Top Five Favorite “HOUSE OF CARDS” Season Two (2014) Episodes

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Below is a list of my top five favorite episodes from Season Two of Netflix’s series, “HOUSE OF CARDS”, a remake of the 1990-1995 BBC miniseries trilogy that was based upon Michael Dobbs’ 1989 novel. Produced and developed by Beau Willimon, the series stars Kevin Spacey and Robin Wright.

 

“TOP FIVE FAVORITE “HOUSE OF CARDS” SEASON TWO (2014) Episodes

1 - 2.13 Chapter 26

1. (2.13) “Chapter 26” – Facing disaster in the hands of a distrustful President Garrett Walker, Vice-President Francis Underwood plays one last hand to achieve his goals first set in the series premiere.

2 - 2.09 Chapter 22

2. (2.09) “Chapter 22” – Freddy, the owner of Frank’s favorite BBQ joint, becomes embroiled in the war between the Vice-President and CEO Raymond Tusk, when his past and his son’s past is revealed. Meanwhile, the Underwoods are forced to deal with a brewing scandal regarding intimate photographs of Claire taken by ex-lover Adam Galloway. Directed by Jodie Foster.

3 - 2.01 Chapter 14

3. (2.01) “Chapter 14” – In this season premiere shocker, journalist Zoe Barnes confronts Underwood about the death of the late Congressman Peter Russo. Also, Frank and Claire prepare for his swearing-in as the country’s new Vice-President. Directed by Carl Franklin.

4 - 2.04 Chapter 17

4. (2.04) “Chapter 17” – Due to a terrorist threat, Frank is trapped inside the Congress building with a political nemesis, while Claire is forced to give a live interview that proves to be a shocker.

5 - 2.10 Chapter 23

5. (2.10) “Chapter 23” – Despite a military stalemate abroad and a possible violent situation at home, Francis concentrates on putting an end to Tusk’s influence over President Walker for good, with lobbyist Remy Danton caught in the middle. Claire clashes with new Party Whip Jackie Sharp over an anti-rape bill.

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“WHITE HOUSE DOWN” (2013) Review

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“WHITE HOUSE DOWN” (2013) Review

When it first hit the movie theaters during the summer of 2013, “WHITE HOUSE DOWN” received a good deal of flak from movie critics determined to justified its failure to become a box office hit. But there were others who had offered another reason why the movie flopped in the U.S.  And that reason centered around the release of another film some three months earlier called “OLYMPUS HAS FALLEN”.

Like the Gerard Butler film, “WHITE HOUSE DOWN” focused upon an assault and invasion of the White House by a group of paramilitary terrorists. The movie begins with U.S. President James Sawyer proposing a controversial peace treaty between allied countries to remove military forces from the Middle East. One of the opponents of the treaty is Speaker of the House, Congressman Eli Raphelson, who is guarded by U.S. Capitol police officer John Cale. Hoping to impress his estranged daughter Emily following his divorce, John attempts to apply for a job with the U.S. Secret Service. He takes Emily to the White House for an interview with his former college schoolmate, Secret Service schoolmate, Carol Finnerty. Unfortunately for John, Carol rejects his application, claiming that his lack of respect for authority and inability to follow through with official reports makes him unqualified for the job.

Following his interview, John joins Emily on a tour of the White House, a paramilitary terrorist sets off a bomb in the rotunda of the Capitol building. Both Congressman Raphelson and Vice-President Alvin Hammond are among those who manage to safely escape. However, the Capitol bombing proves to be a distraction for a more important mission for his colleagues – namely the takeover the White House. Although the latter is officially locked down by the Secret Service following the Capitol bombing, a paramilitary group consisting of ex-servicemen and a computer hacker that managed to infiltrate the White House as janitors, proceed to take over the White House. Their leader is a disavowed ex-Delta Force member named Emil Stenz, who proved to be a hot head. Not only do the terrorists take a group of tourists – including Emily – hostage; they nearly kidnap President Sawyer with the help of Secret Service Agent Martin Walker, Head of the Presidential Detail. Walker sought revenge for the death of a son who had died in an aborted black op mission for the U.S. Army. Fortunately, John manages to rescue President Sawyer before Walker and the terrorists can use him to access the nuclear football for nefarious means. Unfortunately for John and Sawyer, they are trapped inside the White House with no way to get out.

Unlike a good number of moviegoers, I did not readily accept the opinion that “WHITE HOUSE DOWN” was a bad movie. Yes, it had its flaws. After all, it is a Roland Emmerich film. And like other Emmerich films, it possessed the usual cliches – a divorced main character, an annoyingly precocious child character, and slightly cheesy dialogue. The biggest flaw in the movie proved to be a plot point that allowed John and his daughter to get swept into the action inside the White House – a tour of the latter. Apparently, screenwriter James Vanderbilt forgot that White House tours have been a thing of the past since the September 11 attacks, twelve years ago. And I found Carol Finnerty’s presence with the Vice Chairman of the Joint Chiefs of Staff and the Speaker of the House something of a stretch, considering that she is not the Secret Service’s Head of the Presidential Detail, let alone head of the agency. But despite these flaws, I still enjoyed the movie.

“WHITE HOUSE DOWN” had its virtues. First of all, it benefited from a strong chemistry between leads Channing Tatum and Jamie Foxx, who portrayed John Cale and President James Walker. Two, Vanderbilt’s script did not make the mistake of turning the President Walker character into a highly skilled action man, like Harrison Ford in “AIR FORCE ONE”. Although he managed to avoid spending most of the film as a hostage, Foxx’s Walker made mistakes that struck me as natural for one not to used to violent action. “WHITE HOUSE DOWN” also featured some first-rate action. My favorite scenes turned out to be the initial takeover of the White House by Stenz and his men; John’s rescue of President Walker; and the chase sequence on the White House lawn, with John and President Walker inside a Presidential limousine. The biggest virtue of “WHITE HOUSE DOWN” is that the terrorists managed to infiltrate the White House with inside help – namely Secret Service Agent Walker. In the post 9/11 world, I would have found it impossible to accept a terrorist takeover of the White House without such help.

Despite the occasionally cheesy dialogue that marred “WHITE HOUSE DOWN”, I was relieved to see that the cast managed to rise above such flaws. As I stated earlier, the movie did benefit from a strong chemistry between Tatum and Foxx. And both actors gave first-rate performances that blend good, solid comedy with well-acted drama. I also found the development of their on-screen relationship very satisfying. And Foxx managed to utter one of my favorite lines in the entire film. Maggie Gyllenhaal gave a strong performance as the no-nonsense Carol Finnerty. I could also say the same about Lance Reddick, who portrayed the equally no-nonsense Joint Chiefs Vice Chairman General Caufield. I do not recall ever seeing Jason Clarke in a villainous role before, but I must admit that he gave a scary performance as leader of the terrorist, Emil Stanz. Jimmi Simpson, on the other hand, was quite funny as computer hacker Skip Tyler. And Richard Jenkins struck me as very effective in his performance as Speaker of the House Eli Raphelson, who found himself with more authority than he was used to. There were a few performances that did rub me the wrong way. I think Zoey King, who portrayed Emily Cale, is a talented actress, but I feel that not even she was able to rise above the precocious dialogue and scenes that Vanderbilt dumped on her. Nicholas Wright’s performance as White House tour guide Donnie did not strike me as funny . . . only annoying. Kevin Rankin’s portrayal of the uber-aggressive terrorist Carl Killick seemed both hammy and wince-inducing to me.

When I saw “WHITE HOUSE DOWN” at the movie theater, the audience broke into an applause when the film ended. Minutes later, I found myself in one of the theater’s restrooms and overheard a woman claimed that although she liked the movie, she noticed that it bore a strong resemblance to “OLYMPUS HAS FALLEN”. And she was right. Both movies were about terrorists taking over the White House in order to gain control of the President and his defense codes. Both movies featured female Secret Service personnel trying to help the hero. Both movies featured the Vice-President getting killed and the Speaker of the House becoming the new Head of State. And both featured American elite forces making a failed attempt to save the White House from terrorists. I liked “OLYMPUS HAS FALLEN”, but I feel that it was marred by one major flaw – the North Korean terrorists lacked any real inside help and was able to acquire top-secret military technology on their own. This led the Gerard Butler movie resembling some one-note anti-Communist propaganda film. “WHITE HOUSE DOWN” managed to avoid this major trap by allowing the terrorists – who were American-born – receive some serious inside help from within the U.S. government. And this is why I rate “WHITE HOUSE DOWN” over “OLYMPUS HAS FALLEN”.

“WHITE HOUSE DOWN” had its flaws. But it also possessed a decent story, first-rate action and some solid acting by a cast led by Channing Tatum and Jamie Foxx; thanks to director Roland Emmerich. And although its virtues outweighed its flaw, I suspect that in the end, “WHITE HOUSE DOWN” became a victim of bad timing. Pity. I feel it deserved a better fate.

List of Favorite Movies and Television Miniseries About Slavery

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With the recent releases of Steven Spielberg’s new movie, “LINCOLN” and Quentin Tarrantino’s latest film, “DJANGO UNCHAINED”, I found myself thinking about movies I have seen about slavery – especially slavery practiced in the United States. Below is a list of my favorite movies on the subject in chronological order: 

 

LIST OF FAVORITE MOVIES AND TELEVISION MINISERIES ABOUT SLAVERY

13-Skin Game

“Skin Game” (1971) – James Garner and Lou Gossett Jr. co-starred in this unusual comedy about two antebellum drifter who pull the “skin game” – a con that involves one of them selling the other as a slave for money before the pair can escape and pull the same con in another town. Paul Bogart directed.

 

9-Mandingo

“Mandingo” (1975) – Reviled by many critics as melodramatic sleaze, this 1975 adaptation of Kyle Onstott’s 1957 novel revealed one of the most uncompromising peeks into slave breeding in the American South, two decades before the Civil War. Directed by Richard Fleischer, the movie starred James Mason, Perry King, Brenda Sykes, Susan George and Ken Norton.

 

2-Roots

“Roots” (1977) – David Wolper produced this television miniseries adaptation of Alex Haley’s 1976 about his mother’s family history as American slaves during a century long period between the mid-18th century and the end of the Civil War. LeVar Burton, Leslie Uggams, Ben Vereen, Georg Sanford Brown and Lou Gossett Jr. starred.

 

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“A Woman Called Moses” (1978) – Cicely Tyson starred in this two-part miniseries about the life and career of Harriet Tubman, the former slave and abolitionist, who was the most successful conductor of the Underground Railroad during the last decade before the Civil War. Based on Marcy Heidish’s book, the miniseries was directed by Paul Wendkos.

 

3-Half Slave Half Free Solomon Northup Odyssey

“Half-Slave, Half-Free: Solomon Northup’s Odyssey” (1984) – Avery Brooks starred in this television adaptation of free born Solomon Northup’s 1853 autobiography about his twelve years as a slave in antebellum Louisiana. Gordon Parks directed.

 

4-North and South

“North and South” (1985) – David Wolper produced this television adaptation of John Jakes’ 1982 novel about the experiences of two American families and the growing discord over slavery during the twenty years before the American Civil War. Patrick Swayze and James Read starred.

 

6-Race to Freedom - The Underground Railroad

“Race to Freedom: The Story of the Underground Railroad” (1994) – Actor Tim Reid produced this television movie about four North Carolina slaves’ escape to Canada, following the passage of the Compromise of 1850. Janet Bailey and Courtney B. Vance starred.

 

10-The Journey of August King

“The Journey of August King” (1996) – Jason Patric and Thandie Newton starred in this adaptation of John Ehle’s 1971 novel about an early 19th century North Carolina farmer who finds himself helping a female slave escape from her master and slave catchers. John Duigan directed.

 

8-A Respectable Trade

“A Respectable Trade” (1998) – Emma Fielding, Ariyon Bakare and Warren Clarke starred in this television adaptation of Philippa Gregory’s 1992 novel about the forbidden love affair between an African born slave and the wife of his English master in 18th century Bristol. Suri Krishnamma directed.

 

11-Mansfield Park 1999

“Mansfield Park” (1999) – Slavery is heavily emphasized in Patricia Rozema’s adaptation of Jane Austen’s 1814 novel about a young English woman’s stay with her rich relatives during the first decade of the 19th century. Frances O’Connor and Jonny Lee Miller starred.

 

7-Human Trafficking

“Human Trafficking” (2005) – Mira Sorvino starred in this miniseries about the experiences of an Immigration and Customs Enforcement agent investigating the modern day sex slave trafficking business. Donald Sutherland and Robert Caryle co-starred.

 

5-Amazing Grace

“Amazing Grace” (2007) – Michael Apted directed this account of William Wilberforce’s campaign against the slave trade throughout the British Empire in Parliament. Ioan Gruffudd, Benedict Cumberbatch, Romola Garai Rufus Sewell and Albert Finney starred.

 

12-Abraham Lincoln Vampire Hunter

“Abraham Lincoln: Vampire Hunter” (2012) – History and the supernatural merged in this interesting adaptation of Seth Grahame-Smith’s 2010 novel about the 16th president’s activities as a vampire hunter. Benjamin Walker, Dominic Cooper, Anthony Mackie and Mary Elizabeth Winstead starred.

 

1-Lincoln

“Lincoln” (2012) – Daniel Day-Lewis portrayed the 16th president in Steven Spielberg’s fascinating account of Lincoln’s efforts to end U.S. slavery, by having Congress pass the 13th Amendment of the Constitution. Sally Field, David Strathairn and Tommy Lee Jones co-starred.

 

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“Django Unchained” (2012) – Quentin Tarantino directed this take on Spaghetti Westerns about a slave-turned-bounty hunter and his mentor, who sets out to rescue his wife from a brutal Mississippi plantation owner. Jamie Foxx, Christoph Waltz, Leonardo Di Caprio, Kerry Washington and Samuel L. Jackson starred.

“ABRAHAM LINCOLN: VAMPIRE HUNTER” (2012) Review

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“ABRAHAM LINCOLN: VAMPIRE HUNTER” (2012) Review

If someone had told me about three to four years ago about a fictional story featuring a historical leader and his encounters with the supernatural . . . I would have laughed in that person’s face. Hell, I would have done that about a year later. Then Seth Grahame-Smith wrote a novel about Abraham Lincoln battling vampires. And you know what? I did not laugh. But I sure as hell did not take it seriously. 

Last spring, I saw the trailer for the movie adaptation of Grahame-Smith’s novel and found myself surprisingly intrigued by it. Well . . . I was intrigued by the movie’s visual style. And the fact that movie featured actors that I have become a fan of did not hurt. But the idea of Abraham Lincoln being a vampire hunter remained a block in my mind. In fact, I struggled over whether or not to see“ABRAHAM LINCOLN: VAMPIRE HUNTER”, until the day before the movie’s wide release. And to my surprise, I am glad that I finally saw it.

“ABRAHAM LINCOLN: VAMPIRE SLAYER” begins on April 14, 1865 . . . with President Abraham Lincoln recounting his experiences with vampires in a journal. The movie flashbacks to the year 1818 in Southern Indiana, where the young Abraham and his parents – Thomas and Nancy – work out the family’s debt to a local landowner and slave owner named Jack Barts. Abraham befriends an African-American young slave named William Johnson. When the latter is attacked by one of Barts’ employees with a whip, Abraham intervenes before his father comes to his rescue. Barts demands that the Lincoln family compensate for the interaction over William in cash. Thomas cannot afford to pay back the landowner and refuses to work out his debt even further. Barts later attacks Nancy at the Lincolns’ cabin and poisons her. She later dies the following morning.

Nine years later in 1827, an eighteen year-old Abraham seeks revenge against Barts by attacking him. But the latter, who proves to be a vampire, overpowers Abraham. Abraham is rescued by a mysterious man named Henry Sturgess, who informs the young man of Barts’ true state. Henry offers to teach Abraham to be a vampire hunter. During training, Sturgess informs Abraham that Jack Barts and other vampires in America are descended from a vampire named Adam, who owns and lives on a plantation outside of New Orleans, with his sister Vadoma. Sturgess also tells Abraham of the vampires’ weakness – namely silver – and presents the latter with a silver pocket watch. After several years of training, Abraham travels to Springfield, Illinois. There, he makes plans to read for the law, befriends a shopkeeper named Joshua Speed, renews his friendship with William; and falls in love with Mary Todd, a socialite from a wealthy Kentucky family. Abraham also begins his activities as a vampire hunter.

“ABRAHAM LINCOLN: VAMPIRE HUNTER” is not perfect. It is a flawed movie. There were one or two aspects of the plot that I found questionable. After Abraham’s reunion with William, the pair was arrested for fighting off slave catchers that were after the latter. Following their arrest, there was a scene that featured the incarcerated pair being visited by Mary Todd. The next scene featured a freed William being kidnapped by Adam’s thugs off the streets of Springfield, in order to lure Abraham into a trap set in Louisiana. How on earth did William avoid being sent back down South as a fugitive slave? When he first reunited with Abraham inside Joshua’s store, he told the latter that he was an escaped slave. So, how did William end up freely walking the streets of Springfield . . . without being sent back South as a fugitive slave?

My second problem with “ABRAHAM LINCOLN: VAMPIRE HUNTER” deals with a brief scene during the Civil War. This scene features Confederate president Jefferson Davis convincing Adam to deploy his vampires on the front lines. Look . . . I am the last person who could be accused of being a neo-Confederate. Trust me . . . I am. But I found this scene between Davis and Adam to be very unbelievable, even for fiction. I simply cannot see Jefferson Davis allying himself with a vampire in order to win the Civil War. One, like Abraham, Davis would have been leery of the idea of associating with a vampire. And two, chances are he probably would have become aware of Adam’s plan of transforming the United States in a land of the undead . . . and automatically oppose it. The only way this scene would have worked is if Davis had been unaware of Adam’s state as a vampire.

My last problem with “ABRAHAM LINCOLN: VAMPIRE HUNTER” turned out to be a costume worn by actor Benjamin Walker, who portrayed Abraham Lincoln. I am, of course, referring to the outfit he wore in the Abraham/Mary wedding scene. Take a look:

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Dear God! What were Varvara Avdyushko and Carlo Poggioli thinking? Abe’s wedding outfit looks like a nineteenth-century version of a high school prom suit, circa 1975. In other words, two periods in time clash in the creation of this God awful suit. It is a good thing that I found their other costumes very impressive.

Despite the above flaws, I still managed to enjoy “ABRAHAM LINCOLN: VAMPIRE HUNTER” very much. After watching the movie, I now regret my reluctance over its premise. The idea of historical figure being utilized as an action character in a supernatural story turned out to be very . . . very original. More conservative minds would probably find such an idea sacrilegious. I recall a co-worker expressing disgust at the idea of someone using Abraham Lincoln as an action figure in a movie. But think about it. In some ways, he was a good choice on Seth Grahame-Smith’s part. Lincoln was a physically impressive man, being tall and strong as a bull. He knew how to wield an ax with the same level as a Musketeer with a sword. More importantly, he was an intelligent man who could be ruthless when the occasion called for it.

I found Grahame-Smith’s use of Nancy Hanks Lincoln’s death and the issue of slavery to create his story of Lincoln and vampires very effective. The screenwriter used the death of Lincoln’s mother to jump start the future president’s alternate profession as a vampire hunter. And I was very impressed by his use of the slavery issue to intensify Lincoln’s interest in the destruction of vampires. In “ABRAHAM LINCOLN: VAMPIRE HUNTER”, the institution of slavery and especially the slave trade is used to provide vampires with easily available humans (namely slaves) to feed upon. The Jack Barts character apparently gathered slaves around the Ohio River (which bordered the upper South) and shipped them to the vampire-owned plantations in the Deep South. This strikes me as a fictional reflection of the large-scale shipments of many upper South slaves to the cotton plantations of the Deep South during the first half of the 19th century in real life. According to Abraham’s mentor, Henry Sturgess, the U.S. slave trade not only gave vampires easy access to “food”, but kept their penchant of seeking victims all over the country under control. This use of slaves as easy victims for vampires led to their support of the Confederate cause during the Civil War.

The transportation of slaves from the Upper South to the Deep South proved to be one of the movie’s historically accurate contributions to the plot. I have to be frank. “ABRAHAM LINCOLN: VAMPIRE HUNTER” is not exactly historically accurate. In reality, William Johnson was a free-born African-American who became Lincoln’s personal valet. The movie overlooked the fact that Lincoln had a much beloved stepmother, and four sons – not one. Also, Harriet Tubman never operated in the Deep South, let alone in Louisiana. And African slave traders did not sell “their own kind” to Europeans, as the vampire Adam claimed in the movie. They sold people they considered to be strangers and especially, foreigners. But . . . this is a movie about a former U.S. president that became a vampire hunter. Would anyone really expect a tale of this sort to be historically accurate? I certainly would not.

But one of the major highlights of “ABRAHAM LINCOLN: VAMPIRE HUNTER” proved to be the mind-boggling visuals created by the special effects team led by Matt Kutcher. These visuals were especially effective in exciting actions sequences that featured Abraham’s final confrontation with Jack Barts on the Illinois prairie, the rescue of William Johnson in Louisiana, the first day of the Battle of Gettysburg and especially the fiery confrontation aboard the train heading for Gettysburg. William Hoy’s editing, Caleb Deschanel’s photography and especially Timur Bekmambetov’s direction really made it happened. Aside from the stomach churning wedding suit, I must admit that I really enjoyed Varvara Avdyushko and Carlo Poggioli’s costume designs – especially for the costumes worn by Mary Elizabeth Winstead. Their costumes, along with François Audouy’s production designs, Beat Frutiger’s art direction and Cheryl Carasik’s set decorations really contributed to the film’s overall look of early to mid-19th century America.

And what about the cast? Benjamin Walker, in my opinion, was a find. A genuine find. I do not know how to put this. The man was perfectly cast as Abraham Lincoln. He possessed the height, the looks (thanks to the make-up department). He had great screen chemistry with his co-stars – especially Dominic Cooper, Anthony Mackie, Jimmi Simpson and Mary Elizabeth Winstead. Walker did not simply walk or stand around, looking like Lincoln. Thanks to a superb performance, he made Lincoln a human being, instead of a walking historical figure. Dominic Cooper added another fascinating performance to his résumé as the enigmatic Henry Sturgess, the individual that taught Abraham Lincoln to be a first-rate vampire hunter. His performance reeked with mystery, wit and wisdom. Cooper’s Sturgess was also a curious mixture ambiguity and moral fortitude that I found very fascinating.

From what I can gathered, the William Johnson character was not featured in Grahame-Smith’s novel. I could be wrong. I never read the book. But I am glad that the author included the character in the movie, giving me a chance to see Anthony Mackie on the screen again. But this is the first time I truly saw him as a character in an action figure and he was superb. I could also say the same for Jimmi Simpson, whom I have grown used to seeing in comedies. He was great as Abraham’s Springfield crony, Joshua Speed, whose interest in Abraham and William’s old friendship led him to become involved in their vampire hunting activities. Mary Elizabeth Winstead was given the opportunity to portray a different Mary Todd Lincoln from the usual portrayals marred by either insanity or cold-blooded ambition. And in the end, she gave a great performance that conveyed the famous First Lady’s intelligence, vivacity and wit. And Rufus Sewell was first-rate as the movie’s main villain, a long-living vampire named Adam, who harbored plans to make the United States a country fit to be dominated by vampires. Sewell also used a Southern accent that I found surprisingly impressive.

As I had stated earlier, “ABRAHAM LINCOLN: VAMPIRE HUNTER” was not a perfect movie. It had a plot hole or two that screenwriter Seth Grahame-Smith had failed to address. The movie’s story also featured an implausible scene featuring a historical figure. But the movie boasted some excellent performances from a cast led by Benjamin Walker and some superb visuals that not only transported moviegoers back to the world of early and mid 19th century America, but also to the supernatural world of vampires. And thanks to Grahame-Smith’s story and Timur Bekmambetov’s stylish direction, the movie began with what many would consider an implausible plot – a historical icon battling supernatural beings – and transformed it into a fascinating tale filled with both fantasy and history. To my surprise, I ended up enjoying “ABRAHAM LINCOLN: VAMPIRE HUNTER” very much.