aid, water, found food, made shelter. She tried to save the other two, but they didn’t—

As we all know, this is a load of horseshit. But what led Jack to tell all of these lies. The episode (4.14) “There’s No Place Like Home”featured a scene in which Locke asked Jack to lie about the Island and their their experiences during the past three months . . . to protect the Island. Jack had announced his intentions to follow Locke’s instructions in (5.02) “The Lie”. Kate, Sun and Sayid agreed to support his lies. Hurley did not, claiming that they were unnecessary. Eventually, Hurley capitulated to Jack’s demands. I never understood why Jack had created such unnecessary lies about the island. It had disappeared after Ben had pushed the Orchid Station’s donkey wheel. By the time the Oceanic Six were “rescued”, they had traveled many miles away from the island, thanks to Kahuna freighter’s helicopter, floating in the ocean for several days and Penny Widmore’s yacht, which conveyed them to the Java Trench, where a fake Oceanic 815 airplane was planted by Penny’s father, Charles Widmore and near the island of Sumba. The only person who could have found the Island was Widmore. Being a former resident of the Island, he knew how to acquire information on the Island’s locations. And once he did, Widmore dispatched Martin Keamy and his thugs there to collect Ben Linus. The authorities would have never found the Island, and the lie did not prevente Widmore from finding it again, as Season Six eventually proved. Leaving behind so many castaways and pretending they were dead did not serve a damn thing.

There was another lie that proved to be even more destructive . . . namely the lie about fugitive Kate Austen being the mother of Aaron Littleton, Claire’s son. When “Something Nice Back Home” first aired, many viewers believed that Jack had coerced Kate into pretending to be Aaron’s mother in order to protect him from the foster care system or Charles Widmore. In “There’s No Place Like Home, Part I”, both Jack and Kate learned that Claire’s mother, Carole Littleton, was alive and well. Both realized they were keeping Aaron from his grandmother via the lie, but both continued the deception. A flashback in “The Little Prince” revealed that it was Kate who had suggested she pretend to be Aaron’s mother, due to her selfish desire to use Aaron as an emotional comfort blanket:

KATE: I’ve been thinking a lot about him. Did you know that Claire was flying to L.A. to give him up for adoption?

JACK: No. No, I didn’t.

KATE: I think we should say he’s mine.

JACK: What?

KATE: We could say that I was six months pregnant when I was arrested and that I gave birth to him on the Island. No one would ever know.

JACK: Kate, no. You don’t have to… [sighs] There’s other ways too this.

KATE: After everyone we’ve lost–Michael, Jin, Sawyer… I can’t lose him, too.

JACK: Sawyer’s not dead.

KATE: No. But he’s gone. Good night, Jack.

JACK: Kate… If we’re gonna be safe, if we’re gonna protect the people that we left behind, tomorrow morning, I’m gonna have to convince everyone to lie. If it’s just me, they’re never gonna go for it. So I’m gonna turn to you first. Are you with me?

KATE: I have always been with you.

Wow. I find it interesting that so many fans have complained about Jack’s controlling nature. Yet, it is also easy to see that he can be very susceptible to Kate’s manipulations. Yet, very few people have commented on this. By the way, Kate’s suggestion was confirmed in a confession that she had made to Cassidy Phillips, Sawyer’s ex-girlfriend and fellow grifter, in “Whatever Happened, Happened”. And Jack . . . due to his selfish desire to earn or maintain Kate’s love, agreed to support her lie. I suspect his encounter with Carole Littleton at his father’s funeral service dealt two major blows to Jack’s psyche. He learned that Claire Littleton was his half-sister, due to an affair between Christian Shephard and Carole. And two, he had allowed Kate to use his nephew as an emotional blanket, while keeping said nephew from the latter’s very healthy grandmother. I suspect that this discovery had led Jack to stay away from Kate for a while. But after seeing her at her trial, he realized he could not stay away and caved in to her demand that he need to accept Aaron as hers in order for them to have a relationship.

But Jack’s conversation with Hurley at the mental hospital only proved something that Jack could not face – he was living a life based upon lies about the Island, the survivors of the crash and especially Aaron. And I also suspect that his discovery of Kate’s deception about the favor she did for Sawyer made him realized that he was maintaining lies for the love of a woman who was lying to him. No wonder he freaked out in the end with booze, pills and anger. I suspect that Jack’s outburst about Kate not being related to Aaron was a hint of her own meltdown and realization, a few months later.

“Something Nice Back Home” was not perfect. The episode featured one entertaining and suspenseful subplot that brought up questions behind Claire Littleton’s disappearance – questions that were never really explored after Claire’s reappearance in Season Six. It featured another subplot regarding Jack’s appendicitis that raised both questions and minor subplots that were never dealt with any satisfaction. The only subplot I believe that had any meat or merit was the flash forward featuring Jack Shephard’s meltdown regarding the Island, Kate Austen and his nephew Aaron Littleton. So in the end, all was not lost for “Something Nice Back Home”.

“LOST”: Things That Make Me Go . . . Hmmm?

The following is a list of questions I have regarding subplots that have been featured in past episodes of “LOST”. If you have an answer to any of my questions, please feel free to reply:

 

“LOST”: THINGS THAT MAKE ME GO . . . HMMM?

1. Who gave the original order for Walt Lloyd to be kidnapped?

 

2. Why did the Others kidnap some of the surviving Tail Section passengers of Oceanic 815?

 

3. Why did Ben Linus and the Others scheme to keep Jack Shephard, Kate Austen, and James “Sawyer” Ford as prisoners on Hydra Island?

 

4. Why did Michael Dawson confess his murder of Ana-Lucia Cortez and accidental killing of Libby to his ten year-old son, Walt Lloyd, following their departure from the island?

 

5. Why did Tom Friendly claim that no one was able to leave the island, following the explosion of the Swan Station, despite the fact that he, Michael and Walt were able to do so?

 

6. Why did the prosecuting attorney blindly believe Jack’s false testimony that Kate gave birth to Aaron Littleton, during their three-month stay on the island?

 

7. Why did the prosecuting attorney fail to continue her prosecution of Kate for the charges of bank robbery, assaulting a Federal peace officer, after the murder charges were dropped?

 

8. Why were the Losties, the Freighter people and Juliet the only ones who time traveled on the island and not the Others or Danielle Rousseau?

 

9. Why did Ben kill John Locke in “The Death of Jeremy Bentham”?

 

10. What happened to Claire Littleton during her three-year stay on the island, following the departure of the Oceanic Six?

 

11. Who killed some of the surviving Ajira 316 passengers at their beach camp and why?