“A GOOD DAY TO DIE HARD” (2013) Review

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“A GOOD DAY TO DIE HARD” (2013) Review

Five-and-a-half years following the successful release of the fourth movie in the DIE HARD movie franchise – 2007’s“LIVE FREE AND DIE HARD”, 20th Century Fox Studios release a fifth movie about the adventures of New York Police detective John McClane called “A GOOD DAY TO DIE HARD”

A high-ranking, yet corrupt official in Moscow, Russia named Viktor Chagarin plans on incriminating political prisoner/government whistleblower and former billionaire Yuri Komarov without a fair trial when Komarov refuses to hand over a secret file believed to have convicting evidence against Chagarin. A young man assassinates a colleague of Chagarin’s and agrees to testify against Komarov for a shorter sentence. He turns out to be John “Jack” McClane Jr., Detective McClane’s estranged only son. The NYPD police officer, who has not been in touch with his son for years, learns of Jack’s situation and travels to Russia to help.

But when John arrives and approaches the courthouse that holds Jack and Komarov on trial, an explosion orchestrated by Chagarin and his henchmen disrupts the courthouse, and Jack breaks free with Komarov. After spotting Jack, John confronts him, but their dispute is cut short when Chagarin’s henchmen, led by main enforcer Alik, chase them throughout the streets of Moscow. John learns that Jack is a CIA agent and has been on a three-year mission to rescue Komarov from Chagarin’s clutches and retrieve a file that can link Chagarin and Komarov to the Chernobyl nuclear disaster. The file will enable the U.S. government to bring down Chagarin, who has proven to be an obstacle to U.S.-Russian relations. But the McClane men not only learn to heal long-standing family rifts, but also discover there is more to this mission than evidence against Chagarin.

“A GOOD DAY TO DIE HARD” received negative reviews from movie critics. In fact, their response to the movie strongly reminded me of the negative press that the James Bond movie, “QUANTUM OF SOLACE” had received in 2008. In a way, I could see why. Both movies share two negative traits that prevented them from becoming even better films.“A GOOD DAY TO DIE HARD”, like the Bond film, suffered from what I liked to call the “Paul Greengrass film editing style”. I realize that this editing style has been popular with recent filmmakers who use it to trim a movie’s running time. But I can do without it. I disliked in the second and third JASON BOURNE movies. I disliked it in “QUANTUM OF SOLACE”. And I also disliked it in “A GOOD DAY TO DIE HARD”. Director John Moore and editor Dan Zimmerman used it with strong effect during the Moscow car chase, making the latter one of the most confusing car chases since the one featured in 2007’s “THE BOURNE ULTIMATUM”.

Moore and Zimmerman’s use of this fast speed editing style also enabled them to give “A GOOD DAY TO DIE HARD” the shortest running time in the franchise’s fifteen year history . . . one of 97 minutes. The idea of a DIE HARD movie running slightly over 90 minutes makes me shake my head in disbelief. Also, the plot for this latest film, penned by Skip Woods, is too complicated and quite frankly, too good to be wasted on a 90-something minutes running time. If “A GOOD DAY TO DIE HARD” had possessed a longer running time, Woods story could have been told with greater detail. For instance, the movie could have revealed how John learned of Jack’s arrest with greater detail. And the situation regarding Chagarin, Komarov and Jack could have been told with greater detail with a longer running time. Also, Cole Hauser could have enjoyed more screen time as Jack’s CIA partner, Mike Collins. Instead, Hauser was barely on screen for five minutes tops.

Before one begins to think I share the critics’ dislike of “A GOOD DAY TO DIE”, you will be mistaken. Because I do not share their opinion. Despite the Paul Greengrass editing style and the shorter running time, I still enjoyed the movie very much . . . in fact, more than I thought possible. As I had stated earlier, Skip Woods penned a very strong story for the movie. Yes, it featured the usual over-the-top action that has been a hallmark of the franchise for years. One of my favorite scenes proved to be John, Jack and Komarov’s escape from the CIA safe house in Moscow. It not only gave Bruce Willis (or his stunt man) another chance to prove how great he can be as on-screen badass, it gave Jai Courtney, who portrayed Jack McClane, a chance to show that his character is a badass, as well. In fact, another scene provided more great moments for both Willis and Courtney – namely the McClane men’s escape from death after they and Komarov were captured by Alix.

One of the best aspects of Woods’ screenplay proved to be the complicated story surrounding the strained relationship between Chagarin and Komarov. This storyline provided audiences an interesting peek into Russian politics – if it is somewhat accurate. I suspect that it is not completely accurate, but this is a work of fiction we are talking about, not a documentary. More importantly, Woods’ story added the Chernobyl disaster as a catalyst to the former colleagues’ estrangement . . . enabling audiences a chilling peek at the infamous Chernobyl site in the Ukraine, during the movie’s final action scene. This sequence also provided a plot twist that brought back a memories of the 1990 film, “DIE HARD 2”. The best aspect of “A GOOD DAY TO DIE HARD” is that the movie allowed a more satisfying portrayal of the relationship between John and Jack than “LIVE FREE AND DIE HARD” did for John and Lucy, five years ago.

Speaking of the relationship between the two McClane men, it would not have worked without the chemistry between Bruce Willis and Jai Courtney. I understand that the movie’s casting director considered a good number of actors – including Liam Hemsworth and James Badge Dale – before Australian actor Jai Courtney was chosen. Willis was in top form, as usual. I found Willis very effective in portraying McClane’s desire to reconcile with his son in conflict with the NYPD cop’s penchant for butting into situations where he is not wanted. And he formed a top-notch chemistry with Courtney. The latter did an excellent job in portraying Jack’s initial resentment toward John, his growing regard for the latter and intense fixation on his mission. German actor Sebastian Koch (whom I last saw in 2011’s “UNKNOWN”, gave a subtle, yet complex portrayal of Yuri Komarov, the former billionaire and criminal who found a conscious and exposed his former partner. Sergei Kolesnikov gave a solid performance as the corrupt politician Viktor Chagarin. But I found Yuliya Snigir very impressive as Komarov’s daughter Irina, who proved to be more than meets the eye. I wish I could say the same about Radivoje Bukvić, who portrayed Chagarin’s main henchman. But I found his performance a little over-the-top. It was nice to see Mary Elizabeth Winstead reprise her portrayal of Lucy McClane, and she proved to be as spunky as ever. But Cole Hauser was really effective as Mike Collins, Jack’s CIA partner. He was subtle, brutal and slightly scary. And his performance made me wish he had more scenes.

I can understand the critics’ disappointment with the shorter running time and quick flash editing in “A GOOD DAY TO DIE HARD”. But despite these flaws, the movie still proved to be very entertaining, thanks to solid, yet slightly flawed direction by John Moore, an interesting story penned by Skip Woods and a first rate cast led by Bruce Willis and Jai Courtney.

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A Second Look at “STAR TREK” (2009)

Below is my second look at the new “STAR TREK” film, after seeing it for the second time: 

A Second Look at “STAR TREK” (2009)

Not long after J.J. Abrams’ new TREK film, ”STAR TREK” hit the theaters in May 2009, I wrote a review of it. Despite some criticisms of what I had believed were flaws in the film, I concluded that it was a pretty good film. Well . . . I saw it for a third time, yesterday; and realized that my view of the movie has changed.

When I said that my view of ”STAR TREK” had changed, I meant not for the better. The number of plot holes that had caught my attention astounded me. And considering that Abrams and screenwriters, Roberto Orci and Alex Kurtzman, had decided to create an alternate reality in the script, my opinion of the film has become even worse.

First of all, I want to point out one thing. This alternate reality or timeline created by Orci and Kurtzman has its origins in the arrival of late 24th century Romulan mining ship – the Narada – and its captain, Nero (Eric Bana), to the year 2233, 154 years before his time. His arrival marked the destruction of the U.S.S. Kelvin, along with its captain, Richard Robau (Faran Tahir), and first officer George Kirk (Chris Hemsworth). Just before the Kelvin’s destruction, Winona Kirk (Jennifer Morrison) gave birth to James T. Kirk (Chris Pine), aboard one of the ship’s shuttles.

It is here – Kirk’s birth – where the movie hit its first snag. Many TREK fans pointed out that James Kirk had been born in Iowa, not aboard a Starfleet vessel or one of its shuttles. Robert Orci replied that Kirk would have been born in Iowa if Nero had not arrived from the late 24th century and attacked the Kelvin. I say . . . bullshit to that. Why? One, Winona Kirk was never a Starfleet officer in the original timeline. This has been supported in ”THE ORIGINAL SERIES” (1966-1969). And Nero’s arrival would have NOT changed that. She had no business being aboard the Kelvin . . . even before Nero’s arrival. Orci and Kurtzman also failed to hint that Kirk had an older brother named Sam.

Another problem I had with the film was the manner in which Kirk joined Starfleet Academy. At a bar near Kirk’s home in Iowa, Captain Christopher Pike (Bruce Greenwood) urged him to apply for the Academy, claiming that Kirk would attain an officer’s commission within four years and command of a starship within eight. So, what does Kirk do? He shows up at a Starbase the following morning on his motorbike . . . without even encountering one sign of security. Then he boards a shuttle for San Francisco . . . just like that. He never submitted an application. Nor was he wearing the uniform of an Academy cadet. Come to think of it, neither did Leonard McCoy (Karl Urban). Was this Starfleet’s idea of military discipline in the mid-23rd century? What the hell was this, anyway?

Within three years, Kirk is close to completing his Academy training. Yet, he ended up getting into trouble, when he passed the Kobayashi Maru test by cheating. When Starfleet receives a distress signal from Vulcan regarding a lightning storm in space, the cadets are mobilized to help the Starfleet ships in orbit. Kirk is unable to join this expedition due to being suspended from the Academy. I have two problems with this scene. One, why on earth was it necessary for Starfleet to mobilize so many cadets for a distress signal over a lightning storm in Vulcan space? Two, no one inside the U.S.S. Enterprise’s Sick Bay bothered to questioned Kirk’s presence on board and McCoy ended up ordering others around, despite the fact that he was a mere cadet and not the ship’s Chief Medical Officer. In fact, where was the CMO before his death? And why was it so important for Uhura to join the Enterprise’s crew? She was a cadet. She was not supposed to be there on a permanent basis, in the first place. And could someone please tell me why the cadets assigned aboard the Enterprise were wearing the same uniforms as the regular crew . . . instead of cadet uniforms? They had not graduated from the Academy.

Upon reaching Vulcan space, the Enterprise finds the fleet destroyed and the Narada drilling into Vulcan’s core. Pike promotes Kirk to First Officer. Then he orders Kirk, Lieutenant Sulu (John Cho) and Chief Engineer Olson to an orbital skydive onto the Romulan drilling platform and destroy it before it can drill a hole into Vulcan’s core. Meanwhile, he would meet with Nero aboard the Narad. Unfortunately, Olson is killed during their dive. Kirk and Sulu are forced to fight Romulan miners aboard the drill platform before stopping the drill, using phasers. However, Nero manages to successfully drill the hole, drop the red matter into the planet’s core and destroy Vulcan. Spock transports to Vulcan to save his parents and the planet’s High Council. However, his mother, Amanda Grayson (Winona Ryder), is killed before she could be transported safely from the planet. Not only did I find this sequence, heavily contrived, I found it so unnecessary. Why was it necessary to promote Kirk to First Officer? Aside from identifying the lightning storm for what it was, he did nothing to earn that promotion. What was Amanda doing with the Vulcan High Council? And if Starfleet issued phasers could stop the drill, then why not the Enterprise’s phasers? If Captain Pike had simply ordered his Weapons Officer to fire at the drill, then perhaps it would have been destroyed before it reached Vulcan’s core. Alas . . . we are given this exciting, but contrived nonsense with a fight on the drill platform, the Chief Engineer and Amanda Grayson dead, Vulcan destroyed and Captain Pike a prisoner of Nero’s.

Chekov manages to transport Kirk and Sulu back to the Enterprise. Pike is tortured by Nero for information on Earth’s defenses. Meanwhile, Kirk (who is now First Officer) and Spock (the Acting Captain) have a quarrel on the Bridge about Spock’s decision to return to Starfleet. Kirk wants to go after Nero. During the quarrel, Spock has Kirk marooned on Delta Vega. There, Kirk has an encounter with snow monster straight out of ”STAR WARS” and meets the elder Ambassador Spock (Leonard Nimoy). Old Spock informs Kirk about what led Nero and himself to the 23rd century. He then leads Kirk to a Starbase, where they encounter engineer Montgomery Scott (Simon Pegg). I really disliked this sequence. Nero needed information on Earth’s defenses, but did not need the same for Vulcan’s defenses? And both planets were the premiere members of the Federation? And why maroon Kirk on some snow planet? Spock could have easily hauled the Human’s ass into the brig for insubordination. As for Kirk . . . what is this guy’s problem? Confronting the Captain on the Bridge? Kirk would have never tolerated any officer or crewman doing the same to him. Kirk’s monster encounter was a joke. And after meeting Old Spock, the latter reveals his knowledge of a nearby Starbase. Now, I really have a problem with this. Why did Spock fail to warn Starfleet about Nero? He was pulled into the 23rd century, captured and marooned on Delta Vega by Nero at least two days before Vulcan’s destruction. This was not merely a joke. This was criminal. And why was it imperative to transport Scotty to the Enterprise, along with Kirk? Without Starfleet knowing?

Before Spock transported Kirk and Scotty to the Enterprise, he informs Kirk that the latter needs to assume command of the Enterprise. Once aboard, Kirk deliberately enrages Spock to force him to acknowledge that he is emotionally compromised, thereby forfeiting command which then passes to Kirk. Here was another scene with which I had a problem. Kirk . . . should NOT have assumed command of the Enterprise when Spock removed himself as captain. You see, Kirk had been relieved of duty by Spock before the latter marooned the former on Delta Vega. And Kirk was never reinstated back to duty upon his return to the Enterprise. Nor do I recall Spock deliberately handing over command to Kirk. Whoever was acting as Spock’s first officer during Kirk’s adventures on Delta Vega, should have assumed command. Not Kirk.

Spock, Scott, and Chekov devise a plan to ambush the Narada by dropping out of warp behind Saturn’s moon, Titan. Kirk and Spock beam aboard the Narada. While Kirk rescues Pike, Spock retakes the elder Spock’s ship, destroys the drill and lures the Narada away from Earth before piloting a collision course. The Enterprise arrives and beams Kirk, Pike, and Spock away before the collision, which ignites the remaining red matter and creates a black hole within the Narada’s superstructure. Kirk offers to help rescue Nero and his crew, but the Romulan refuses and the Narada is destroyed. The Enterprise escapes the same fate by ejecting and igniting the ship’s warp drive reactor cores, the resulting explosion pushing them clear. Why were Chekov and Scotty needed to devise a plan to ambush the Narada in the first place? What was Scotty doing on the Bridge? What was he doing aboard the Enterprise? He was not an official member of the crew. And could someone please explain how Spock managed to fly a starship that was 154 years ahead of his time? Who was in command of the Enterprise, while Kirk and Spock were aboard the Narada?

The movie ends with Kirk receiving adulation by Starfleet for his actions against Nero and command of the Enterprise. Spock decides to remain in Starfleet and become the Enterprise’s First Officer. God, I hate this. What exactly did Kirk do in this movie, besides act like a complete asshole? Well, he did rescue Captain Pike. But the latter also assisted in the rescue. It was Spock who came up with the plan to ambush the Narada. It was the person in command of the Enterprise who prevented Spock from being blown to bits by Romulan missiles, while he was inside Old Spock’s ship. It was Spock who destroyed the Narada. Sulu’s flying and Scotty’s engineering skills prevented the Enterprise from being destroyed by the black hole that destroyed the Narada. Why in the hell would Starfleet give most of the credit to Kirk? How in the hell did a cadet, who had yet to graduate, end up with command of Starfleet’s flagship? What kind of military organization is this?

I had one last problem with the movie . . . namely one Pavel Chekov (Anton Yelchin). In the original timeline, Chekov was born in 2245, which would have made him thirteen years old in this movie. According to one of the screenwriters, Roberto Orci, Nero’s appearance in the past caused a ripple effect, allowing Chekov to be born four years earlier in 2241. God, how lame! I suppose one could accept this explanation. But how does one explain Chekov’s transformation from an intelligent and competent Starfleet junior officer to a child prodigy? I really cannot see how a time ripple effect could change a character’s personality traits. Not to that degree.

Look . . . I will admit that ”STAR TREK” had a lot of exciting action sequences. And some of the performances seemed top-notch. But upon second viewing, I discovered that I disliked Daniel Mindel’s photography. I especially disliked the fact that most of the scenes seemed to have been shot with close-ups. I disliked the new transporter style that featured swirling circles. But what I realized that I disliked the most was the script penned by Orci and Katzman. Not only did I disliked the fact that they used an alternate timeline plot device to stray away from the franchise’s original continuity; I disliked that they used badly written plot holes to achieve this goal. ”STAR TREK” might be considered the best movie of the summer, so far. In my opinion, it is the worst movie I have seen since the summer movie season began.

“INDIANA JONES AND THE KINGDOM OF THE CRYSTAL SKULLS” (2008) Review

 

“INDIANA JONES AND THE KINGDOM OF THE CRYSTAL SKULL” (2008) Review

As much as I enjoyed this latest installment of the INDIANA JONES saga – ”Kingdom of the Crystal Skull” – I had found myself perplexed by it. There was something about the movie’s tone that failed to strike a chord similar to the past three movies. It took a second viewing of the movie for me to understand that it had a lot to do with its setting. 

”INDIANA JONES and the Kingdom of the Crystal Skull” is set in 1957, in which Colonel-Doctor Irina Spalko (Cate Blanchett) leads a convoy of Soviet troops, dressed as American soldiers on a mission to infiltrate a military base in the Nevada desert called “Hangar 51”. Spalko and her men force Indiana Jones (Harrison Ford) to lead them to a crate holding the remains of an extraterrestrial creature that crashed ten years before in Roswell, New Mexico. When Jones attempts to escape, he is foiled by his old partner, George “Mac” McHale (Ray Winstone), who reveals that he is working with the Soviets. Jones then escapes on a rocket sled into the desert, where he stumbles upon a nuclear test town and survives a nuclear blast by hiding in a lead-lined refrigerator. While being debriefed, Jones discovers he is under FBI investigation because his friend Mac is a Soviet agent. Jones returns to Marshall College, where he is offered a leave of absence to avoid being fired because of the investigation. As he is leaving, Jones is stopped by Mutt Williams (Shia LaBeouf) and told that his old colleague, Harold Oxley (John Hurt), disappeared after discovering a crystal skull in Peru.

Like ”LIVE FREE OR DIE HARD” of last year, I had harbored some serious doubts on whether George Lucas and Steven Spielberg could relive the old magic of their previous three Indiana Jones adventures of the 1980s. Needless to say, my fears proved to be groundless. Like the Bruce Willis “DIE HARD” movie, this fourth installment ended up being very entertaining. And although it had some of the old magic of ”RAIDERS””TEMPLE OF DOOM” and ”LAST CRUSADE”, it had a tone that made it different from the other three. It took a movie review by someone named Lazypadawan and a second viewing of the movie to not only notice the difference, but to eventually appreciate it.

The main problem I originally had with ”CRYSTAL SKULL” was the presence of a spaceship at the end of the story. The City of Gold that Indy, Spalko, Oxley and others wanted to find, ended up with something to do with . . . an inter-dimensional beings. One might as well call them aliens, judging by their look. This is something that has never been seen in an Indiana Jones film before. And of course it has not. The other three movies had been set in the 1930s. It would be only natural that they had a feel of a 30s B-serial adventure. But I made the mistake of expecting a 1930s serial adventure in a story set in the late 1950s. What I should have realized – and what Lazypadawan had pointed out in her review – was that ”KINGDOM OF THE CRYSTAL SKULL” was not supposed to be a 30s serial adventure set in the 1950s. It was supposed to be a send up of the 1950s “B” movies. And what are the elements of a “B” movie from the 1950s? Here are just a few:

*atomic power
*the presence of Soviet troops or spies
*science fiction
*horror
*hybrid of science fiction and horror
*conflicts between biker hoods and high school/college jocks
*the “Red” scare
*Soviet (and American) interests in psychic paranormal activities and UFOs

”KINGDOM OF THE CRYSTAL SKULL” had most, if not all elements in the film. I had just read a review in which someone had complained that the movie seemed like a “rip-off” of a cheesy B-movie. I had made that same mistake when I saw the spaceship sequence near the end of the movie. But now I know better. Lucas and Spielberg had every intention of the movie being a “rip-off” of 1950s B-movies. Like I had said before, it would only make sense.

Someone else had mentioned that Harrison Ford had not seemed this animated in years. I am not surprised. Indiana Jones had always been amongst his favorite characters. And it really showed in his performance. It is also nice to see that after 27 years, his chemistry with Karen Allen (Marion Ravenwood) seemed as strong as ever. By the way, she was great. And I was very impressed by Shia LaBeouf as Marion and Indy’s love child – Mutt Williams aka Henry Jones III. As much as I liked his performance in ”TRANSFORMERS”, I have always thought it seemed a bit too frantic for my tastes. I much preferred his role as Henry III (I’m sorry, but I can barely bring myself to say – let alone write – “Mutt”). LaBeouf managed to convey a strong screen presence that matched Ford, without resorting to the frantic acting he had utilized in “TRANSFORMERS”.

Like Ford, I could tell that Cate Blanchett really enjoyed her role as the villainous Soviet Colonel-Doctor Spalko. She was as obsessive and ruthless as the past Indy villains. But Blanchett’s performance had a verve and theatricality I have not seen since Amrish Puri’s portrayal of Mola Ram in ”THE TEMPLE OF DOOM”. And John Hurt filled Denholm Elliot’s role as friend/mentor of the Jones family quite beautifully. But unlike Marcus Brody, Harold Oxley had a good reason for his loopy behavior. I also enjoyed Ray Winstone’s performance as Indy’s treacherous old friend and colleague, McHale. In a way, he reminded me of the Elsa Schneider character in “LAST CRUSADE”. But as much as I like Alison Doody, I must say that Winstone’s take on a very morally ambiguous character had been handled with more skill.

Is there anything about ”KINGDOM OF THE CRYSTAL SKULL” that I disliked? Well, I was not impressed by John Williams’ score. There was nothing original or memorable about it, aside from moments of the old Indy theme being rehashed. Rather disappointing. Nor was I fond of the movie’s heavy-handed style of action and special effects. However, I could honestly complain about the same about the other three films. But the one thing that really irritated me was the sequence featuring the villain’s defeat/destruction. In the end, it was not Indy who had defeated the villain or set her destruction in motion. It was the inter-dimensional being. In other words, Indy became nothing more than a passive bystander of the villain’s defeat. This is the one major fault I have noticed in two other Indiana Jones films. And it gave those films – at least in my eyes – an anticlimatic feeling that I found disappointing. In ”RAIDERS”, the opening of the Ark of the Covenant set in motion Belloq and the Nazis’ deaths. Both Indy and Marion were tied to a pole, unable to do anything except keep their eyes closed. In ”THE LAST CRUSADE”, Elsa Schneider turned out to be responsible for the main villain’s death and the destruction of his men through her handling of the Grail Cup. Perhaps Lucas and Spielberg were trying to convey some message about humans being too arrogant to take heed of things/beings that are more powerful or more evolved than mankind. But that same message had also been conveyed in ”TEMPLE OF DOOM”. Only in that particular movie, Indy’s action – namely invoking the power of Shiva with the Sanakara stone – did lead to the villain Mola Ram’s destruction. Perhaps this is why I have always found the 1984 movie’s finale a lot more impressive than those of the other three movies.

But despite my initial confusion on what Lucas and Spielberg were doing with the movie’s 1950s theme, along with my disappointment of the score and the handling of the villain’s defeat, I found ”KINGDOM OF THE CRYSTAL SKULL” to be very enjoyable. It was great to see Indiana Jones back in action, again. And even more satisfying was his marriage to his lady love, Marion Ravenwood, in the end. After 30 odd years, those two finally got it right.

“STAR TREK” (2009) Review

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Below is my review of the new movie, “STAR TREK”, directed by J.J. Abrams:

 

“STAR TREK” (2009) Review

Many fans of the ”STAR TREK” franchise seemed to be in agreement that its last television series – ”ENTERPRISE” (2001-2005) – had more or less killed the franchise. That opinion proved to be false with the release of its latest film – ”STAR TREK”, directed by J.J. Abrams.

Not to be confused with Robert Wise’s 1979 movie, ”STAR TREK: THE MOTION PICTURE”, this latest installment in the franchise is about the early years of the U.S.S. Enterprise NCC-1701 from ”THE ORIGINAL SERIES” (1966-1969). In other words, the movie is about how James T. Kirk became captain of the Enterprise and Spock, its first officer. What made this particular story unique is that the film’s opening sequence – an attack upon the Federation starship, U.S.S. Kelvin in 2233 led to an alternate timeline for the rest of the film.

When a supernova threatened the galaxy in 2387 (nine years after the U.S.S. Voyager’s return to Earth), Ambassador Spock piloted a ship carrying “red matter” that can create a gravitational singularity, drawing the supernova into a black hole. Before Spock completed his mission, the supernova destroyed the planet Romulus. Captain Nero (Eric Bana) of the Romulan mining ship Narada blamed Spock and the Federation for his planet’s destruction and its inhabitants, which included his wife and unborn child; and attempted to exact revenge on Spock. But both ships are caught in the black hole’s event horizon and travel to different points in the past. The Narada arrived first in 2233 and attacked the Kelvin. The attack resulted in the death of the Kelvin’s commander, Richard Robau (Faran Tahir) and first officer Lieutenant George Kirk (Chris Hemsworth); and James T. Kirk’s (Chris Pine) birth aboard a shuttle fleeing from the damaged starship. The rest of the movie featured both Kirk and Spock’s (Zachary Quinto) early years, their subsequent first meeting at Starfleet Academy and their clashes aboard the U.S.S. Enterprise, commanded by Captain Christopher Pike (Bruce Greenwood). Meanwhile, Nero has survived and 25 years following Kirk’s birth, is still seeking to exact revenge upon Spock.

Screenwriters Roberto Orci and Alex Kurtzman managed to pen a solid adventure filled with time travel, plenty of action and strong characterization. Which is not surprising, considering that the story strongly reminded me of the Season Four episode from ”STAR TREK: VOYAGER” (1995-2001),(4.08-4.09) “Year of Hell”. But there were differences. Whereas ”Year of Hell”dealt with the moral ramifications of time travel, ”STAR TREK” merely revealed what happened after the timeline was changed. After all, it is more action oriented than the majority of ”TREK” episodes. I had no problems with that. Somewhat. But this slight difference deprived the movie of the depth found in ”Year of Hell”. And I did have problems with other aspects of Orci and Kurtzman’s script.

First of all, James Kirk’s rapid ascent from senior year Starfleet Academy cadet to the captain of the Enterprise within such a short space of time seemed ridiculously unrealistic. Even for a work of fiction. I realized that Pike saw great potential in Kirk’s future with Starfleet. But to promote a cadet so high in the ranks . . . and so fast bordered on the ridiculous. I also had a problem with Nero’s desire to exact revenge upon Spock. Instead of taking the opportunity to kill the Human/Vulcan hybrid in order to save his homeworld and family (which were the motivations of the villain in ”Year of Hell”), the Romulan wanted Spock to remain alive and witness the destruction of both Vulcan and Earth. Again, logic seemed to quickly disappear in what I believe to be an irrelevant plot twist.

Now, due to Nero’s presence in the 23rd century, the following happened:

*George Kirk died on the very day of his son’s birth and did not witness the latter’s graduation from Starfleet Academy.

*Kirk joined Starfleet Academy at the age of 22, instead of 17.

*Kirk became part of the same Starfleet Academy class as Nyota Uhura (Zoe Saldaña) and Leonard “Bones” McCoy (Karl Urban).

*Spock and Uhura became romantically involved during her years at Starfleet Academy.

*Both Hikaru Sulu (John Cho) and 17 year-old Pavel Chekov (Anton Yelchin) were already Academy graduates and Starfleet officers serving under Christopher Pike during Kirk, Uhura and McCoy’s last year at the Academy.

*Nero managed to destroy Vulcan and its inhabitants, using the same ”red matter” that the older Spock used in an attempt to destroy that supernova in the year 2258.

*Spock’s mother, Amanda Grayson (Winona Ryder), was killed during the destruction of Vulcan.

Ironically, the movie ended with these changes in the ”TREK” universe still in place. Most fans might not have a problem with this. When it comes to time travel stories, they seemed to have a problem with the plot device known as”the reset button”. Many fans certainly bitched a lot when this plot device was used at the end of ”Year of Hell”. Not only have I never had a problem with”the reset button” plot device, I was not particularly happy that Abrams and the screenwriters failed to use it at the end of ”STAR TREK”. I do wonder if he or the next director plan to finally use it in the much ballyhooed sequel. I hope so. Because I do not exactly find this altered timeline particularly appealing. Especially since it featured the too rapid ascent of Kirk’s Starfleet career and Amanda Grayson’s premature death. I had feared that the movie would also affect another ”TREK” character – namely Lieutenant-Commander Tuvok (portrayed by Tim Russ) from ”VOYAGER”. Fortunately, Tuvok had been born on a Vulcan colony and not the planet, itself.

One last problem I had with the script’s altered timeline was the Spock/Uhura romance. Abrams and the screenwriters had decided to include this little romance, due to their discovery that Uhura once had a romantic interest in Spock in the early episodes of  ”THE ORIGINAL SERIES”. If I must be frank, this new Spock/Uhura pairing lacked chemistry. Period. Neither Quinto or Saldaña are to blame. Both had the bad luck to attempt to create romantic chemistry between two characters that are basically introverted. They simply lacked balance as a couple. On the other hand, Saldaña and Pine were like a basket on fire in the scene that featured Kirk’s attempt to seduce Uhura upon their first meeting at a bar in Iowa.

The movie’s true strength seemed to be the characters originally created by Gene Roddenberry, and the new cast of actors hired to portray them. Both Chris Pine and Zachary Quinto did excellent jobs in creating the genesis of the Kirk/Spock friendship. They also managed to re-capture the essence of both characters without parodying William Shatner and Leonard Nimoy’s past performance. Zoe Saldaña’s Nyota Uhura seemed a little more fiery than Nichelle Nichols’ interpretation, but I thought she was great as the Communications officer. Her only misstep was that she had been forced to attempt some kind of romantic chemistry with Quinto. And as I had stated earlier, both were doomed to fail, due to the characters they were portraying. And so was Karl Urban as Leonard McCoy. Granted there were moments when he seemed to be aping DeForrest Kelly, but I had enjoyed his performances so much that I tolerated those moments. John Cho was deliciously cool and slightly sardonic as Sulu. And I thought it was a great touch that the screenwriters remembered Sulu’s penchant for fencing . . . and used it in a great fight scene. Anton Yelchin made a charming and energetic Chekov with probably a more authentic Russian accent than Walter Koenig. However, I found his role as a 17 year-old commissioned Starfleet officer rather questionable, considering that Chekov has never been portrayed as some kind of ”boy genius” like Wesley Crusher. I hate to say this, but I found Simon Pegg’s interpretation of Montgomery “Scotty” Scott disappointing and rather annoying. Pegg tried to infuse the character with a lot of broad humor. Unfortunately, it turned out to be too broad. His Scotty was so over-the-top that I found myself longing for another character to shoot him with a phaser.

I had seen ”THE ORIGINAL SERIES” first pilot, ”The Cage” only once in my life. Which means I have vague memories of the late Jeffrey Hunter’s portrayal of Christopher Pike, Kirk’s predecessor aboard the Enterprise. However, I thought that Bruce Greenwood’s portrayal of Pike in the movie to be definitely memorable. Clifton Collins Jr. gave admirable support as Nero’s henchman, Ayel. Both Winona Ryder and especially Ben Cross were believable as Spock’s parents – Amanda Grayson and Ambassador Sarek. I would not exactly call Nero one of the best villains in the TREK franchise. But I must admit that Eric Bana had given it his all with a performance that infused the character with a great deal of passion, malice and complexity without going over-the-top. Last, but not least, there was Leonard Nimoy portraying the late 24th century Spock. There were times when Nimoy seemed to be struggling with the role due to his age (he was at least 77 years old when the movie was filmed). Fortunately, these moments were very few and his Spock was a warm and more matured character who finally seemed to be a peace with his mixed heritage.

Daniel Mindel’s cinematography, along with the visual and special effects featured in the movie seemed pretty solid. However, I found nothing memorable or exciting about them. If the movie does manage to earn Oscar nominations, I will be very surprised. On the other hand, I rather liked Dawn Brown and Kevin Cross’ set designs – especially their work on the Enterprise. A good number of fans have complained that they were not an exact replica of the Enterprise’s interiors from the series. Frankly, I prefer these new interiors. As for Michael Giacchino’s original score . . . I have no memories of it. I found it that forgettable.

In the end, ”STAR TREK” is a pretty solid action film that is sure to provide a great deal of entertainment for moviegoers, this summer. It is not the best”TREK” film I have seen. I believe that “STAR TREK III: THE SEARCH FOR SPOCK”, “STAR TREK IV: THE VOYAGE HOME” and ”STAR TREK: FIRST CONTACT” are better. And as much as I liked Orci and Kurtzman’s script, I had a few problems with their handling of the time travel aspect of the story, along with the backgrounds of characters like Kirk and Chekov, along with the Spock/Uhura romance. And the story seemed like a slightly inferior remake of the ”STAR TREK VOYAGER” episode, ”Year of Hell”. But the cast, led by Chris Pine and Zachary Quinto, was first-rate, aside from Simon Pegg’s hammy performance. And in the end, I would say that J.J. Abrams . . . did a pretty good job.