“X-MEN” Movies Ranking

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Below is my ranking of the movies I have seen from the “X-MEN” film franchise.  Warning: many may not agree with it:

“X-MEN” MOVIES RANKING

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1. “X2: X-Men United” (2003) – Bryan Singer directed this film about Army colonel William Stryker’s plans to use Professor Charles Xavier to destroy the world’s mutant population once and for all. As you can see, this is my favorite in the franchise.

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3. “X-Men: First-Class” (2011) – Matthew Vaughn directed this tale set in 1962 about the first meeting between Charles Xavier “Professor X” and Erik Lensherr “Magneto”, their creation of the X-Men and their efforts to prevent mutant villain Sebastian Shaw from using the Cuban Missile Crisis to acquire world domination. Despite the questionable costumes and a few plot holes, this was a big favorite of mine.

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3. “X-Men: The Last Stand” (2006) – Brett Ratner directed this tale about the X-Men overcoming tragedy to deal with the resurrected and more powerful Jean Grey and Magneto’s continuing war on non-mutant humans. Many fans hated this film. I enjoyed it, although I found the pacing a bit too rushed. Enough said.

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4. “X-Men Origins: Wolverine” (2009) – Gavin Hood directed this movie about the origins of James Howlett aka the Wolverine and his relationship with his murderous half-brother Victor Creed aka Sabertooth and his first class with William Stryker in the 1970s. Another movie hated by the fans. And again, I enjoyed it, although I consider it lesser than the 2006 movie.

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5. “X-Men: Days of Future Days” (2014) – Directed by Bryan Singer, this movie is a time-travel adventure for Wolverine, who must convince a younger Charles Xavier and Erik Lensherr to prevent Mystique from murdering a anti-mutant scientist, whose work will prove deadly for mutants within a half century. Great premise, but shaky execution. Too many plot holes, but still enjoyable.

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6. “The Wolverine” (2013) – James Mangold directed this atmospheric tale about Wolverine, still grieving over a recent tragedy, traveling to Japan to meet the Wolverine heading to Japan for a reunion with a soldier named Ichirō Yashida whose life he saved during the Nagasaki bombing at the end of World War II. He ends up defending Yashida’s granddaughter from the Yakuza and her avaricious father. Great Japanese atmosphere and interesting beginning, but it nearly fell to pieces in the last half hour.

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7. “X-Men” (2000) – Bryan Singer directed this first movie in the franchise about Wolverine and a young Marie aka “Rogue”’s introduction to the X-Men and their efforts to defeat Magneto’s plans to transform the entire population into mutants against their will. Enjoyable, but it felt like a B-movie trying to disguise itself as an A-lister. Also, too many plot holes.

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8. “Deadpool” (2016) – Ryan Reynolds starred in this reboot of the Deadpool character about the comic book hero’s origins and his hunt for the man who gave him an accelerated healing factor, but also a scarred physical appearance. Despite the sharp humor and fourth wall cinematic device, the narrative struck me as sloppily written and mediocre.

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“STAR WARS: EPISODE VII – THE FORCE AWAKENS” (2015) Review

“STAR WARS: EPISODE VII – THE FORCE AWAKENS” (2015) Review

During the fall of 2012, the media and many film fans were stunned by news of filmmaker George Lucas’ sale of his production company, Lucasfilm, to the Walt Disney Company. I was flabbergasted. However, this sale led to Disney’s plans to continue Lucas’ “STAR WARS” movie saga with future releases, television shows, novels and comic stories.

One result of this sale proved to be Disney’s new film, “STAR WARS: EPISODE VII – THE FORCE AWAKENS”. The first of three movies for the franchise’ “Sequel Trilogy”, “THE FORCE AWAKENS” is set some thirty years after the 1983 film, “STAR WARS: EPISODE VI – RETURN OF THE JEDI”. Some time after the Galactic Empire’s major defeat at the Battle of Endor, remnants of this political force formed a new galactic power known as the First Order under the mysterious leadership of Snoke, a Force user. Within less than thirty years, the First Order has managed to take possession of new worlds and become a powerful force within the galaxy. Although appalled by the First Order’s development, the New Republic government decided to do nothing.

Former Rebel Alliance leader, Leia Organa, managed to form a military organization from the rank and file of the New Republic’s armed forces called the Resistance. Believing that the Resistance need more help, Leia recruited a pilot named Commander Poe Dameron to acquire find a segment of a star map that was in the possession of the legendary explorer Lor San Tekka on Jakku. This map would lead to the whereabouts of her brother, Jedi Master Luke Skywalker, who had disappeared into exile following the destruction of a new generation of Jedi under his tutelage. Unfortunately, the village where Tekka lived was captured by a force of First Order stormtroopers under the command of one of Supreme Leader Snoke’s enforcers, a Force user named Kylo Ren. Ren ordered his troops to kill Tekka and the other villagers, while he took Dameron captive. Fortunately, the Resistance pilot had hidden the map inside his astromech droid, BB-8, which managed to escape. Even more fortunately, Dameron was rescued by a stormtrooper designated FN-2187, who wanted to use Dameron to help him defect from the First Order.

Finn and Dameron stole a TIE fighter plane and returned to Jakku to find BB-8. However, the plane crashed. FN-2187 – renamed “Finn” – by the pilot, encountered a desert scavenger named Rey, who had already found BB-8. Realizing that the First Order was after the droid, the pair made their escape from Jakku aboard the old freighter, the Millenium Falcon, and set out to find the Resistance forces. Along the way, Finn and Rey attempted to evade the pursuing Kylo Ren and met the Falcon’s former owner, Han Solo and the latter’s companion Chewbacca; who ended up helping them with their goal.

Many critics and moviegoers hailed “THE FORCE AWAKENS” as a return to what the franchise used to be back in the late 1970s and early 1980s. And not surprisingly, it became the top earning movie released in 2015. Lucasfilm, now headed by producer Kathleen Kennedy (who had worked with Lucas and Steven Spielberg for years), turned to producer-director J.J. Abrams to helm this first film. Screenwriter Michael Arndt was originally hired to write the movie’s script, following Lucas’ treatment. But Lucasfilm and Abrams decided to scrap both him and the treatment. Then Abrams and filmmaker Lawrence Kasdan created their own screenplay . . . one that obviously pleased a lot of people. How do I feel about the movie? Well, like many films, “THE FORCE AWAKENS” has both good and bad qualities. I am going to start what I liked about it.

For me, the stars of “STAR WARS: EPISODE VII – THE FORCE AWAKENS” are actors John Boyega, who portrayed Finn; and Harrison Ford, who reprised his role as Han Solo. Their performances gave this movie an energy that could not be matched by the rest of cast. In the case of Ford, this movie featured his best performance in the four “STAR WARS” he has appeared in. And of the new cast members for the Sequel Trilogy, I feel that Boyega has quickly emerged as the best of the bunch, thanks to his energetic and humorous portrayal of a very complex character. Actually, Finn reminded me of a younger Han Solo. Perhaps that is why he clicked so well with the veteran actor. Come to think of it, he also managed to click well with the other two new leads – Daisy Ridley and Oscar Isaac. I find it unsurprising that John Boyega managed to win the BAFTA Rising Star Award. My only problem with Finn is that his character sometimes came off as some doofus who seemed to stumble his way through life. Two other performances in “THE FORCE AWAKENS” that really impressed me came from Oscar winner Lupita Nyong’o, who served as the voice and movements behind a new character called Maz Kanata. She should have received an award for her work. And Peter Mayhew, like Ford, was marvelous as always as the aging Wookie, Chewbacca. In a way, I found this miraculous for both Ford and Mayhew, considering that both suffered health issues during the movie’s production. What else did I like about “THE FORCE AWAKENS”? Well to my utter surprise, I enjoyed the new astromech droid, BB-8. When I had first saw it in some of the movie’s trailers, I had dismissed it as a second-rate version of R2-D2 and C3-P0. I was very surprised at how quickly I grew fond of the character.

There were other aspects of “THE FORCE AWAKENS” that I enjoyed, as well. If I have to brutally frank, I did not find most of Dan Mindel’s photography that impressive. But there were a few scenes that did impress me. I found Britain’s Lake District, which served as Takodana, very beautiful, thanks to Mindel’s photography. I was also impressed by his photography of United Arab Emirates and New Mexico, which served as the planet of Jakku. Mandel even managed to include an iconic shot, as shown below:

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One last aspect of the movie that impressed me was Maryann Brandon and Mary Jo Markey’s editing. I thought they did a pretty damn good job in the sequence that featured Finn and Rey’s escape from Jakku aboard the stolen Millennium Falcon. But I found their work in the sequence in which the pair, Han Solo and Chewbacca get into conflict with pirates gangs who want to settle a score with Han, while three Rathtar creatures run rampant throughout the Falcon and Han’s other ship . . . to be very impressive. And it lacked the taint of confusion which has hampered many action scenes in the past.

Did I have any problems with “THE FORCE AWAKENS”? Unfortunately, yes. A lot of problems. I read somewhere that Lucasfilm/Disney had originally hired Michael Arndt to write the movie’s screenplay, but in the end, Kathleen Kennedy and J.J. Abrams rejected it. Abrams recruited Lawrence Kasdan, an old Lucasfilm veteran to rewrite the script and the result is what ended on the movie screens. And honestly . . . I was not impressed. Not by a long shot. The main problem I had with “THE FORCE AWAKENS” is that it shared too many plot points and characterizations with the first film in the franchise, 1977’s “STAR WARS: EPISODE IV – A NEW HOPE”. Hell, Abrams and Kasdan managed to borrow a bit from 1980’s “STAR WARS: EPISODE V – THE EMPIRE STRIKES BACK” and the Prequel movies. It is one thing to lift certain aspects of from other works of art and even history – especially in the science-fiction/fantasy genre. It is another to literally borrow from another movie . . . within the same movie franchise. Just to verify my complaint, I had come across an Entertainment Weekly article that listed eighteen similarties between “THE FORCE AWAKENS” and “A NEW HOPE”that included:

*A droid carrying valuable information who finds himself on a desolate desert planet
*A Force-sensitive, masked, and darkly clothed antagonist who arrives on the scene shortly after the information is handed off, looking for the droid
*A lonely, Force-strong desert dweller who dreams of more
*A cruel military officer who holds a comparable level of authority to his Force-sensitive, masked, and darkly clothed colleague
*A massive spherical weapon that’s used to destroy a planet
*A coordinated aerial attack on the massive spherical weapon that’s monitored from a control room by Leia

Six similarities between the two movies strike me as disturbing. Eighteen similarities seem utterly ridiculous to me. Even worse, I managed to come up with four similarities between this movie and “THE EMPIRE STRIKES BACK”. The masked enforcer is revealed to be a member of the Skywalker family, the heroes end up on an ice planet, the roguish protagonist is left in dire straits by the end of the movie and the potential Force user meets an aging Jedi master for new lessons. J.J. Abrams, Kathleen Kennedy and the Disney Studios might as well stop protesting and admit that their new blockbuster reeks of unoriginality and plagiarism.

Another problem I had with “THE FORCE AWAKENS” proved to be characterization. I had no problem with the idea of characters from the saga’s previous trilogies making an appearance. I had a problem with the new characters being a rehash of other characters – like our desert future acolyte Rey being a remake of the young Luke Skywalker; the First One enforcer Kylo Ren aka Ben Solo being another Anakin Skywalker; Resistance pilot Poe Dameron being another Leia Organa (but without the caustic wit); former stormtrooper Finn being another Han Solo; Supreme Leader Snoke is another Chancellor/Emperor Palpatine; and General Hux is another Grand Moff Wilhuff Tarkin (without the presence). Actually, this video clip from You Tube/Dorkly.com pretty much said it all. The similarities between the saga’s characters strikes me as another example of the lack of originality in this movie.

But some of the characters proved to be very problematic for the movie’s plot. One of the biggest problems proved to be the character of Rey. As a woman, I found it satisfying that a leading STAR WARS character is not only a Force user, but a young woman. Unfortunately, Abrams and Kasdan took this too far by nearly portraying Rey as a borderline Mary Sue. Well, Lucas nearly transformed Luke Skywalker into a Gary Stu (same thing, male version) – especially in the last half hour of “A NEW HOPE” and the first hour of “RETURN OF THE JEDI”. But with Rey, Abrams and Kasdan took it too far. Using her strong connection to the Force as an excuse, they allowed Rey to become a talented pilot who could rival Han Solo and Anakin Skywalker, easily learn how to utilize the Jedi Mind Trick and defeat an experienced Force user with a lightsaber without any training. Without real any experience or training whatsoever. By the way, that last achievement really rubbed me the wrong way. I mean . . . what the hell? What is she going to do in the franchise’s next movie? Walk on water? Now . . . Daisy Ridley gave a nice performance as Rey. But she failed to knock my socks off. Her performance was not enough for me to overlook the ridiculous level of skills that her character had accomplished.

Equally problematic for me proved to be the Kylo Ren character, who turned out to be Han and Leia’s only son, Ben Solo. According to the movie, he was one of Luke’s padawan learners, before he made the decision to embrace evil, kill of Luke’s other padawans and become an enforcer for the First Order. Why? I have not the foggiest idea. “THE FORCE AWAKENS” made it clear that he seemed to worship his grandfather’s role as a Sith Lord. I can only assume that either the next movie or “EPISODE IX” will reveal the reason behind young Ben’s embrace of evil. I hope so. Because the reasoning presented in this film really sucks. It sucks just as much as Ren’s man child behavior. You know, I could have stomach this behavior if he had been around the same age as his grandfather in the Prequel Trilogy’s second and third movies. But Kylo Ren is pushing thirty in this film. He strikes me as too old to be engaging in childish temper tantrums. I can only assume that contrary to Han’s “He has a bit of Vader in him” comment, Kylo Ren is more a chip off the old block – namely his dad, who had behaved like a man child in the 1977-83 films. And why did Han and Leia name their son after Obi-Wan Kenobi, who used the name “Ben” during his years of exile on Tatooine? Leia never knew him . . . not personally. And Han never really clicked with Obi-Wan on an emotional level. So, why did they name him after the long deceased Jedi Master? As for Adam Driver, he gave a decent performance, but honestly . . . it was not enough for me to be fascinated by his character. It was just . . . decent.

Leia Organa seemed to be a ghost of her former self, thanks to Carrie Fisher. God bless Fisher, she tried. She really did. Abrams and Kasdan even gave her a few witty lines. But . . . Fisher’s performance reminded me of the one she gave in “RETURN OF THE JEDI” . . . lacking in any real fire. And I was disturbed by one scene in which Leia rushed forward to hug Rey, following the latter’s return from the First One’s Starkiller Base. Why did Leia ignore Chewbacca, who must have been torn up over Han’s death? Why did Chewie ignore her? Poe Dameron proved to be a real problem. One, he was not an interesting character to me. Frankly, I found him rather bland. And considering that Oscar Isaac portrayed the character, I found myself feeling very disappointed. A talented actor like him deserved a better role than this. Also, why did Poe leave Jakku and returned to the Resistance’s base? His mission was to acquire information leading to Luke Skywalker’s whereabouts . . . information that he had stored in his BB-8 droid before the First Force appeared at that Jakku village. After Finn had rescued him from Kylo Ren and the First Force warship, Poe insisted that they return to Jakku, so he could find BB-8. What did he do after his and Finn’s TIE fighter crashed on the planet? Poe walked away from the crash, found transport off the planet and returned to his Resistance base. Not once did he bother to finish his mission by searching for BB-8. What the fuck? He went through all that bother to drag Finn back to Jakku and failed to hang around long enough to find BB-8? SLOPPY!! As for Mark Hamill . . . why was he even in this movie? He appeared in the movie’s last scene without speaking one word of dialogue. What a waste of time!

There were other scenes that rubbed me the wrong way. Critics made a big deal over the Nazi-like speech that General Hux gave the First Order troops on the Starkiller Base, swooning over the idea of Nazi metaphors in a “STAR WARS”movie. Big deal. There have been Nazi metaphors in the franchise’s movies since the first movie in 1977. Only Lucas did not resort to a ham fisted speech, similar to the one given by actor Domhnall Gleeson. I also found Leia’s little military conference rather laughable. She did not confer with a handful of military leaders. Instead, she seemed to be conferring with anyone – commanders, pilots, etc. – who seemed to have made their way to her table. It was like watching a STAR WARS version of a town meeting. What the hell? And what was the big deal over the First Order’s search for Luke Skywalker? So what if he was the last Jedi? According to the Lor San Tekka character portrayed by Max von Sydow, there can be no balance in the Force without the Jedi. Really? Since when is the balance of the Force depended on the presence of a religious order that had not been in its prime for over half a century? With Tekka’s comment, Abrams and Kasdan regressed the saga back to the Sunday School morality of “A NEW HOPE”. And could someone please tell me how the lightsaber that Anakin had first constructed following the loss of his first on Geonosis and which Luke had lost during his duel against the former on Bespin, end up in the possession of Maz Kanata on Takodona? How? And why on earth did Abrams and Kasdan thought it necessary to re-introduce it into the saga? Why? It was nothing more than a lightsaber . . . a weapon. There was no need to transform it into some kind of mythologized artifact.

Aside from the colorful photography and editing, I was not that impressed by the movie’s other technical aspects. One, Lucasfilm and Disney allowed both the Resistance and the First Order to use military technology that was last scene in the 1977-83 trilogy. Why? Why did the Resistance and First Order characters wear the uniforms that members of the Rebel Alliance and the Imperial Fleet wore? How cheap is that? And why have the Resistance and the First Order use technology from the same groups? The only new technology I had spotted was the two-seater TIE fighter for the First Order and the lumbering desert vehicle that Rey used on Jakka. Were Kathleen Kennedy and the Disney Studios too cheap to hire someone to create new designs for the military in this film? Or was this another over-the-top attempt to re-create the past of the first trilogy? As for John Williams’ score . . . uh . . . not really impressed. Mind you, I had nothing against it. The score served the movie’s plot rather well. But there was nothing memorable or iconic about it.

I can see why many critics and moviegoers praised “STAR WARS: EPISODE VII – THE FORCE AWAKENS” as a return to the “magic” of the Original Trilogy. The movie not only utilized many technical aspects of that first trilogy, but also characterization and plot. To be brutally honest, I believe that this new movie had more or less plagiarized the first trilogy – especially “STAR WARS: EPISODE IV – A NEW HOPE”. Many might regard this as something to celebrate. I do not. I regard this “celebration” of the first trilogy as an artistic travesty and a sign of the lack of originality that now seemed to plague Hollywood. From an artistic point of view, I do not believe the Force was with this movie.

The Celebration of Mediocrity and Unoriginality in “STAR WARS: THE FORCE AWAKENS”

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“THE CELEBRATION OF MEDIOCRITY AND UNORIGINALITY IN “STAR WARS: THE FORCE AWAKENS”

Look … I liked the new “STAR WARS” movie, “THE FORCE AWAKENS”.  I honestly do.  Heck, I feel it is better than J.J. Abrams’ two “STAR TREK” films.  But I am astounded that this film has garnered so much acclaim.  It has won the AFI Award for Best Picture.  It has been nominated by the Critics Choice Award for Best Picture.

“THE FORCE AWAKENS”???  Really?  It did not take long for certain fans to point out that the movie’s plot bore a strong resemblance to the first “STAR WARS” movie, “A NEW HOPE”.  In fact, I am beginning to suspect that J.J. Abrams and Lawrence Kasdan had more or less plagiarized the 1977 film, along with aspects from other movies in the franchise.  Worse, it has some plot holes that Abrams has managed to ineffectively explain to the media.  In other words, his explanations seemed like shit in the wind and the plot holes remained obvious.

Then I found myself thinking about “THE MAN FROM U.N.C.L.E.”, Guy Ritchie’s adaptation of the 1964-1968 television series.  I will not deny that the movie had some flaws.  Just about every movie I have seen throughout my life had some flaws.  But instead of attempting a carbon copy of the television series, Ritchie put his own, original spin of the show for his movie.  And personally, I had left the movie theater feeling impressed.  And entertained.  It is not that Ritchie had created a perfect movie.  But he did managed to create an original one, based upon an old source.  Now that was impressive.

But instead of having his movie appreciated, a good deal of the public stayed away in droves.  Warner Brothers barely publicized the film.  Worse, the studio released in August, the summer movie season’s graveyard.  And for those who did see the movie, the complained that it was not like the television show.  Ritchie had made changes for his film.  In other words, Ritchie was criticized for being original with a movie based upon an old television series.

This is incredibly pathetic.  One director is criticized giving an original spin to his movie adaptation.  Another director is hailed as the savior of a movie franchise for committing outright plagiarism.  This is what Western culture has devolved into, ladies and gentlemen.  We now live in a world in which the only movies that are box office hits are those that form part of a franchise.  We live in a society in which glossy and mediocre shows like “DOWNTON ABBEY” are celebrated.  We live in a world in which a crowd pleasing, yet standard movie biopic like “THE KING’S SPEECH”can receive more acclaim than an original film like “INCEPTION”.

In regard to culture or even pop culture, this society is rushing toward conformity, familiarity and mediocrity.  God help us.

Top Ten Favorite TIME TRAVEL Television Episodes

Below is a list of my top favorite television episodes that feature time travel:

 

TOP TEN FAVORITE TIME TRAVEL TELEVISION EPISODES

1. “Future’s End” (“Star Trek Voyager”; 1996) – A 29th century timeship causes a time paradox when it accidentally sends itself and Voyager to two different periods in 20th century Earth.

2. “Tempus Fugitive” (“Lois and Clark: The New Adventures of Superman”; 1995) – Lois Lane and Clark Kent are brought back to the past by H. G. Wells, in an attempt to stop the time-travelling villain Tempus from killing the infant Superman.

3. “Endgame” (“Star Trek Voyager; 2001) – Admiral Kathryn Janeway comes from the future to try and shorten Voyager’s trip home.

4. “War Without End” (Babylon Five; 1996) – Former Babylon 5 commander, Jeffrey Sinclair, returns with a mission vital to the survival of the station – travelling back in time to steal Babylon 4.

5. “LaFleur” (“Lost”; 2009) – The remaining survivors of Flight 815 and the freighter find themselves permanently in the 1970s and become part of the Dharma Initiative, following John Locke’s disappearance.

6. “The City on the Edge of Forever” (“Star Trek”; 1967) – After accidentally overdosing on a powerful stimulant, Dr. McCoy acts erratically and disappears through the Guardian of Forever, a newly-discovered time portal on a remote planet. Captain Kirk and Commander Spock follow after learning that McCoy somehow changed history. Arriving in the 1930s, the duo meet Edith Keeler, a New York social worker who gives them a place to stay. As the days pass, and McCoy is nowhere to be seen, Kirk finds himself falling in love with Keeler… but Spock discovers that Keeler must die to restore the timeline.

7. “Déjà Vu All Over Again” (“Charmed”; 1999) – As a demon makes plans for his attempt to kill the Charmed Ones, he receives a visit from another demon named Tempus, who will turn back time until the demon succeeds in killing all the sisters.

8. “Babylon Squared” (“Babylon Five”; 1994) – A previous station, Babylon 4, reappears at the same place it disappeared four years before; and Jeffrey Sinclair and Michael Garibaldi lead an expedition to evacuate its crew.

9. “Chris-Crossed” (“Charmed”; 2003) – A mysterious woman from the future named Bianca arrives to take Chris Halliwell’s powers and bring him back forcefully to the future.

10. “D.O.A.” (“Timecop”; 1998) – After Jack Logan and his boss, Gene Matuzek are murdered, Claire Hemmings takes an unauthorized trip back to the past to warn Logan.

“LOST” RETROSPECT: (4.10) “Something Nice Back Home”

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Nearly seven years ago, (4.10) “Something Nice Back Home”, a Season Four episode of “LOST” aired for the first time and I wrote a review of the episode nearly two years after it first aired.  However, after a recent viewing, I decided to write another article on the episode:

 

“LOST” RETROSPECT: (4.10) “Something Nice Back Home”

I am beginning to wonder if (4.10) “Something Nice Back Home”, a Season Four episode from “LOST”, might be one of the most misunderstood episodes of the series. When I recently viewed it for a second time in four years, I came to a realization that I may have misunderstood it.

“Something Nice Back Home” is basically a Jack Shephard episode that featured three main subplots – two of them about the very intense Dr. Shephard. One of them centered on James “Sawyer” Ford, Claire Littleton and Miles Straume’s efforts to reach the Oceanic 815 survivors’ beach camp, after surviving the near massacre at the Others’ compound by mercenary Martin Keamy and his merry band of killers. The second subplot was about Dr. Juliet Burke’s efforts to save Jack’s life after he had been struck down by appendicitis. And the final subplot turned out to be a flash forward about Jack’s time with fellow castaways Kate Austen and Aaron Littleton in Los Angeles, three years in the future.

During the first subplot, Sawyer, Claire and Miles’ jungle trek to the beach camp proved to be a tense little adventure that obviously appealed to many viewers. Ever since Sawyer had rescued Claire during Keamy’s attack upon the Others’ compound in (4.09) “The Shape of Things to Come”, fans began labeling him as the series’ “hero”. After my second viewing of the two episodes, I found this odd. Aside from his rescue of Claire, I cannot recall Sawyer doing anything worth noticing. Former Others leader Ben Linus had saved the survivors of Keamy’s attack and the Smoke Monster by leading them out of the besieged compound in “The Shape of Things to Come”. And in “Something Nice Back Home”, pilot Frank Lapidus saved Sawyer, Claire, Miles and Aaron with a warning and prevented them from encountering a very angry Keamy and his surviving men. Frank also convinced Keamy to use another jungle trail in order to distract the latter from the castaways’ hiding place.

One might view Sawyer’s protective attitude toward Claire as an example of his heroism. People are entitled to do so . . . even if I have trouble accepting this. Mind you, I found the exchanges between Sawyer and Miles rather amusing. But when Sawyer caught Miles shooting odd stares at Claire, the former decided to go into a belligerent protective mode and warn Miles to keep his distance. This incident, along with Miles’ detection of Danielle Rousseau and Karl’s bodies were signs of Miles’ psychic ability, but Sawyer was unaware of it. Eventually, Sawyer regretted his warning, when Claire disappeared into the jungle with the Smoke Monster, who was in the form of Christian Shephard – hers and Jack’s father. Like I said, this subplot provided plenty of suspense, adventure and snark. But “LOST” never answered some of the questions that it raised. Why did Claire leave with the Man in Black (Smoke Monster)? Why did she leave Aaron behind? What happened to her during those three years before her reunion with her fellow castaways in Season Six? And was Claire’s disappearance nothing more than a plot device for Kate’s story line featuring those years with baby Aaron?

The second plot line focused on Jack’s appendicitis. In fact, this episode began with this subplot, using the trademark shot of Jack’s eye opening. Not much came from this particular subplot. While gathering surgical instruments and medical supplies at the Staff Station, both Jin and Sun Kwon discovered that one of the freighter newcomers, Charlotte Lewis, spoke Korean. Jin informed Charlotte that he will harm her fellow freighter passenger, Daniel Faraday, if she did not secure a place for the pregnant Sun aboard the Kahuna freighter. The subplot also revealed Juliet’s talent for leadership. She also realized that Jack still loved Kate and that her romantic friendship with him was nothing more than an illusion.

In the end, Charlotte did not ensure Sun’s departure from the island. Juliet did in the Season Four finale, (4.12) “There’s No Place Like Home, Part I”. Knowledge of Charlotte’s ability to speak Korean only allowed her to issue a warning to Jin about the dangers of the island before her death in Season Five’s (5.05) “This Place is Death”. And Juliet’s leadership abilities were never explored in future episodes. Adhering to Hollywood’s sexist codes, John Locke ended up acting as leader of the castaways left behind during the island’s time jumps. Sawyer assumed the role of “leader” following Locke’s departure from the island, via the Orchid Station’s donkey wheel.

And to this day, “LOST fans have no idea on what led to Jack’s attack of appendicitis. Many have speculated, claiming that either it was a sign of the Island’s displeasure over Jack’s eagerness to leave or a symbol of his subconscious reacting to Jack’s desire. Who knows? Fellow castaway Rose Nadler expressed her belief to husband Bernard that Jack’s illness was an ominous warning. In her view, everyone “gets better” on the Island. Naturally, she could only speak from her personal experiences and knowledge of what happened to Locke’s legs. I have decided not to view Jack’s appendicitis from any metaphoric point of view and see it as nothing more than an opportunity for “LOST” writers to end the burgeoning Jack/Juliet romance. When Jack made it clear that he wanted Kate to participate in his operation, Juliet realized that Jack was not in love with her and told Kate. What made this whole mystery surrounding Jack’s infirmity ridiculous is that three years and two seasons later, island guru Jacob told Jack and a few others that staying or leaving the island (and accepting the role as island leader) was a matter of choice.

The episode’s last episode – the 2007 flash forward featuring Jack and Kate’s romance in Los Angeles – seemed to have generated the greatest amount of contempt from the fans and the media. Many fans blamed Jack’s personal flaws for his meltdown and break-up with Kate, complaining about his alcohol and drug dependence, his jealousy toward Kate’s feelings for Sawyer (who had remained on the island), and his controlling nature. They believed if Jack had kept these flaws in check, he could have enjoyed a happy life with Kate and Aaron. Others believed that Jack’s visit to Hurley at the Santa Rosa Mental Health Institute triggered a realization that he needed to return to the Island in order to meet his “destiny”.

I have a different views on the subplot featuring Jack’s meltdown. One, I believe it was the best subplot in “Something Nice Back Home”. It was the only subplot that helped drive the series’ main narrative. And unlike the Sawyer/Claire/Miles and the appendicitis subplots, it did not end with unanswered questions. More importantly, the episode raised a question that many fans, including myself, had failed to notice. What really led to Jack’s post-Island meltdown and break-up with Kate? In my previous review, I had expressed an opinion that Jack’s perfect life with Kate and Aaron was too superficial to last. I never realized the extent of how shallow and false his life was. After viewing “Something Nice Back Home” for the second time, I realized that this question was answered in (4.04) “Eggtown” and in future episodes such as (4.12) “There’s No Place Like Home”, (5.02) “The Lie”, (5.04) “The Little Prince” and (5.11) “Whatever Happened, Happened”.

What am I trying to say? Simple. Jack and the other members of the Oceanic Six had created lives filled with unnecessary and/or selfish lies, deceit, illusions and grief. Audiences had already experienced Hugo “Hurley” Reyes’ crash and burn in flashbacks featured in the Season Four premiere, (4.01) “The Beginning of the End”. In this episode, audiences finally witnessed Jack’s future meltdown. In a flash forward from “Eggtown”, Jack revealed the Oceanic Six’s major lie about the crash of Oceanic Flight 815 during Kate’s criminal trial:

DUNCAN: Were you aware that Ms. Austen was a fugitive being transported by a United States marshal on that flight to Los Angeles for trial?

JACK: I did learn that eventually, yes.

DUNCAN: From the U.S. Marshal?

JACK: No, the marshal died in the crash. I never spoke to him. Ms. Austen told me.

DUNCAN: Did you ever ask her if she was guilty?

JACK: No. Never.

DUNCAN: Well, that seems like a reasonable question. Why not?

JACK: I just assumed that there had been some kind of mistake.

DUNCAN: And why would you think that?

JACK: Only eight of us survived the crash. We landed in the water. I was hurt, pretty badly. In fact, if it weren’t for her, I would have never made it to the shore. She took care of me. She took care of all of us. She — she gave us first aid, water, found food, made shelter. She tried to save the other two, but they didn’t—

As we all know, this is a load of horseshit. But what led Jack to tell all of these lies. The episode (4.14) “There’s No Place Like Home”featured a scene in which Locke asked Jack to lie about the Island and their their experiences during the past three months . . . to protect the Island. Jack had announced his intentions to follow Locke’s instructions in (5.02) “The Lie”. Kate, Sun and Sayid agreed to support his lies. Hurley did not, claiming that they were unnecessary. Eventually, Hurley capitulated to Jack’s demands. I never understood why Jack had created such unnecessary lies about the island. It had disappeared after Ben had pushed the Orchid Station’s donkey wheel. By the time the Oceanic Six were “rescued”, they had traveled many miles away from the island, thanks to Kahuna freighter’s helicopter, floating in the ocean for several days and Penny Widmore’s yacht, which conveyed them to the Java Trench, where a fake Oceanic 815 airplane was planted by Penny’s father, Charles Widmore and near the island of Sumba. The only person who could have found the Island was Widmore. Being a former resident of the Island, he knew how to acquire information on the Island’s locations. And once he did, Widmore dispatched Martin Keamy and his thugs there to collect Ben Linus. The authorities would have never found the Island, and the lie did not prevente Widmore from finding it again, as Season Six eventually proved. Leaving behind so many castaways and pretending they were dead did not serve a damn thing.

There was another lie that proved to be even more destructive . . . namely the lie about fugitive Kate Austen being the mother of Aaron Littleton, Claire’s son. When “Something Nice Back Home” first aired, many viewers believed that Jack had coerced Kate into pretending to be Aaron’s mother in order to protect him from the foster care system or Charles Widmore. In “There’s No Place Like Home, Part I”, both Jack and Kate learned that Claire’s mother, Carole Littleton, was alive and well. Both realized they were keeping Aaron from his grandmother via the lie, but both continued the deception. A flashback in “The Little Prince” revealed that it was Kate who had suggested she pretend to be Aaron’s mother, due to her selfish desire to use Aaron as an emotional comfort blanket:

KATE: I’ve been thinking a lot about him. Did you know that Claire was flying to L.A. to give him up for adoption?

JACK: No. No, I didn’t.

KATE: I think we should say he’s mine.

JACK: What?

KATE: We could say that I was six months pregnant when I was arrested and that I gave birth to him on the Island. No one would ever know.

JACK: Kate, no. You don’t have to… [sighs] There’s other ways too this.

KATE: After everyone we’ve lost–Michael, Jin, Sawyer… I can’t lose him, too.

JACK: Sawyer’s not dead.

KATE: No. But he’s gone. Good night, Jack.

JACK: Kate… If we’re gonna be safe, if we’re gonna protect the people that we left behind, tomorrow morning, I’m gonna have to convince everyone to lie. If it’s just me, they’re never gonna go for it. So I’m gonna turn to you first. Are you with me?

KATE: I have always been with you.

Wow. I find it interesting that so many fans have complained about Jack’s controlling nature. Yet, it is also easy to see that he can be very susceptible to Kate’s manipulations. Yet, very few people have commented on this. By the way, Kate’s suggestion was confirmed in a confession that she had made to Cassidy Phillips, Sawyer’s ex-girlfriend and fellow grifter, in “Whatever Happened, Happened”. And Jack . . . due to his selfish desire to earn or maintain Kate’s love, agreed to support her lie. I suspect his encounter with Carole Littleton at his father’s funeral service dealt two major blows to Jack’s psyche. He learned that Claire Littleton was his half-sister, due to an affair between Christian Shephard and Carole. And two, he had allowed Kate to use his nephew as an emotional blanket, while keeping said nephew from the latter’s very healthy grandmother. I suspect that this discovery had led Jack to stay away from Kate for a while. But after seeing her at her trial, he realized he could not stay away and caved in to her demand that he need to accept Aaron as hers in order for them to have a relationship.

But Jack’s conversation with Hurley at the mental hospital only proved something that Jack could not face – he was living a life based upon lies about the Island, the survivors of the crash and especially Aaron. And I also suspect that his discovery of Kate’s deception about the favor she did for Sawyer made him realized that he was maintaining lies for the love of a woman who was lying to him. No wonder he freaked out in the end with booze, pills and anger. I suspect that Jack’s outburst about Kate not being related to Aaron was a hint of her own meltdown and realization, a few months later.

“Something Nice Back Home” was not perfect. The episode featured one entertaining and suspenseful subplot that brought up questions behind Claire Littleton’s disappearance – questions that were never really explored after Claire’s reappearance in Season Six. It featured another subplot regarding Jack’s appendicitis that raised both questions and minor subplots that were never dealt with any satisfaction. The only subplot I believe that had any meat or merit was the flash forward featuring Jack Shephard’s meltdown regarding the Island, Kate Austen and his nephew Aaron Littleton. So in the end, all was not lost for “Something Nice Back Home”.

“LOST”: Things That Make Me Go . . . Hmmm?

The following is a list of questions I have regarding subplots that have been featured in past episodes of “LOST”. If you have an answer to any of my questions, please feel free to reply:

 

“LOST”: THINGS THAT MAKE ME GO . . . HMMM?

1. Who gave the original order for Walt Lloyd to be kidnapped?

 

2. Why did the Others kidnap some of the surviving Tail Section passengers of Oceanic 815?

 

3. Why did Ben Linus and the Others scheme to keep Jack Shephard, Kate Austen, and James “Sawyer” Ford as prisoners on Hydra Island?

 

4. Why did Michael Dawson confess his murder of Ana-Lucia Cortez and accidental killing of Libby to his ten year-old son, Walt Lloyd, following their departure from the island?

 

5. Why did Tom Friendly claim that no one was able to leave the island, following the explosion of the Swan Station, despite the fact that he, Michael and Walt were able to do so?

 

6. Why did the prosecuting attorney blindly believe Jack’s false testimony that Kate gave birth to Aaron Littleton, during their three-month stay on the island?

 

7. Why did the prosecuting attorney fail to continue her prosecution of Kate for the charges of bank robbery, assaulting a Federal peace officer, after the murder charges were dropped?

 

8. Why were the Losties, the Freighter people and Juliet the only ones who time traveled on the island and not the Others or Danielle Rousseau?

 

9. Why did Ben kill John Locke in “The Death of Jeremy Bentham”?

 

10. What happened to Claire Littleton during her three-year stay on the island, following the departure of the Oceanic Six?

 

11. Who killed some of the surviving Ajira 316 passengers at their beach camp and why?

 

Favorite Movies Set in LAS VEGAS

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Below is a list of my favorite movies set in Las Vegas, Nevada: 

 

FAVORITE MOVIES SET IN LAS VEGAS

1 - Ocean Thirteen

1. “Ocean’s Thirteen” (2007) – In this third entry of Steven Soderbergh’s OCEAN’S TRILOGY, Danny Ocean and his co-horts plot a heist against casino owner Willy Bank, after he double-crosses one of the original eleven, Reuben Tishkoff. George Clooney, Brad Pitt, Matt Damon and Al Pacino starred.

2 - Casino

2. “Casino” (1995) – Martin Scorsese directed this adaptation of Nicholas Pileggi’s non-fiction book about the clash between a professional gambler and a mobster sent to operate a mob-controlled Las Vegas casino. Robert De Niro, Joe Pesci and Sharon Stone starred.

3 - The Hangover

3. “The Hangover” (2009) – Todd Phillips produced and directed this hilarious comedy about four friends who to Las Vegas for a bachelor party. The groom-to-be ends up missing the following morning, and the three remaining friends search all over town to find him, despite having no memories of the previous night. Bradley Cooper, Ed Helms, Zach Galifianakis, Justin Bartha and Heather Graham starred.

4 - Bugsy

4. “Bugsy” (1991) – Warren Beatty and Annette Bening starred in this biography of mobster Ben Siegal during his time in Los Angeles and Las Vegas. Directed by Barry Levinson, the movie co-starred Harvey Keitel and Ben Kingsley.

5 - Ocean Eleven

5. “Ocean’s Eleven” (2001) – This remake of the 1960 movie also served as the first entry of Steven Soderbergh’sOCEAN TRILOGY. In it, Danny Ocean and a group of thieves plot the heist of three Las Vegas casinos owned the current boyfriend of Ocean’s ex-wife. George Clooney, Brad Pitt, Matt Damon, Julia Roberts and Andy Garcia starred.

6 - Rush Hour 2

6. “Rush Hour 2” (2001) – Jackie Chan and Chris Tucker re-teamed in this sequel to their 1998 hit, in which they go up against a counterfeit ring that takes them from Hong Kong to Los Angeles and finally Las Vegas. Brett Ratner directed.

7 - Diamonds Are Forever

7. “Diamonds Are Forever” (1971) – Sean Connery starred as James Bond in this adaptation of Ian Fleming’s 1956 novel. The British agent investigates a diamond smuggling operation that leads him to the crime organization SPECTRE and arch nemesis Ernst Stravos Blofeld. Directed by Guy Hamilton, the movie co-starred Jill St. John and Charles Gray.

8 - Viva Las Vegas

8. “Viva Las Vegas” (1964) – Elvis Presley and Ann-Margaret lit up the screen in this musical about a race car driver forced to find a way to raise money to enter a race in Las Vegas, while romancing a hotel swim instructor. George Sidney directed.

9 - Miss Congeniality Armed and Fabulous

9. “Miss Congeniality: Armed and Fabulous” (2005) – Sandra Bullock stars in this sequel to 2001’s “MISS CONGENIALITY”, as the now famous F.B.I. agent Gracie Hart. When two of her friends – Miss United States and pageant commentator Stan Fields – are kidnapped, she recruits the help of fellow agent Sam Fuller to help her. Directed by John Pasquin, Regina King and William Shatner co-starred.

10 - Honeymoon in Vegas

10. “Honeymoon in Vegas” (1992) – Nicholas Cage starred in this comedy about a man who loses a great deal of money to a professional gambler, while in Vegas to marry his girlfriend. The gambler agrees to clear the debt in exchange for a weekend with the girlfriend, who reminds him of his late wife. Directed by Andrew Bergman, the movie co-starred Sarah Jessica Parker and James Caan.