Top Ten Favorite Movies Set in the 1890s

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Below is my current list of favorite movies set in the 1890s:

TOP TEN FAVORITE MOVIES SET IN THE 1890s

1 - Sherlock Holmes-Game of Shadows

1. “Sherlock Holmes: A Game of Shadows” (2011) – Guy Ritchie directed this excellent sequel to his 2009 hit, in which Sherlock Holmes and Dr. John Watson confront their most dangerous adversary, Professor James Moriarty. Robert Downey Jr. and Jude Law starred.

2 - Hello Dolly

2. “Hello Dolly!” (1969) – Barbra Streisand and Walter Matthau starred in this entertaining adaptation of David Merrick’s 1964 play about a New York City matchmaker hired to find a wife for a wealthy Yonkers businessman. Gene Kelly directed.

3 - King Solomon Mines

3. “King Solomon’s Mines” (1950) – Stewart Granger, Deborah Kerr and Richard Carlson starred in this satisfying Oscar nominated adaptation of H. Rider Haggard’s 1885 novel about the search for a missing fortune hunter in late 19th century East Africa. Compton Bennett and Andrew Marton directed.

4 - Sherlock Holmes

4. “Sherlock Holmes” (2009) – Guy Ritchie directed this 2009 hit about Sherlock Holmes and Dr. John Watson’s investigation of a series of murders connected to occult rituals. Robert Downey Jr. and Jude Law starred.

5 - Hidalgo

5. “Hidalgo” (2004) – Viggo Mortensen and Omar Sharif starred in Disney’s fictionalized, but entertaining account of long-distance rider Frank Hopkins’ participation in the Middle Eastern race “Ocean of Fire”. Joe Johnston directed.

6. “The Seven Per-Cent Solution” (1976) – Nicol Williamson, Robert Duvall and Alan Arkin starred in this very entertaining adaptation of Nicolas Meyer’s 1974 novel about Sherlock Holmes’ recovery from a cocaine addiction under Sigmund Freud’s supervision and his investigation of one of Freud’s kidnapped patients. Meyer directed the film.

Harvey Girls screenshot

7. “The Harvey Girls” (1946) – Judy Garland starred in this dazzling musical about the famous Harvey House waitresses of the late 19th century. Directed by George Sidney, the movie co-starred John Hodiak, Ray Bolger and Angela Landsbury.

6 - The Jungle Book

8. “Rudyard Kipling’s The Jungle Book” (1994) – Stephen Sommers directed this colorful adaptation of Rudyard Kipling’s 1894 collection of short stories about a human boy raised by animals in India’s jungles. Jason Scott Lee, Cary Elwes and Lena Headey starred.

7 - The League of Extraordinary Gentlemen

9. “The League of Extraordinary Gentlemen” (2003) – Sean Connery starred in this adaptation of Alan Moore and Kevin O’Neill’s first volume of his 1999-2000 comic book series about 19th century fictional characters who team up to investigate a series of terrorist attacks that threaten to lead Europe into a world war. Stephen Norrington directed.

8 - The Prestige

10. “The Prestige” (2006) – Christopher Nolan directed this fascinating adaptation of Christopher Priest’s 1995 novel about rival magicians in late Victorian England. Christian Bale, Hugh Jackman and Michael Caine starred.

10 - The Four Feathers 1939

Honorable Mention: “The Four Feathers” (1939) – Alexander Korda produced and Zoltan Korda directed this colorful adaptation of A.E.W. Mason’s 1902 novel about a recently resigned British officer accused of cowardice. John Clements, June Duprez and Ralph Richardson starred.

“KINGSMAN: THE SECRET SERVICE” (2015) Review

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“KINGSMAN: THE SECRET SERVICE” (2015) Review

Matthew Vaughn must be a major comic book fan. This is the second . . . no, third time in his career in which he has directed a film adaptation of a comic book series or story. This time, he directed an adaptation of Dave Gibbons and Mark Millar’s 2012 comic book series, “The Secret Service”.

“KINGSMAN: THE SECRET SERVICE” told the story of a young man named Gary “Eggsy” Unwin, who becomes a recruit for a secret service organization called Kingsman. The story begins in 1997 when a team of Kingsman agents led by Harry Hart lead a raid to interrogate a terrorist in the Middle East. When their prisoner reveals an unpinned grenade, one of the Kingsman agents – who turns out to be Eggsy’s father – sacrifices himself to save the others. Harry leaves a medal with a coded message to young Eggsy, in case the latter needs help. Seventeen years later, Eggsy, now a young unemployed adult living with his mother, an infant half-sister and an abusive stepfather; runs afoul of the police after he and his friends steal a car that belongs to one of his stepfather’s personal thugs. When Eggsy contacts Harry, using the medal, the latter arranges his release and encourages the younger man to apply for a position at the Kingsman agency.

Meanwhile, one Professor James Arnold is kidnapped by henchmen who work for Internet billionaire Richmond Valentine. A Kingsman agent known as “Lancelot”, tries to rescue Professor Arnold, but failes when Richmond’s henchwoman, Gazelle, kills him. Valentine manages to convince Arnold, along with various heads of state and VIPs, to participate in a scheme that he hopes will save the planet Earth from humanity. While Harry keeps an eye on Eggsy’s training, he also investigates Lancelot’s death and its connection to Valentine.

Okay, I might as well say it. I enjoyed “KINGSMAN” THE SECRET SERVICE” very much. Hell, I loved it. Now, I cannot say that it is an original tale, considering that it is based upon a comic novel. But it is one of the most enjoyable comic book adaptations I have seen since . . . well, since last year’s “CAPTAIN AMERICA: THE WINTER SOLDIER” and“GUARDIANS OF THE GALAXY” Okay, it is simply a damn good movie. And I am amazed that 20th Century Fox did not release it for the summer season. It is worthy of a major summer release. But since the summer of 2015 might prove to be very competitive, I can understand why the studio decided to give it an early release.

I would not say that the plot for “KINGSMAN: THE SECRET SERVICE” is not particularly original. Then again, it might be. Yes, Richmond Valentine’s plot to improve Earth for mankind proved to be very similar to plots I have recently encountered in two ABC series – “ONCE UPON A TIME” and “AGENT CARTER”. But it was originally used in Millar and Gibbons’ 2012 comic book series. So, one can accuse the show runners for the two ABC of plagiarism. In some ways, the plot for “KINGSMAN: THE SECRET SERVICE” reminded me of the plot for the 2014 movie, “DIVERGENT”. Both movies started out featuring hardcore training sessions for the protagonists and ended with the characters of Eggsy Unwin and Tris Prior engaged in some serious action sequences. Yet Vaughn and co-screenwriter Jane Goldman did a better job of balancing Eggsy’s training and his participation in the movie’s final action sequence. This is due to the presence of Harry Hart, who served as this movie’s other major protagonist. While audiences were allowed to watch full details of Eggsy’s Kingsman training, they also got to see Harry’s detailed investigation of Richmond Valentine before the former was included. Using both Harry and Eggsy as the protagonists, while they engaged in their own agenda throughout most of the film allowed Vaughn and Goldman to maintain a balance in the story.

Despite “KINGSMAN: THE SECRET SERVICE” being an action comedy scene, it not only featured excellent acting, but also some interesting dramatic and comedic moments. Among my favorites included Eggsy’s introduction to the Kingsman organization, his conflicts with his abusive stepfather, Harry and Kingsman leader Chester King’s conflict over the idea recruiting potential agents from the middle and lower classes, Valentine’s recruitment of the world’s elite into his plan and his first meeting with Harry over a McDonald’s meal.

I talked a good deal about the movie’s plot. But remember . . . “KINGSMAN: THE SECRET SERVICE” is also an action film based upon a comic book series. And this movie featured a good deal of memorable action scenes. My favorites included Lancelot’s attempt to rescue Professor Arnold, two of the Kingsman training sessions featuring a water-filled room and a parachute jump, and Harry’s encounter with thugs working for Eggsy’s stepfather. My favorite sequence – and it is a long one – featured the remaining Kingsman operatives’ attempt to stop Valentine’s plot regarding the world’s human population. Most final sequences in action movies these days tend to be ridiculously long and filled with mindless violence and explosions. Yes, the final action sequence for “KINGSMAN: THE SECRET SERVICE” has its share of violence and explosions. But I thought it was well shot and did not leave me feeling disoriented and slightly deaf. This sequence also featured one of the funniest character death scenes I have seen on film.

Now . . . “KINGSMAN: THE SECRET SERVICE” is not perfect. I believe it has its flaws. First of all, there is one action sequence that I did not find particularly thrilling to watch. I am referring to the massacre at the Kentucky hate group headquarters in which Harry Hart participated against his will. My problem with this scene? It seemed to go on forever . . . as if Vaughn wanted to savor every moment of the violent conflict inside that Kentucky church just struck me as a bit too much. I also had a problem with the movie’s use of the Lancelot character, portrayed by Jack Davenport. I had no problem with the latter’s performance. But . . . I wish he had lasted a bit longer than he did. Davenport’s time span in the movie reminded me of his limited screen appearance in the 2007 movie, “PIRATES OF THE CARIBBEAN: AT WORLD’S END”. Which left me feeling dissatisfied. I wanted to see more of the actor . . . in this film and in the previous one.

The performances featured in “KINGSMAN: THE SECRET SERVICE” proved to be first-rate. Hell, they were better than first-rate. The supporting cast – including Samantha Womack, Geoff Bell, Corey Johnson and Hanna Alström – provided some real, solid performances. But I was really impressed by Edward Holcroft’s portrayal of Charlie, Eggsy’s aristocratic main rival in the training program; Sophie Cookson as another one of Eggsy’s fellow trainees, the winsome, yet tough-minded Roxy; and Jack Davenport’s portrayal of Agent “Lancelot”, which struck me as a cheeky take on the James Bond character. Mark Hamill also gave a brief, yet entertaining appearance as a British academic named James Arnold, whom Valentine manages to recruit into his scheme. I was surprised by Hamill’s first-rate British accent. Michael Caine added a touch of class as the Kingsman agents’ aristocratic leader, Chester King aka “Arthur”. And Sofia Boutella was very impressive as Valentine’s cool and very deadly henchwoman, Gazelle. I swear . . . Boutella’s Gazelle could put any Bond henchman or woman to shame.

Mark Strong, a veteran of past Vaughn films, did a great job of portraying “Merlin”, a senior Kingsman agent who serves as the agency’s trainer and senior tech expert. I was especially impressed by how Strong managed to project a mixture of authority and cheeky sense of humor in his performance. One of the best things about “KINGSMAN: THE SECRET SERVICE” was Vaughn’s choice to portray the Kingsman trainee, Gary “Eggsy” Unwin. Taron Egerton gave a star making performance as the energetic and intelligent Eggsy, who is hampered by his working-class background and impatience. I never thought a twenty-something actor with very little experience could hold his own with the likes of Colin Firth, Mark Strong, Michael Caine and Samuel L. Jackson. But he did. Perfectly.

Colin Firth proved to be a surprisingly first-rate hero as Harry Hart, the veteran Kingsman agent who not only saw promise in Eggsy, but also the latter’s father some seventeen years earlier. Firth is cool, witty, and authoritative. More importantly, he proved for the first time in his career that he could be a superb action hero . . . even in his early fifties. All the film historians in the world could argue over who might be the best Bond villain. As far as I am concerned, the winner of that little contest could never be as good as Samuel L. Jackson’s portrayal of billionaire Richmond Valentine. He trounced them all. Not only was he one of the best (and scariest) on-screen villains I have seen in years, he was also very entertaining. Utilizing a lisp and projecting his character’s aversion to violence and blood, Jackson gave what I believe was the best performance in the movie.

It is rare to find a first-rate action film that was not released during the usual summer season. It is rare, but not unknown. I do not know how “KINGSMAN: THE SECRET SERVICE” would have held up against the movies released for the summer of 2015. But regardless of its release date, it might prove to be one of my favorite movies of the year. Matthew Vaughn did a superb job as director of this adaptation of the 2012 comic series. And he was ably supported by Jane Goldman as co-screenwriter and a superb cast led by Colin Firth, Samuel L. Jackson and Taron Egerton.

Ten Favorite SHERLOCK HOLMES Movies

Below is a list of my favorite movies featuring Sir Arthur Conan Doyle’s famous fictional detective, Sherlock Holmes: 

 

TEN FAVORITE SHERLOCK HOLMES MOVIES

1. “Without a Clue” (1988) – I still love this spoof of the Sherlock Holmes stories in which the real detective is Dr. John Watson, who has hired an unemployed alcoholic actor named Reginal Kincaid to satisfy the public’s demand for a real Sherlock Holmes. In this film, the pair investigate the disappearance of Bank of England banknote plates and a printing supervisor. Michael Caine and Ben Kingsley are magic under Thom Eberhardt’s direction.

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2. “Sherlock Holmes: Game of Shadows” (2011) – Guy Richie made this second film about the Sherlock Holmes character and the latter’s conflict with his worst nemesis, Professor James Moriraty and his attempt to stop a major assassination. I loved it even more than Ritchie’s 2009 film. Robert Downey Jr. and Jude Law starred as Holmes and Watson.

3. “Sherlock Holmes” (2009) – Guy Ritchie’s adaptation of Doyle’s character about Holmes’ conflict against a nefarious aristocratic with plans to assume political control of the British Empire has become a major favorite of mine. Robert Downey Jr. and Jude Law, along with Rachel McAdams and Mark Strong star.

4. “The Adventures of Sherlock Holmes” (1939) – I am a big fan of this adaptation of William Gillette’s play about Sherlock Holmes’ investigation of a series of death threats against a well-to-do London family. This is the second film to feature Basil Rathbone and Nigel Bruce as Holmes and Dr. Watson. Directed by Alfred L. Werker, the movie co-starred Ida Lupino and George Zucco.

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5. The Seven-Per-Cent Solution” (1976) – I have always enjoyed Herbert Ross’ adaptation of Nicholas Meyer’s 1974 novel about Holmes and Watson recruiting Dr. Sigmund Freud to guide the detective in overcoming his cocaine habit and investigate a nefarious kidnapping plot. Nicol Williamson, Robert Duvall, Alan Arkin, Vanessa Redgrave and Laurence Olivier starred.

6. “The Hound of the Baskervilles” (1939) – This is my favorite adaptation of Doyle’s novel about Holmes’ investigation of an English family’s connection to a “demon” hound and a Candandian heir to the family’s fortunes. This is the first film to feature Basil Rathbone and Nigel Bruce as Holmes and Dr. Watson. Sidney Lanfield directed.

7. “Young Sherlock Holmes” (1985) – Steven Spielberg produced and Barry Levinson directed this fanciful imagining of Holmes and Watson’s first meeting as adolescents at a prestigious boys school, as they investigate a series of suspicious suicide deaths. Nicholas Rowe, Alan Cox, Anthony Higgins and Sophie Ward starred.

8. “The Hound of the Baskervilles” (1988) – This is my favorite adaptation of Arthur Conan Doyle’s Sherlock Holmes novels featuring Jeremy Brett as the detective. Edward Hardwicke co-starred as Dr. Watson. The movie was directed by Brian Mills.

9. “Murder By Decree” (1979) – Directed by Bob Clark, Holmes and Watson investigate the Jack the Ripper murders. Excellent, although a bit bloody for my tastes. Christopher Plummer and James Mason co-starred as Holmes and Watson.

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10. “The Private Life of Sherlock Holmes” (1970) – Billy Wilder directed this tale about a bored Sherlock Holmes, who eagerly decides to investigate the attempt on the life of a woman with a missing identity. Robert Stephens and Colin Blakely starred in this entertaining, yet flawed movie.

“THE DARK KNIGHT RISES” (2012) Review

 

“THE DARK KNIGHT RISES” (2012) Review

After seven years, Christopher Nolan’s three-movie saga about the D.C. Comics character, Batman, finally came to an end. The saga that began with 2005’s “BATMAN BEGINS”, ended with this year’s “THE DARK KNIGHT RISES”.

The new movie, set seven years after 2008’s “THE DARK KNIGHT”, began with the aerial kidnapping of a nuclear scientist by an escaped terrorist named Bane. The scene shifted to Gotham City, where a fund-raiser was being held at Wayne Manor. The only person missing was millionaire Bruce Wayne, who had given up his vigilante activities as Batman after claiming he had murdered former District Attorney Harvey Dent. During the fundraiser, Bruce caught a maid breaking into his private safe. She turned out to be a resourceful cat burglar named Selina Kyle. Aside from a necklace that once belonged to Bruce’s late mother, Selina did not steal any other object from the safe.

Curious over Selina’s actions, Bruce resumed his Batman alter ego and tracked down Selina. He discovered that she had been hired by a rival corporate CEO named John Daggett to lift and steal his fingerprints. Bruce also learned that Daggett had hired the terrorist Bane to attack Gotham’s stock exchange and bankrupt Wayne Enterprises. And along with Police Commissioner James Gordon and Wayne Enterprises executive Lucius Fox, Bruce also discovered that Bane was a former member of the League of Shadows and planned to continue Henri Ducard’s (aka Ra’s al Ghul) goal of Gotham City’s destruction. Bruce asked fellow millionaire Miranda Tate to take control of Wayne Enterprises to ensure that Daggett and Bane will not gain control of their clean energy project, a device designed to harness fusion power.

Re-reading the above made me realize that Christopher and Jonathan Nolan had created a very complicated plot. For me, the plot became even more complicated two-thirds into the movie. “THE DARK KNIGHT RISES” obviously exists under the shadow of its two predecessors – “BATMAN BEGINS” and “THE DARK KNIGHT”. I would say that this especially seemed to be the case for the 2005 movie. Batman and James Gordon’s decision to lie about the circumstances behind Harvey Dent’s death in the second movie had a minor impact upon this third movie. But Bruce’s relationship and later conflict with Ra’s al Ghul seemed to be the driving force behind his conflict with Bane in this third film.

I had heard rumors that Christopher Nolan was initially reluctant to make a third BATMAN movie. Personally, I found that rumor a bit hard to believe, considering how “THE DARK KNIGHT” ended with Batman accepting the blame for Harvey Dent’s crimes and death. But there were certain aspects of the script he wrote with his brother Jonathan that made me wonder if he had truly been reluctant. There were certain aspects of “THE DARK KNIGHT RISES” that I found troubling.

It seemed a pity that the second movie ended with Batman and Jim Gordon’s decision to lie about the circumstances behind Dent’s death. I found their decision unnecessary back in 2008 and I still do. The impact behind their lie proved to be hollow. It merely kept Batman off Gotham City’s streets and led Mayor Anthony Garcia and the city to pass a strong anti-criminal law that proved to be hollow following Bane’s arrival in Gotham City. I also found Bane’s mid-air kidnapping of a nuclear scientist and escape from a U.S. marshal (portrayed by Aidan Gillen) rather somewhat idiotic. I understood that Bane needed that scientist to weaponize the Wayne Enterprise device.  But I never understood why that U.S. marshal failed to take the trouble to identify the hooded prisoner (Bane) before boarding the plane.  In the end, the movie’s opening sequence struck struck me as unnecessarily showy. Was this the Nolan brothers’ way of conveying Bane’s role as a badass to the audience? If so, I was too busy trying to comprehend the villain’s dialogue to care. I understood why Batman had not been seen in Gotham for so long. But what was the reason behind Bruce Wayne’s disappearance from the public eye?  His physical state was not really that severe.  Rachel Dawes’ death? Rachel’s death did not stop him from going after the Joker and Harvey Dent in the last movie’s half hour. Was it an injured leg? How did he injured it? And why did Gotham’s citizens failed to put two-and-two together, when both Bruce and Batman finally appeared in the public eye a day or two apart after many years? The only person who managed to discover Bruce’s alter ego – namely Officer John Blake – did so through a contrived reason.

For me, the movie’s real misstep proved to be Bane’s three-month control over Gotham City. As a former member of Henri Ducard’s League of Shadows, he planned to achieve his former leader’s goal of destroying Gotham City. And he planned to use Wayne Enterprise’s energy device to achieve this. One – why not simply build or snatch his own nuclear device? Why go through so much trouble to get his hands on the energy device? Why did Wayne Enterprises create a device that not only saved energy, but could be used as a bomb, as well? And why did it take three months before the device could become an effective bomb? The Nolans’ script could have frustrated Bane’s attempts to acquire the bomb during that three-month period . . . or anything to spare the audiences of that second-rate version of the French Resistance. The latter scenario seemed so riddled with bad writing that it would take another article to discuss it. And what was the point of the presence of Juno Temple’s character Jen? What was she there for, other than being Selina’s useless and cloying girlfriend? And Wayne Enterprises executive Lucius Fox was last seen declaring his intentions to leave the corporation for good, following Batman’s misuse of cell phones in “THE DARK KNIGHT”. In this movie, he is back, working for Wayne Enterprises. What made him change his mind?

But not all was lost. I found Bruce’s introduction to Selina Kyle very entertaining and sexy. Even better, the incident served as Batman’s re-introduction to Gotham City and allowed him to discover Bane’s plans regarding Wayne Enterprises and the energy device. One of the more interesting consequences of “THE DARK KNIGHT” proved to be Rachel Dawes’ last letter to Bruce. Its revelation by Alfred Pennyworth after seven years led to an emotional quarrel between the millionaire and the manservant and their estrangement. At first, I had balked at the idea of Bane carrying out Ra’s al Ghul’s original goal to destroy Gotham. After all, why would he continue the plans of the very person who had him kicked out of the League of Shadows? But a surprising plot twist made Bane’s plan plausible . . . even when I continue to have problems with his three-month occupation of Gotham.

Many critics had lamented the lack of Heath Ledger’s Joker in the movie. As much as I had appreciated and enjoyed Ledger’s performance in the 2008 movie, I did not need or wanted him in “THE DARK KNIGHT RISES”. Tom Hardy’s performance as the terrorist Bane was good enough for me. Mind you, I found it difficult to understand some of his dialogue. And when I did, he sounded like the now aging Sean Connery. But I cannot deny that Bane made one scary villain, thanks to Hardy’s performance and intimidating presence. Before I saw the movie, I never understood the need for Marion Cotillard’s presence in the film. I thought her character, Miranda Tate, would merely be a bland love interest for Bruce. Not only did Cotillard ended up providing a subtle and intelligent performance, her Miranda Tate proved to be important to the story as the co-investor in the energy device and for the plot twist in the end.

“THE DARK KNIGHT RISES” provided some solid performances from other members of the cast. Matthew Modine shined as the ambitious and arrogant Assistant Police Commissioner Peter Foley, who proved to be capable of character development. Another solid performance came from Brett Cullen, who portrayed a lustful congressman that had the bad luck to cross paths with Selina Kyle. Both Michael Caine and Morgan Freeman continued their excellent performances as Bruce Wayne’s “heart”and “mind”, manservant Alfred Pennyworth and Wayne Enterprises executive Lucius Fox.

In the end, the movie was fortunate to benefit from four outstanding performances. One came from Gary Oldman’s excellent portrayal of the now weary, yet determined police commissioner, James Gordon. His guilt over the Harvey Dent lie and discovery of Batman’s true identity provided Oldman with some of his best moments in the trilogy. Another came from Joseph Gordon-Levitt, who was superb as Gotham City beat cop John Blake. The actor did a wonderful job of balancing Officer Blake’s intelligence, passion for justice and disgust toward the bureaucracy.

When I learned that Anne Hathaway would end up being the fifth actress to portray Selina Kyle aka Catwoman, I must admit that I had my doubts. Then I remembered that Hathaway was an Oscar nominee, who has also done action before. Watching her sexy, yet complicated performance as the complex cat burglar removed all of my doubts. She was superb and her sizzling screen chemistry with star Christian Bale made me wish Selina had been Bruce’s love interest throughout the movie. Speaking of Bruce Wayne, Bale returned to portray the Caped Crusader for the third and final time. I must admit that I found his performance more subtle and complex than his performances in the previous two movies. Bale did an excellent job in re-creating a slightly aging Bruce Wayne/Batman, who found himself faced with a more formidable opponent.

I was a little disappointed to see that “THE DARK KNIGHT RISES” lacked the Chicago exteriors of the 2008 movie. In the end, Gotham City resembled a collection of East Coast and British cities. But I cannot deny that I found Wally Pfister’s photography very eye catching. And Hans Zimmer’s entertaining score brought back memories of his earlier work in both the 2005 and 2008 movies.

I have a good deal of complaints about “THE DARK KNIGHT RISES”. It is probably my least favorite entry in Christopher Nolan’s Batman trilogy. For me, the movie’s main problem centered around the script written by Nolan and his brother Jonathan. But despite its flaws, the movie still managed to be both entertaining and intriguing. It also has an excellent cast led by the always superb Christian Bale. It was not perfect, but “THE DARK KNIGHT RISES” did entertain me.

Top Ten Favorite Movies and Television Set During the Victorian Age

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I decided to revise my list of favorite movie and television productions set during the Victorian Age (1837-1901). Below is the list:

TOP TEN FAVORITE MOVIES AND TELEVISION SET DURING THE VICTORIAN AGE

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1. “North and South” (2004) – Sandy Welch adapted this superb version of Elizabeth Gaskell’s novel about a woman from Southern England living in the industrial North. Daniela Danby-Ashe and Richard Armitage star.

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2. “The Buccaneers” (1995) – Maggie Wadey adapted and Philip Saville directed this excellent adaptation of Edith Wharton’s novel about American heiresses marrying into the British aristocracy. Carla Gugino, Greg Wise, James Frain and Cheri Lunghi star.

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3. “Without a Clue” (1988) – Michael Caine and Ben Kingsley are Sherlock Holmes and Dr. John Watson in hilarious look into a premise in which Dr. Watson is the investigating genius and Holmes is a fraud. Thom Eberhardt directed.

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4. “The Charge of the Light Brigade” (1936) – Errol Flynn, Olivia DeHavilland and Patric Knowles starred in this historically inaccurate, but fascinating look into British India and the Crimean War. Michael Curtiz directed.

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5. “Sherlock Holmes: A Game of Shadows” (2011) – Guy Ritchie returned to direct what I believe is a slightly better sequel to his 2009 hit. In it, Holmes battles James Moriarty. Robert Downey Jr. and Jude Law star.

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6. “The Four Feathers” (2002) – Although not considered the best adaptation of A.E.W. Mason’s 1902 novel by many, it is certainly my favorite. Directed by Shekhar Kapur, the movie starred Heath Ledger.

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7. “The First Great Train Robbery” (1979) – Michael Crichton wrote and directed this adaptation of his 1975 novel about a group of thieves plotting to steal the Crimean War gold from a moving train. Sean Connery, Donald Sutherland and Lesley Anne Down starred.

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8. “Sherlock Holmes” (2009) – Robert Downey Jr. and Jude Law portrayed Sherlock Holmes and Dr. Watson in this entertaining and exciting take on the famous literary sleuth. Guy Ritchie directed.

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9. “The Way We Live Now” (2001) – Andrew Davies adapted and David Yates directed this biting adaptation of Anthony Trollope’s novel greed in Victorian England. David Suchet, Shirley Henderson and Matthew MacFadyen starred.

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10. “Jane Eyre” (2006) – Sandy Welch adapted this first-rate version of Charlotte Brontë’s novel. Ruth Wilson and Toby Stephens starred.

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Honorable Mention – “Wuthering Heights” (1939) – I rarely include an “honorable mention” on my FAVORITE lists. But I love William Wyler’s adaptation of Emily Brontë’s novel so much that I had to find a way to include it. Laurence Olivier, Merle Oberon and David Niven starred.

More Thoughts on “INCEPTION”

MORE THOUGHTS ON “INCEPTION”

I just recently saw “INCEPTION” for the third time and a few more thoughts came to me: 

*After Saito had awaken aboard the Kyoto train, I noticed a slight smirk on his face. Earlier, he claimed that Cobb and Arthur’s failed extraction on him had been an audition. Had he been aware of Cobb’s assignment to do an extraction job on him from the beginning?

*Cobb first admitted to Saito and Arthur that he had experience with inception. Yet, he never admitted to whom he had pulled an inception job upon, until later in the movie. And that person turned out to be Mal. Since Mal was the only person upon he had done an inception job, who taught him how to do one? His father-in-law? Or are all those familiar with lucid dreaming and dream incubation, trained to perform an inception?

*While watching Arthur and Eames interact during the planning stages of the inception, I got the instinct feeling that those two were competing for Cobb’s respect and confidence – like two rival siblings competing for “Dad’s” affection.

*I also noticed something else – namely the expression on Ariadne’s face after Arthur had kissed her. Her expression seemed to be a mixture of false outrage, amusement and a little thrilled.

*What exactly is Cobb’s totem? Everyone knows that the spinning top was Mal’s totem. Was Cobb’s totem a wedding ring? I noticed that whenever he was in a dream state, he wore a wedding ring on his left hand. Yet, whenever he was in what was regarded as the real world, he did not wear a wedding ring. Cobb certainly did not wear a wedding ring after he and Saito finally awakened on the Sydney-to-Los Angeles flight.

“INCEPTION” (2010) Review

“INCEPTION” (2010) Review

It still amazes me at how director/writer Christopher Nolan’s films manage to generate a great deal of emotion from filmgoers and critics. This has certainly been the case for his latest work, the science-fiction drama called ”INCEPTION”.

Inspired by the experiences of lucid dreaming and dream incubation”INCEPTION”told the story of Dom Cobb, a dream “extractor” who enters the dreams of others in order to obtain information that is otherwise inaccessible. After failing to extract corporate secrets from a Japanese businessman named Saito, Cobb is hired by the latter to perform the act of ”inception” – the secret implant of an idea into a target’s mind – on the son of Saito’s terminally ill corporate rival, one Robert Fischer. Saito’s object is to convince Fischer to break up his father’s corporate empire in order to prevent it from becoming a monopoly and threatening the businessman’s own corporation. If Cobb manages to succeed, Saito promises to use his influence to clear the younger man of murdering his wife, so that he can reunite with his children.

Cobb assembles a team to achieve Saito’s objectives. They are:

*Arthur, the Point Man – who is also Cobb’s partner, and responsible for researching the team’s target

*Ariadne, the Architect – a graduate student who is recruited to construct worlds in which dreams take place

*Eames, the Forger – has the ability to take the form of others in order to manipulate the dreamer

*Yusuf, the Chemist – who formulates the drugs needed to sustain the team members’ dream states

*Saito, the Client/Observer – who decides to become part of the team

Despite assembling a skillful crew, Cobb encounters a few difficulties. One, Arthur had failed to discover that their mark, Fischer, had been trained in lucid dreaming and creating mental defenses. His mind manages to manifest armed personnel, which attacks the team in downtown Los Angeles, after they kidnap him in Yusuf’s dream. This leads to disaster for Saito, who is wounded during a gun battle. Due to Saito’s wounds, the rest of the team discovers that Cobb had failed to inform them that they could end up in limbo if they die in a dream state, due to the drugs given to them by Yusuf. Worst of all, Cobb has to deal with the manifestation of his dead wife, Mal (the Shade), whose presence in the dreams could end up threatening the assignment.

There had been a good deal of hype surrounding ”INCEPTION” before it hit the theaters in mid July. Surprisingly, I had been unaware of it. I merely wanted to see it due to Nolan’s role as director and writer, and from what I had seen in the movie trailer. I had no idea on how I would react to the film, considering my reactions to 2006’s ”THE PRESTIGE” and 2008’s ”THE DARK KNIGHT”. Do not get me wrong. I enjoyed both movies very much. But it took me a while to understand the plot to ”THE PRESTIGE”and I have never liked the last 30 minutes of ”THE DARK KNIGHT”.

In the end, I not only understood ”INCEPTION”, I enjoyed it. Hell, I more than enjoyed it. I loved it. It is one of the most original movies I have seen in years. I found it very rare to see a movie that used unusual visuals to convey a main character’s emotional story. Through the use of dreams, the team manages to allow Robert Fischer to face his demons regarding his father and to finally put them aside, so that he can learn to be his own man. But more importantly, the Fischer assignment finally allows Cobb to face his own demons and guilt over his wife’s suicide.

The concepts of lucid dreaming and dream incubation are nothing new in movies or television. Both topics have been used in movies like ”THE MATRIX” and television series like “BABYLON FIVE””BUFFY THE VAMPIRE SLAYER” and ”STAR TREK VOYAGER”. With the amazing special effects supervised by Chris Corbould and Wally Pfister’s beautiful photography, Nolan managed to take these concepts to another level. And he did it without resorting to 3-D photography (thank you God!) or slow motion action (with the exception of one scene). The special effects were especially put to good use in scenes that featured a fight scene between Arthur and an unnamed man inside a high-priced hotel corridor, Cobb and Ariadne’s dream experiences on Parisian streets; and the Limbo world first created by Cobb and Mal.

Nolan had gathered an impressive group of actors and actresses for his cast. Veteran actors Michael Caine, Postlethwaite and Tom Berenger portrayed father figures (literally or otherwise) for at least two of the major characters and gave solid performances – especially Berenger, who portrayed Robert Fischer’s godfather and business associate. Dileep Rao, last seen in the 2009 blockbuster ”AVATAR”, had the good fortune to be cast in a larger role as Yusef, the Chemist. His character provided sedatives for the team to use in order to easily go into dream state. And I must say that I enjoyed Rao’s sly, yet humorous performance very much.

I have been aware of Tom Hardy since his two-episode appearance in the HBO miniseries, ”BAND OF BROTHERS”. But his portrayal of Eames the Forger is probably the first role in which he truly impressed me. Like Rao, he projected a sly sense of humor, mingled with a sharp wit and a hint of arrogance. And dear God! That man has a voice to die for. Cillian Murphy’s role as the Mark, Robert Fischer, seemed like a far cry from his villainous Dr. Jonathan Crane aka the Scarecrow in Nolan’s two BATMAN movies. Yet, the actor did an excellent job in his subtle portrayal of a man disappointed by what he deemed as his father’s lack of love toward him and his own insecurities that he may be unable to live up to his father’s shadow or expectations of him. Marion Cotillard proved to be quite an enigma in her portrayal of Mal, Cobb’s late wife. In some scenes, she projected a quiet, self-assurance as her character tried to manipulate her husband into accepting his dreams of her as reality. In others, she projected the melancholy of a woman teetering on the edge of suicide. And there were moments when Cotilllard conveyed a sense of subtle menace, whenever someone threatened Cobb’s memories of her. It was a very effective performance.

Another complex performance came from Ken Watanabe, who portrayed Cobb’s client, Saito. Judging from Watanabe’s portrayal of Saito, one would have felt certain that he would end up as the movie’s villain. Yet, thanks to Nolan’s script and Watanabe’s performance, Saito proved to be a complex individual that developed an interesting relationship with Cobb. The latter formed another interesting relationship with the team’s Architect, a college graduate named Ariadne. And Ellen Page did an excellent job in portraying Ariadne’s sense of wonder at her introduction of the world of lucid dreaming. More importantly, Page was effective in portraying what I believe was the movie’s emotional center – the one person who was able to help Cobb deal with his demons regarding Mal. Joseph Gordon-Levitt’s role as Arthur, Cobb’s main partner, should finally set him on the road to stardom. He gave a wonderful performance as the team’s pragmatic Point Man, whose job was to provide background information on Fischer. He was cool, sardonic, dashing and surprisingly a pretty solid action man. His fight in the dream state hotel corridor might prove to be the talk of moviegoers and critics for months to come.

But the one man who held this movie together, other than Nolan, turned out to be leading man Leonardo DiCaprio. I could, in many words, praise his performance as Dom Cobb, the team’s leader and extractor/inceptor.  I could describe the emotional complexity of his portrayal of a man who remained torn by his wife’s death and his longing to reunite with his children and his efforts to keep his demons in check and prevent them from affecting his jobs. I could also praise DiCaprio for handling the movie’s action sequences like a born-again Bruce Willis. But why bother? All one has to do is watch the actor upon the movie screen. Personally, I believe that he may have given one of the better performances of his career, so far. In short, DiCaprio was phenomenal.   It seemed a crime that he did not earn an Academy Award for his work.

I tried to think of something to complain about ”INCEPTION” and only ended up with one. It seemed to me that two-thirds into the movie, its pacing began to drag. Which seemed odd, considering while the movie focused upon scenes featuring Eames’ dream – the snow fortress – I found myself squirming in my seat in an attempt to stay awake. Some of the action sequences seemed to go on a little too long by this point. Fortunately, the movie moved on to its final scenes, starting in the Limbo City dream sequence and my attention became revived.

There have been many discussions and debates over the movie’s final scene – namely Cobb’s reunion with his children and the last shot featuring the spinning top. Many claim the last shot was an indicator that the entire movie had been a dream and that Cobb remained stuck in a dream state. Others believe the spinning top – Mal’s totem – was nothing more than a red herring. As far as they were concerned, Cobb had genuinely reunited with his kids. Personally, I have no idea if the entire movie was a dream or not. A part of me feels it should not matter. What mattered to me was that Cobb finally learned to let go of Mal . . . and put his guilt over her death behind him. And by turning his back on Mal’s spinning top, I believe he had finally achieved this.

As far as movies go, the summer of 2010 had not been a memorable one for me. But it was not been a complete bust. I have seen a good number of entertaining movies. Yet, only a handful has truly impressed me. As far as I am concerned, the one movie that seemed to rise ahead of the others is Christopher Nolan’s latest opus – ”INCEPTION”.  Which was the best movie of 2010, as far as I am concerned.