Top Ten Favorite Movies Set in the 1870s

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Below is my current list of favorite movies set in the 1870s:

TOP TEN FAVORITE MOVIES SET IN THE 1870s

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1. “The Age of Innocence” (1993) – Martin Scorcese directed this exquisite adaptation of Edith Wharton’s award winning 1920 novel about a love triangle within New York’s high society during the Gilded Age. Daniel Day-Lewis, Michelle Pfieffer and Oscar nominee Winona Ryder starred.

 

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2. “The Big Country” (1958) – William Wyler directed this colorful adaptation of Donald Hamilton’s 1958 novel, “Ambush at Blanco Canyon”. The movie starred Gregory Peck, Jean Simmons, Carroll Baker and Charlton Heston.

 

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3. “True Grit” (2010) – Ethan and Joel Coen wrote and directed this excellent adaptation of Charles Portis’ 1968 novel about a fourteen year-old girl’s desire for retribution against her father’s killer. Jeff Bridges, Matt Damon and Hattie Steinfeld starred.

 

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4. “Far From the Madding Crowd” (2015) – Carey Mulligan, Matthias Schoenaerts, Tom Sturridge and Michael Sheen starred in this well done adaptation of Thomas Hardy’s 1874 novel about a young Victorian woman who attracts three different suitors. Thomas Vinterberg directed.

 

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5. “Around the World in 80 Days” (1956) – Mike Todd produced this Oscar winning adaptation of Jules Verne’s 1873 novel about a Victorian gentleman who makes a bet that he can travel around the world in 80 days. Directed by Michael Anderson and John Farrow, the movie starred David Niven, Cantiflas, Shirley MacLaine and Robert Newton.

 

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6. “Stardust” (2007) – Matthew Vaughn co-wrote and directed this adaptation of Neil Gaman’s 1996 fantasy novel. The movie starred Charlie Cox, Claire Danes and Michelle Pfieffer.

 

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7. “Fort Apache” (1948) – John Ford directed this loose adaptation of James Warner Bellah’s 1947 Western short story called “Massacre”. The movie starred John Wayne, Henry Fonda, John Agar and Shirley Temple.

 

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8. “Zulu Dawn” (1979) – Burt Lancaster, Simon Ward and Peter O’Toole starred in this depiction of the historical Battle of Isandlwana between British and Zulu forces in 1879 South Africa. Douglas Hickox directed.

 

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9. “Young Guns” (1988) – Emilio Estevez, Kiefer Sutherland and Lou Diamond Phillips starred in this cinematic account of Billy the Kid’s experiences during the Lincoln County War. The movie was directed by Christopher Cain.

 

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10. “Cowboys & Aliens” (2011) – Jon Favreau directed this adaptation of Scott Mitchell Rosenberg’s 2006 graphic novel about an alien invasion in 1870s New Mexico Territory. The movie starred Daniel Craig, Harrison Ford and Olivia Wilde.dom

List of Favorite Movie and Television Productions About the HOLOCAUST

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Below is a list of my favorite movie and television productions about the Holocaust released in chronological order:

LIST OF FAVORITE MOVIE AND TELEVISION PRODUCTIONS ABOUT THE HOLOCAUST

1 - The Search

“The Search” (1948) – Fred Zinneman directed this Oscar winning movie about a young Auschwitz survivor and his mother who search for each other across post-World War II Europe. Oscar nominee Montgomery Clift and Oscar winner
Ivan Jandl starred.

2 - The Diary of Anne Frank

“The Diary of Anne Frank” (1959) – George Stevens directed this adaptation of the Broadway play about Holocaust victimAnne Frank, her family and their friends hiding in an attic in Nazi-occupied Amsterdam. The movie starred Millie Perkins, Joseph Schildkraut and Oscar winner Shelley Winters.

3 - Judgment at Nuremberg

“Judgment at Nuremberg” (1961) – Stanley Kramer directed this Oscar winner about an American military tribunal in post-war occupied Germany that tries four Nazi judges for war crimes. Oscar nominee Spencer Tracy, Marlene Dietrich and Oscar winner Maximilian Schell starred.

4 - Marathon Man

“Marathon Man” (1976) – Dustin Hoffman, Oscar nominee Laurence Olivier and Roy Schneider starred in this adaptation of William Goldman’s 1974 novel about a history graduate student caught up in a conspiracy regarding stolen diamonds, a Nazi war criminal and a rogue government agent. John Schlesinger directed.

5 - Voyage of the Damned

“Voyage of the Damned” (1976) – Faye Dunaway and Max von Sydow starred in this adaptation of Gordon Thomas and Max Morgan-Witts’ 1974 book about the fate of the MS St. Louis ocean liner carrying Jewish refugees from Germany to Cuba in 1939. Stuart Rosenberg directed.

6 - Holocaust

“Holocaust” (1978) – Gerald Green wrote and produced this Emmy winning miniseries about the experiences of a German Jewish family and a rising member of the SS during World War II. Fritz Weaver, Rosemary Harris and Emmy winners Meryl Streep and Michael Moriarty starred.

7 - Sophie Choice

“Sophie’s Choice” (1982) – Oscar winner Meryl Streep, Kevin Kline and Peter MacNicol starred in this adaptation of William Styron’s 1979 novel about an American writer’s acquaintance with a Polish immigrant and Holocaust survivor in post-World War II New York City. The movie was directed by Alan J. Pakula.

8 - Escape From Sobibor

“Escape From Sobibor” (1987) – Alan Arkin, Joanna Paula and Golden Globe winner Rutger Hauer starred in this television movie about the mass escape of Jewish prisoners from the Nazi extermination camp at Sobibor in 1943. Jack Gold directed.

9 - War and Remembrance

“War and Remembrance” (1988) – Dan Curtis produced, directed and co-wrote this Emmy winning television adaptation of Herman Wouk’s 1978 novel about the experiences of a naval family and their in-laws during World War II. Robert Mitchum, Jane Seymour, Hart Bochner and John Gielgud starred.

10 - Schindlers List

“Schindler’s List” (1993) – Steven Spielberg produced and directed this Oscar winning adaptation of Thomas Keneally’s 1982 novel, “Schindler’s Ark” about Nazi party member and businessman, Oscar Schindler, who helped saved many Polish-Jewish refugees during the Holocaust by employing them in his factories. The movie starred Oscar nominees Liam Neeson, Ralph Fiennes and Ben Kingsley.

11 - Life Is Beautiful

“Life Is Beautiful” (1997) – Oscar winner Roberto Benigni starred, directed and co-wrote this Academy Award winning film about a Jewish-Italian book shop owner, who uses his imagination to shield his son from the horrors of a Nazi concentration camp. The movie co-starred Nicoletta Braschi and Giorgio Cantarini.

“Conspiracy” (2001) – This highly acclaimed HBO television movie dramatized the 1942 Wannasee Conference, a meeting between high Nazi officials to discuss the implementation of the final solution to the Jewish population under German control. Directed by Frank Pierson, the movie starred Kenneth Branagh and Stanley Tucci.

12 - The Pianist

“The Pianist” (2002) – Roman Polanski directed this Oscar winning adaptation of Polish-Jewish pianist Wladyslaw Szpilman‘s World War Ii memoirs. Oscar winner Adrien Brody and Thomas Kretschmann starred.

13 - Black Book

“Black Book” (2006) – Paul Verhoeven directed World War II tale about a Dutch-Jewish woman who becomes a spy for the Resistance after a tragic encounter with the Nazis. Carice van Houten and Sebastian Koch starred.

14 - The Boy in the Striped Pyjamas

“The Boy in the Striped Pyjamas” (2008) – Asa Butterfield, Jack Scanlon, Vera Fermiga and David Thewlis starred in this adaptation of John Boyne’s 2006 novel about a friendship between two eight year-olds – the son of an extermination camp commandant and a young Jewish inmate. Mark Herman directed.

“Inglourious Basterds” (2009) – Quentin Tarantino wrote and directed this Oscar winning alternate-history tale about two separate plots to assassinate Nazi Germany’s high political leadership at a film premiere in Nazi occupied Paris. The movie starred Brad Pitt, Mélanie Laurent and Oscar winner Christoph Waltz.

“G.I. JOE: RETALIATION” (2013) Review

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“G.I. JOE: RETALIATION” (2013) Review

Following the success of 2009’s “G.I. JOE: THE RISE OF COBRA”, Hasbro and Paramount Pictures followed up with a sequel set a few years after the first film. Unlike the 2009 movie, this latest film was not directed by Stephen Sommers. And several cast members from the first film did not reprise their roles. 

When the G.I. Joes are framed for stealing nuclear warheads from Pakistan, Cobra minion Zartan – in disguise as the President of the United States – orders their elimination at their camp in the Middle East via a military air strike. The latter kills most of the Joes, including one Conrad “Duke” Hauser, who had been awarded his own team of Joes following the incidents of the 2009 film. The survivors – Sergeant Marvin “Roadblock” Hinton, Alison “Lady Jaye” Hart-Burnett, and Dashiell “Flint” Faireborn – make their way to the U.S. to learn why the Joes had been destroyed by the President. When Zartan (as President) announces that COBRA troops will replace the Joes, Lady Jaye realizes that he is an impersonator. The trio seeks help from the original Joe, General Joseph Colton. Other Joe survivors include Snake Eyes, who has returned to his old order in Japan to train a new apprentice, Jinx. When COBRA operatives Storm Shadow (who had survived his duel with Snake Eyes in the 2009 film) and Firefly (an ex-Joe) rescue COBRA Commander and Destro from an underground maximum-security prison in Germany, the former sustains injuries during the escape attempt and heads for a Himalayan temple to recover. Snake Eyes’ new order leader, the Blind Master, learn of Storm Shadow’s new location and orders Snake Eyes and Jinx to capture him so that he can answer for the late Hard Master’s death.

I might as well admit it . . . “G.I. JOE: RETALIATION” was a disappointment. Many might be wondering about my disappointment, considering the prevailing view of the its predecessor, “G.I. JOE: THE RISE OF COBRA”. The 2009 movie may not have been a cinematic masterpiece or anything close to it. But I thought it was a fun movie filled with strong characterizations and a somewhat decent plot. This new “G.I. JOE” had its share of strong characterizations, but I cannot say that it was a lot of fun for me. Despite my disappointment, the movie did possess some virtues.

The main virtue turned out to be leading man, Dwayne Johnson. The man did the best he could to keep this movie together. And as he has done in his past movies, he gave it his all. I can say the same about Byung-hun Lee, whose portrayal of Storm Shadow proved to be even more interesting and complex in this second film. I was also impressed by the always talented and dependable Jonathan Pryce, who had the double duty of portraying the disguised Zartan and the real President of the United States. Adrianne Palicki injected some energy into the story with a lively performance as Lady Jaye Hart-Burnett. Despite his limited appearance, Channing Tatum seemed a lot more relaxed as Duke Hauser in this film. He also had a nice chemistry with Johnson. Also, the movie boasted one of the best action sequences I have seen in recent film. I speak of the Snake Eyes and Jinx’s attempt to capture Storm Shadow from the Himalayan temple and prevent the latter’s men from rescuing him. Director Jon M. Chu really outdid himself in that sequence.

So . . . what was it about the movie that I found disappointing? Despite Chu’s outstanding direction in the Himalayan sequence, I was not that impressed by his work in the rest of the film. I missed Stephen Sommers. I also missed Channing Tatum’s presence after his character was killed off 20-30 minutes into the movie. He went from leading man in the 2009 movie to a guest star in this latest film. Most of all, I missed some of the cast members from the first film. Not only did I miss them, I would like to know what the hell happened to them? What happened to Ripcord, who was Duke’s longtime best friend? What happened to Scarlett, Heavy Duty, Breaker and General Hawk? Where they also killed during the airstrike against the Joes’ Middle Eastern base? Did some of them leave the Joes before the events of this movie? What happened to them? What happened to Anna Lewis DeCobray? The end of the 2009 movie saw her in protective custody, awaiting for American scientists to remove nanomites from inside her body. Was she still in custody during the events of this movie? Did anyone bother to inform her about Duke’s death? Apparently not, since she was never mentioned in the film.

Some of the new additions to the cast did not help this movie. I hate to say this but D.J. Cotrona’s portrayal as G.I. Joe Flint Faireborn struck me as dull. Boring. Mind numbing. My God! Even Joseph Mazzello, who made a brief appearance as a Joe sharpshooter on Duke’s team struck me as ten times more livelier. I love Bruce Willis. I have been a fan of his for years. But what in the hell was he doing in this film? I could have understood if he had replaced Dennis Quaid as General Hawk, commander of the Joes. Instead, Willis portrayed the original Joe, General Colton. Yes, he participated in the movie’s final action sequence. And yes, he provided some arms to the team. But what was he doing in this film? His character seemed like such a waste. And Willis seemed as if he was going through the motions. Ray Stevenson gave a lively performance as ex-Joe turned COBRA minion, Firefly. The problem is that the screenplay failed to mention what led him to leave the Joes and join COBRA. Luke Bracey replaced Joseph Gordon-Levitt as COBRA Commander. And honestly? He was not that interesting. Not only did I miss Gordon-Levitt, I now believe the movie should have allowed Zartan (as the President) serve as the movie’s main villain. What else can I say about “G.I. JOE: RETALIATION”? Other than the main villain’s goal seemed similar to the villain’s goal in the 2009 movie? Okay . . . I said it. Thanks to the screenwriters, the details of COBRA Commander’s plot seemed different. But using arms to achieve world power seemed disappointingly familiar.

Despite the presence of Dwayne Johnson, Byung-hun Lee, a few others and an outstanding action sequence in the Himalayans; “G.I. JOE: RETALIATION” proved to be a disappointing follow-up to its 2009 predecessor. Mind you, “G.I. JOE: THE RISE OF COBRA” was no masterpiece. But it was a hell of a lot more fun and substantial than this piece of crap.

New Ranking of JAMES BOND Movies

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With the recent release of the new James Bond movie, “SKYFALL”, I have made a new ranking of all the Bond films produced and released by EON Productions (do not expect to find 1967’s “CASINO ROYALE” or 1983’s “NEVER SAY NEVER AGAIN” on this list) from favorite to least favorite:

 

NEW RANKING OF JAMES BOND MOVIES

1-On Her Majesty Secret Service

1. “On Her Majesty’s Secret Service” (1969) – The only film to feature Australian George Lazenby, this adaptation of Ian Fleming’s 1963 novel has James Bond’s search for master criminal Ernst Stravos Blofeld affecting his private life. Directed by Peter Hunt, the movie also stars Diana Rigg and Telly Savalas.

2-Casino Royale

2. “Casino Royale” (2006) – Daniel Craig made his debut as James Bond in this adaptation of Fleming’s 1953 novel about Bond’s efforts to beat a banker for a terrorist organization at a poker tournament, in order to force the latter to provide information about the organization. Directed by Martin Campbell, the movie co-stars Eva Green, Mads Mikkelsen and Judi Dench.

3-The Living Daylights

3. “The Living Daylights” (1987) – Timothy Dalton made his debut as Bond in this partial adaptation of Fleming’s 1966 short story in which Bond’s efforts to stop a Soviet sniper from killing a defector leads to a revelation of a conspiracy between the defector and an American arms dealer. Directed by John Glen, the movie co-stars Maryam D’Abo, Joe Don Baker and Jeroen Krabbe.

4-For Your Eyes Only

4. “For Your Eyes Only” (1981) – Based on two Fleming short stories from 1960, the movie has Bond searching for a missing missile command system, while becoming tangled in a web of deception spun by rival Greek businessmen and dealing with a woman seeking revenge for the murder of her parents. Co-starring Carole Bouquet, Julian Glover and Topol; the movie marked the directing debut of John Glen.

5-From Russia With Love

5. “From Russia With Love” (1963) – Terence Young directed this adaptation of Fleming’s 1957 novel about Bond’s efforts to acquire the Soviet’s Lektor machine, unaware that he is being set up by SPECTRE. The movie starred Sean Connery as Bond, along with Daniela Bianchi, Lotte Lenya, Robert Shaw and Pedro Armendáriz.

6-Octopussy

6. Octopussy” (1983) – A fake Fabergé egg and a fellow agent’s death leads James Bond to uncover an international jewel smuggling operation, headed by the mysterious Octopussy, being used by a Soviet general and an Afghan prince to disguise a nuclear attack on NATO forces in West Germany. Directed by John Glen, the movie stars Roger Moore as Bond, Maud Adams, Louis Jordan, Steven Berkoff and Robert Brown in his debut as “M”.

7-Thunderball

7. “Thunderball” (1965) – Adapted from Fleming’s 1961 novel, this movie has Bond and CIA agent Felix Leiter attempting to recover two nuclear warheads stolen by SPECTRE for an extortion scheme. Directed by Terence Young, the movie stars Sean Connery as Bond, Claudine Auger, Adolfo Celi and Luciana Paluzzi.

8-Goldeneye

8. “Goldeneye” (1995) – Pierce Brosnan made his debut as Bond in this tale about the agent’s efforts to prevent an arms syndicate from using Russia’s GoldenEye satellite weapon against London in order to cause a global financial meltdown. Directed by Martin Campbell, the movie co-stars Sean Bean, Izabella Scorupco, Famke Janssen and Judi Dench in her debut as “M”.

9-The Spy Who Loved Me

9. “The Spy Who Loved Me” (1977) – Taking its title from Fleming’s 1962 novel, this movie has Bond and Soviet agent Anya Amasova investigate the disappearances of British and Soviet submarines carrying nuclear warheads. Directed by Lewis Gilbert, the movie starred Roger Moore as Bond, Barbara Bach, Kurt Jurgens and Richard Kiel.

10-Quantum of Solace

10. “Quantum of Solace” (2008) – Taking its title from a Fleming short story, this movie is a follow up to “CASINO ROYALE”, continuing Bond’s investigation into the terrorist organization Quantum, while dealing with the emotional effects of a tragic death. Directed by Marc Foster, the movie starred Daniel Craig as Bond, Olga Kurylenko and Mathieu Amalric.

11-License to Kill

11. “License to Kill” (1989) – Directed by John Glen, this movie has Bond resigning from MI-6 in order to seek revenge against the Latin American drug lord that maimed his best friend, Felix Leiter. The movie starred Timothy Dalton as Bond, Carey Lowell, Robert Davi, Talisa Soto and Don Stroud.

12-The World Is Not Enough

12. “The World Is Not Enough” (1999) – Directed by Michael Apted, the movie has Bond uncovering a nuclear plot, when he protects an oil heiress from her former kidnapper, an international terrorist who cannot feel pain. The movie starred Pierce Brosnan as Bond, Sophie Marceau, Robert Carlyle and Denise Richards.

13-A View to a Kill

13. “A View to a Kill” (1985) – Taking its title from one of Fleming’s 1960 short stories, this film has Bond investigating an East-German born industrialist with possible ties to the KGB. Directed by John Glen, the movie starred Roger Moore as Bond, Tanya Roberts, Christopher Walken and Grace Jones.

14-You Only Live Twice

14. “You Only Live Twice” (1967) – Loosely based on Fleming’s 1964 novel, the movie has Bond and Japan’s Secret Service investigating the disappearance of American and Soviet manned spacecrafts in orbit, due to the actions of SPECTRE. Directed by Lewis Gilbert, the movie starred Sean Connery as Bond, Mie Hama, Akiko Wakabayashi, Tetsurō Tamba and Donald Pleasence.

15-Die Another Day

15. “Die Another Day” (2002) – A failed mission in North Korea leads to Bond’s capture, fourteen months in captivity, a desire to find the MI-6 mole responsible and a British billionaire with ties to a North Korean agent. Directed by Lee Tamahori, the movie starred Pierce Brosnan as Bond, Halle Berry, Toby Stephens, Rosamund Pike and Will Yun Lee.

16-Live and Let Die

16. “Live and Let Die” (1973) – Roger Moore made his debut as Bond in this adaptation of Fleming’s 1954 novel about MI-6’s investigation into the deaths of three fellow agents who had been investigating the Prime Minister of San Monique.

17-Moonraker

17. “Moonraker” (1979) – Based on Fleming’s 1955 novel, this movie features Bond’s investigation into the disappearance of a space shuttle on loan to the British government by a millionaire with catastrophic plans of his own. Directed by Lewis Gilbert, the movie starred Roger Moore as Bond, Lois Chiles, Michel Lonsdale and Richard Kiel.

18-Tomorrow Never Dies

18. “Tomorrow Never Dies” (1997) – Bond and a Chinese agent form an alliance to prevent a media mogul from creating a war between Britain and China in order to obtain exclusive global media coverage. Directed by Roger Spottiswoode, the movie starred Pierce Brosnan as Bond, Michelle Yeoh, Jonathan Pryce and Teri Hatcher.

19-The Man With the Golden Gun

19. “The Man With the Golden Gun” (1974) – Loosely based on Fleming’s 1965 novel, this movie has Bond sent after the Solex Agitator, a device that can harness the power of the sun, while facing the assassin Francisco Scaramanga, the “Man with the Golden Gun”. Directed by Guy Hamilton, the movie starred Roger Moore as Bond, Britt Ekland, Christopher Lee and Maud Adams.

20-Dr. No

20. “Dr. No” (1962) – Based upon Fleming’s 1958 novel, this movie kicked off the Bond movie franchise and featured Sean Connery’s debut as the British agent, whose investigation into the death of a fellow agent leads him to a Eurasian agent for SPECTRE and their plans to disrupt the U.S. space program. Directed by Terence Young, the movie co-starred Ursula Andress and Joseph Wiseman.

21-Skyfall

21. “Skyfall” – Directed by Sam Mendes, this film has Bond’s loyalty to “M” tested, when her past comes back to haunt her in the form of a former agent, who initiates a series of attacks upon MI-6. The movie starred Daniel Craig as Bond, Judi Dench, Javier Bardem and Naomie Harris.

22-Diamonds Are Forever

22. “Diamonds Are Forever” (1971) – Based on Fleming’s 1956 novel, this movie has Bond’s investigations into a diamond smuggling ring lead to another conflict with SPECTRE and Ernst Stravos Blofeld. Directed by Guy Hamilton, the movie starred Sean Connery as Bond, Jill St. John and Charles Gray.

23-Goldfinger

23. “Goldfinger” – Based on Fleming’s 1959 novel, this movie has Bond investigating a German-born gold magnate, who harbors plans to destroy the U.S. gold supply at Fort Knox. Directed by Guy Hamilton, the movie starred Sean Connery as Bond, Honor Blackman and Gert Frobe.

“RETURN TO CRANFORD” (2009) Review

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“RETURN TO CRANFORD” (2009) Review

Due to the success of the 2007 miniseries, “CRANFORD”, the BBC aired a two-part sequel called “RETURN TO CRANFORD” (also known as the “CRANFORD CHRISTMAS SPECIAL”), some two years later. Like the original miniseries, it was adapted by Heidi Thomas and directed by Simon Curtis. 

“RETURN TO CRANFORD” was based on material from Elizabeth Gaskell’s two novellas and a short story – “Cranford”,“The Mooreland Cottage”, and “The Cage at Cranford”, were all published between 1849 and 1863. Also, themes from“My Lady Ludlow”“Mr. Harrison’s Confessions”, and “The Last Generation in England” were included to provide continuity with the first miniseries. The new miniseries took place between August and December 1844. The citizens of Cranford find themselves facing major changes in their society, as the railroad continues to be constructed near the edge of town. In fact, I was surprised to learn that a great deal of the story surrounding the new railroad was not in any of Gaskell’s novellas and short story. Only the storylines featuring about Mrs. Jameson’s (Barbara Flynn) cousin, Lady Glenmire (Celia Imrie) and Captain Brown (Jim Carter), Miss Pole’s (Imelda Staunton) Parisian “cage” for her pet cockatoo, and a magician named Signor Brunoni (Tim Curry) putting on a show came from Gaskell’s works.

I have to be frank. It did not bother me that most of the material featured in the miniseries did not come from any of Gaskell’s novellas and short stories. Thanks to some decent writing by Heidi Thomas, I believe that it all worked out fine. Unlike the 2007 miniseries, “CRANFORD”, the screenplay for “RETURN TO CRANFORD” seemed tighter and more focused. In fact, I noticed that the majority of major storylines featured in the miniseries have ties to the main story about the railroad’s construction. Because of this, “RETURN TO CRANFORD” avoided the episodic style of storytelling that I believe marred “CRANFORD”. My favorite storyline featured the budding romance between two newcomers to the town of Cranford – William Buxton (Tom Hiddleston), the Eton-educated son of a salt baron (Jonathan Pryce) and Peggy Bell (Jodie Whittaker), the daughter of a less-affluent widow (Lesley Sharp). Mr. Buxton wants William to marry his ward, the Brussels-educated Erminia (Michelle Dockery). But neither are interested in each other. And Peggy has to deal with her ambitious and greedy brother, Edward (Matthew McNulty), who dislikes William. What I liked best about“RETURN TO CRANFORD” was that most of the storylines were tied to the new rail line being constructed near Cranford – even the William/Peggy romance.

As much as I hate to admit it, “RETURN TO CRANFORD” had its problems. Another storyline featured the problematic pregnancy suffered by Miss Matty’s maid, Martha Hearne (Claudie Blakley). The problem arose, due to the lack of doctors in Cranford. And I found this confusing. The 2007 miniseries ended with two doctors residing in the town – the recently married Dr. Frank Harrison and longtime resident Dr. Morgan. A year later, both no longer resided in Cranford and Heidi Thomas’ script never revealed their whereabouts or fate. Thomas’ real misstep featured the death of LadyLudlow (Francesca Annis) and the arrival of her ne’er-do-well son, Septimus (Rory Kinnear). The latter’s attempt to cheat young Harry Gregson (Alex Etel) out of the money he had inherited from the late Mr. Carter was a poorly conceived and written storyline. And despite the built-up, it failed to have any real impact upon the Harry Gregson character, due to its vague ending. As much as I found Signor Brunoni’s Christmas show rather charming, I thought it also reeked of a sentimentality that made my teeth hurt. Especially when Miss Matty’s reunion with Jem Hearne (Andrew Buchan) and his daughter entered the picture.

The production design for “RETURN TO CRANFORD” was top notch as ever. And Alison Beard’s supervision of the costumes proved to be just as first-rate as Jenny Beavan’s work in the 2007 miniseries. The cast continued its first-rate work from the previous miniseries – especially Judi Dench as Miss Matty Jenkyns, Imelda Staunton as town gossip Octavia Poole, Francesca Annis as the aristocratic Lady Ludlow, Emma Fielding as her assistant Laurentia Galindo, Alex Etel as Harry Gregson, Julia McKenzie as Mrs. Forrester, Jim Carter as Mr. Brown, Alex Jennings as the Reverend Hutton and Barbara Flynn as the pretentious Mrs. Jamieson. But the newcomers that impressed were Tom Huddleston as William Buxton, Jonathan Pryce as the tyrannical Mr. Buxton, Jodie Whittaker as Peggy Bell, Celia Imrie as the earthy Lady Glemire and Tim Curry as the warm-hearted magician Signor Brunoni.

For a while, I had been reluctant to watch “RETURN TO CRANFORD”. Because it was a sequel to the 2007 miniseries, I figured that it could never be as good as “CRANFORD”. I was wrong. I do not know if I would consider it better than the first miniseries. But the latter is certainly not better than the sequel. And ”RETURN TO CRANFORD” does have one major advantage . . . namely Heidi Thomas’ screenplay turned out to be more tightly written, due to her decision not to use much of Elizabeth Gaskell’s material. Personally, I find that rather ironic.

“TOMORROW NEVER DIES” (1997) Review

I just recently watched Pierce Brosnan’s second outing as James Bond in this 1997 movie that co-stars Michelle Yeoh, Jonathan Pryce and Teri Hatcher.

“TOMORROW NEVER DIES” (1997) Review

I wish I could say that my opinion of the movie has improved over the years . . . but I would be lying. Mind you, TOMORROW NEVER DIES did have some highlights, but unfortunately, it possessed more negative traits than positive ones. I think it would be best if I list both the good and the bad about this movie:

Positive

*Michelle Yeoh

*Bond’s romantic scene with Danish linguist was rather sexy

*Foreign locations – Hamburg and Thailand (as Vietnam) never looked lovelier

*Bond and Wai-Lin’s escape from Caver building in Vietnam – great stunt
*Motorcycle chase – well done

*Pierce Brosnan – seemed natural . . . when he was acting in scenes with Yeoh

*Vincent Shirerpelli as Dr. Hamburg – oddly enough, I had rather liked him. He was a lot more interesting than Mr. Stamper. And his death was even more interesting, as well.

*Mr. Gupta – seemed like a pretty sharp and cool guy.

Negative

*Pierce Brosnan – his angsty scenes with Teri Hatcher seemed stiff and unnatural. And his voice tend to sound odd, when he’s giving the impression of supressing his emotions. Why did the director, Roger Spottiswode, have him shooting machine guns two at a time during the final confrontation on Carver’s boat? He looked like a walking action movie cliché.

*Jonathan Pryce – one of the most overbearing and annoying villains in the Bond franchise. Only Sophie Marceau in the latter half of THE WORLD IS NOT ENOUGH surpassed him.

*Plot – Is it just me or is the plot of this Bond movie seemed like an extended rip-off of a LOIS AND CLARK episode from its first season? Perhaps learning of Teri Hatcher’s casting must have given the screenwriters the idea.

*Moneypenny’s Little Sexual Joke – why is it that nearly every sentence directed by Moneypenny to Bond sounded like some kind of sly sexual joke? It got very annoying.

*Bond and Q’s Meeting in Hamburg – All Q was doing was handing over a car to Bond, and the director turned it into a hammy production number. What a bore and a waste of time!

*Mr. Stamper – a second-rate version of Red Grant. Where are Robert Shaw or Andreas Wisnewski when you need them?

*Car Chase Inside Hamburg Parking Structure – Bond uses a remote control . . . ah, never mind! The whole scene was a bore. Even worse, it happened after the marvelous Bond/Kaufman scene. What a waste of my time.

*Final Confrontation on Carver’s boat – Despite all of the gunfire exchanged and the other action, I found it to be too long . . . and boring.

*Wade – I did not need to see him again. Joe Don Baker was wasted in this film.

*Bond’s Cover as a Banker – I am beginning to suspect that Bond makes a lousy undercover agent. By opening his mouth and hinting at Carver’s boat, he ended up exposing himself. What an idiot!

*Teri Hatcher – She was wasted in this film. And she and Brosnan do not do emotional angst together, very well.

Also, TOMORROW NEVER DIES did managed to produce a few favorite lines of mine:

Favorite Lines

“Believe me, Mr. Bond. I can shoot you from Stugartt and still create the proper effect.” – Dr. Kaufman to Bond

BOND: “You were pretty good with that hook.”
WAI-LIN: “That’s from growing up in a rough neighborhood. You were pretty good on the bike.”
BOND: “Well, that comes from not growing up at all.”

“No more absurd than starting a war for ratings.” – Bond to Carver

KAUFMAN: “Wait! I am just a professional doing a job!”
BOND: “So am I.” (Then kills Kaufman)

Despite some of its virtues, TOMORROW NEVER DIES is not a favorite movie of mine. In fact, it is my least favorite Brosnan movie. It is more or less a generic burdened by an unoriginal plot and one of the hammiest villains in the franchise’s history.

“G.I. JOE: THE RISE OF COBRA” (2009) Review

Below is my review of the new action film based upon the “G.I. Joe” toy franchise: 

 

”G.I. JOE: THE RISE OF COBRA” (2009) Review

For the third time in my life, I saw a movie that was based upon a popular toy franchise. The latest movie with this particular premise turned out to be ”G.I. JOE: THE RISE OF COBRA”. And if I must be honest, I ended up seeing the movie under confusing circumstances.

I never had any intentions of seeing ”G.I. JOE”. Let me make this perfectly clear. After the mindless action of the two”TRANSFORMERS” movies, I had vowed never to watch another action movie based upon a popular toy. In fact, I had intended to see the new comedy, ”JULIE AND JULIA”. My family and I ended up watching ”G.I. JOE”, because I thought a relative of mine wanted to see it. As it turned out, my relative thought ”I” wanted to see the movie. Which goes to show how dangerous the lack of communications can be. We ended up watching a movie that neither of us had intended to see.

Stephen Sommers, the creator of the recent ”MUMMY” franchise and director of the first two movies, directed this tale about the G.I. Joe Team, a covert unit of international special forces commandos, under the command of a U.S. Army general named Hawk (Dennis Quaid). Original, huh? Following an attempt by terrorists to steal nanotechnology-based warheads, two regular Army commandos – Conrad “Duke” Hauser and Wallace “Ripcord” Weems (Channing Tatums and Marlon Wayans) – join the “Joes” in an effort to prevent the warheads from falling into the hands of terrorists. During Duke and Ripcord’s training at the G.I. Joe’s command center in North Africa, two terrorists named the Baroneess (Sienna Miller) and Storm Shadow (Lee Byung-hun) attack the base and in the process manage to wound General Hawk and steal the warheads. The Team eventually learn that the warheads’ creator – James McCullen (Christopher Eccleston), owner of an arms manufacturing company called MARS – was responsible for the attack and wanted the warheads back for his own nefarious means.

What can I say about ”G.I. JOE: THE RISE OF COBRA”? It was simply your typical summer action blockbuster based upon a popular franchise. And like many of these action films, it was filled with the usual explosions, violence, silly one-liners and special effects. Nothing special. Nothing original. It also featured an underwater battle between the “G.I. Joe” Team and McCullen’s troops. I read somewhere that Sommers wanted to pay homage to the 1965 James Bond movie, ”THUNDERBALL”. Well, he certainly succeeded as far as I am concerned. Sommer’s underwater battle in”G.I. JOE” seemed just as boring as the one featured in ”THUNDERBALL”.

Surprisingly, ”G.I. JOE” turned out to be better than I had expected. In fact, the movie possessed enough attributes for me to enjoy it. You heard right. I actually managed to enjoy ”G.I. JOE”. Despite the usual action nonsense, the movie turned out to rather enjoyable. More importantly, screenwriters Stuart Beattie, David Elliot and Paul Lovett included several twists in both the plot and some of the characterizations that took me by surprise. And ”G.I. JOE”does not strike me as the type of movie that could generate that kind of surprise. Another aspect of the movie that allowed it rise above the likes of the ”TRANSFORMER” movies, was its exploration of background stories of characters like Duke, the Baroness, McCullen, the Baroness’ brother Rex Lewis (Joseph Gordon-Levitt) and the two former rivals, Storm Shadow and one of the “Joes”, Snake Eyes (Ray Parks). The movie also featured a surprisingly effective action sequence set in Paris – a sequence that ended with some noteworthy special effects produced under the supervision of Christian Roberton and shot wonderfully by cinematographer Mitchell Amundsen.

Another aspect of ”G.I. JOE” that impressed me was its cast. Aside from one particular actor, the actors and actresses struck me as surprisingly impressive. Channing Tatum led the cast as Duke, the Army Special Forces officer who decides to join the “G.I. Joe Team” in order to continue his assignment regarding the nanoprobe warheads. Duke is also haunted by a past tragedy that involved his former girlfriend, Ana Lewis aka the Baroness and her brother, Rex. Tatum has been making a name for himself as a up and coming actor for the past three years. I have to be honest. He does not exactly appeal to me as a screen presence. But I must admit that he is a solid actor and did a very competent job with his role. Portraying Duke’s best friend is comic actor, writer and producer Marlon Wayans. He portrayed Ripcord, another Special Forces soldier who decides to follow Duke in joining the “Joes”. Ripcord also harbors a desire to be acknowledged as a top military pilot and he falls in love with another member of the “G.I. Joe Team”. As expected, Wayans provided a great deal of laughter in a role that could easily be labeled as comic relief. Only in this movie, Ripcord has a well written romance and managed to save two major capital cities in the movie’s finale. Wayans not only handled the comedy with great ease, he also did a solid job in his romantic and action scenes.

The supporting cast was filled with first-rate actors and actresses that provided solid performances. I especially enjoyed Sienna Miller as Duke’s conflicted ex-girlfriend, Ana Lewis. Family tragedy led her to join McCullen’s villainous team and change her name to the Baroness. It seemed quite obvious that Miller was enjoying herself in the role. And Rachel Nichols gave an interesting performance as the brainy and uptight Scarlett, who learns not to open up her heart to Ripcord’s humor and warmth. Also, she and Wayans provided great screen chemistry. And it was great seeing Adewale Akinuoye-Agbale again, after three years. I have not seen him since early Season 3 of ”LOST”. In this movie, he was his usual commanding self as Hershel “Heavy Duty” Dalton, the team’s ordinance expert who acted as field commander of the “Joes”. I also enjoyed Said Taghmaoni as Abel “Breaker” Shaz, the Moroccan hacker and communications expert that harbored a fondness for bubble gum. I especially enjoyed his performance in a scene that featured his character’s dismay at being banned from French soil, following the Eiffel Tower debacle. I have to give kudos to Lee Byung-hun for giving a convincingly complex performance as the villainous Storm Shadow. Christopher Eccleston was pretty solid as the main villain, James McCullen. And Joseph Gordon-Levitt was a hoot as Ana’s slightly neurotic brother, Rex Lewis.

There was one performance that failed to impress me. And it belonged to Dennis Quaid as General Hawk, leader of the “G.I. Joe Team”. Now, I have been a fan of Quaid for years. Out of all the performances in the movie, his was the only one that turned me off. How can I put this? Quaid’s General Hawk sounded and behaved like an authority figure – whether it be a police officer, politician or military officer – from a 1950s or 60s “B” movie. You know – he spouted the usual flag-waving crap in a very exaggerated manner that came off as stiff. I only thank God that it was a small role.

Before I saw ”G.I. JOE”, I had suspected that it would become another ”TRANSFORMERS” or ”TRANSFORMERS 2”. Unlike the two Michael Bay movies, I did not have to turn off my brain to enjoy the film. And that surprised me, despite the movie’s flaws. Also, Stephen Sommers did a pretty good job in directing both the cast and crew to create a surprisingly entertaining movie. He also had the good luck to work from a solid script that provided a few good twists and surprises. ”G.I. JOE: THE RISE OF COBRA” is not a cinematic masterpiece or exercise in intellectual introspection. If you want a movie that you might be able to enjoy with kids . . . or even a few friends, then I would recommend it.

“PIRATES OF THE CARIBBEAN: At World’s End” (2007) Review

“PIRATES OF THE CARIBBEAN: At World’s End” (2007) Review

When I first saw the trailer for the third installment of the ”PIRATES OF THE CARIBBEAN”, I thought I was in for an overblown and possibly unentertaining movie. Quite frankly, the trailer did not impress me very much. And then word came out once the movie was released around May 24-25 that the movie was either confusing or not as good as the first two. I had approached ”AT WORLD’S END” with very low expectations. Thankfully, my expectations proved to be wrong. 

Was ”POTC 3” overblown? Yep. In fact, I can say the same about the first two movies. But at least the three movies were overblown in a manner that I found very enjoyable. And this third movie almost seemed to have an operatic quality about it. That operatic quality seemed to be focused around the movie’s two love stories – Will Turner/Elizabeth Swann (Orlando Bloom and Keira Knightley) and Davy Jones/Tia Dalma aka Calypso (Bill Nighy and Naomie Harris). One would think that the saga’s main character – Captain Jack Sparrow (Johnny Depp) and his main nemesis Hector Barbossa (Geoffrey Rush) would be overlooked. But these two characters provided both plenty of humor and surprisingly, angst to the movie.

”AWE” does not really have a complicated plot. Thanks to James Norrington’s (Jack Davenport) treachery in ”DEAD MAN’S CHEST”, the world of piracy finds itself in danger due to Lord Cutler Beckett’s (Tom Hollander) possession of Davy Jones’s heart. With Jones and the Flying Dutchman under his control, Beckett has the power to rid the seas of pirates and ensure that the British Crown, the East India Trading Company and himself will have control of the world’s seas. The recently resurrected Barbossa seemed to feel that the only way to stop Beckett is to summon the nine pirate lords of the Brethren Court. Both he and the recently deceased Jack Sparrow happened to be part of the Brethren Court. Because Jack had failed to name a successor, Barbossa needs Jack alive to take part in the meeting of the pirate lords. Will, who had witnessed a kiss between Elizabeth and Jack in ”DMC”, wants Jack alive for two reasons – he believes that Elizabeth is in love with Jack and he needs the Black Pearl to catch up with the Flying Dutchman. Elizabeth wants to bring Jack back to alleviate her guilt for luring the eccentric pirate to his death in the last film. Tia Dalma, the Vodoun priestess who had resurrected Barbossa needs both the latter and Jack for the “pieces of nine” that represent their positions as pirate lords. Those same pieces of nine could free Dalma from her bodily prison, enabling to become her true identity, the goddess Calypso.

Due to the needs and desires of the main characters, a great deal of double-crossing and back stabbing ensues – especially by Jack, Will and Barbossa. Another pirate lord, Sao Feng (Chow Yun Fat), gets into the act because he wants revenge against Jack for sleeping with his concubines . . . and to ensure his survival against Beckett’s purge.

I thought I would have trouble keeping up with so much treachery being committed. Oddly enough, I never did – aside from a few points. If Barbossa, Will and Elizabeth needed a ship so badly to reach the World’s End (Davy Jones’ Locker), how on earth did they reach Singapore in the first place? At first, I wanted to criticize the writers Terry Rossio and Ted Elliot for their vague explanation of the curse that had bound both Davy Jones and later, Will to command of the Flying Dutchman. Many fans – including myself – were forced to use the Internet to find out the details of the curse. As it turned out, Elliot and Rossio did include a scene in which Tia Dalma/Calypso had explained the curse in detail to Will. But for some reason, the film’s editors decided to cut it decrease the movie’s running time. Idiot editors. All they did was end up confusing a lot of fans, considering Elliot and Rossio confirmed that the Flying Dutchman curse was broken in the post-end credits scene when Will returned to Elizabeth for good. Other than that, I truly enjoy the movie’s story and have to commend the writers for doing a better job than I had anticipated.

The cast was exceptional as always. What can one say about Johnny Depp? His performance in this movie seemed even better than in the second film. I especially enjoyed three moments by Depp – his multifaceted performance of the many aspects of Jack’s personality in the Locker; the serious moment between Jack and Barbossa as the latter pointed out the folly of Jack’s tendency to run from trouble; and his look of horror when Jones managed to fatally stab Will. I had no idea that dear old Jack truly cared about Will.

And Geoffrey Rush came pretty close to stealing the picture from Depp. This time, his Barbossa turned out to be a much more complex and ambiguous than he was in ”CURSE OF THE BLACK PEARL”. Sure, we saw more of Barbossa’s villainy and double-crossing. But this is the same guy who also had no problems with marrying Will and Elizabeth . . . even in the middle of a sea battle. I swear that was one of the craziest wedding ceremonies I have ever seen on the movie screen. And when he double-crossed Jack for the last time, at least he was kind enough not to put Jack’s life in jeopardy.

Both Naomie Harris (who seemed a bit scary at times) and Bill Nighy provided great pathos as the romantically doomed Tia Dalma (Calypso) and Davy Jones. I especially enjoyed their scene in which each confronted the other with their past betrayals. Tom Hollander seemed to take great pleasure in his portrayal of the villainous Lord Beckett. Quite frankly, I can say the same about Chow Yun Fat, who seemed to enjoy delving into Sao Feng’s villainy. I had feared he would end up chewing the scenery, so to speak. Instead, he managed to come off as intimidating as Rush, Hollander and Nighy (and Harris, I may add). My only real complaint has to be Jack Davenport’s presence in the movie. Davenport has allowed his James Norrington to become a sad figure haunted by his ever-continuing love for Elizabeth and his betrayal in the last film. And I thought that he did a marvelous job in conveying Norrington’s regrets over his DMD actions. Unfortunately, there was not enough of Norrington in the film. Hell, the guy who portrayed Beckett’s right hand man – Mercer – had received more screen time. And there is something wrong with that.

But I feel that the movie truly belonged to Orlando Bloom and Keira Knightley as the young lovers – Will Turner and Elizabeth Swann. The pair’s characters and performances really struck a chord with me. Instead of the naïve and sweet lovers they had portrayed in the first film, the pair had become more ambiguous and complex. It seemed interesting to watch these two deal with each other’s insecurities, mistaken beliefs and constant sniping. They actually seemed like a real couple, instead of an idealized one. Most of the movie critics have praised Knightley for her performance. Granted, it was a major improvement over her acting in ”DMC” in which she had seemed a bit over-the-top at times, I do believe that Bloom deserved some of that praise, as well. But because he is a major teen idol, the critics have seemed fit to either ignore him or make insulting comments about his acting. I can only assume that their noses were so far up their asses that they failed to notice Bloom’s obvious talent for pathos . . . or the fact that he can be rather funny – especially in a scene in which he had volunteered to take command of the Black Pearl in the middle of one of Jack and Barbossa’s many shipboard quarrels. I hope that one day, Bloom will finally be appreciated as a good and dependable actor.

The movie has its flaws – especially the vague handling of the Flying Dutchman curse and James Norrington’s character – but I must admit that I was surprised that I managed to enjoy it a lot more than I had assumed I would. I have also heard rumors that Bruckheimer and Verbinski plan to make a fourth ”PIRATES” movie. I honestly have no idea on how to react to that. They are lucky in which they have managed to create three exceptional films. I cannot help but wonder if they are in danger of pushing their luck with a fourth one. Oh well. Only time will tell.

“PIRATES OF THE CARIBBEAN: Dead Man’s Chest” (2006) Review

“PIRATES OF THE CARIBBEAN: Dead Man’s Chest” (2006) Review

Recently, I had watched the second movie in the “PIRATES OF THE CARIBBEAN” franchise for the umpteenth time, namely “Dead Man’s Chest”. First of all, I would like to say that originally, I had not been that keen on the idea of a sequel or two to “PIRATES OF THE CARIBBEAN: Curse of the Black Pearl”. I simply did not think that the 2003 movie needed a sequel. It had ended just fine, as far as I was concerned. And I suspect that many “POTC” fans still feel this way. In end, I am glad that Jerry Bruckheimer and Gore Verbinski had went ahead and forged a trilogy out of the franchise. To my surprise, “PIRATES OF THE CARIBBEAN: Dead Man’s Chest” has become my favorite of the three movies.

That said, here are my thoughts on this film:

*At first I had thought that the first movie was better. Which is not surprising to me. Sequels are rarely better than the first movie – with the STAR WARS, X-MEN and SPIDER-MAN franchises being the exceptions. But upon second viewing, I will add that DMC also became amongst the exceptions. I do not believe that it was better or worse than the CotBP. I feel that it is just as good, only darker . . . with a cliffhanger at the end. I must congratulate the two screenwriters, Ted Elliot and Terry Rossio, along with director Gore Verbinski for taking the story in a new direction, instead of rehashing the success of the first movie.

*At first, I did not care for the sequences featuring the cannabalistic Pelegostos. I did not like the idea of Jack Sparrow being some kind of god to them, or even the idea of them being cannibals. It seemed to smack of old Hollywood cliches regarding whites’ encounters with “non-white savages”. Yet, upon repeated viewings, one could see that Verbinski, Elliot and Russio took this cliche and turned it on its heels with the portrayal of the Pelegostos being more than just savages. The director and two screenwriters showed that despite their status as cannibals, the Pelegostos were just as human as anyone else, thanks to the comic acting of the cast members portraying the group. On the other hand, I really enjoyed the Black Pearl crew’s escape from the Pelegostos. It was filled with excitement, great humor and good acting. In fact, it is one of my favorite sequences in the entire trilogy.

*I also have to congratulate Elliot and Russio for allowing the characters to develop even more since the first movie – especially Will Turner (portrayed by the very underappreciated Orlando Bloom), Elizabeth Swann (Keira Knightly), and James Norrington (Jack Davenport). Even dear old Jack Sparrow (Johnny Depp in all his glory) had managed to develop somewhat by the end of the film. And all of the major actors – including Kevin McNally as Joshamee Gibbs; and Lee Arnberg and MacKenzie Crook as Pintel and Rigetti – were excellent. Not much of a surprise, really.

*“DMC” also introduced four new characters to the franchise – the perceptive and charming Vodoun priestess, Tia Dalma (Naomi Harris); the vindictive and deadly Captain Davy Jones (Bill Nighy) who commanded the ghost ship, the Flying Dutchman; Will’s gloomy father, Bootstrap Bill Turner (Stellan Skarsgård); and the ruthless and manipulative representative of the East India Trading Company, Lord Cutler Beckett (Tom Hollander). Skarsgård gave a solid performance, and the other three actors – Harris, Nighy and Hollander – were fabulous.

*Many have expressed dislike of Elizabeth Swann for what she had done to Jack. What many had forgotten was that Will had more or less done the same thing to Jack – leave him for dead – in the first film. Mind you, Will had a better excuse. He feared that he would become a victim of Jack’s manipulations.

Despite my low expectations of the movie, I am surprised that I grew to love it so much. Even more surprising was the fact that it became my favorite in the “POTC” franchise. However, the movie’s final scene featuring the resurrection of Barbossa (Geoffrey Rush) was BRILLIANT. It had one of the best endings I have ever seen on film, let alone cliffhangers. On the whole, I would give “POTC: Dead Man’s Chest” an “A-“. I am taking points off for the Pelegostos sequence. I may be more tolerant of it, but I do not love it. Quite frankly, I would rather see “DEAD MAN’S CHEST” over again, than watch the likes of “SUPERMAN RETURNS” (which was released around the same period) again.

“LEATHERHEADS” (2008) Review

5

 

”LEATHERHEADS” (2008) Review

As a rule, I usually do not like sports movies. I can think of at least six or seven that are personal favorites of mine. After seeing the recent football comedy, ”LEATHERHEADS”, I can honestly say that the number has risen to eight.

George Clooney, who also directed the film, Clooney plays Dodge Connolly, captain of the struggling football team, the Duluth Bulldogs. Dodge is determined to save both his team and professional football in general when the players lose their sponsor and the league is on the brink of collapse. He convinces a college football star, Carter “the Bullet” Rutherford (John Krasinski), to join the Bulldogs, in order to capitalize on Carter’s fame as a war hero. In addition to his legendary tales of heroism in World War I, Carter has dashing good looks and unparalleled speed and skill on the field. As a result of his presence, both the Bulldogs and football in general prosper. Rene Zellweger provided romantic interest as reporter Lexie Littleton, who becomes the object of the affections of both Carter and Dodge. Unbeknown to Carter, Lexie has been assigned to find proof that Carter’s stories of military heroism are bogus. Meanwhile, Dodge’s attempts to legitimize professional football start to backfire, as rules are formalized, taking away much of the improvisational antics that made the game fun for many of its players.

I had expected to mildly enjoy ”LEATHERHEADS” or at least enjoy the 1920s setting. Instead, I found myself really enjoying the story of Dodge Connolly’s comic attempts to legitimize professional football, and his romantic rivalry with Carter Rutherford for Lexie Littleton’s heart. The comic timing featured in the script written by George Clooney, Steven Soderbergh, Duncan Brantley, Rick Reilly and Stephen Schiff is wonderful. The performances – especially the three leads – were fabulous. Clooney, Zellweger and Krasinski proved that they all possessed the skills and timing for comedic acting. And they were supported by a top notch cast that included Stephen Root, Jonathan Pryce, and Peter Gerety. And I must say that I loved the way Clooney and his production staff captured the mid 1920s America, right down to the chaotic world of football – professional and college.

However, ”LEATHERHEADS” is not perfect. The Chicago sequence leading up to the big game between the Duluth and Chicago nearly dragged the film. And I found the ending vague and lacking any real closure over Dodge, Lexie and Carter’s future. And that perfect capture of the 1920s? Well, it was not completely perfect. I have to blame Renee Zellweger’s hairstyle for this. It was fine when she had her hair pinned. But she spent at least two-thirds of the film wearing her hair in a shoulder-length bob. Is it any wonder I had originally believed this film was set in the early-to-mid 1930s?

It is a shame that ”LEATHERHEADS” did not prove to be a hit. It really is an enjoyable film. But I guess that it is the type of film that would appeal to older moviegoers who are at least in their 30s and 40s. It simply lacked the appeal for younger viewers that ”21” possessed. And to be honest, I am not a big fan of the latter film, even if it was not that bad. Oh well. If you do not want to go see ”LEATHERHEADS” in the theaters, at least give it a chance now that it has been released on DVD.