JANE AUSTEN’s Rogue Gallery

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Below is a look at the fictional rogues – male and female – created by Jane Austen in the six published novels written by her. So, without further ado . . .

JANE AUSTEN’S ROGUE GALLERY

John Willoughby – “Sense and Sensibility” (1811)

John Willoughby is a handsome young single man with a small estate, but has expectations of inheriting his aunt’s large estate. Also, Willoughby driven by the his own pleasures, whether amusing himself with whatever woman crossed his path, or via marrying in order to obtain wealth to fuel his profligate ways. He does not value emotional connection and is willing to give up Marianne Dashwood, his true love, for more worldly objects. Although not my favorite rogue, I feel that Willoughby is Austen’s most successful rogue, because he was able to feel remorse and regret for his rejection of Marianne by the end of the story. This makes him one of Austen’s most complex rogues. Here are the actors that portrayed John Willoughby:

1. Clive Francis (1971) – I must admit that I did not find him particularly memorable as Willoughby. At first.  In fact, my memories of his performance is very vague.   But upon further viewings, I was impressed by his subtle portrayal of the roguish Willoughby.

2. Peter Woodward (1981) – I first became aware of Woodward during his brief stint on the sci-fi series, “CRUSADE”. He was also slightly memorable as Willoughby, although I did not find his take on the character as particularly roguish. His last scene may have been a bit hammy, but otherwise, I found him tolerable.

 

3. Greg Wise (1995) – He was the first actor I saw portray Willoughby . . . and he remains my favorite. His Willoughby was both dashing and a little bit cruel. And I loved that he managed to conveyed the character’s regret over rejecting Marianne without any dialogue whatsoever.

 

4. Dominic Cooper (2008) – Many television critics made a big deal about his portrayal of Willoughby, but I honestly did not see the magic. However, I must admit that he gave a pretty good performance, even if his Willoughby came off as a bit insidious at times.

 

George Wickham – “Pride and Prejudice” (1813)

George Wickham is an old childhood friend of hero Fitzwilliam Darcy and the son of the Darcy family’s steward, whose dissipate ways estranged the pair. He is introduced into the story as a handsome and superficially charming commissioned militia officer in Meryton, who quickly charms and befriends the heroine, Elizabeth Bennet, after learning of her dislike of Darcy. Wickham manages to charm the entire Meryton neighborhood, before they realize that they have a snake in their midst. Elizabeth eventually learns of Wickham’s attempt to elope with the young Georgiana Darcy. Unfortunately, he manages to do the same with her younger sister, Lydia, endangering the Bennet family’s reputation. He could have been the best of Austen’s rogues, if it were not for his stupid decision to elope with Lydia, a young woman whose family would be unable to provide him with a well-endowed dowry. Because I certainly cannot see him choosing him as a traveling bed mate, while he evade creditors. Here are the actors that portrayed George Wickham:

1. Edward Ashley-Cooper (1940) – This Australian actor was surprisingly effective as the smooth talking Wickham. He was handsome, charming, witty and insidious. I am surprised that his portrayal is not that well known.

 

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2. Peter Settelen (1980) – He made a charming Wickham, but his performance came off as a bit too jovial for me to take him seriously as a rogue.

 

3. Adrian Lukis (1995) – His Wickham is, without a doubt, is my favorite take on the character. He is not as handsome as the other actors who have portrayed the role; but he conveyed all of the character’s attributes with sheer perfection.

 

4. Rupert Friend (2005) – I think that he was hampered by director Joe Wright’s script and failed to become an effective Wickham. In fact, I found his portrayal almost a waste of time.  And I especially believe that Wright had wasted his time.  For I believe he could have been a first-rate Wickham.

 

 

Henry Crawford – “Mansfield Park” (1814)

I think that one of the reasons I have such difficulties in enjoying “MANSFIELD PARK” is that I found Austen’s portrayal of the roguish Henry Crawford rather uneven. He is originally portrayed as a ladies’ man who takes pleasure in seducing women. But after courting heroine Fanny Price, he falls genuinely in love with her and successfully manages to mend his ways. But Fanny’s rejection of him (due to her love of cousin Edmund Bertram) lead him to begin an affair with Edmund’s sister, Maria Rushworth and is labeled permanently by Austen as a reprobate. This entire storyline failed to alienate me toward Henry. I just felt sorry for him, because Fanny was not honest enough to reveal why she had rejected him. Here are the actors that portrayed Henry Crawford:

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1. Robert Burbage (1983) – As I had stated in a review of the 1983 miniseries, I thought his take on Henry Crawford reminded me of an earnest schoolboy trying to act like a seducer. Sorry, but I was not impressed.

 

2. Alessandro Nivola (1999) – In my opinion, his portrayal of Henry was the best. He managed to convey the seductive qualities of the character, his gradual transformation into an earnest lover and the anger he felt at being rejected. Superb performance.

3. Joseph Beattie (2007) – His performance was pretty solid and convincing. However, there were a few moments when his Henry felt more like a stalker than a seducer. But in the end, he gave a pretty good performance.

 

Mary Crawford – “Mansfield Park” (1814)

Ah yes! Mary Crawford. I never could understand why Jane Austen eventually painted her as a villainess (or semi-villainess) in“MANSFIELD PARK”. As the sister of Henry Crawford, she shared his tastes for urbane airs, tastes, wit (both tasteful and ribald) and an interest in courtship. She also took an unexpected shine to the shy Fanny Price, while falling in love with the likes of Edmund Bertram. However, Edmund planned to become a clergyman, something she could not abide. Mary was not perfect. She could be superficial at times and a bit too manipulative for her own good. If I must be honest, she reminds me too much of Dolly Levi, instead of a woman of low morals. Here are the actresses who portrayed Mary Crawford:

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1. Jackie Smith-Wood (1983) – She gave a delightful and complex performance as Mary Crawford. I practically found myself wishing that “MANSFIELD PARK” had been a completely different story, with her as the heroine. Oh well. We cannot have everything.

2. Embeth Davidtz (1999) – Her portrayal of Mary was just as delightful and complex as Smith-Wood. Unfortunately for the actress, writer-director Patricia Rozema wrote a scene that featured a ridiculous and heavy-handed downfall for Mary. Despite that, she was still superb and held her own against Frances O’Connor’s more livelier Fanny.

 

3. Hayley Atwell (2007) – After seeing her performance as Mary, I began to suspect that any actress worth her salt can do wonders with the role. This actress was one of the bright spots in the 2007 lowly regarded version of Austen’s novel. Mind you, her portrayal was a little darker than the other two, but I still enjoyed her portrayal.

 

 

Frank Churchill – “Emma” (1815)

Frank Churchill was the son of one of Emma Woodhouse’s neighbors by a previous marriage. He was an amiable young man whom everyone, except Mr. George Knightley, who considered him quite immature. After his mother’s death he was raised by his wealthy aunt and uncle, whose last name he took. Frank may be viewed simply as careless, shallow, and little bit cruel in his mock disregard for his real fiancee, Jane Fairfax. But I find it difficult to view him as a villain. Here are the actors who portrayed Frank Churchill:

1. Robert East (1972) – It is hard to believe that this actor was 39-40 years old, when he portrayed Frank Churchill in this miniseries. He did a pretty good job, but there were a few moments when his performance seemed a bit uneven.

2. Ewan McGregor (1996) – He did a pretty good job, but his performance was hampered by Douglas McGrath’s script, which only focused upon Frank’s efforts to hide his engagement to Jane Fairfax.

 

3. Raymond Coulthard (1996-97) – In my opinion, he gave the best performance as Frank. The actor captured all of the character’s charm, humor, and perversity on a very subtle level.

 

4. Rupert Evans (2009) – He was pretty good as Frank, but there were times when his performance became a little heavy-handed, especially in later scenes that featured Frank’s frustrations in hiding his engagement to Jane Fairfax.

 

John Thorpe – “Northanger Abbey” (1817)

I would view John Thorpe as Jane Austen’s least successful rogue. I do not if I could even call him a rogue. He seemed so coarse, ill-mannered and not very bright. With his flashy wardrobe and penchant for mild profanity, I have doubts that he could attract any female, including one that was desperate for a husband. And his joke on Catherine Moreland seemed so . . . unnecessary. Here are the actors that portrayed John Thorpe:

1. Jonathan Coy (1986) – He basically did a good job with the character he was given. Although there were moments when his John Thorpe seemed more like an abusive stalker than the loser he truly was.

 

2. William Beck (2007) – I admit that physically, he looks a little creepy. But the actor did a first-rate job in portraying Thorpe as the crude loser he was portrayed in Austen’s novel.

 

Isabella Thorpe – “Northanger Abbey” (1817)

The lovely Isabella Thorpe was a different kettle of fish than her brother. She had ten times the charms and probably the brains. Her problem was that her libido brought her down the moment she clapped eyes on Captain Frederick Tilney. And this is what ended her friendship with heroine Catherine Moreland, considering that she was engaged to the latter’s brother. Here are the actresses who portrayed Isabella Thorpe:

1. Cassie Stuart (1986) – She did a pretty good job as Isabella, even if there were moments when she came off as a bit . . . well, theatrical. I only wish that the one of the crew had taken it easy with her makeup.

2. Carey Mulligan (2007) – She gave a first-rate performance as Isabella, conveying all of the character’s charm, intelligence and weaknesses. It was a very good performance.

 

 

William Elliot – “Persuasion” (1818)

William Elliot is a cousin of heroine Anne Elliot and the heir presumptive of her father, Sir Walter. He became etranged from the family when he wed a woman of much lower social rank, for her fortune. Sir Walter and Elizabeth had hoped William would marry the latter. After becoming a widower, he mended his relationship with the Elliots and attempted to court Anne in the hopes of inheriting the Elliot baronetcy and ensuring that Sir Walter never marries Mrs. Penelope Clay, Elizabeth Elliot’s companion. He was an interesting character, but his agenda regarding Sir Walter’s title and estates struck me as irrelevant. Sir Walter could have easily found another woman to marry and conceive a male heir. “PERSUASION” could have been a better story without a rogue/villain. Here are the actors that portrayed William Elliot:

1. David Savile (1971) – He made a pretty good William Elliot. However, there were times when his character switched from a jovial personality to a seductive one in an uneven manner.

2. Samuel West (1995) – His portrayal of William Elliot is probably the best I have ever seen. He conveyed all aspects of William’s character – both the good and bad – with seamless skill. My only problem with his characterization is that the screenwriter made his William financial broke. And instead of finding another rich wife, this William tries to court Anne to keep a close eye on Sir Walter and Mrs. Clay. Ridiculous.

 

3. Tobias Menzies (2007) – I found his portrayal of William Elliot to be a mixed affair. There were moments that his performance seemed pretty good. Unfortunately, there were more wooden moments from the actor than decent ones.

 

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“A POCKET FULL OF RYE” (2009) Review

 

“A POCKET FULL OF RYE” (2009) Review

While the producers of “AGATHA CHRISTIE’S POIROT” seemed to regard the 1930s as the “golden age” of Hercule Poirot mysteries, I get the feeling that the producers for both “MISS MARPLE” and the recent “AGATHA CHRISTIE’S MARPLE” regard the 1950s in a similar manner for those stories featuring Miss Jane Marple. As a fervent reader of Christie’s novels, I must admit that I believe most of the best Jane Marple mysteries had been published during the 1950s and the first half of the 1960s. One of those mysteries was the 1953 novel, “A Pocket Full of Rye”.

The novel was first adapted into a television movie in the mid-1980s, which starred Joan Hickson. Another television adaptation aired on ITV some twenty-four-and-a-half years later, starring Julia McKenzie as Miss Marple. “A POCKET FULL OF RYE” centered around the mysterious death of a London businessman named Rex Fortescue. After drinking his morning tea at his office, the businessman dies suddenly, attracting the attention of the police in the form of Inspector Neele. Neele and his men discover rye grain in the dead man’s pocket and that he had died from taxine, an alkaloid poison obtained from the leaves or berries of the yew tree. Neele realizes that Fortescue may have been initially poisoned at home due to presence of yew trees at the latter’s country home and the time it took for the poison to work.

Fortescue’s second and much younger wife, Adele, becomes the main suspect, due to her affair with a golf instructor at a nearby resort named Vivian Dubois. However, Adele is murdered, while drinking tea laced with cyanide. On the same day, a third victim is found in the garden, all tangled in the clothesline and with a peg on her nose. She was a maid named Gladys, who used to work for Jane Marple. When Gladys and Adele’s murders are reported in the media, Miss Marple pays a visit to the Fortescue home to learn what happened to Gladys. Miss Marple informs Inspector Neele that she believes the three murders adhered to the nursery rhyme “Sing a Song of Sixpence”, which may have something to do with one of Rex Fortescue’s old dealings – the Blackbird Mine in Kenya, over which he was suspected of having killed his partner, MacKenzie in order to swindle it from the latter’s family. However, an investigation of Fortescue’s financial holdings and family connections reveal the possibility of other motives, as the following list of suspects would attest:

*Percival Fortescue – Rex’s older son, who was worried over the financier’s erratic handling of the family business
*Jennifer Fortescue – Percival’s wife, who disliked her father-in-law
*Lance Fortescue – Rex’s younger son, a former embezzler who had arrived home from overseas on the day of Adele and Gladys’ murders
*Patricia Fortescue – Lance’s aristocratic wife, who had been unlucky with her past two husbands
*Elaine Fortescue – Rex’s only daughter, who resented his opposition to her romance with a schoolteacher
*Gerald Wright – Elaine’s fiancé, a schoolteacher who resented Rex’s hostile attitude toward him
*Mary Dove – the Fortescues’ efficient housekeeper, who harbored a few secrets in her past
*Vivian Dubois – Adele’s lover and professional golf instructor
*Mrs. MacKenzie – the slightly senile widow of Rex’s former partner, who urged her children to seek revenge against the financier

I honestly did not know how I would view “A POCKET FULL OF RYE”. To my surprise, I enjoyed it very much . . . aside from a few scenes that I felt were out of place. The movie turned out to be a well-paced mystery that featured some solid acting from the cast. Although not completely faithful to Christie’s novel, the television movie proved to be a little more faithful, thanks to screenwriter Kevin Elyot and director Charlie Palmer. The character of Miss Henderson, Rex’s religious sister-in-law from his first marriage, was deleted from this production. And I did not miss her. I am also very grateful that Elyot and Palmer stuck to the novel’s original ending and avoided a ridiculous chase sequence that seemed to mar the 1985 adaptation. Although there was nothing really dramatic about the story’s final scene, it projected an air of justice finally achieved that I found particularly satisfying, thanks to Julia McKenzie’s performance.

I was also impressed by the movie’s production values. One, production designer Jeff Tessler and his crew did a top-notch job of re-creating the movie’s mid-1950s setting. I should add . . . “as usual”. After all, Tessler worked as production designer for the “AGATHA CHRISTIE’S MARPLE” series since it debuted back in 2004. “A POCKET FULL OF RYE” proved to be the first of four episodes for the series, in which she served as costume designer. Her work in this film provided audiences with the color and top-notch skill in which she created costumes for that particular time period. Another veteran of the “A POCKET FULL OF RYE” was cinematographer Cinders Forshaw, whose sharp and colorful photography proved to be one of the hallmarks of the series. One thing I cannot deny about “A POCKET FULL OF RYE”, it is damn beautiful to look at.

Did I have any problems with the movie? Well . . . yes. A few. Actually, I have only one major problem with the production . . . namely the addition of sexual situations in at least two or three scenes in the film. I am not a prude. Trust me, I am not. But . . . I found the sexual scenes featured in “A POCKET FULL OF RYE” out of place. Yes, the Christie novels have featured the topic of sex in many variations – including adultery, incest and homosexuality. And I have seen on-screen sex in one other production – namely 1965’s “TEN LITTLE INDIANS” and 2004’s “DEATH ON THE NILE”. I have never seen “TEN LITTLE INDIANS”. But the sex featured in “DEATH ON THE NILE” seemed so minimalized. I can say otherwise about “A POCKET FULL OF RYE” and the performers involved were clothed. But the way Palmer shot the scenes seemed so in-your-face. I can tolerate the scene featuring Adele Fortescue and Vivian Dubois. Personally, I thought their sex scene pretty much fit the narrative and confirmed (in a rather ham fisted manner) that the pair was involved in an affair. But the sex scenes featuring Lance and Patricia Fortescue seemed just as ham fisted. Even worse, I could not see how they served the narrative. The scene (or scenes) seemed to come out of no where.

I can certainly state that I had no problems with the performances in this production. Well, I had a problem with one performance. Julia McKenzie was excellent as soft-spoken Jane Marple, who seemed very determined to learn the murderer’s identity, due to her past with one of the victims. I can also say the same about Matthew MacFadyen’s performance, which struck me as intelligent, yet deliciously sardonic as Inspector Neele. I also enjoyed Helen Baxendale’s subtle performance as the quiet, yet observant housekeeper, Mary Dove. On the other hand, Rupert Graves gave an exuberant and very entertaining portrayal of the Fortescue family’s black sheep, Lance. And he clicked very well with actress Lucy Cohu, who gave a charming performance as Lance’s wife, Patricia. Another interesting performance came from Liz White, who portrayed Rex Fortescue’s enigmatic daughter-in-law, Jennifer. Actually, I believe she gave one of the better performances in the movie. Another first-rate performance came from Anna Madeley, who portrayed Rex’s shallow and adulterous wife, Adele.

I really enjoyed Joseph Beattie’s portrayal of Adele’s sexy, yet desperate lover, Vivian Dubois. And Ben Miles gave a subtle, yet complex performance as Rex’s pragmatic older son, Percival. Kenneth Cranham, Laura Haddock and Prunella Scales gave memorable performances as Rex Fortescue, his secretary, Miss Grosvenor and Mrs. MacKenzie. It seemed a pity they were not on the screen long enough for me to truly enjoy their performances. “A POCKET FULL OF RYE” also featured solid performances from Hattie Morahan, Chris Larkin, Ken Campbell, Wendy Richards and Rose Heiney.

“A POCKET FULL OF RYE” proved to be an entertaining movie and a worthy adaptation of Agatha Christie’s 1953 novel. Along with a fine cast led by Julia McKenzie, I thought director Charlie Palmer and screenwriter Kevin Elyot handled the adaptation very well, aside from the sex scenes that struck me as unnecessary. Despite that . . . setback, I still managed to enjoy the movie.

 

“MANSFIELD PARK” (2007) Review

“MANSFIELD PARK” (2007) Review

There have been three screen adaptations of Jane Austen’s 1814 novel, “Mansfield Park”. And I have just finished viewing the most recent one – a ninety (90) minute television movie that first aired on the ITV network in March 2007. 

As many Austen fans know, “MANSFIELD PARK” told the story of an English girl sent at the age of 10 to live with her maternal aunt and the latter’s wealthy family at a vast estate called Mansfield Park. Fanny Price is treated as a poor relation of the Bertram family, as a semi-servant for her aunt, Lady Bertram. Only second son, Edmund, treats her with any real kindness. As a result, Fanny finds herself romantically in love with her cousin after eight years at Mansfield Park. Her feelings come to naught when the Bertram family becomes acquainted with a pair of sophisticated siblings named Henry and Mary Crawford. While Henry amuses himself with Fanny’s cousins, Maria and Julia Bertram; Edmund falls in love with Mary, who returns his affections. Jealous over Edmund’s romance with Mary, Fanny is oblivious of Henry’s sudden interest to her. And when he makes it obvious with a proposal of marriage, Fanny finds herself divided between her true feelings about both Edmund and Henry, and her uncle Sir Thomas’ desire to see her married to an eligible man of wealth.

“MANSFIELD PARK” was one of three Jane Austen adaptations aired by the ITV during the spring of 2007. All three movies possessed a running time of at least 90 minutes. Yet, for some reason, the production for “MANSFIELD PARK”seemed like a cheap television production, in compare to “PERSUASION” and “NORTHANGER ABBEY”. It had nothing to do with the changes to Austen story, made by screenwriter Maggie Wadey. However, I do suspect that some of the changes were a result of the movie’s budget. In fact, I am beginning to suspect that the budget had a lot to do with my dissatisfaction with “MANSFIELD PARK”.

Of the three movies aired for ITV’s “The Jane Austen Season”“MANSFIELD PARK” was the only one that was limited to one setting. Although Austen’s novel was mainly set on the Bertram estate, it also included the Rushworth family’s estate, Sotherton, the Mansfield Park parsonage occupied by Dr. and Mrs. Grant, and heroine Fanny Price’s hometown of Portsmouth. Thanks to Wadey’s script, the production did not include the setting of the Mansfield Park parsonage and Portsmouth. Henry and Mary Crawford were never seen at the parsonage. And to prevent shifting the setting to Portsmouth, Wadey’s script allowed Sir Thomas Bertram to isolate Fanny at the estate . . . alone, instead of shipping her back to her immediate family in Portsmouth. This robbed the television viewers of a chance to meet Fanny’s immediate family, aside from brother William. Another change was made by Wadey that seemed to reflect the movie’s limited budget. Instead of a ball, a picnic was held in Fanny’s honor by the Bertrams, following Maria Bertram’s marriage to Mr. Rushworth. A picnic, instead of a ball. How cheap could one get?

Another aspect of “MANSFIELD PARK” that rubbed me the wrong way turned out to be the fast pacing. The television production moved at such a fast pace that I could barely blink before the scene featuring the Rushworths’ wedding appeared. In fact, the entire story from Fanny’s arrival at Mansfield Park to Maria’s marriage to Mr. Rushworth seemed to move at an extremely fast and somewhat unsatisfying pace. If there is one thing about Wadey’s script that did not move me one way or the other was its approach to the topic of slavery. She turned out to be the only screenwriter who adhered to Austen’s novel. The 1999 movie allowed the topic of the Bertram family’s participation in slavery to become a major theme in the movie. The 1983 miniseries completely ignored the subject. However, this version followed Austen’s novel by allowing Fanny to question Sir Thomas about his role as a slave owner, before dropping the subject altogether.

Remember the outrage over Fanny Price’s characterization in Patricia Rozema’s 1999 adaptation of the novel? Well, there were some changes made by Wadey in this movie. Maggie O’Neill’s portrayal of Fanny’s Aunt Norris seemed less comic and broad than any other version I have encountered. Normally, I would applaud such a change. But one of the more entertaining aspects of “MANSFIELD PARK” has always been the use of Aunt Norris as a comic figure. O’Neill’s Aunt Norris struck me as slightly boring. Also, Wadey’s characterization of Mary Crawford struck me as slightly cold . . . darker. Portrayed by the talented Hayley Atwell, this version of Mary seemed to lack a sense of humor or true wit. Atwell’s Mary never really tried to form a friendship with Fanny or display any kindness toward the latter. I got the feeling that Wadey deliberately portrayed Mary in this cold fashion to discourage sympathy or any other kind of positive feelings toward her. Because of this, Atwell was almost forced to portray Mary as a one-note villainess. Almost. Thankfully, the actress manage to somewhat rise the character above such mediocrity. Michelle Ryan made a lovely Maria Bertram. Unfortunately, her character failed to make an impact on the television screen, thanks to Wadey’s limited handling of her character.

But not all of Wadey’s characterizations irritated me. I liked her handling of the Lady Bertram character, portrayed by Jemma Redgrave. Instead of the vague and selfish woman portrayed by both Angela Pleasence and Lindsay Duncan, Redgrave portrayed Lady Bertram as a concerned parent and a woman with a deep interest in her children’s love lives, if not their moral compasses. Douglas Hodge made a first-rate Sir Thomas Bertram, in all of his intimidating glory. He had taken the role as an to his mentor, actor/director Harold Pinter, who portrayed the role in Patricia Rozema’s 1999 adaptation. James D’Arcy made an entertaining Tom Bertram. His sharp bon mots kept me smiling through most of the movie’s first half. Rory Kinnear’s portrayal of Mr. Rushworth seemed spot on. It seemed a pity that Wadey’s script did not allow him the chance for a deeper characterization.

Both Blake Ritson and Joseph Beattie portrayed the two men in Fanny’s life – her cousin Edmund Bertram and other suitor Mary Crawford. Ritson failed to make me like Edmund as a character. But this was no reflection on his skills as an actor. I simply dislike Edmund. But Ritson is the third actor to give an excellent performance in the role. He perfectly conveyed all of Edmund’s traits that I heartily despise. When I first saw “MANSFIELD PARK”, I was a little reluctant to praise Beattie’s performance. I now realize that my judgement of his portrayal had been rushed. At first, he seemed like a womanizing stalker. But once his character began to fall in love in Fanny, Beattie conveyed a great deal of warmth and subtlety into the role.

Even Billie Piper’s performance as Fanny Price seemed a lot different than Sylvestra Le Touzel and Frances O’Connor’s extreme takes on the character. Due to Wadey’s script and Piper’s portrayal was not Le Touzel’s wooden Fanny or O’Connor’s Jane Austen 2.0 characterization. Piper’s Fanny was quiet, but without the passive aggression that I found so exasperating in Austen’s novel. When I first saw “MANSFIELD PARK”, I believed that Piper’s Fanny also lacked the hypocrisy of the previous version. I realize that I had blinded myself from what was obvious on the screen. Although Fanny did not indulge in heavily criticizing Mary Crawford behind the latter’s back, or hid her dislike and jealousy behind a facade of moral outrage; she did express hypocrisy. Like her predecessors, Piper’s Fanny failed to be honest with Henry Crawford about the real reason behind her rejection of his marriage proposal.

Visually, “MANSFIELD PARK” is beautiful to behold. Nick Dance’s photography was sharp and filled with beautifully lush colors. It is a pity that the movie’s budget limited it to one setting. Tim Hutchinson’s production designs contributed to Dance’s lush photography of Newby Hall in Yorkshire, which served as the Bertram estate. And Mike O’Neill’s costume designs were absolutely beautiful – especially those costumes for the Bertram women and Mary Crawford.

What is my final verdict of “MANSFIELD PARK”? Honestly? Of the three movies for ITV’s “Jane Austen’s Season”, it seemed the least impressive. It could boast some first-rate performances, along with great costumes and photography. Unfortunately, the movie’s fast pacing in the first half and its limited budget did not serve it well. In the end, I believe“MANSFIELD PARK” could have benefited from a longer running time and bigger budget.