New Ranking of JAMES BOND Movies

James-Bond-Logo

With the recent release of the new James Bond movie, “SKYFALL”, I have made a new ranking of all the Bond films produced and released by EON Productions (do not expect to find 1967’s “CASINO ROYALE” or 1983’s “NEVER SAY NEVER AGAIN” on this list) from favorite to least favorite:

 

NEW RANKING OF JAMES BOND MOVIES

1-On Her Majesty Secret Service

1. “On Her Majesty’s Secret Service” (1969) – The only film to feature Australian George Lazenby, this adaptation of Ian Fleming’s 1963 novel has James Bond’s search for master criminal Ernst Stravos Blofeld affecting his private life. Directed by Peter Hunt, the movie also stars Diana Rigg and Telly Savalas.

2-Casino Royale

2. “Casino Royale” (2006) – Daniel Craig made his debut as James Bond in this adaptation of Fleming’s 1953 novel about Bond’s efforts to beat a banker for a terrorist organization at a poker tournament, in order to force the latter to provide information about the organization. Directed by Martin Campbell, the movie co-stars Eva Green, Mads Mikkelsen and Judi Dench.

3-The Living Daylights

3. “The Living Daylights” (1987) – Timothy Dalton made his debut as Bond in this partial adaptation of Fleming’s 1966 short story in which Bond’s efforts to stop a Soviet sniper from killing a defector leads to a revelation of a conspiracy between the defector and an American arms dealer. Directed by John Glen, the movie co-stars Maryam D’Abo, Joe Don Baker and Jeroen Krabbe.

4-For Your Eyes Only

4. “For Your Eyes Only” (1981) – Based on two Fleming short stories from 1960, the movie has Bond searching for a missing missile command system, while becoming tangled in a web of deception spun by rival Greek businessmen and dealing with a woman seeking revenge for the murder of her parents. Co-starring Carole Bouquet, Julian Glover and Topol; the movie marked the directing debut of John Glen.

5-From Russia With Love

5. “From Russia With Love” (1963) – Terence Young directed this adaptation of Fleming’s 1957 novel about Bond’s efforts to acquire the Soviet’s Lektor machine, unaware that he is being set up by SPECTRE. The movie starred Sean Connery as Bond, along with Daniela Bianchi, Lotte Lenya, Robert Shaw and Pedro Armendáriz.

6-Octopussy

6. Octopussy” (1983) – A fake Fabergé egg and a fellow agent’s death leads James Bond to uncover an international jewel smuggling operation, headed by the mysterious Octopussy, being used by a Soviet general and an Afghan prince to disguise a nuclear attack on NATO forces in West Germany. Directed by John Glen, the movie stars Roger Moore as Bond, Maud Adams, Louis Jordan, Steven Berkoff and Robert Brown in his debut as “M”.

7-Thunderball

7. “Thunderball” (1965) – Adapted from Fleming’s 1961 novel, this movie has Bond and CIA agent Felix Leiter attempting to recover two nuclear warheads stolen by SPECTRE for an extortion scheme. Directed by Terence Young, the movie stars Sean Connery as Bond, Claudine Auger, Adolfo Celi and Luciana Paluzzi.

8-Goldeneye

8. “Goldeneye” (1995) – Pierce Brosnan made his debut as Bond in this tale about the agent’s efforts to prevent an arms syndicate from using Russia’s GoldenEye satellite weapon against London in order to cause a global financial meltdown. Directed by Martin Campbell, the movie co-stars Sean Bean, Izabella Scorupco, Famke Janssen and Judi Dench in her debut as “M”.

9-The Spy Who Loved Me

9. “The Spy Who Loved Me” (1977) – Taking its title from Fleming’s 1962 novel, this movie has Bond and Soviet agent Anya Amasova investigate the disappearances of British and Soviet submarines carrying nuclear warheads. Directed by Lewis Gilbert, the movie starred Roger Moore as Bond, Barbara Bach, Kurt Jurgens and Richard Kiel.

10-Quantum of Solace

10. “Quantum of Solace” (2008) – Taking its title from a Fleming short story, this movie is a follow up to “CASINO ROYALE”, continuing Bond’s investigation into the terrorist organization Quantum, while dealing with the emotional effects of a tragic death. Directed by Marc Foster, the movie starred Daniel Craig as Bond, Olga Kurylenko and Mathieu Amalric.

11-License to Kill

11. “License to Kill” (1989) – Directed by John Glen, this movie has Bond resigning from MI-6 in order to seek revenge against the Latin American drug lord that maimed his best friend, Felix Leiter. The movie starred Timothy Dalton as Bond, Carey Lowell, Robert Davi, Talisa Soto and Don Stroud.

12-The World Is Not Enough

12. “The World Is Not Enough” (1999) – Directed by Michael Apted, the movie has Bond uncovering a nuclear plot, when he protects an oil heiress from her former kidnapper, an international terrorist who cannot feel pain. The movie starred Pierce Brosnan as Bond, Sophie Marceau, Robert Carlyle and Denise Richards.

13-A View to a Kill

13. “A View to a Kill” (1985) – Taking its title from one of Fleming’s 1960 short stories, this film has Bond investigating an East-German born industrialist with possible ties to the KGB. Directed by John Glen, the movie starred Roger Moore as Bond, Tanya Roberts, Christopher Walken and Grace Jones.

14-You Only Live Twice

14. “You Only Live Twice” (1967) – Loosely based on Fleming’s 1964 novel, the movie has Bond and Japan’s Secret Service investigating the disappearance of American and Soviet manned spacecrafts in orbit, due to the actions of SPECTRE. Directed by Lewis Gilbert, the movie starred Sean Connery as Bond, Mie Hama, Akiko Wakabayashi, Tetsurō Tamba and Donald Pleasence.

15-Die Another Day

15. “Die Another Day” (2002) – A failed mission in North Korea leads to Bond’s capture, fourteen months in captivity, a desire to find the MI-6 mole responsible and a British billionaire with ties to a North Korean agent. Directed by Lee Tamahori, the movie starred Pierce Brosnan as Bond, Halle Berry, Toby Stephens, Rosamund Pike and Will Yun Lee.

16-Live and Let Die

16. “Live and Let Die” (1973) – Roger Moore made his debut as Bond in this adaptation of Fleming’s 1954 novel about MI-6’s investigation into the deaths of three fellow agents who had been investigating the Prime Minister of San Monique.

17-Moonraker

17. “Moonraker” (1979) – Based on Fleming’s 1955 novel, this movie features Bond’s investigation into the disappearance of a space shuttle on loan to the British government by a millionaire with catastrophic plans of his own. Directed by Lewis Gilbert, the movie starred Roger Moore as Bond, Lois Chiles, Michel Lonsdale and Richard Kiel.

18-Tomorrow Never Dies

18. “Tomorrow Never Dies” (1997) – Bond and a Chinese agent form an alliance to prevent a media mogul from creating a war between Britain and China in order to obtain exclusive global media coverage. Directed by Roger Spottiswoode, the movie starred Pierce Brosnan as Bond, Michelle Yeoh, Jonathan Pryce and Teri Hatcher.

19-The Man With the Golden Gun

19. “The Man With the Golden Gun” (1974) – Loosely based on Fleming’s 1965 novel, this movie has Bond sent after the Solex Agitator, a device that can harness the power of the sun, while facing the assassin Francisco Scaramanga, the “Man with the Golden Gun”. Directed by Guy Hamilton, the movie starred Roger Moore as Bond, Britt Ekland, Christopher Lee and Maud Adams.

20-Dr. No

20. “Dr. No” (1962) – Based upon Fleming’s 1958 novel, this movie kicked off the Bond movie franchise and featured Sean Connery’s debut as the British agent, whose investigation into the death of a fellow agent leads him to a Eurasian agent for SPECTRE and their plans to disrupt the U.S. space program. Directed by Terence Young, the movie co-starred Ursula Andress and Joseph Wiseman.

21-Skyfall

21. “Skyfall” – Directed by Sam Mendes, this film has Bond’s loyalty to “M” tested, when her past comes back to haunt her in the form of a former agent, who initiates a series of attacks upon MI-6. The movie starred Daniel Craig as Bond, Judi Dench, Javier Bardem and Naomie Harris.

22-Diamonds Are Forever

22. “Diamonds Are Forever” (1971) – Based on Fleming’s 1956 novel, this movie has Bond’s investigations into a diamond smuggling ring lead to another conflict with SPECTRE and Ernst Stravos Blofeld. Directed by Guy Hamilton, the movie starred Sean Connery as Bond, Jill St. John and Charles Gray.

23-Goldfinger

23. “Goldfinger” – Based on Fleming’s 1959 novel, this movie has Bond investigating a German-born gold magnate, who harbors plans to destroy the U.S. gold supply at Fort Knox. Directed by Guy Hamilton, the movie starred Sean Connery as Bond, Honor Blackman and Gert Frobe.

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“TOMORROW NEVER DIES” (1997) Review

I just recently watched Pierce Brosnan’s second outing as James Bond in this 1997 movie that co-stars Michelle Yeoh, Jonathan Pryce and Teri Hatcher.

“TOMORROW NEVER DIES” (1997) Review

I wish I could say that my opinion of the movie has improved over the years . . . but I would be lying. Mind you, TOMORROW NEVER DIES did have some highlights, but unfortunately, it possessed more negative traits than positive ones. I think it would be best if I list both the good and the bad about this movie:

Positive

*Michelle Yeoh

*Bond’s romantic scene with Danish linguist was rather sexy

*Foreign locations – Hamburg and Thailand (as Vietnam) never looked lovelier

*Bond and Wai-Lin’s escape from Caver building in Vietnam – great stunt
*Motorcycle chase – well done

*Pierce Brosnan – seemed natural . . . when he was acting in scenes with Yeoh

*Vincent Shirerpelli as Dr. Hamburg – oddly enough, I had rather liked him. He was a lot more interesting than Mr. Stamper. And his death was even more interesting, as well.

*Mr. Gupta – seemed like a pretty sharp and cool guy.

Negative

*Pierce Brosnan – his angsty scenes with Teri Hatcher seemed stiff and unnatural. And his voice tend to sound odd, when he’s giving the impression of supressing his emotions. Why did the director, Roger Spottiswode, have him shooting machine guns two at a time during the final confrontation on Carver’s boat? He looked like a walking action movie cliché.

*Jonathan Pryce – one of the most overbearing and annoying villains in the Bond franchise. Only Sophie Marceau in the latter half of THE WORLD IS NOT ENOUGH surpassed him.

*Plot – Is it just me or is the plot of this Bond movie seemed like an extended rip-off of a LOIS AND CLARK episode from its first season? Perhaps learning of Teri Hatcher’s casting must have given the screenwriters the idea.

*Moneypenny’s Little Sexual Joke – why is it that nearly every sentence directed by Moneypenny to Bond sounded like some kind of sly sexual joke? It got very annoying.

*Bond and Q’s Meeting in Hamburg – All Q was doing was handing over a car to Bond, and the director turned it into a hammy production number. What a bore and a waste of time!

*Mr. Stamper – a second-rate version of Red Grant. Where are Robert Shaw or Andreas Wisnewski when you need them?

*Car Chase Inside Hamburg Parking Structure – Bond uses a remote control . . . ah, never mind! The whole scene was a bore. Even worse, it happened after the marvelous Bond/Kaufman scene. What a waste of my time.

*Final Confrontation on Carver’s boat – Despite all of the gunfire exchanged and the other action, I found it to be too long . . . and boring.

*Wade – I did not need to see him again. Joe Don Baker was wasted in this film.

*Bond’s Cover as a Banker – I am beginning to suspect that Bond makes a lousy undercover agent. By opening his mouth and hinting at Carver’s boat, he ended up exposing himself. What an idiot!

*Teri Hatcher – She was wasted in this film. And she and Brosnan do not do emotional angst together, very well.

Also, TOMORROW NEVER DIES did managed to produce a few favorite lines of mine:

Favorite Lines

“Believe me, Mr. Bond. I can shoot you from Stugartt and still create the proper effect.” – Dr. Kaufman to Bond

BOND: “You were pretty good with that hook.”
WAI-LIN: “That’s from growing up in a rough neighborhood. You were pretty good on the bike.”
BOND: “Well, that comes from not growing up at all.”

“No more absurd than starting a war for ratings.” – Bond to Carver

KAUFMAN: “Wait! I am just a professional doing a job!”
BOND: “So am I.” (Then kills Kaufman)

Despite some of its virtues, TOMORROW NEVER DIES is not a favorite movie of mine. In fact, it is my least favorite Brosnan movie. It is more or less a generic burdened by an unoriginal plot and one of the hammiest villains in the franchise’s history.

“GOLDENEYE” (1995) Review

“GOLDENEYE” (1995) Review

What can I say about 1995’s ”GOLDENEYE”? For one, it marked a series of firsts for the Bond franchise. The movie happened to be Pierce Brosnan’s first outing as James Bond. ”GOLDENEYE” turned out to be Dame Judi Dench’s first time portraying Bond’s MI-6 boss, “M”. And the movie also proved to be a first Bond film for director Martin Campbell, who will return eleven years later to direct 2006’s ”CASINO ROYALE”

After 1989’s ”LICENSE TO KILL”, I found myself frustrated by talk that it was time for EON Productions to give up on Timothy Dalton as Bond and find a new actor. To be frank, I did not want them to give up on Dalton. I thought he could have done at least one or two more Bond films in the 1990s. Needless to say, a lengthy lawsuit and Dalton’s reluctance to return to the role had put an end to my hopes. I was quite prepared to dislike ”GOLDENEYE”, until I heard that Pierce Brosnan had took over the Bond role. As much as I had grown to love Dalton’s interpretation of Bond, I had always been a Brosnan fan since his four-year stint as TV detective, ”REMINGTON STEELE”. I felt certain that he would be the right man for the job.

Needless to say, ”GOLDENEYE” proved me right. Brosnan’s introduction as the British agent proved to be a major success. The man had the talent and the presence to pull off the job. I must confess that originally, he did not strike me as possessing his own originally style to portray Bond. Critic Roger Ebert once described Brosnan’s Bond as a combination of both Sean Connery and Roger Moore’s styles. To be honest, Ebert’s comments did not impress me very much. True, Brosnan’s style seemed like a combination of his two predecessors on the surface. But in time, I realized that he had his own style – that of a well-dressed dandy who hid his emotions and insecurities behind a poser façade. And yet, sometimes that façade cracked whenever faced by betrayal . . . as it did when he learned that his late colleague – Alec Trevelyan (Agent 006) – had faked his death in order to create a crime syndicate and eventually wreck havoc upon Britain with the aid of a stolen Russian weapons system. Many claimed that Brosnan did not really come into his own as Bond until his next film, ”TOMORROW NEVER DIES” (1997). Frankly, I disagree. I think that Brosnan did a very good job in establishing himself as the James Bond of 1990s, right off the bat.

Looking back on the Brosnan era, I realize that the Irish-born actor had been very lucky with his leading ladies. And that luck began with Izabella Scorupco, the Polish-Swedish actress who portrayed Natalya Simonova, a Level 2 programmer at Russia’s Severnaya Satellite Control Station. With her exotic looks and no-nonsense attitude, Scorupco seemed to have no trouble at all keeping up with the more experienced Brosnan. Her Natalya is an intelligent and plucky woman who proved to be a very tenacious survivor . . . no matter what came her way. My only problem with the Natalya character was her tendency to use the ”Boys with toys” phrase or comment upon Bond’s destructive uses of vehicles. I found it tiresome after the second or third time.

Brosnan had even better luck with the actor who portrayed 006 Agent-turned Janus crime syndicate leader – Alec Trevelyan. What can one say about Sean Bean? This guy is a true professional and his Alec Trevelyan turned out to be – at least in my opinion – one of the best Bond villains in the franchise. Because he was trained as a MI-6 agent, he proved to be a true match for Bond, as a nemesis. This was never more apparent than in the exciting martial arts fight between the two in the film’s last 30 minutes. Did I have any complaints about Bean’s performance? Nope. Did I have any problems with his character? Unfortunately, yes. Poor Alec Trevelyan seemed to suffer the same malaise as other Bond villains – setting up the agent for an over-the-top death. Shame. He could have been the best amongst the bunch.

As I had stated before, ”GOLDENEYE” marked Dame Judi Dench’s first appearance as the head of the British Secret Service – M. I am a great admirer of Dame Judi, but her debut as M seemed a bit stiff to me. I realize that her character is supposed to be new in the position, but I got the feeling that not only did the character went through great lengths to prove that she could be Bond’s supervisor, the actress also went to great lengths to prove that she could portray a ruthless and no-nonsense head of intelligence. Thankfully, Dame Judi will get better in the role.

Bond is assisted by two characters in ”GOLDENEYE” – CIA agent Jack Wade (portrayed by former Bond villain, Joe Don Baker) and former KGB-turned-entrepreneur Valentin Zukovksy (Robbie Coltrane). Baker was his usual competent self and he had some good moments during Bond’s initial meeting with Wade. But eventually, I found the character a little tiresome, especially with his nicknames for Bond – namely “Jim” and “Jimbo”. Coltrane seemed more effective to me. He was just as funny as he was in 1999’s ”THE WORLD IS NOT ENOUGH”, but Zukovsky came off as a little more intimidating in this film.

Trevelyan also had his assistants – namely former Soviet pilot Xenia Onatopp (Famke Jenssen) and the computer geek Boris Grishenko, who had betrayed Natalya and other programmers at the Severnaya Satellite Control Station. I had been worried that Jenssen would prove to be as over-the-top (please, no jokes) as Barbara Carrera’s Fatima Blush in ”NEVER SAY NEVER AGAIN”. Thankfully, my fears proved groundless. Well . . . somewhat. There were moments when Onatopp’s penchant for rough sex seemed a little tiresome. However, those moments seemed few and far in between. As for Alan Cummings (both he and Jenssen would go on to portray costumed mutants in the comic book franchise, ”X-MEN” with other Bond girl Halle Berry), his Boris Grishenko seemed at times very amusing and at other times, downright annoying. I must admit that he and Scorupco managed to create a nice little screen chemistry.

The plot for ”GOLDENEYE” revolved around former MI-6 agent Alec Trevelyan’s desire to exact revenge upon Great Britain for betraying his family and other Leniz Cossacks (former Nazi collaborators) to the Soviet Union following World War II. Trevelyan’s parents managed to survive the purge, but they eventually committed suicide in the face of survivor’s guilt. After Alec learned of his bloody past, he decided to get his revenge. He defected secretly during a routine mission in Soviet Russia with Bond and immersed himself in the underground world of the Russian Mafia. Nine years later, Trevelyan emerged as the mysterious Janus – leader of the Janus Crime Syndicate. And how does he get his revenge? First, he stole “keys” to the secret Russian EMP weapon, “GoldenEye”, before disappearing into Cuba. With the keys to“GoldenEye”, he planned to electronically rob every bank in the UK setting off the GoldenEye blast – crippling every electronic device in the Great Britain and disguising his theft. Not a bad plot. Of course Bond and Natalya foiled him in the end.

Although the plot seemed to have similar nuances to those “megalomaniacal” plots to destroy the superpowers and rule the world . . . it seems bearable without going over the top. And despite the almost out-of-this-world aura of Trevelyan’s scheme, director Martin Campbell managed to film ”GOLDENEYE” as a tight and suspenseful thriller with good performances and believable action sequences like Trevelyan and Onatopp’s theft of the NATO Tiger fighter helicopter, General Ourumov and Onatopp’s theft of the GoldenEye satellite keys, Natalya’s survival of the massacre and destruction of the Severnaya Satellite Control Station, Bond and Natalya’s escape from both the Russian holding cell (the tank chase aside) and their escape from Trevelyan’s ICBM train. But the piece-de-resistance for me turned out to be the Bond/Trevelyan fight. I have commented upon how much I enjoyed it. But I more than enjoyed it. For me, it was the best hand-to-hand fight scene in the entire franchise. I consider it superior to the Bond/Grant fight in ”FROM RUSSIA WITH LOVE”. However, I doubt that many would agree with me.

However, there were scenes that defy reality . . . and logic. I never could understand why Trevelyan did not simply have Bond shot dead in that icon graveyard, instead of setting both him and Natalya up to be blown up inside that Tiger helicopter. Bond’s escape from that chemical weapons facility in the pre-title sequence . . . a tad unbelievable. Although the tank chase through St. Petersburg is considered one of the best in the franchise, I hated it. I’m sorry but I do. By including a tank in a chase scene, it simply bogged down the story for me. And I am not particularly fond of the finale at Trevelyan’s Cuban facility. The acting seemed in danger of going over-the-top and the method of how Trevelyan finally met his death (having the entire complex) fall upon him seemed to ridiculous to believe. He should have died after that fall he had suffered.

If there is one thing about ”GOLDENEYE” I truly hated, it was the theme song, performed by diva Tina Turner. Poor Ms. Turner. I think she had the bad luck to perform what I consider to be the absolute worst song in the entire Bond franchise. And the musical score (written by Eric Serra), with its computerized tones combined with music to be . . . I will simply state that I hated it as much as I did the song. End of story.

Despite its flaws, I still enjoy ”GOLDENEYE” very much, after twelve years. It possessed enough good performances and action sequences to be a worthwhile entry for EON Productions. As far as I am concerned, ”GOLDENEYE” is probably Brosnan’s best Bond film and Campbell’s second best film overall. And it is number eight on my list of favorite Bond films.

Memorable Quotes

“If I want sarcasm, I’ll speak to my children.” – M

Onatopp: “You don’t need the gun.”
Bond: “Well, that depends on your definition of safe sex.”

Wade: “His name’s Zukovsky. Tough mother. Big guy with a limp.”
Bond: “Valentin Dmitrovitch Zukovsky?”
Wade: “Yeah, you know him?”
Bond: “I gave him the limp.”

“What, no small talk? No chit-chat? You know, that’s the problem these days. No one bothers to take the time to give a really sinister interrogation.” – Bond

“Unlike the America government, we prefer not to get our bad news from CNN.” – M

“In 16 minutes and 43 sec… no, 42 seconds, the United Kingdom will re-enter the Stone Age.” – Trevelyan

“Oh yeah? And what are you, the weatherman? I mean, for crying out loud… another stiff ass Brit, with your secret codes and your passwords. One of these days you guys are gonna learn to just drop it.” – Wade

“She always did enjoy a good squeeze.” – Bond (on the very dead Onatopp)

Moneypenny: “You know, this kind of behaviour could qualify as sexual harassment.”
Bond: “And what’s the penalty for that?”
Moneypenny: “Some day, you’ll have to make good on your innuendos.”

“What’s true is that in 24 hours you and I will have more money than God. And Bond here will have a small memorial service with only Moneypenny and a few heartbroken restaurateurs in attendance.” – Trevelyan

“Oh, Stop it both of you! Stop it! You’re like boys with toys!” – Natalya

Zukovsky: “He wants to ask ME for a favor! My knee aches every single day! Twice as bad when it is cold. Do you have any idea how long the winter lasts in this country? Tell him, Dmitri.”
Bodyguard: Well, it depends…
Zukovsky: “SILENCE!”

“Okay, April is a spring month, but here in St. Petersburg, we’re freezing our butts off. Isn’t that enough for government work?” – Wade

“I might as well ask if all those vodka martinis silence the screams of all the men you’ve killed… or if you’ve found forgiveness in the arms of all those women, for the ones you failed to protect?” – Trevelyan

“THE LIVING DAYLIGHTS” (1987) Review


“THE LIVING DAYLIGHTS” (1987) Review

Twenty-four years have passed since EON Productions first released its 15th entry in the Bond franchise – THE LIVING DAYLIGHTS, starring Welsh-actor Timothy Dalton I first saw THE LIVING DAYLIGHTS on the night of July 31, 1987 – the date of its original U.S. release. My family and I saw it at the Grauman Chinese Theater in Hollywood. The theater was so packed that we ended up seated near the screen. I had a headache by the time the movie ended. Yet, watching “THE LIVING DAYLIGHTS” that night was one of the most enjoyable movie going experiences of my life.

I have to say that EON Productions has been lucky in its choice of the six actors who managed to bring their own sense of style to the role of James Bond . . . and I mean all of them. And all were smart enough to portray Bond in a way that suited them, instead of adhering to what the public or the producers wanted them to play Bond.

The movie’s title comes from the 1966 short story, ”The Living Daylights” in which Bond is assigned to assassinate a KGB sniper out to kill a MI-6 agent trying to escape from the Soviet Bloc in Berlin. The movie’s director, John Glen, along with screenwriters Richard Maibaum and Michael G. Wilson, took aspects of that short story and used it to initiate the screen plot. ”THE LIVING DAYLIGHTS” starts with a military exercise on Gilbratar in which three 00 agents – including Bond – test the British base by infiltrating it. One of the agents is killed by a KGB agent, who leaves a clue behind with the following words, ”Smiert Spionam”. The phrase, which means ”Death to Spies”, is repeated by Soviet general Georgi Koskov (portrayed by Jeroen Krabbe), after Bond helps him defect from Bratislava, Czechoslovakia. The defection sequence turns out to be a slight remake of the Fleming short story. But whereas the female sniper turns out to be a genuine killer in Fleming’s version; in the movie, she turns out to be Czech celloist, Kara Milovy (portrayed by Maryam D’Abo), who pretends to be a sniper in order to convince MI-6 that Koskov’s defection is genuine. The movie later reveals that Koskov also had Kara impersonate a sniper in order to set her up to be killed by MI-6, namely Bond. And why? It turns out that Koskov is a renegade who has allied himself with an arms dealer named Brad Whittaker (Joe Don Baker) who have been using KBG funds to profit from drug dealing, instead of purchasing arms for the Soviet Army. When another general, Leonid Puskin (John Rhys-Davies) becomes suspicious, Koskov and Whittaker frame the general for the murder of 002 on Gilbratar so that MI-6 will terminate him. Thanks to Bond’s suspicions and his alliance with Kara, the CIA and Afghan freedom fighters named the Mujahedeen, he prevents Koskov and Whittaker’s plans from coming to fruition.

First of all, THE LIVING DAYLIGHTS is not a perfect movie. It has its flaws. The movie’s main flaw came in the form of the new Aston Martin Volante used by Bond during his escape from the Soviet authorities in Czechoslovakia to Austria. The car was equipped with weaponry such as to use during The Living Daylights mission, the car was equipped with all the essential weaponry that includes rocket launchers and lasers mounted in the hubcaps. Now if this had been”GOLDFINGER””THE SPY WHO LOVED ME” or ”TOMORROW NEVER DIES” this would not seem out of place. But a gadget laden Aston Martin does seem out of place in a taunt thriller like THE LIVING DAYLIGHTS and Dalton’s Bond does not seem like the type of guy who would feel comfortable driving such a vehicle.

The Aston Martin sequence emphasized another problem with THE LIVING DAYLIGHTS – namely the humor that accompanied this scene. Some critics had complained of Timothy Dalton’s lack of humor during his tenure as Bond. Actually, one could plainly see that Dalton did have a sense of humor – but one that seemed subtle, dry and slightly dark. It was not the type of humor that drew belly laughs like Roger Moore’s. Most of the movie managed to display Dalton’s type of humor very well. Except during the Aston Martin sequence that featured Bond and Kara’s escape from the Soviet authorities and troops. During this sequence, the producers obviously had not only decided to burden Dalton’s Bond with a gadget-filled car, but also jokes that seemed to fit Roger Moore’s style of humor. I hate to say this but Dalton simply lacked Moore’s talent for broad humor. And it showed during this sequence.

Another problem with the movie turned out to be the character of Brad Whittaker, an American arms dealer. Granted, Joe Don Baker turns in a very competent performance. But his character contributes very little to the story. True, his business as an arms dealer serves as a catalyst to the story, but as a Bond villain he comes off as somewhat weak. Quite simply, he hardly does anything. The movie’s entire plot – using MI-6 to kill off the suspicious Pushkin in order to continue misuse of KGB funds – turned out to be Koskov’s brain child. It was Koskov who plotted to get rid of Pushkin. It was Koskov who plotted to get rid of Kara. It was Koskov who had plotted to frame Bond for Pushkin’s murder. And I suspect that it was Koskov who had originally created the scheme to misuse KGB funds for drug dealing in the first place. Frankly, I think that Whittaker should have met the same fate as Hai Fat from ”THE MAN WITH THE GOLDEN GUN”. He was that irrelevant. Only in his final scene with Dalton does Baker’s Whittaker seem impressive. Instead of arranging some ridiculous death that would give 007 an opportunity to escape, Whittaker did not hesitate to kill Bond in the most brutal manner possible.

With a weak villain such as Whittaker, one would expect THE LIVING DAYLIGHTS to fall apart. But it did not, thanks to the movie’s other main villain – Soviet General Georgi Koskov. Many Bond fans tend to dismiss Koskov as another weak villain. I disagree. Dutch actor Jeroen Krabbe did a fantastic job in creating a character that seemed extroverted, charming and very likeable on the surface . . . and intelligent, devious, ruthless and cold-blooded underneath. This subtle duality in his personality comes to the fore in his relationship with Kara Milovy. He obviously had some kind of affection toward the blond cellist . . . enough to purchase a famous Stradivarius cello for her. Yet, when his deception threatens to be exposed, he cold-bloodedly arranged for her to be mistaken as a KGB assassin by Bond, so that the latter would kill her. After all, Kara knew about his relationship with Whittaker. If I had to be honest, I would prefer to be face-to-face wtih an obvious villain like Auric Goldfinger than to be unexpectedly stabbed in the back by the likes of Georgi Koskov.

Not only did Jeroen Krabbe contributed to the quality of THE LIVING DAYLIGHTS, but so did the rest of the cast, including the London-born actress of Dutch-Georgian ancestry – Maryam D’Abo. Her Kara Milovy, the effervescent Czech cellist, seemed like a sister in spirit to the Bond leading lady of FROM RUSSIA WITH LOVE . . . only with a little more backbone. D’Abo infuses Kara with a fresh naivety and passion that has not been since Daniela Bianchi in FRWL. Even better, she and Dalton managed to create a magnetic, yet natural screen chemistry. But D’Abo has never been that popular with Bond fans. Apparently, she seemed too ladylike and not sexy enough for them. Another Bond fan had complained that once Bond learned all he could about Koskov from Kara in Vienna and she set him up to be captured by Koskov in Tangiers, her character became irrelevant to the story. This could be true. But if Kara became irrelevant after Tangiers, what were the writers supposed to do with her? Leave her there? I doubt that Koskov would allow a living Kara loose on the world to expose him. No wonder he had brought her along to Afghanistan. But even there, Kara proved to be more than “comic relief” as someone had put it. Thanks to her, Kamal Khan and his Mujahedeen fighters attacked the Soviet airbase and distracted the military personnel long enough to save Bond and give him the opportunity to steal the plane loaded with Whittaker and Koskov’s opium. Kara Milovy may not be the most popular of Bond leading ladies, but thanks to D’Abo’s performance, she is certainly one of my favorites.

I must admit that I found myself rather impressed by the rest of THE LIVING DAYLIGHTS cast. Robert Brown proved to be a more interesting “M” than he did in either OCTOPUSSY and A VIEW TO A KILL. His stuffy head of MI-6 proved to be an excellent contrast to Dalton’s Bond, with whom he constantly butt heads with. Although Robert Shaw had set the standards for the blond, muscle-bound henchman/killer in FROM RUSSIA WITH LOVE, many have failed to be as memorable as him. As far as I am concerned, only one has come close . . . namely Andreas Wisniewski as Necros, Whittaker and Koskov’s hired killer. Like Shaw before him, Wisniewski had very little dialogue – in fact, probably less than the British actor. But he managed to project menace, intelligence and style without coming off as some muscle-bound clone like the Hans character in YOU ONLY LIVE TWICE and the Stamper character in TOMORROW NEVER DIES. Also included in the cast was legendary character actor, John Rhys-Davies, portraying Soviet General Leonid Pushkin, the very character whose suspicions of the Whittaker-Koskov partnership helped set the plot in motion. Unlike many of his other well-known roles, Rhys-Davies portrayed a more restrained character, yet managing to project his usual strong presence. He and Dalton played off each other very well in the famous Tangier hotel room scene, in which Pushkin nearly became one of Bond’s victims. And of course, there is Art Malik from THE JEWEL IN THE CROWNfame. In TLD, he played Kamran Shah, leader of a local Mujardeen unit. In a way, Malik’s character reminds me of Georgi Koskov – a strong and intelligent man who uses a benign persona to hide his true self. And Malik portrayed Shah with a giddy mixture of authority, charm, and mischievous wit.

That said, I want to say a few things about Timothy Dalton. Even though I was a major fan of Roger Moore, I realized by the mid-80s that it was time for him to retire from the role. With great fondness, I said adieu and breathlessly anticipated Timothy Dalton’s debut inTHE LIVING DAYLIGHTS. When THE LIVING DAYLIGHTS first came out, the media pointed out that Dalton had read all of Fleming’s novels, along with a biography of the author to get a vibe on the James Bond character. It is possible that many fans and critics, used to Roger Moore’s more humorous portrayal, found it difficult to accept Dalton’s grittier Bond. Personally, I feel all of that research had paid off. Dalton’s Bond was a tense and serious man with occasional flashes of grittiness, dark humor and a human heart – very much the personification of Fleming’s literary portrayal. Judging from the success of previous Bond actors, perhaps it was not necessary for Dalton to portray the role in such a serious manner. But hey! It worked for him. Many fans may not have appreciated his efforts twenty years ago, but now they do.

In the past seventeen-and-a-half years since LICENSE TO KILL‘s release, I have come to appreciate Dalton’s contribution to the Bond franchise even more. Whoever said that he was the right Bond at the wrong time was probably right. The man was ahead of his time . . . not just for the Bond franchise, but for many espionage films. People have also stated that Dalton had made a great impact on the franchise. Again, I believe that Dalton not only influenced Daniel Craig’s debut as Bond in the early 21st century, but many other espionage characters. Pierce Brosnan was not above utilizing Dalton’s darker take on Bond, every now and then. I also suspect that Dalton might be partially responsible for the influx of edgy, angst-filled spy or action/adventure characters that have emerged over the years. Characters portrayed by the likes of Matt Damon, Matthew McFaydden, Kiefer Sutherland, Harrison Ford and possibly even Richard Chamberlain and Robert DeNiro. Even the Tangier hotel scene between Dalton and D’Abo in THE LIVING DAYLIGHTS seemed to have been copied in many action movies in the years that followed – including one between Dalton and Carey Lowell in LICENSE TO KILLand Harrison Ford and Allison Doody in INDIANA JONES AND THE LAST CRUSADE. But no one did it better than Dalton and D’Abo, as far as I’m concerned.

Screenwriters Richard Maibaum and Michael G. Wilson, created a taunt thriller, reminiscent of past Bond movies like FROM RUSSIA WITH LOVE and FOR YOUR EYES ONLY. Instead of the usual super villain bent upon controlling a major world market or the world itself, or the super terrorist groups up to its elbows in gadgets, Maibaum and Wilson took Fleming’s short story and created a tale of emotions, greed and betrayal. What I especially like about THE LIVING DAYLIGHTS is that it featured a series of excellent scenes and moments:

-the entire defection sequence starting from Kara’s appearance in the window and ending with Koskov’s departure from Austria

-Koskov’s exuberant greeting of Bond

-Necros’ attack on the MI-6 safe house

-Bond and Kara’s first meeting

-Bond and Kara’s arrival in Vienna

-Bond and Pushkin’s confrontation in Tangiers

-the fake assassination of Pushkin

-Bond and Kara’s confrontation in Tangiers

-Bond and Kara’s escape from the Soviet military jail in Afghanistan

-Kamran Shah’s revelation of true nature

-the Mujardeen’s attack on the Soviet air base

-Bond and Kara’s arrival in Pakistan

-Bond and Whittaker’s confrontation in Tangiers

Thanks to the above scenes and the script, the story came close to feeling like a real spy thriller, instead of a quasi-fantasy/action-adventure flick. As I had stated before, the movie’s only misstep seemed to be the use of the gadget-laden Aston-Martin and the insertion of dialogue not suited for Dalton’s acting style in the Czechoslovakia-to-Austria chase sequence. In fact, the sequence’s style seemed out of place for such a taunt thriller like THE LIVING DAYLIGHTS. Despite that particular sequence, the cast and the story, combined with John Glen’s competent direction and Alec Mills’ cinematography made THE LIVING DAYLIGHTS one of the finest – in my opinion – Bond movies in the franchise.

Returning back to that night in Hollywood, I recalled that the audience went wild over THE LIVING DAYLIGHTS. They especially seemed to take pleasure in the scene in which Bond and Kara managed to escape across the border into Austria. I had enjoyed “THE LIVING DAYLIGHTS” so much that I saw it at least six or seven more times in the theaters before it was released on video. And for me that is a personal record – especially in regard to the James Bond film. Happy birthday, THE LIVING DAYLIGHTS!

Memorable Lines

[after escaping out of a small jail cell]
Kara: You were fantastic. We’re free.
Bond: Kara, we’re inside a Russian airbase in the middle of Afghanistan.

“That’s too bad, Bond. You could’ve been a live rich man, instead of a poor dead one.” – Brad Whittaker

[James Bond and Kara Milovy snow-slide through customs in a cello case]
Bond: [yelling] We have nothing to declare.
Kara: [yelling] Except this cello.
[the word ‘cello’ echoes through the valley a few times]

[On Whitaker being crushed under a statue of the Duke of Wellington]
Bond: He met his Waterloo.

Koskov: I’m sorry, James. For you I have great affection, but we have an old saying: duty has no sweethearts.
Bond: We have an old saying too, Georgi. And you’re full of it.

Kara: What happened?
Bond: He got the boot.

[Bond is pointing a gun at him]
Pushkin: You are professional. You do not kill without reason.
Bond: Two of our men are dead. Koskov named you.
Pushkin: It is a question of trust. Who do you believe? Koskov, or me?
Bond: If I trusted Koskov we wouldn’t be talking. As long as you’re alive, we’ll never know what he’s up to.
Pushkin: [Slowly] Then I must die.

[after demonstrating a boom-box rocket launcher]
Q: [to Bond] Something we’re making for the Americans. It’s called a “Ghetto Blaster”.

[struggling with Kara’s cello]
Bond: Why didn’t you learn the violin?

[Bond and Saunders are discussing the change of plans on Koskov’s defection]
Koskov: James. James Bond!
Bond: [hugging Koskov] Later, General! [to Saunders] Lose them. I’ll pick you up at the border, twenty-three hundred hours. Be there.
Saunders: Where are you taking him? How will you get him out?
Bond: Sorry, old man, section 26, paragraph 5. Need-to-know. Sure you understand.

[Saunders has just been assassnated]
Kara: Did you hear?
Bond: Hear from Georgi?
Bond: Yes, I *got* the message.

Pushkin: Put him on the next plane to Moscow…
Koskov: Oh, thank you General, thank you so much…
Pushkin: …in the diplomatic bag.

[after removing his disguise] “Thank you both for your help. My name is Kamran Shah. Please forgive the theatricals, it’s a hangover from my Oxford days.” – Kamran Shah

[after destroying his car] “Glad I insisted you brought that cello.” – Bond

Bond: Just taking the Aston out for a spin, Q.
Q: Be careful, 007! It’s just had a new coat of paint!