“STEVE JOBS” (2015) Review

“STEVE JOBS” (2015) Review

I might as well say it up front. “STEVE JOBS” is a strange film. At least to me. It is probably the oddest film I have ever seen in 2015. There are a good number of aspects about this film that makes it so odd to me.

Judging from the title of this film, it is not hard to surmise that “STEVE JOBS” is a biography about the late co-founder of Apple, Inc. Directed by Danny Boyle and written by Aaron Sorkin, the movie was inspired by Walter Isaacson’s 2011 biography. Sorkin’s screnplay was also inspired by a series of interviews he had conducted with people who had known Steve Jobs. So far . . . there seemed to be nothing odd about this film. And it is not the first biopic about Jobs. But what made this movie so odd? Well, I will tell you.

The movie is divided into three acts. Each act is set during an event in which Jobs launches one of his computer products. Act One is set in 1984 in which Jobs and marketing executive Joanna Hoffman deal with problems before the Apple Macintosh launch. Act Two features Jobs preparing for the NeXT Computer launch at San Francisco’s Davies Symphony Hall in 1988. The final act is set in 1998, in which Jobs, who has been named CEO of Apple, Inc., prepares to launch the iMac, the computer that restored the company’s fortunes. All three acts also feature Jobs interacting with the following people:

*Joanna Hoffman – Jobs’ marketing executive and confidant
*Steve Wozniak – Apple, Inc. co-founder and creator of the Apple II
*John Sculley – CEO of Apple from 1983 to 1993
*Chrisann Brennan – Jobs’ former girlfriend
*Andy Hertzfeld – Member of the original AppleMacintosh team
*Joel Pforzheimer – GQ Magazine journalist, who interviews Jobs throughout the film
*Lisa Brennan-Jobs – the daughter of Steve Jobs and Chrisann Brennan

By now, many would realize that the movie really is not about those new products being launched by Jobs throughout the film. It seemed to be about his relationships with the other major characters featured in this movie. However, by the time I watched the movie’s final frame, it occurred to me that “STEVE JOBS” was really about his relationship with his oldest offspring, Lisa Brennan-Jobs, who aged from six to twenty years old in this film. What was so special about this particular relationship? Well, according to Sorkin’s screenplay, Jobs and Brennan had a brief fling toward the end of the 1970s, which resulted in Lisa’s conception. However, Jobs had refused to acknowledge Lisa as his daughter for several years. Once he did, their relationship continued to be fraught with tensions, due to Jobs’ suspicions that Lisa’s mother was an erratic parent who was using the girl to acquire a lot more money from him. By the time Lisa is a twenty year-old college student, father and daughter have a spat over her apparent failure to prevent her mother from selling the house he had given them and his threat to withhold her college tuition.

And this is the problem I had with “STEVE JOBS”. Do not get me wrong. Most of the performances in this movie were excellent – including those by Seth Rogen, Jeff Daniels, Katherine Waterston, Michael Stuhlbarg and Perla Haney-Jardine, who portrayed the 19-20 year-old Lisa. Michael Fassbender, in my opinion, gave a performance worthy of an Oscar nomination. In fact, I feel he really deserves one. So does Kate Winslet, whom I thought was brilliant as the pragmatic and loyal Joanna Hoffman. Fortunately, the Motion Picture Academy and the Hollywood community did remember Fassbender and Winslet’s performances and rewarded them with Best Actor and Best Supporting Actress nominations for both of them.

I also felt that the subject of this movie was interesting. I also found the various products launched by Jobs, along with his impact or lack thereof on Apple, Inc. throughout this period rather interesting, as well. And Jobs’ relationships with Hoffman, Wozniak, Sculley and Hertzfeld were also interesting. But I eventually realized these topics were minor in compare to Jobs’ relationship with Lisa. Even during his conversations with the other characters, the topics of Lisa, Chrisann and his own complicated childhood were brought up by the other characters. This movie was really about Jobs’ role as a father. And that is why it ended in such an abrupt manner, when he and Lisa finally managed to reconcile right before the iMac launch. And honestly, I feel this was a mistake.

Despite the fine performances and the interesting topics featured in this film, I left the theaters feeling somewhat gypped. I thought I was going to see a biographical movie about Steve Jobs and his impact upon the high tech community and the people he knew. To a certain extent, that is what Boyle and Sorkin gave the audiences. But this movie was really about Jobs’ relationship with his daughter Lisa. And instead of admitting it outright, I feel that Boyle and Sorkin manipulated the audiences into realizing this. No wonder everyone else kept bringing up the topic of Lisa. No wonder the movie was only set between 1984 and 1998. No wonder it ended so abruptly, following his reconciliation with Lisa. And no wonder this movie failed to make a profit at the box office. For a movie with such potential, I found it rather disappointing in the end.


Favorite Films Set in the 1830s


Below is a list of my favorite movies (so far) that are set in the 1830s:



1. “The Adventures of Huck Finn” (1993) – Elijah Wood and Courtney B. Vance starred in this excellent Disney adaptaion of Mark Twain’s 1885 novel about a young Missouri boy who joines a runaway slave on a journey along the Mississippi River toward the free states in antebellum America. Stephen Sommers directed.


1- The Count of Monte Cristo 2002

2. “The Count of Monte Cristo” (2002) – James Caviezel starred as the vengeful Edmond Dantès in Disney’s 2002 adaptation of Alexandre Dumas, père’s 1844 novel. Directed by Kevin Reynolds, the movie co-starred Guy Pearce and Dagmara Dominczyk.


2 - Pride and Prejudice 1940

3. “Pride and Prejudice” (1940) – Greer Garson and Laurence Olivier starred in this entertaining adaptation of Jane Austen’s 1813 novel. Robert Z. Leonard directed.


3 - The Count of Monte Cristo 1975

4. “The Count of Monte Cristo” (1975) – Richard Chamberlain gave an intense performance in the 1975 television adaptation of Dumas’ novel. Tony Curtis and Kate Nelligan co-starred.


4 - Impromptu

5. “Impromptu” (1991) – Judy Davis and Hugh Grant starred in this comedic tale about author George Sand’s pursuit of composer Frédéric Chopin in 1830s France. James Lapine directed.


5 - Amistad

6. “Armistad” (1997) – Steven Spielberg directed this account of the 1839 mutiny aboard the slave ship La Amistad and the trials of the Mendes tribesmen/mutineers, led by Sengbe Pieh. The movie starred Djimon Hounsou, Matthew McConnaughey, Morgan Freeman and Anthony Hopkins.


6 - Wide Sargasso Sea 2006

7. “Wide Sargasso Sea” (2006) – Rebecca Hall and Rafe Spall starred in this 2006 television adaptation of Jean Rhys’s 1966 novel, which is a prequel to Charlotte Brontë’s 1847 novel, “Jane Eyre”. It focused upon the early marriage of Antoinette Cosway (Bertha Mason) and Edward Rochester.


7 - My Cousin Rachel

8. “My Cousin Rachel” (1952) – Olivia de Havilland and Richard Burton starred in this adaptation of Daphne Du Maurier’s 1951 novel about a young Englishman’s obsession with his late cousin’s widow. Henry Koster directed.


8 - The Alamo 2004

9. “The Alamo” (2004) – John Lee Hancock directed this account of the Battle of the Alamo, the only production about the Texas Revolution that I actually managed to enjoy. The movie starred Billy Bob Thornton, Patrick Wilson and Jason Patric.


9 - The Big Sky

10. “The Big Sky” (1952) – Howard Hawks directed this adaptation of A.B. Guthrie’s 1947 novel about a fur trader’s expedition up the Missouri River. Kirk Douglas and Dewey Martin starred.




When I learned that “SILVER LININGS PLAYBOOK” had earned a good number of nominations and acclaim during the Fall/Winter of 2012-2013, I found myself scratching my head in confusion. I had never heard of the film. I spent a good deal of that movie season paying more attention to the likes of “ARGO” and “LINCOLN”. So when the movie earned a good number of Academy Award nominations, my first reaction turned out to be . . . “What was the big deal?” 

Written and directed by David O. Russell, “SILVER LININGS PLAYBOOK” was based upon Matthew Quick’s 2008 novel, “The Silver Linings Playbook”. Since I never read the novel, let alone heard of it, I would not be able to compare the movie to the novel. The movie is about a bipolar man named Patrick “Pat” Solitano Jr., who moves in with his parents in Philadelphia after being released from a psychiatric hospital. Pat is determined to get his life back on track, stop his dependence on medication and reconcile with his estranged wife Nikki, who had obtained a restraining order against him after he had violently attacked the man with whom she was having an affair. While attending a dinner party held by his friends, Ronnie and Veronica, Pat meets Veronica’s sister – a young widow suffering from sex addiction and depression over the death of her police officer husband. Pat and Tiffany begin an odd friendship over their shared neuroses. Learning that both Tiffany and Veronica know Nikki, Pat asks the former to deliver a letter he had written to Nikki. In return, Tiffany asks him to be her partner in a dance contest. 

Matters seem to go well for Pat until his father Pat Sr. asks him to attend a Philadelphia Eagles football game as a “good luck charm”. The latter had bet all of his money on the game. His father’s request leads Pat to skip practice with Tiffany. However, he is dragged into a fight with racist thugs who were attacking his Indian-born psychiatrist and brother. When the Eagles lose the game, Pat Sr. becomes furious. Tiffany who is also angry, arrives at the Solitano home and berates Pat for missing the dance practice. She also points out that the Eagles win a game whenever she and Pat spend time together. Convinced that Pat being with Tiffany is actually good luck, Pat Sr. makes a parlay with his gambling friend that if the Eagles win their game against the Dallas Cowboys, and if Pat and Tiffany score at least a 5 out of 10 in their dance competition; he will win back double the money he lost on the first bet.

Although “SILVER LININGS PLAYBOOK” received a good deal of acclaim, there have been some critics who have dismissed the film as a mediocre, yet slightly entertaining romantic comedy. And some have pointed out the unlikeliness of a comedic romance between two characters with serious neuroses. Before I actually viewed the film, I believed I would end up in the latter camp. But when I finally saw the film . . . my skepticism disappeared. What can I say? I found myself drawn to both the characters and the story. A good number of years have passed since I last enjoyed a romantic comedy. It seemed to be a genre that Hollywood rarely seems willing to explore, unless situated in the middle of an action-adventure story, or in a television sitcom. I noticed that “SILVER LININGS PLAYBOOK” has been described as a comedy-drama. When one considers a movie featuring main characters with mental disorders, I could see why any moviegoer would expect a good deal of drama injected into this story. I am not saying that the movie’s narrative skirted over its dramatic issues. It made Pat’s emotional problems clear, especially his unwillingness to get over his wife Nikki, his parents’ wary regard for him, his tendency to run away from his feelings for Tiffany, and the latter’s own romantic frustrations with him. And yet, the style of David O. Russell’s directions, along with the cast’s performances made the film seem more like a straight comedy, instead of a comedy-drama. Did this bother me? Not at all.

“SILVER LININGS PLAYBOOK” featured some genuinely great moments. I do not think I will ever forget that amateurish, yet odd dance number performed by leads Bradley Cooper and Jennifer Lawrence. Nor do I think I can forget those scenes featuring their characters’ odd encounters, while jogging. But my favorite scenes include the first attempt by Pat’s friend Danny McDaniels to leave the Baltimore psychiatric hospital, Pat’s wild and loud quarrel with his equally loud father during the early hours of the morning, Pat’s funny sessions with his analyst Dr. Cliff Patel, and Pat Sr. making that final bet with his friend Randy. But if I had to pick my favorite scene, it would be Pat and Tiffany’s first meeting at the dinner party hosted by Pat’s friend Ronnie and Tiffany’s sister Veronica. From the moment the two leads lock eyes upon each other, until he escorted her home, it was a blast to watch. The scene features one of my favorite “boy-meets-girl” moments in any Hollywood film.

At least four members of the cast for “SILVER LININGS PLAYBOOK” earned Academy Award nominations. But the rest of the cast also gave excellent or really exceptional performances. The movie featured some really solid performances from Shea Whigham (Jake Solitano), Julia Stiles (Veronica Maxwell), Anupam Kher (Dr. Cliff Patel) and Dash Mihok (Officer Keogh). Chris Tucker went against his usual splashy style for a very funny, yet subtle performance as Pat’s fellow hospital inmate, Danny McDaniels, who keeps making attempts to escape and who immediately noticed the chemistry between Pat and Tiffany. I do not recall ever seeing John Ortiz in a comedic role before, but I must admit that he was rather funny as Ronnie, Pat’s high strung friend, who is beginning to question his relationship with Veronica Maxwell. 

And the four cast members who ended up receiving Academy Award nominations, truly deserved them, as far as I am concerned. Jackie Weaver earned a much deserved Best Supporting Actress nomination as Pat’s sane mother Dolores, who seemed to be caught between a rock and a hard place between a bipolar son and a temperamental and slightly obsessive husband. Robert De Niro gave one of his best performances in his later career as Pat Solitano Sr., a temperamental and slightly obsessive man, who is wary of his younger son; yet even more obsessed over the Philadelphia Eagles. He deservedly earned his first Academy Award nomination in 21 years. Bradley Cooper, who worked with De Niro for the second time, earned an equally deserved Academy Award nomination as the movie’s main character, Pat Solitano Jr. – a man struggling with both a bipolar condition and a failed marriage. What I liked about Cooper’s performance is that he effectively portrayed a very volatile personality without crossing the line into hamminess. Jennifer Lawerence earned her second Academy Award nomination as Tiffany Maxwell, the troubled young widow, who seemed hellbent upon being the new woman in Pat’s life. Lawrence eventually won her Oscar – for Best Actress. Before I saw this film, I found myself wondering if she deserved it. After seeing her performance in this movie, I think I would have made it a tie between her and Jessica Chastain. Lawrence was a revelation as the strong-willed, yet emotional Tiffany.

It is a pity that I never saw this movie when it was in the theaters during the fall of 2012. I really wish I had. I think it is one of the best comedies I have seen in years. David O. Russell did justice to the story as the film’s screenwriter and director. And it boasted some superb performances from the likes of Bradley Cooper and Jennifer Lawrence. If I had seen “SILVER LININGS PLAYBOOK” when it first arrived in the theaters, it would have my list of favorite movies of 2012.




Top Ten Favorite Movies Set in the 1970s


Below is my current list of favorite movies set in the 1920s: 


1 - American Gangster

1. American Gangster (2007) – Denzel Washington and Russell Crowe starred in this biopic about former Harlem drug kingpin, Frank Lucas and Richie Roberts, the Newark police detective who finally caught him. Ridley Scott directed this energetic tale.

2 - Munich

2. Munich (2005) – Steven Spielberg directed this tense drama about Israel’s retaliation against the men who committed the Munich massacre at the 1972 Summer Olympics. Eric Bana, Daniel Craig and Ciarán Hinds starred.

3 - Rush

3. Rush (2013) – Ron Howard directed this account of the sports rivalry between James Hunt and Niki Lauda during the 1976 Formula One auto racing season. Chris Hemsworth and Daniel Brühl starred.

4 - Casino

4. Casino (1995) – Martin Scorsese directed this crime drama about rise and downfall of a gambler and enforcer sent West to run a Mob-owned Las Vegas casino. Robert De Niro, Joe Pesci and Sharon Stone starred.

5 - Super 8

5. Super 8 (2011) – J.J. Abrams directed this science-fiction thriller about a group of young teens who stumble across a dangerous presence in their town, after witnessing a train accident, while shooting their own 8mm film. Joel Courtney, Elle Fanning and Kyle Chandler starred.

6 - Tinker Tailor Soldier Spy

6. Tinker, Tailor, Soldier, Spy (2011) – Gary Oldman starred as George Smiley in this recent adaptation of John le Carré’s 1974 novel about the hunt for a Soviet mole in MI-6. Tomas Alfredson directed.

7 - Apollo 13

7. Apollo 13(1995) – Ron Howard directed this dramatic account about the failed Apollo 13 mission in April 1970. Tom Hanks, Bill Paxton and Kevin Bacon starred.

8 - Nixon

8. Nixon (1995) – Oliver Stone directed this biopic about President Richard M. Nixon. The movie starred Anthony Hopkins and Joan Allen.

9 - Starsky and Hutch

9. Starsky and Hutch (2004) – Ben Stiller and Owen Wilson starred in this comedic movie adaptation of the 70s television series about two street cops hunting down a drug kingpin. Directed by Todd Phillips, the movie also starred Vince Vaughn, Jason Bateman and Snoop Dogg.

10 - Frost-Nixon

10. Frost/Nixon (2008) – Ron Howard directed this adaptation of the stage play about David Frost’s interviews with former President Richard Nixon in 1977. Frank Langella and Michael Sheen starred.


“FAST AND FURIOUS 6” (2013) Review

fast furious 6 slider


“FAST AND FURIOUS” (2013) Review

When “THE FAST AND THE FURIOUS” first hit the movie screens in 2001, I never imagined that it would be such a major hit . . . or spawn five sequels. The franchise seemed in danger of ending with a whimper with 2006’s “THE FAST AND THE FURIOUS: TOKYO DRIFT”, due to its lack of critical success. Three years later saw the rejuvenation of the franchise with the success of 2009’s “FAST AND FURIOUS”. This movie spawned a mini trilogy of its own, culminating in the latest film,“FAST AND FURIOUS 6”

The franchise’s fifth installment, “FAST FIVE” ended with Dominic Toretto and his accomplices reaping the rewards of a successful heist from a Rio drug lord. In the film’s Easter egg segment, U.S. Diplomatic Security Service (DSS) agent Luke Hobbs learns from U.S. Customs agent Monica Fuentes (from 2003’s “2 FAST 2 FURIOUS”) that Dom’s former girlfriend, Letty Ortiz, is alive and well, and working with one Owen Shaw, a British criminal (and former Special Forces soldier) who had recently pulled a heist on a Russian military convoy. Hobbs and his new partner, Riley Hicks, recruit Dom, Brian O’Conner and other members of the gang who helped pull off the Rio heist; to help them take down Shaw. Hobbes convinces Dom to help him, revealing Letty’s existence and offering full amnesty for past crimes. With the exception of Mia Torretto and former Rio police officer Elena Neves (who remain behind to care for Mia and Brian’s new baby), along with Leo Tego and Rico Santos (who remain on the French Riviera gambling); Dom, Brian and the rest of the gang arrive in London to help Hobbes and Hicks to track down Shaw. Upon their arrival, they discover that Letty has amnesia and that capturing Shaw might prove to be more difficult than they had originally imagined.

After watching “FAST AND FURIOUS 6”, I came to the conclusion that it was my second favorite movie in the franchise after “FAST FIVE”. However, I am not so sure anymore. There are certain aspects of this latest film that makes me reluctant to view as the franchise’s second best. One, the movie’s premise is not that original – even for a FAST AND FURIOUS movie. In fact, the story premise for “FAST AND FURIOUS 6” bears a strong resemblance to the premise for the 2003 movie, “2 FAST 2 FURIOUS”. In that movie, Brian O’Conner and Roman Pearce helped the Feds bring down a Miami-based drug lord in exchange for pardons and clean records. Brian, Roman, Dom and others help Fed Luke Hobbes take down international criminal Owen Shaw for . . . what else? Pardons and clean records. I also had a problem with the Roman Pearce character. I had no problem with Tyrese Gibson’s portrayal of the character. But I found it odd that Roman would immediately drop his airborne love fest with a group of models due to a summons from Dom Toretto, of all people.“FAST FIVE” did not exactly end with Roman and Dom as the best of friends. If the movie had established that Roman had received the summons from Brian, who was his childhood friend, I could accept his immediate decision to join the team. One last problem I had with “FAST AND FURIOUS 6” proved to be a flashback from 2009’s “FAST AND FURIOUS” regarding the origin of Letty Ortiz’s amnesia. The 2009 movie hinted that Letty had been killed by Arturo Braga’s henchman, Fenix Calderon. But a flashback in “FAST AND FURIOUS 6” revealed that Calderon missed Letty completely and shot the car to which she was standing near. The car exploded, injuring Letty. Why Calderon failed to confirm her death after the explosion remains a mystery to me. The entire scene struck me as clumsily handled. I also noticed that Dom’s ridiculous “Daddy issues” and desire to be “Papa Toretto” to anyone close to him still remains. When he made a comment at the end of the movie about Brian and Mia’s son, Jack O’Conner, being solely a Toretto, I merely laughed. When he repeated the “joke” again, I began to wonder if he was making a demented attempt to claim the toddler as his own offspring. Right now, I feel that Brian and Mia should leave the Toretto home and purchase their own house to raise their kid.

But despite these problems, “FAST AND FURIOUS 6” turned out to be a pretty damn good movie. The franchise’s street-racing theme played a major part in the efforts of Dom’s team to stop Shaw’s team from carrying out their crimes. This theme was definitely apparent in four scenes. One of them was a car chase through the streets of nighttime London that ended with the team’s failure to capture Shaw, as he was fleeing his hideout. Another scene featured Dom and an amnesiac Letty in a street race that ended in a sexy moment in which the former tried to revive the latter’s memories. There was also the film’s final action sequence at a NATO air strip in which Dom and his team finally prevented Shaw from escaping by plane. I found that particular sequence a little hard to bear, considering that at times, it seemed to go on forever and it was shot at night. The only daytime sequence that featured vehicles on a highway not far from that NATO base in Spain. What made this sequence memorable for was the spectacular car chase that featured an outstanding stunt performed by Tyrese Gibson . . . or his double. There is a spectacular fight scene between Letty and Hobbes’ partner, Riley Hicks, in the London Underground. I heard that Michelle Rodriguez felt a bit wary in doing a fight scene with Gina Carano . . . and I do not blame her, considering the latter is a mixed martial arts champ. There was also a pretty decent Dom and Hobbes vs. Shaw and his men aboard the cargo plane in Spain.

Action sequences were not the only staple that made “FAST AND FURIOUS 6” entertaining for me. The movie also featured some pretty damn good dramatic moments and rather funny scenes. I have already pointed out that sexy moment between Dom and Letty in which the former tried to revive the latter’s memories. I also enjoyed the sequence in which Brian allowed himself to be “arrested” (courtesy of Luke Hobbes’ Federal connections) by the FBI, in order to question former adversary Arturo Braga about Letty’s connections to Shaw. Not only did it featured a humorous reunion between Brian and his former FBI colleague, Special Agent Stasiak; but also a very dramatic one between Brian and Braga. “FAST FIVE” featured the beginning of a romance between Han and Gisele. But their relationship took on a more poignant note in this movie, which I found very satisfying. I especially enjoyed how Roman quickly figured out Han’s true feelings for Gisele. Speaking of Roman and Han, the movie featured a very funny moment in which both of them secretly agreed not to inform the others of their defeat against one of Shaw’s men in the London Underground. In fact, Roman proved to have the best lines in the movie. My ultimate favorite? Read the following scene between him and Tej Parker:

[Roman asks Tej for change to use the vending machine]
TEJ: You’re a millionaire and still asking for money?
ROMAN: That’s how you stay a millionaire.

“FAST AND FURIOUS 6” featured some pretty decent performances. But there were those that stood out for me. I especially enjoyed Tyrese Gibson, who not only proved to be even funnier as Roman Pearce, but shared a nice dramatic moment with Sung Kang, while the two discussed Han’s feelings for Gisele. Michelle Rodriguez gave one of her better performances as an intense and amnesiac Letty Ortiz, who is torn between her confusion over her identity and her growing wariness toward Shaw. Dwayne Johnson continued his energetic portrayal of DSS Agent Luke Hobbes with great style. Luke Evans made a particularly formidable foe as former Special Forces soldier Owen Shaw, who proves to be a very difficult to take down. Then again, the franchise has always featured some first-rate villains. Not only did Vin Diesel provided an unexpectedly sexy performance in one particular scene with Rodriguez, he and Elsa Pataky provided a nice poignant moment between Dom and former Brazil cop Elena Neves, who end their relationship due to Letty’s re-emergence in Dom’s life. However, Paul Walker really surprised me in this film. He has always struck me as mediocre or solid actor in the past. But his acting skills seemed to have grown considerably between “FAST FIVE” and “FAST AND FURIOUS 6”. This was apparent in his scenes with John Ortiz, which featured a hostile reunion between Brian and Braga in a California prison.

I feel that “FAST AND FURIOUS 6” had its share of flaws. But thanks to Justin Lin’s direction, a charasmatic cast and a solid script written by Chris Morgan, I feel that it not only proved to be one of the better films for the summer of 2013, but also one of the better films in the FAST AND FURIOUS franchise.


Favorite Movies Set in MIAMI

Miami - 4

Below is a list of my favorite movies set in Miami, Florida: 



1. “Bad Boys II” (2003) – Martin Lawrence and Will Smith starred in this hilarious sequel to their 1995 hit film about two Miami cops who, this time, battle a Cuban drug dealer. Directed by Michael Bay, the movie co-starred Gabrielle Union, Jordi Mollà and Joe Pantoliano.


2. “Miami Vice” (2006) – Michael Mann directed this remake of the 1980s television crime drama about two undercover cops for the Miami-Dade Police, who investigate a Columbian drug lord on behalf of the F.B.I. Jamie Foxx and Colin Farrell starred.


3. “Absence of Malice” (1981) – Paul Newman and Sally Field starred in this high-powered drama about a liquor warehouse owner, whose life begins to unravel when a prosecutor leaks a false story about him being involved in the murder of a union leader. Sydney Pollack directed.


4. “2 Fast 2 Furious” (2003) – Paul Walker and Tyrese Gibson starred in this exciting second film in the FAST AND FUIROUS franchise about former cop Brian O’Conner and childhood friend Roman Pearce forced to help the Feds arrest a local Miami drug importer in order to clear their names. Directed by John Singleton, Eva Mendes, Chris Bridges and Cole Hauser co-starred.


5. “The Crew” (2000) – Richard Dreyfuss, Burt Reynolds, Seymour Cassel and Dan Hedaya starred as four retired mobsters who decide to make one last score to save their apartment at a South Beach retirement home. Directed by Michael Dinner, the movie co-starred Carrie-Anne Moss, Jeremy Piven and Jennifer Tilly.


6. “Bad Boys” (1995) – Martin Lawrence and Will Smith first starred together in this funny movie as Miami-Dade cops Marcus Burnett and Mike Lowrey; protect a witness to a murder, while investigating a case of missing heroin. Directed by Michael Bay, the movie co-starred Tea Leoni, Tchéky Karyo, Joe Pantoliano and Theresa Randle.


7. “The Birdcage” (1996) – Mike Nichols directed Robin Williams and Nathan Lane in this funny remake of the 1978 movie “La Cage aux Folles” about a gay couple who pretends to be straight for the conservative parents of their son’s fiancée. Gene Hackman, Dianne Weist, and Dan Futterman co-starred.


8. “Marley & Me” (2008) – Owen Wilson and Jennifer Anniston starred in this heartwarming adaptation of John Grogan’s 2005 book about the experiences of a journalist and his family with their incorrigible Labrador Retriever. The movie was directed by David Frankel.


9. “A Hole in the Head” (1959) – Frank Capra directed this engaging comedy about a womanizing widower who struggles to raise his son and hang on to his small Miami Beach hotel. The movie starred Frank Sinatra, Eleanor Parker, and Edward G. Robinson.

Poster - Moon Over Miami_03

10. “Moon Over Miami” (1941) – Betty Grable and Carole Landis starred in this charming musical about two Texas sisters who move to Miami in order to meet and marry millionaires. Directed by Walter Lang, the movie also starred Don Ameche and Robert Cummings.


“MIAMI VICE” (2006) Review

“MIAMI VICE” (2006) Review

When I first heard that Michael Mann had filmed a remake of the 1984-1989 classic crime drama, “MIAMI VICE”, I was excited. Despite the disappointing way it went off the air, I had remained a big favorite of the show – especially its first two seasons. 

Then word began to circulate that the movie version, which starred Jamie Foxx and Colin Farrell was not as good as the NBC series. I heard that it lacked the style of the series and had a poor story. But despite all of the negative comments that had circulated, I was determined to see the movie and judge it for myself.

“MIAMI VICE” – namely the 2006 movie – began with Miami-Dade Police detectives Ricardo “Rico” Tubbs, James “Sonny” Crockett and their colleagues working undercover at a Miami nightclub to bring down a prostitution ring. In the middle of their sting operation, they are contacted by their former informant Alonzo Stevens, who believes that his wife is in danger. Stevens also reveals that he has been working as an informant for the F.B.I. and believes that he may have been compromised. Tubbs and Crockett learn that Stevens’ wife was killed. And when they inform the informant, he commits suicide. Through their supervisor, Lieutenant Martin Castillo, the partners are recruited by F.B.I. Special Agent John Fujima to pose as drug smugglers, investigate a highly sophisticated Columbian drug ring and discover the identity of the Columbians’ informant. Tubbs and Crockett manage to infiltrate the Columbians’ drug ring, but in doing so, they come across Jose Yero, the paranoid associate of drug lord Archangel de Jesus Montoya. Even worse, Crockett becomes romantically involved in Montoya’s mistress/financial adviser, Isabella.

Needless to say, I had ignored the negative comments about “MIAMI VICE” back in 2006 and went to see it anyway. And I enjoyed it . . . a lot. I enjoyed it so much that I saw it for a second time in the theaters, before I bought the DVD copy when it was first released. Like many others, I had expected to be very similar to the 1984-1989 television series. The sleek, colorful style from the series remained, which the fast cars and boats and sleek fashion for the cast members. But cinematographer Dion Beebe utilized colors that seemed less pastel and a little more darker. But the music – up-to-date – remained intact. I also noticed that the plot written by Michael Mann utilized elements from the television series’ episode (1.15) “Smuggler’s Blues”“MIAMI VICE” also featured some great action sequences. My favorite proved to be the outstanding shootout in the movie’s finale that featured the Miami-Dade Police and the Aryan Brotherhood working for Yero. My only complaints about “MIAMI VICE” proved to be its opening and fade-out scenes. Both seemed a bit too abrupt for my tastes, but that is Michael Mann for you. He did the same with his 1995 movie,“HEAT” and his 2004 flick, “COLLATERAL”.

Aside from Dion Beebe’s photography, the other changes featured in the 2006 movie proved to be the relationship between Ricardo Tubbs and fellow police detective, Trudy Joplin. Despite the on-screen chemistry between Philip Michael Thomas and Olivia Brown in the television series, Tubbs and Trudy remained friends and colleagues during the series’ five-year run. Michael Mann changed the nature of their relationship in the movie by allowing them to be both colleagues and lovers. In fact, the movie featured a very sexy and romantic love scene with Jamie Foxx and Naomie Harris, who portrayed the characters in the film. And unlike the television series, Sonny Crockett is not divorced, nor did he have a troublesome relationship with another colleague, Gina Calabrese. Instead, Crockett found himself falling in love with drug kingpin Archangel Montoya’s lover and financial adviser, Isabella.

Both Jamie Foxx and Colin Ferrell were great, along with Gong Li, Naomie Harris and the rest of the cast. The partnership dynamics between Foxx and Farrell in the movie seemed to be different than the one between Thomas and Don Johnson in the television series. Do not get me wrong. Both Foxx and Farrell were excellent and had great chemistry. But their chemistry was different than the one between Johnson and Thomas. In this film, Tubbs is portrayed as the more mature partner; whereas Crockett served that role in the television series. And I was especially impressed by Foxx. For a guy that started out as a comic, he struck me as very commanding as Ricardo Tubbs. Whereas Johnson seemed to dominate the partnership in the television series, Foxx seemed to do so in the movie. This is not surprising, considering that Foxx is nearly a decade older than Farrell. The one other performance that really impressed me came from the always talented John Ortiz, who portrayed Montoya’s paranoid henchman, Jose Yero.

It is a pity that the public and critics did not appreciate “MIAMI VICE” when it was first released back in 2006. Perhaps they honestly believed it was a mediocre or below par movie from Michael Mann. Then again . . . perhaps they had expected it to be more like the the television series from the 1980s. Yes, the movie had its flaws. But despite the latter, “MIAMI VICE” proved to be one of my favorite Mann films. And I had never expected for this to happen.