“MAD MEN” Observations: (3.09) “Wee Small Hours”

After my recent viewing of the Season Three ”MAD MEN” episode called (3.09) “Wee Small Hours”, I came up with the following observations:

“MAD MEN” OBSERVATIONS: (3.09) “Wee Small Hours”

*I think that from the moment Lee Garner Jr. tried and failed to seduce Sal Romano, the latter was screwed no matter what. Even if Harry Crane had immediately informed Roger or Don about Garner’s demand; or if Sal had acted professionally and told not only Don, but Roger on what happened, he was screwed. The client came first. Especially clients like Lee Garner and Conrad Hilton, who were too powerful to ignore. As I recall that back in Season One, even Don had to apologize to Rachel Menken for his outburst, despite the fact that she had yet to become an official client. Even worse, I doubt that Roger Sterling, Bert Cooper or the firm’s British owners would have been tolerant of Sal’s sexual orientation.

*I have read a few posts on Betty’s aborted affair with Henry Francis. I find it interesting that so many were disappointed that she did not go ahead with the affair. In fact, they had harshly criticized her . . . which I found rather odd. Even more interesting was that some of the fans were demanding to know what she really wanted. Henry also seemed to be wondering. Judging from her disappointment with her marriage to Don and the belief that Henry simply wanted an affair, I suspected that what Betty really wanted was a meaningful relationship with someone. That would explain the letters she had exchanged with Henry, her anger at Don for keeping her in the dark about his contract problems, and her tears following the dinner with the Barretts in Season Two of (2.03) “The Benefactor”. And when she visited Henry’s office, she began to suspect that she was never going to receive one from him, anymore than she was ever going to receive one from Don.

*Despite Betty’s remark about civil rights, Carla was one lucky woman. At least in Season Three. She could have easily found herself in the same situation as Sal by the episode’s end. All Betty had to do was fire her and lie to Don about her reasons for firing Carla. Unless she feared that Carla would retaliate by telling Don about Betty’s meeting with Henry Francis. That is the only reason I could find why Carla remained employed.

*I also find it interesting that fans and the media lobbied criticisms at Betty for her remark about the Civil Rights Movement. I found it interesting and a little hypocritical. One, of course Betty would make such a remark. She was a white female from a privileged background. She was also a conservative, although a moderate one. She had called Carla “girl” when referring to the latter during a phone call with Henry. What did those fans expect? Yet, many fans made excuse after excuse for Joan’s unnecessary and racist remarks to Sheila White back in Season Two’s (2.02) “Flight”.

*After this last viewing, it seemed to me that Peggy look slightly smug after Connie Hilton made it clear that he disapproved of Don’s presentation. Mind you, I was not that impressed by it, either. It seemed a bit too simple and infantile for my tastes. And it failed to invoke the glamour of travel, while maintaining the message of American values. Well . . . at least to me.

*How many times did Don assume an aggressive stand when a client failed to be impressed by his work? Why did he do this? Was this Don’s way of intimidating a client into accepting his work? I still recall him pulling this stunt with Rachel Menken back in Season One’s (3.08) “The Hobo Code”, which angered her in the process. He also pulled this stunt with the client from Belle Jolie and succeeded. Then he tried it with Conrad Hilton and failed. The fans ended up expressing anger at Hilton. I found myself feeling slightly sympathetic toward him. After all, he was the client. If he did not like Don’s presentation, he did not like it. Don’s slight temper tantrum seemed a bit uncalled for.

*Pete hacking up a storm after taking a puff on a Lucky Strikes cigarette struck me as hysterical. So did the scene in which Betty threw the money box at Henry.

*Despite the British ownership of Sterling Cooper, it seemed obvious that Roger was still a force at the firm. But considering how the British regard him, I wonder how long this would have lasted if he, Don, Lane Pryce and Bert Cooper had not created their own firm at the end of Season Three.

*Don and Suzanne – to this day, I failed to see the chemistry. In fact, Miss Farrell seemed like a second-rate version of Rachel Mencken, but with a less stable personality. I realize that Don also wanted a meaningful relationship in his life . . . but Suzanne Farrell? Someone who had recently been his daughter’s teacher? What made Don’s affair with Suzanne even more troubling was that he seemed to be using her as some kind of drug. He had suffered rejection from a man he was beginning to view as a parent figure and turned to Suzanne for comfort.

*When I first saw this episode, I wondered if it would mean the end of Sal Romano on ”MAD MEN”. Sadly, I was right. It was.

“X-MEN” Movies Ranking

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Below is my ranking of the movies I have seen from the “X-MEN” film franchise.  Warning: many may not agree with it:

“X-MEN” MOVIES RANKING

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1. “X2: X-Men United” (2003) – Bryan Singer directed this film about Army colonel William Stryker’s plans to use Professor Charles Xavier to destroy the world’s mutant population once and for all. As you can see, this is my favorite in the franchise.

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3. “X-Men: First-Class” (2011) – Matthew Vaughn directed this tale set in 1962 about the first meeting between Charles Xavier “Professor X” and Erik Lensherr “Magneto”, their creation of the X-Men and their efforts to prevent mutant villain Sebastian Shaw from using the Cuban Missile Crisis to acquire world domination. Despite the questionable costumes and a few plot holes, this was a big favorite of mine.

x-men 3 the last stand

3. “X-Men: The Last Stand” (2006) – Brett Ratner directed this tale about the X-Men overcoming tragedy to deal with the resurrected and more powerful Jean Grey and Magneto’s continuing war on non-mutant humans. Many fans hated this film. I enjoyed it, although I found the pacing a bit too rushed. Enough said.

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4. “X-Men Origins: Wolverine” (2009) – Gavin Hood directed this movie about the origins of James Howlett aka the Wolverine and his relationship with his murderous half-brother Victor Creed aka Sabertooth and his first class with William Stryker in the 1970s. Another movie hated by the fans. And again, I enjoyed it, although I consider it lesser than the 2006 movie.

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5. “X-Men: Days of Future Days” (2014) – Directed by Bryan Singer, this movie is a time-travel adventure for Wolverine, who must convince a younger Charles Xavier and Erik Lensherr to prevent Mystique from murdering a anti-mutant scientist, whose work will prove deadly for mutants within a half century. Great premise, but shaky execution. Too many plot holes, but still enjoyable.

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6. “The Wolverine” (2013) – James Mangold directed this atmospheric tale about Wolverine, still grieving over a recent tragedy, traveling to Japan to meet the Wolverine heading to Japan for a reunion with a soldier named Ichirō Yashida whose life he saved during the Nagasaki bombing at the end of World War II. He ends up defending Yashida’s granddaughter from the Yakuza and her avaricious father. Great Japanese atmosphere and interesting beginning, but it nearly fell to pieces in the last half hour.

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7. “X-Men” (2000) – Bryan Singer directed this first movie in the franchise about Wolverine and a young Marie aka “Rogue”’s introduction to the X-Men and their efforts to defeat Magneto’s plans to transform the entire population into mutants against their will. Enjoyable, but it felt like a B-movie trying to disguise itself as an A-lister. Also, too many plot holes.

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8. “Deadpool” (2016) – Ryan Reynolds starred in this reboot of the Deadpool character about the comic book hero’s origins and his hunt for the man who gave him an accelerated healing factor, but also a scarred physical appearance. Despite the sharp humor and fourth wall cinematic device, the narrative struck me as sloppily written and mediocre.

The Future and Past Mrs. Don Draper

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I first wrote this article following the airing of the Season Four “MAD MEN” episode called (4.13) “Tomorrowland”:

 

THE FUTURE AND PAST MRS. DON DRAPER

As many fans know, (4.13) “Tomorrowland”, the Season Four finale of “MAD MEN” revealed Don Draper aka Dick Whitman proposing marriage to his secretary, Megan Calvert. And she said yes. Megan is just as beautiful as Betty. She is younger and seemed to be a better parent than the former Mrs. Draper.

Some fans have criticized Don for dumping the pragmatic Faye Miller for the superficially satisfying Megan. Some have waxed lyrical over Don’s new choice, claiming that she will prove to be the perfect addition to the Draper family. I suspect that whatever misgivings some fans have about Don’s engagement to Megan, many of them will fall in love with her during Season 5. Why? Because I have a deep suspicion that series creator Matt Weiner will portray Megan as the perfect wife/mother. She will not only be willing to accept Don as he is and not be concerned with his Dick Whitman persona, she will also be portrayed as the perfect stepmother for the Draper kids.

I suspect that these fans will especially love Megan for being the perfect stepmother, because we live in a society that believes the perfect mother is one that indulges her children, not discipline them. Weiner will make sure to portray Megan in the way many wanted Betty to be portrayed – as the perfect early 21st century mother in a story set in a mid 20th century tale. I have noticed his tendency to kowtow to fans’ demands of how they perceive certain characters.

As for Betty, I never thought she was a monstrous mother. I have always viewed her as a conventional and somewhat mediocre parent. I also suspect that Betty was having a difficult time dealing with her divorce from Don, and the fact that she spent ten years with a man who had been lying to her from Day One. That was why she was having a meltdown in during Season Four. The problem is that our society seem to frown upon people having emotional difficulties in life. We would prefer if everyone behaves perfectly or as if we are not having any personal problems . . . all the time. Especially mothers.

Many have accused Betty of harboring this same attitude and trying to project this image of perfection. And they would be right. But these same fans seemed willing to ignore the fact that most of the series’ characters are also like this. In fact, I suspect that many of the show’s fans are like this, as well. They criticize Betty for trying to project a perfect image . . . and failing; yet they ignore this trait in the other characters. More importantly, they ignore this trait in humanity. They seemed to be unaware of their intolerance toward Betty’s flaws and their demands that she behave like the perfect mother. Quite frankly, I find this behavior a lot more disturbing than Betty’s or that of the other characters.

Post-Scipt:  Don’s marriage to Megan ended in divorce after four to five years.  Don’s return to his infidelity and Megan’s attempt to become an actress (which failed) killed the marriage.

Five Favorite “MAD MEN” Season Three (2009) Episodes

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Below is a list of my top five (5) favorite episodes from Season Three (2009) of “MAD MEN”. Created by Matthew Weiner, the series stars Jon Hamm:

FIVE FAVORITE “MAD MEN” SEASON THREE (2009) Episodes

1 - 3.11 The Gypsy and the Hobo

1. (3.11) “The Gypsy and the Hobo” – Don’s past finally catches up with him when Betty confronts him about his identity theft. Roger Sterling meets a former client/lover who wishes to rekindle their affair. And Joan discovers that her husband, Greg Harris, has joined the Army after failing to start a medical career in New York.

2 - 3.12 The Grown Ups

2. (3.12) “The Grown Ups” – The assassination of President John Kennedy serves as the backdrop of the wedding for Roger’s daughter and the final breakup of the Draper marriage.

3 - 3.07 Seven Twenty-Three

3. (3.07) “Seven Twenty-Three” – Don’s attempts to land the Conrad Hilton account leads to him being blackmailed by Bert Cooper to sign a three-year contract with Sterling Cooper. Peggy begins an affair with former Sterling-Cooper Accounts Head, Duck Phillips. And Betty expresses interest in the Governor’s aide, Henry Francis, when she becomes involved in civic politics.

4 - 3.06 Guy Walks into an Advertising Agency

4. (3.06) “Guy Walks into an Advertising Agency” – A visit by the British owners of the Sterling Cooper agency and an account involving a motorized lawn motor results in mishap and bloodshed.

5 - 3.09 Wee Small Hours

5. (3.09) “Wee Small Hours” – An executive from Sterling Cooper’s client, Lucky Strikes, demands that the agency fire art director Sal Romano after the latter rejects the executive’s sexual advances. Betty grows closer to Henry Francis and Don begins an affair with Sally’s teacher, Suzanne Farrell.

Top Five Favorite “MAD MEN” Season Two (2008) Episodes

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Below is a list of my top five favorite Season Two episodes of AMC’s “MAD MEN”:

TOP FIVE FAVORITE “MAD MEN” SEASON TWO (2008) Episodes

1 - 2.08 A Night to Remember

1. (2.08) “A Night to Remember” – During this game-changing episode, copywriter Peggy Olson agrees to help a friendly priest named Father Gill create a promotion for a Church-sponsored dance. Office manager Joan Holloway helps Television Advertiser Harry Crane read new television scripts and discovers that she likes the job. Still reeling from comedian Jimmy Barrett’s revelation of Don Draper’s infidelity, Betty Draper helps her husband with an important business dinner, before she later confronts him about his affair with Bobbie Barrett.

2 - 2.05 The New Girl

2. (2.05) “The New Girl” – Don and Bobbie heads out of the city for a night together, before getting into a traffic accident. Don recruits Peggy to help him cover up the incident. Meanwhile, a new Sterling-Cooper secretary named Jane Siegel begins working for Don.

3 - 2.04 Three Sundays

3. (2.04) “Three Sundays” – Over the Easter holidays, Don and Betty clash over the discipline of their son Bobby. Peggy meets the new family priest, Father Gill. And Head of Advertising Duck Phillips recruits the agency in an effort to win over American Airlines as a new client.

4 - 2.07 The Gold Violin

4. (2.07) “The Gold Violin” – Art director Sal Romano develops a case of unrequited attraction for Accounts man Ken Cosgrove. Joan and Jane clash over an incident regarding a new painting in owner Bert Cooper’s office. And Betty learns about Don’s affair with Bobbie Barrett at a media party, thanks to her husband Jimmy.

5 - 2.09 Six Month Leave

5. (2.09) “Six Month Leave” – Owner Roger Sterling leaves his wife for Jane Siegel. Senior copy Freddie Rumsen’s alcoholism spirals out of control. And the death of Marilyn Monroe has an impact upon the firm’s female employees.

Top Five Favorite “MAD MEN” Season One (2007) Episodes

Below is a list of my top five favorite Season One episodes of AMC’s “MAD MEN”:

 

TOP FIVE FAVORITE “MAD MEN” SEASON ONE (2007) Episodes

1 - 1.12 Nixon vs. Kennedy

1. (1.12) “Nixon vs. Kennedy” – In this superb episode, Sterling-Cooper’s employees have an all-night party to watch the results of the 1960 Presidential Election. Also, Pete Campbell discovers that Don Draper’s real name is Dick Whitman, who had been officially declared dead during the Korean War.

2 - 1.10 The Long Weekend

2. (1.10) “The Long Weekend” – During the Labor Day weekend, Roger Sterling decides to cheer up Don over the loss of a client by arranging a double date with twins. During the date, he suffers a heart attack. Meanwhile, Joan Holloway has a double date with her roommate and two out-of-town businessmen.

3 - 1.05 5G

3. (1.05) “5G” – In this poignant episode, Don receives an unwelcome visitor in the form of his half-brother, Adam Whitman, whom he had not seen since the Korean War. And when Ken Cosgrove gets his short story published in a magazine, a jealous Pete asks wife Trudy to convince an old boyfriend to publish his story.

4 - 1.01 Smoke Gets in Your Eyes

4. (1.01) “Smoke Gets in Your Eyes” – The series’ pilot episode introduces Manhattan advertisement executive Don Draper and his co-workers at the Sterling-Cooper agency, as he struggles to maintain Lucky Strike as a client for the agency.

5 - 1.09 Shoot

5. (1.09) “Shoot” – A larger ad agency tries to lure Don from Sterling-Cooper by hiring wife Betty Draper for a modeling job. Meanwhile, Pete devises a strategy to help the Nixon campaign.

A Letter to Matthew Weiner

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A LETTER TO MATTHEW WEINER

Dear Matthew Weiner,

I just watched the latest episode of “MAD MEN”, (7.13) “The Milk and Honey Route”, and discovered that Betty Francis was doomed for a quickie death from lung cancer. And all I can say is . . .

FUCK YOU.

Fuck you for this piece of contrived writing that came out of the blue, due to your neverending desire to surprise the viewers. It’s bad enough that you wasted Betty’s nearly decade-long character development with impending death. But you decided to kill her off in the same manner as Don’s former mistress, Rachel Katz. How unoriginal can you be?

This whole story arc disgusted me, because it seemed as if you had pulled it out of his ass and dumped it on the viewers without warning. I guess a quick death by lung cancer was your idea of Betty “developing” into a mature character. I should have known better, considering you are a man who found it realistic that a 21 year-old secretary with no college education can be promoted to a junior copywriter afterEIGHT MONTHS of work experience, but found the idea of a black copywriter or accounts exec in the 1960s unrealistic . . . despite the fact that such people actually existed. This was a supreme example of your inability to create complex minority characters. And your idea of a FBI background investigation (in Season Four) was so ridiculous that I am still shaking my head in disgust.

After the contrived writing that surrounded Peggy Olson’s original job promotion in(1.13) “The Wheel”, the dumb ass FBI “investigation” of Don Draper in Season Four and your inability to create and write complex minority characters, I realized that I had enough. So again . . .

FUCK YOU.

The Worship of Sally Draper

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THE WORSHIP OF SALLY DRAPER

The following words regarding a certain character on the AMC series, “MAD MEN” is bound to result in me receiving a good deal of hostile responses … or none at all. I am so sick to death of fans putting Sally Draper on a pedestal.

I am sick of it. Ever since Season Three, when show creator Matthew Weiner made her a more prominent characters, fans have been putting a character that aged from nine to sixteen on a pedestal. Why, I have no idea . To me, there is nothing special about Sally. She has always struck me as a typical kid who will probably grow up with her own set of virtues and bullshit … just like her parents, her siblings, and nearly every other character on this show.

After the latest episode, (7.10) “The Forecast” aired, I managed to encounter two articles that waxed lyrical over Sally. In one of them, “MAD MEN: Viva la Sally Draper”, author Julianne Escobedo Shepherd claimed that Sally will be forced to spend the rest of her life overcoming her parents’ personalities. Now, I realize that neither Don Draper aka Dick Whitman or Betty Draper Francis are perfect. In fact, they are far from perfect … like every other character on this damn show. Including one Sally Draper.

Watching Sally in “The Forecast” made me realize how ridiculous are those claims that Sally is more mature than her parents. Do not make me laugh. I saw that Sally was unable or unwilling to cast any blame on her old friend, Glen Bishop, after she witnessed his reunion with Betty.  Ten years earlier, Glen commenced upon an infatuation for Sally’s mother that apparently has yet to abate. But instead of commenting on Glen’s obvious attempt to flirt with Betty, Sally went into a tailspin over Betty’s friendly response to Glen. Later in the episode, Sally had dinner with Don and her friends at a restaurant, in which one of her friends began flirting with Don. Who responded with a good deal of friendliness without making a scene. In the end, it was Sally who made a scene by blaming Don for the exchange and ignoring her friend’s attempt at flirtation.  The fact that Sally was unwilling to blame her friends for what happened between them and her parents, only tell me that not only is she still immature, but also a world-class scapegoater.

In The Washington Post article called “MAD MEN: Is Sally Draper Our Last Hope For Change?”, author Soraya Nadia McDonald speculates on whether the character will become some symbol of change on the show. Duh! Sally is the youngest major character on this damn show. By 2015, she will be at least 61 years old. Of course she is the future for a show in which the setting ends in 1970. However, this also means that whatever Sally manages to achieve with her life, she will still have to deal with her frustrations, disappointments and especially her own personal flaws. These personal flaws may or may not affect others. They will certainly affect her. And those flaws will be with Sally until the day she dies or when “MAD MEN” goes off the air.

I have notice in this latest article on how McDonald went out of her way to insult both Don and Betty … and at the same time, put Sally on a pedestal. I swear … both the media and the fans seemed to regard Sally in the same manner in which Mildred Pierce regarded her daughter Veda. Through rose colored glasses. These same fans have a penchant for ignoring Sally’s penchant for scapegoating. I first became aware of this problem back in Season Four, when she solely blamed Betty for the end of the Drapers’ marriage. Sally possesses other flaws – namely her penchant for bullying – especially her younger brother Bobby; her “sass”, which makes her a world-class needler in my eyes; and her slightly cruel sense of humor. Sally reminds me of certain classmates from young years in elementary and high school whom I heartily disliked or I had regarded with a good deal of wariness. But if there is one person whom Sally reminds me of … it is her paternal grandfather, Archie Whitman.

This is the character who is supposed to be the series’ “Great White Female Hope”? Sally Draper? A character, whose flaws are constantly ignored by the “MAD MEN” fandom? There are some who are talking about a spin-off featuring Sally as an adult. Honestly? That is one show I will never watch. How can I drum up the interest to watch a series about a character I have never harbored a high opinion of in the first place? What I am trying to say is that in the end, I am getting sick and tired of the“Glorification of Sally Draper”. The sooner “MAD MEN” is off the air, the less chance I have of encountering this phenomenon. God, I hope so.

 

“MAD MEN”: “Wanted or Not – An ‘Emancipated’ Divorcee”

I wrote this article not long after the end of Season Three of “MAD MEN”:
“MAD MEN”: “Wanted or Not – An ‘Emancipated’ Divorcee”

One of the events of the Season Three finale of ”MAD MEN”(3.13) “Shut the Door. Have a Seat” turned out to be Betty Draper’s decision to file a divorce from the series’ main protagonist, Don Draper. Acting as Betty’s main supporter throughout this upheaval was her almost paramour Henry Francis.

Betty had first met the aide to New York’s Republican governor, Nelson Rockefeller, in the third episode, (3.03) “My Old Kentucky Home”. In the episode, Henry he had asked to touched her belly, while she was still pregnant with young Eugene. Betty gave him permission and a silent spark of attraction ignited between the two. They met for the second time in (3.07) “Seven Twenty-Three”, when Betty was asked by her colleagues in her local Junior League to seek his help in preventing the installation of a huge water tank that will drain the scenic local reservoir and mar the landscape. Henry managed to briefly come to her aid in the following episode, (3.08) “Souvenirs”. By the ninth episode, (3.09) “Wee Small Hours”, the pair was ready to have an affair. Until Betty realized that she did not want to engage in a tawdry affair that involved sex in hotel rooms or behind the closed doors of Henry’s office. When they had met at the wedding reception for Roger Sterling’s daughter, Margaret, in (3.12) “The Grown Ups”; it was apparent that the two had remained attracted with one another.

When Betty finally decided to seek a divorce from Don in the season finale, many noticed that Henry was by her side when she visited a divorce lawyer and when she flew to Reno, Nevada for a divorce. The hostility toward Henry’s presence was strong amongst the fans. It was not long before assumptions about the relationship between Betty and Henry appeared on various blogs and message boards about ”MAD MEN”. Many fans insulted Henry with a variety of names. Others insulted Betty. Fans expressed belief that Henry would end up treating her as a trophy wife, just as Don had during the past decade. More importantly, many accused Betty of being nothing more than a spoiled Daddy’s girl who turned to Henry, because she needed a ”father figure” to dictate her life. The fact that Henry had been seen at her side during a meeting with a divorce lawyer, and during the flight to Reno seemed to be solid evidence to them. And Henry’s advice that Betty dismiss any divorce settlement from Don in order to keep him out her life was another piece of evidence in their eyes. But I wonder. Do any of these fans really know what Betty wants? Or were they merely expressing their disappointment that she had failed to follow a path that they had desired? Is their hostility based upon their disappointment that she did not become a single divorcee like Helen Bishop . . . or that she had failed to reconcile with Don and try to repair their heavily damaged marriage?

I find it interesting that fans had heaped a great deal of disappointment and hostility upon Betty for failing to become the epitome of the new “independent” woman. No one had complained when Joan Hollway had married her doctor fiancé, Greg Harris, after he had raped her in (2.12) “The Mountain King”. Nor did they bash Joan’s character when she finally left Sterling Cooper to become a wife only in (3.06) “Guy Walks Into an Advertising Agency” The ironic thing is that Joan had expressed a desire for a life with kids and a husband in the suburbs since the series began. She wanted to be a pampered housewife adored by her husband. Instead, she ended up with Greg Harris, who turned out to be a less than talented surgeon. Worse, he was incapable of kick starting a career in psychiatry after failing a job interview. Now, Joan is now forced to become a career woman, again. In (2.11) “The Gypsy and the Hobo”, Greg had decided to continue his career in surgery . . . as a U.S. Army officer. And there is a chance that he might end up in Vietnam. Although Joan expressed relief that she managed to find a permanent job again, with the newly formed Sterling Cooper Draper Pryce Agency, I cannot help but wonder how she feels about her failure to become a suburban housewife of a successful careerist. Perhaps deep down, Joan had always wanted to remain a career woman. But she had allowed society to dictate her wants, just as Betty has. What will the future bring for Joan? Will she still desire the life that Betty had with Don? Or will she finally wise up and realize that that living the Suburban Dream was never really for her . . . with any man?

And what about Betty? It seemed unrealistic to expect her to become the “liberated” woman so soon after her breakup with Don. Considering Betty’s upper class background and non-conformist personality, I do not see that happening this soon in the series. After all, Season Three has just ended. Personally, I suspect that Betty might still be too scared to consider a life independent of men, or have a man in her life and at the same time, create her own lifestyle. Perhaps it will take the Women’s Movement in the 1970s for Betty to become that woman. Perhaps she will end up as another Betty Ford, an activist who managed to have a lasting marriage with a Republican politician. Then again, I do not even know if Betty will ever become the type of “liberated” woman that many seem to demand that she become. But I refuse to make any assumption on how Betty’s life will turn out. That would take a great deal of arrogance or hope on my part.

And I believe there is nothing wrong with wanting another man in one’s life. Of all the divorced or separated female characters on the show managed to move on with new men in their lives. Helen Bishop’s new paramour ended up creating resentment within her son, Glen. Mona Sterling had already found someone new by (3.02) “Love Among the Ruins”. Last season’s (2.06) “Maidenform” revealed that Duck Phillips’ ex-wife was about to remarry.

That Betty would hook up with Henry Francis does not seem all that surprising, considering their history in Season Three. The question remains on whether Henry will prove to be another Don Draper who ends up treating her as a trophy wife. Some fans seem to assume that will happen. Frankly, I have no idea. In some ways, Henry seems a lot like Don. In other ways, he seems different from Don. In the end, I believe that only Matt Weiner knows how this relationship will turn out.

“MAD MEN”: “The Times They Are A-Changin'”

“There’s a battle outside; And it is ragin’
It’ll soon shake your windows And rattle your walls
For the times they are a-changin’.” – “The Times They Are A-Changin”
(recorded by Bob Dylan on October 24, 1963)

“MAD MEN”: “The Times They Are A-Changin'”

Not long after I had watched the Season Three episode of “MAD MEN” called (3.12) “The Grown Ups”, I walked into a pizza eatery and heard a song being played on the jukebox. To my surprise, it was an old Bob Dylan song called “The Times They Are A-Changin'”. I could not help but feel that it could have been an appropriate song for this particular episode.

Although series creator Matthew Weiner had claimed he wanted to avoid airing an episode about President John F. Kennedy’s assassination on November 22, 1963; I never saw how he could avoid the topic in the first place. Not only was the Kennedy assassination one of the major events of the 1960s, but one in this country’s history. And one of the series’ major themes is supposed to be the changing social mores of 1960s America.

The interesting thing about ”The Grown Ups” – at least for me – was how certain characters reacted to the assassination. Someone on one of the ”MAD MEN” websites had brought up a comment that the series lead character, Don Draper aka Dick Whitman, had made about a funeral in which he had participated in the Season One episode, (1.10) “The Long Weekend”:

”I remember the first time I was a pallbearer. I’d seen dead bodies before. I must have been fifteen. My aunt. I remember thinking, ‘They’re letting me carry the box, they’re letting me be this close to it, they’re not hiding anything from me now.’ And then I looked over and I saw all the old people waiting together by the grave and I remember thinking I, I just moved up a notch.”

Judging from the above comments, Don seemed to view his participation in this funeral as a sign that the adults in his life considered him mature enough to accept death and the changes it brings in the lives of many. His comments also made me wonder how the characters and the title of last Sunday’s episode. Who exactly were ”the grownups”? Were they characters like Don, Roger Sterling, Mona Sterling, Peggy Olson and Joan Harris; who seemed the least shaken by Kennedy’s assassination? Or were they characters like Pete and Trudy Campbell, Betty Draper, Jane Sterling and Bert Cooper, who not only seemed profoundly shaken by Kennedy’s death, but aware that the event might be a sign of the social upheavals to come?

JFK’s assassination seemed to have a very interesting impact upon many of the series’ characters. For Pete Campbell, the assassination encouraged both him and Trudy to realize that he was wasting his time at Sterling Cooper. Earlier in the episode, Lane Pryce had informed him that Ken Cosgrove had won the battle for the position of Sterling Cooper’s Head of Accounts. Although he managed to keep his disappointment in check in front of the Englishman, Pete allowed his feelings to finally pour out in front of Trudy. When he informed that he plans to take up Duck Phillips’ offer for a position at Grey’s, Trudy informed him to hold back on that decision and remain at Sterling Cooper. Then came the assassination. Both of the Campbells were not only shocked by the event, Pete saw it as a sign that society was about to change. In his odd way, Pete has had a talent for realizing that the world is changing. He was the one who saw Kennedy as a potential head of state. And he was the one who was willing to view African-Americans as consumers to be targeted – a concept that that the old-fashioned Sterling Cooper executives had frowned upon. When he and Trudy learned that the Sterlings planned to go ahead with Margaret Sterling’s wedding on the following day, the couple found the whole thing distasteful and decided not to attend the wedding. More importantly, Trudy encouraged Pete to go ahead and consider leaving the firm. Perhaps they had both finally realize that Pete could no longer pretend that nothing has changed.

I believe that other ”MAD MEN” characters were aware of the possible impact of John Kennedy’s assassination. But whereas some wanted to pretend that nothing will really change, others seemed certain that changes are in the air. During Margaret Sterling wedding reception, her stepmother Jane Sterling and Bert Cooper seemed pivoted to the hotel kitchen’s television set during the media’s coverage of the assassination and its immediate aftermath. Cooper seemed to have become increasingly aware of the changes that were affecting the country. I believe it had began with the sale of Sterling Cooper to the Putnam Powell and Lowe, a British firm in the Season Two finale, (2.13) “Mediations on an Emergency”. It continued with him facing the death of a former colleague and Sterling Cooper’s 40th anniversary in (3.10) “The Color Blue”. While watching him remain glued to the television set during the wedding reception, I wonder if the assassination might prove to be the last straw for Bert Cooper. And how will he react in the months and years to come? Will he wither away, longing for the days when he was younger and social values were different? Or being the pragmatic man he has shown to be in the past, will he learn to go with the flow?

Many fans have commented that Jane Sterling, nee Siegal, is too young for Roger Sterling. Perhaps. However, I find this sentiment rather interesting, considering that many viewers have been fans of the Roger Sterling/Joan Holloway affair . . . and Joan is at least two decades younger than Roger. But Jane was barely 20 years old when she first met Roger in (2.05) “The New Girl” and 21 years old, this season. As she had pointed out, she was not old enough to vote for Kennedy back in 1960. So far, she has been portrayed as a young and immature trophy wife for Roger. And he seemed to treat her more as a child than his spouse, as his reaction to her attempt to befriend Margaret proved. But like Cooper, Jane’s attention became glued to the hotel kitchen’s television. Many fans accused her of using the assassination news to ignore Margaret’s reception. I disagree. I believe that Jane was not watching the news just to ignore the wedding celebrations. The assassination had made an impact upon her, just as it has obviously made an impact upon Bert Cooper. Once more, Roger treated her as a child and tried to pull her away and shield her from the media coverage . . . just as Don tried to do the same to Betty, Sally and Bobby. Jane refused to allow Roger to pull her away. The assassination bothered her and she was being honest about it. I am not saying that Jane is a fully mature character. After all, she is only 21 years old. But considering her reaction to Roger trying to pull her away from one of the hotel’s TVs, I suspect that sooner or later, Roger will no longer have a child bride on his hands. And I cannot help but wonder how long Jane will remain with him.

Duck Phillips had an interesting reaction to the assassination. After calling Peggy Olson for an assignation at a hotel room, he heard the news of the events in Dallas on the television. Duck expressed silent shock before ripping the television’s extension cord from the wall. Then Peggy appeared. Many fans saw this as a sign of Duck using Peggy for his own nefarious means. When their affair had first started in (3.07) “Seven Twenty-Three”, fans were claiming that Duck was using Peggy to get even with Don for his termination from Sterling Cooper last season. Considering that Peggy has not left Sterling Cooper, fans are now claiming that Duck is using Peggy as some kind of addiction. Frankly, I no longer care. I am getting tired of these bigoted remarks about Duck. I realize that he is not perfect. But he is no more or less flawed than the other characters. I also get the feeling that fans have not forgiven him for abandoning his dog in (2.06) “Maidenform” and continue to view him as some kind of slimy villain. As for his actions regarding the hotel room’s television, I believe that the assassination had upset him so much that he tried to turn away from it and continue his assignation with Peggy. But even after they had sex, he realized that he could not run away from it. Duck told Peggy what he had done and turned the TV back on. The interesting result to all of this is that he – quite rightly – thought about his kids and wanted to check on them. On the other hand, I found Peggy’s reaction to the assassination rather interesting. She seemed a little put out by her family’s reaction to the news and went to the office to hide from the media coverage by working. This reminded me of her reaction to Marilyn Monroe’s death. I wonder if Peggy is slowly becoming a Don Draper. If not, good. But if she is, I cannot view this as a good thing.

For the Drapers, I think the assassination made Betty realize that the world is changing and that it was useless to pretend otherwise. Don tried to shield his family from the bad news and pretend that everything was going to be okay. Even Joan Harris had pointed this out to Roger Sterling during a telephone conversation that the world will continue, despite traumatic events like the assassination. And in a way, both Don and Joan were right. Life will continue. But the two characters also failed to see the long term affect that the assassination would have on American society. Betty seemed to feel that life as she had known it will change. Which would explain why she had no qualms about Sally and Bobby watching the news about JFK’s death. As she had pointed out to Don, what was the purpose of trying to shield them from the news. And I think the assassination made her confront that she no longer has a marriage. Or perhaps she never had one.

I have always suspected that Don and Betty never really loved each other when they first got married. Both had married each the other for superficial reasons. Betty tried to maintain the marriage by pretending to be the perfect housewife and making attempts to emotionally connect with Don. She also fooled herself into believing that a third child might finally improve their marriage. Don simply tried to maintain the status quo as successful professional man and suburban husband/father. Whenever things went wrong with Betty – her discovery of his communications with her psychiatrist, her discovery of his affair with Bobbie Barrett, her kicking him out of the house and finally her discovery of his identity as Dick Whitman – Don tried to be the perfect husband/father and pretend that all is right with the world. I found myself recalling his comment in (2.08) “A Night to Remember”, when he told Betty that he doesn’t want to lose “this”, following her confrontation about Bobbie Barrett. There is a good chance that he might be in love with Suzanne Farrell. But I suspect that he harbored doubts that she could be the perfect social wife that he feels Betty can be. But the assassination and other events of the year, like her discovery of Don’s true identity may have finally made Betty realize that her marriage is a lie. I suspect that Don’s attempts to placate her over the assassination may have been the last straw. Even Sally had failed to buy Don’s reassurances that everything is going to be all right, by a strange look she had given him. I feel that Betty is tired of living the lie. I feel that she is tired of being a“housecat”. Her dream in (3.05) “The Fog” made me wonder if she would ever start to reject that role. I think her confession to Don that she no longer loved him made me suspect that she has had enough. When will Don realize that he has only loved the idea of Betty and not the woman, herself?

I might as well say it. I believe that ”The Grown Ups”, like the previous episode, (3.11) “The Gypsy and the Hobo”, is one of the best episodes from the first three seasons of ”MAD MEN”. Some believed that showing the assassination on the series was pointless. They suspected Weiner would allow Don and Betty’s marriage as it did in the past and everything else would continue without any true change. Weiner proved them wrong. Because in the end, ”The Grown Ups” and other episodes from late Season Three proved to be the catalyst for more changes when the series moved deeper into the 1960s.