The Great “ONCE UPON A TIME” Costume Gallery

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Below is a gallery featuring the costumes designed by Eduardo Castro for the first two seasons of the ABC series, “ONCE UPON A TIME”. Do not expect to find Jennifer Morrison, Jared S. Gilmore, Eion Bailey or others performers not featured in any of the Fairy Tale Land flashback sequences:

 

THE GREAT “ONCE UPON A TIME” COSTUME Gallery

The Ladies

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The Men

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“ONCE UPON A TIME: Making Excuses”

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“ONCE UPON A TIME: MAKING EXCUSES”

For those of you who believe that Emma Swan did the right thing by killing Cruella de Vil in the “ONCE UPON A TIME” Season Four episode, (4.18) “Sympathy For the de Vil” . . . I could not disagree with you more.

Emma could have used another way to save her son, Henry Mills, from Cruella. She could have teleported him from Cruella’s grasp. She could have teleported Cruella’s gun. Someone on FANFORUM.COM had pointed out that Emma could have saved Henry . . . and not kill Cruella. After all, she managed to stop Zelena aka the Wicked Witch of the West from killing Henry in (3.19) “A Curious Thing”. Yet, she could not have done the same with Cruella in (4.18) “Sympathy For the de Vil”? What made Emma’s action even more problematic is that she did not even warn Henry that she was about to attack Cruella. She just did killed the latter . . . magically shoved her over a cliff. If Henry had not ducked, there is a good chance he would have been dead, as well.

I have written a good number of articles criticizing Emma and other members of the Charming family. And there is a reason why. Many fans like are ALWAYS making excuses for their more questionable actions. The only reason these same fans are now being critical about Snow and David’s actions toward Maleficent’s baby, revealed in (4.16) “Best Laid Plans”, is they had lied to Emma about what they had done. They revealed that they were not as “noble” as Emma – and many fans – originally believed they were.

A lot of fans like to pretend that Emma and Snow did nothing wrong, when the latter tried to kill Mulan in (2.08)“Into the Deep”. So do show runners Adam Horowitz and Edward Kitsis. They have made sure that both Snow and Emma have never paid the consequences for their actions . . . or lack of action in that episode. Many fans have claimed that Snow only attacked Mulan during their fight, after the latter was prevented from stealing away with a magical compass that would have taken them from the Enchanted Forest and back to Storybrooke. What happened was the following . . . Snow and Mulan fought. Snow won and held down Mulan. Mulan told Snow and Emma that she took the locket to save Aurora. Snow lost her temper and decided to kill or maim Mulan anyway. Aurora stopped Snow. Emma did nothing but looked on. She never lifted a finger or raised her voice to stop Snow from a murder attempt.

Many fans still make countless excuses for Snow’s murder of Cora in (2.16) “The Miller’s Daughter”. In fact, they still react the same way as Emma did, when she tried to make excuses for Snow by using Cora’s murderous actions. Snow was not concerned about saving Storybrooke. She wanted revenge against Cora for the murder of her mother, Queen Eva. And she used a cruel way to get her revenge. That is why David was upset at what she had done. He had even offered to kill Cora himself . . . to save Snow’s moral compass and the town. Snow rejected his offer and proceeded to get her revenge anyway. And Emma could not handle the truth when Snow told her why she had killed Cora. These same fans still cannot handle the truth.

Many fans still make excuses for Emma’s possession of the yellow Volkswagen. Neal had first stolen the car. Then Emma tried to steal the car from him. Both ended up using the car together, when they became a couple. When I pointed out that Emma was still driving a stolen car in previous articles and forums, many fans either ignored the topic or responded with some drivel about Emma not being guilty of murder, or the fact that Neal had arranged the car’s registration to reflect her as the true owner. As if that was supposed to excuse Emma knowingly being in possession of a stolen car.

Many fans still make excuses about Emma’s decision to change the timeline and save “Maid Marian” in (3.22) “There’s No Place Like Home”. These same fans continue to claim that saving a life is more important than maintaining the storyline. No, it is not. Especially not for someone who had died in the past. I realize this is a harsh thing to say, but changing the timeline for any reason is a very . . . dangerous . . . thing to do. Both Hook and Rumpelstiltskin had warned Emma not to change the timeline for any reason. But she refused to listen. And what happened? As it turned out, Emma’s decision to change the timeline gave Zelena the opportunity to return to Storybrooke in Marian’s place. I am quite certain that Kitsis and Horowitz will never mention or criticize Emma’s bad decision in a future episode. If they do, I will be happily surprised.

What is it about these fans who seem incapable of dealing with Emma or the other Charmings actually being guilty of a crime or a serious mistake? Is it really that important that the Charming family be portrayed in some idealized manner? Do these same fans really need idealized fictional protagonists who are incapable of a bad deed or mistake in order to deal with this crazy old world of ours? Do they need to cling to some kind of illusion about humanity that only the world of fiction can maintain with any real thoroughness? What is it?

Edward Kitsis and Adam Horowitz used to be part of the writing staff for “LOST”, a television show in which most or nearly all of the characters were guilty of serious mistakes or crimes. The cast of characters could have been easily nicknamed “Murder, Inc.”. Apparently, the show runners for “ONCE UPON A TIME” seem bent upon portraying nearly all of their major characters in a similar light . . . including “the Savior” herself. Is this so hard for many fans to accept? Or are they among those types who can only deal with characters with a one-dimensional moral compass? If the latter, I hope that none of them ever become writers.

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“ONCE UPON A TIME”: Tolerating Ambiguity

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“ONCE UPON A TIME”: TOLERATING AMBIGUITY

A good number of the “ONCE UPON A TIME” fandom seemed to be divided over what was revealed in the series’ latest episode called (4.16) “Best Laid Plans”. This division seems to be especially apparent in the episode’s flashbacks and the moral implications hinted from those sequences.

Since the second half of the series’ Season Four began, there have been rumors and hints on the Internet that two of the series’ leads – Snow White aka Mary-Margaret Blanchard and Prince Charming aka David Nolan – may have done something questionable or even terrible in their past in the Enchanted Forest. The first hint appeared in the episode,(4.12) “Darkness on the Edge of Town”, when the couple had protested against allowing villainesses Ursula the Sea Witch and Cruella DeVille to enter their Maine community, Storyrbooke. Later in the episode, both Snow and Charming warned the villainous pair not to say a word about their past to anyone, especially their daughter Emma Swan.

The episode, (4.13) “Unforgiven” gave further hints of the royal pair’s ominous deed. The Storybrooke sequences featured Snow and Charming’s failed efforts to prevent Ursula and Cruella (with Rumpelstiltskin’s help) from resurrecting their former comrade, Maleficent. The latter had been trapped in dragon form by Regina Mills aka the Evil Queen in a cavern underneath Storybrooke during those 28 years of the first curse, until Emma killed her in the Season One episode, (1.22) “A Land Without Magic”. But the flashbacks for “Unforgiven” revealed that the Charmings had briefly formed an alliance with Maleficent, Ursula and Cruella to find a way to prevent Regina from casting the first curse. The alliance fell apart after Maleficent killed a pair of guards who blocked their way to a magical tree that could give them advice. Snow and Charming eventually learned – ironically from Maleficent – that the former was pregnant with Emma. They also learned that their unborn child would not only have the potential for good, but also for great evil. To anyone with common sense, this would be an apt description of any sentient being. Yet, the idea of their future child – who became dubbed as “the Savior” – possessing a potential for evil frightened the Charmings . . . especially Snow White.

So, what actually happened between the Charmings and the “Queens of Darkness” in the Enchanted Forest? “Best Laid Plans” provided the answer. The episode revealed that the royal couple had stopped to help a roadside peddler, who warned them that Maleficent had torched a village after becoming a dragon and laying an egg. He also advised them to seek advice from a “man in a cottage”. The latter turned out to be the Sorcerer’s Apprentice, the same elderly man who had directed Queen Ingrid aka the Snow Queen to our world and whom Rumpelstiltskin (with Hook’s reluctant help) had entrapped inside the Sorcerer’s Hat. It was the Apprentice who told the Charmings that their child would grow up with the potential for both good and evil . . . like everyone else. He also added that if they wanted to ensure Emma would remain good, they would have to find another sentient being to serve as a vessel to absorb their unborn child’s potential for evil. In the end, the Charmings kidnapped Maleficent’s egg, which carried an unborn child to use as a vessel for Emma’s inner evil. And the Apprentice, who cast a spell that sent Emma’s inner evil into Maleficent’s unborn child, took the royal pair by surprise by declaring that such evil should not reside in the Enchanted Forest. He sent Maleficent’s child to “the Land Without Magic”, sucking Ursula and Cruella into the portal, as well.

The reaction to the Charmings’ actions in the Enchanted Forest and their subsequent lies in present-day Storybrooke proved to be very emotional and mixed within the “ONCE UPON A TIME” fandom. Many fans accepted what the Charmings did and recognized what they had done was wrong. However, other fan reactions to the Charmings’ actions and “Best Laid Plans” has been . . . well, interesting. Some fans have accused show runners Adam Horowitz and Edward Kitsis of retconning Snow White and Charming’s characterizations . . . and bad writing altogether. Others have made excuses for the Charmings, claiming they could understand the couple’s need to save Emma from a life of evil. Others have used the peddler, who turned out to be the Author that many have been seeking, as an excuse for the Charmings’ terrible act. The episode revealed that instead of recording the going-ons in the Enchanted Forest, the peddler had been occasionally manipulating the actions of the inhabitants to “make a better story”. And since the episode revealed that the peddler/Author had manipulated the Apprentice into sending Maleficent’s unborn child to “the Land Without Magic”, he must have manipulated the Charmings into kidnapping the child in the first place. Ironically, the charges of bad writing and excuses reminded me of the reactions to Snow’s murder of Cora Mills aka the Queen of Hearts in Season Two’s (2.16) “The Miller’s Daughter”. For some reason, a certain portion of the series’ fandom find it difficult to accept any signs of moral ambiguity from either Snow White, Prince Charming or their daughter, Emma Swan. And there are those fans who have raked the Charmings over hot coals for their deed. I get the feeling these particular fans are angry at the couple (or at Horowitz and Kitsis) for shattering their ideal image of innate goodness.

Personally, I had sighed with relief over the revelation of the Charmings’ past misdeed. No one was more happier than me when Snow and David proved how low they could sink. Some might view my comment as crowing over the couple’s downfall. Trust me, I am not. I am happy that Adam Horowitz and Edward Kitsis has finally resumed portraying the couple’s moral ambiguity after . . . how many seasons? I believe the last time audiences really saw any signs of questionable morality from either Snow or David was in Season Two’s (2.16) “The Miller’s Daughter”, when Snow murdered Cora Mills aka the Queen of Hearts by cursing the latter’s heart and emotionally manipulating Regina into placing that heart back into Cora’s body. Many fans – to this day – have used Cora’s own moral compass and goal to become the new “Dark One” as an excuse for her murder. These same fans continue to claim that Snow’s intent was to save Storybrooke from Cora’s machinations. But Snow White’s declared intent to murder Cora in revenge for her mother’s death in (2.15) “The Queen Is Dead” makes it clear that Snow White’s only intent was to exact revenge.

There have been other signs throughout the series of Snow’s moral ambiguity. Flashbacks revealed in episodes that she was a kind, yet spoiled and slightly bratty child. I have always wondered about her attempts to redeemed Regina on her own terms, instead of allowing the latter to make the choice to seek redemption, herself. Was this some effort on Snow White’s part to regain the affection of the young woman who first saved her when they met? Or to be the “loving” stepmother and mother substitute she had assumed Regina was before King Leopold’s death? Who knows. I also recalled Snow White’s attempt to murder Regina in the flashbacks featured in Season One’s (1.16) “Heart of Darkness”. Many fans had attributed Snow’s murderous intent to the potion given to her by Rumpelstiltskin, which stripped away her memories of Charming. Those fans seemed to forget that the potion merely erased her memories of Charming. It did not make her murderous. I suspect that the stress of being a fugitive, along with anger and resentment over Regina’s part in Leopold’s death had finally got the best of Snow and she decided to resolve her situation with an act of murder. Thankfully, Charming managed to stop her.

And for quite some time, I have brought up Snow’s action against Mulan in Season Two’s (2.08) “Into the Darkness”, in which she and Emma were trying to leave the Enchanted Forest and return home to Storybrooke. As many know, Mulan had snatched a magical compass that mother and daughter were planning to use to return home. But Mulan wanted to exchange the compass for Princess Aurora, who had been kidnapped by Cora. Snow and Emma managed to catch up in time, before the former engaged in a tussle with Mulan that led to an implausible victory for her. Angry over Mulan’s theft, Snow demanded to know the reason behind it. Even though Mulan admitted that she stole the compass to save Aurora’s life, Snow gave into her anger and tried to kill the former. Fortunately for Mulan, Aurora (who had been freed by Killian Jones aka Captain Hook) stopped Snow from committing murder. Emma, on the other hand, had done nothing to stop her mother. Wow. Snow managed to commit two murder attempts before finally achieving one, when she arranged Cora’s death. Now, her body count is a far, far cry from the likes of Rumpelstiltskin, Regina, Cora, Zelena and other villains. But for someone with a reputation for innate goodness, her penchant for murder (whether successful or not) is at least worth contemplating.

As for David, one of his major character flaws has always been his penchant for judging others with extreme prejudice. Not only has this trait been apparent in his attitude toward Regina – even when she finally managed to achieve some form of full redemption – but also toward others whom he would view as different. This is a trait that Snow White also shares. How else could someone explain the couple’s willingness to use Maleficent’s child as a vessel for Emma’s inner evil? As far as they were concerned, the baby was nothing more than a replica of her mother – a personification of evil. Transferring Emma’s inner evil to her would cause no harm . . . or so they would believe. David was also willing to destroy the book’s page that contained the entrapped Author – an act that could have killed the latter and robbed anyone else of a future “happy ending”. He wanted to destroy that page to hide his and Snow’s theft of Maleficent’s child from everyone . . . especially Emma. His willingness to destroy the page struck me as a stark example of his own personal cowardice that has manifested itself, time and again.

In the Season Two episode, (2.02) “We Are Both”, he told the citizens of Storybrooke that the cursed David Nolan who was too cowardly to be truthful about his adulterous affair with the cursed Mary Margaret Blanchard; and the heroic Prince Charming were one and the same. In Season Three’s (3.14) “The Tower”, he resorted to hiding from others for a few nips of booze in order to hide from his guilt over Emma’s upbringing away from the family and a fear that he might prove to be an ineffective father to his son, Neal, with whom Snow was pregnant at the time. In “Unforgiven”, Snow woke up in the middle of the night following a nightmare about Maleficent, and found David drinking on the staircase to hide his worries over Ursula and Cruella’s arrival in Storybrooke. I am beginning to suspect that he might be a secret lush. Oh dear. And most addicts, if not all, tend to resort to this behavior because they are afraid to face the complete truth about themselves – especially their less than admirable traits. Charming has always struck me as the type willing to face external dangers like evil magic practitioners, dragons, a dangerous water temptress and his malevolent adopted father. Facing his flaws, personal mistakes and demons has always been a problem for him.

Why is it so difficult for some fans to view the Charming family – Snow White, David, Emma and Henry – as morally ambiguous? I never understood this attitude. “ONCE UPON A TIME” is not a television series solely for children. If it was, ABC/Disney would have aired the show on Saturday mornings, instead of during the usual prime time hours. This is the same series in which other heroes and villains have been portrayed in an ambiguous light. Why should the Charmings be exempt from such ambiguity? Because they are among the show’s main protagonists? Some would point out that Emma is a morally ambiguous character, due to her past as a thief and ex-convict. But Emma has committed some questionable acts since the series began – destruction of property, breaking and entering, accessory to her mother’s attempt to kill Mulan in “Into the Deep”, changing the timeline and lying to Henry. In fact, she is still driving the same yellow Volkswagen that she and Neal Cassidy (Baefire) had stolen when they first met. However, many fans tend to brush aside these acts – including the stolen Volkswagen. With the exception of her lies to Henry, which they saw as a threat to the Charming family’s reunion, many fans were willing to brush aside Emma’s questionable acts as long as she was not guilty of murder. Personally, I find this viewpoint rather hypocritical and an example of certain fans’ insistence upon viewing protagonists like the Charmings as morally ideal.

I personally do not care for morally ideal characters. I find them rather boring and unrealistic. I remember reading in a few Agatha Christie novels in which the main character – usually Miss Jane Marple – tend to express the view that just about anyone is capable of murder, given a specific situation. I agree with this assessment. I sometimes feel that human beings like to regard themselves as better than we really are. Perhaps this is why they love the idea of fictional characters – especially those dubbed “the protagonist” or “hero/heroine” – as being morally ideal. Mind you, this is merely an opinion of mine. I tend to find morally ambiguous characters more interesting. Such characters are very entertaining and really do make a story bridle with energy. Characters of one-dimensional morality do not. Even one-dimensional villains. Both Regina and Rumpelstiltskin had struck me as a pair of uninteresting villains in Season One, until episodes like (1.08) “Desperate Souls” and (1.18) “The Stable Boy” revealed just how ambiguous and interesting they truly were.

After Season Two, both Snow White and Charming seemed in danger of becoming a pair of rather dull characters. Between (2.17) “Welcome to Storybrooke” (in which Snow tried to me avert the emotional impact of Cora’s death) and“Darkness on the Edge of Town”, they were not that interesting to me. Well . . . there was the (4.11) “Shattered Sight”episode, in which Queen Ingrid of Arendelle aka the Snow Queen’s spell in which the couple exposed their . . . um, inner resentments and anger toward each other. But for me, that was not the same as deliberately indulging in or utilizing one’s unpleasant traits. After all, they and other Storybrooke’s citizens were under a spell. However, this story arc featuring Maleficent’s stolen child is an entirely different matter. Yes, Snow and Charming’s crime happened in the past. But they were not under a spell.

But there is one potential problem. Earlier, I had revealed that in “Best Laid Plans”, audiences learned the true identity of “the Author” – a peddler who had been commissioned by the Sorcerer and his apprentice to record the happenings in the Enchanted Forest and other “fictional” realms. After the Apprentice had sent Maleficent’s child to “the Land Without Magic”, he confronted the Author and accused the latter of manipulating him into banishing the unborn (or unhatched) child to our world. He also accused the Author of manipulating past events in the “fictional” realms. Certain fans jumped on this narrative turn-of-events and claimed that the Author had manipulated Snow and Charming into stealing Maleficent’s child. Yes, it is possible that the royal pair had been manipulated by the Author. Then again, the Apprentice never accused the Author of that particular act. So, the audience will never learn the truth, until Horowitz and Kitsis decide to reveal it. If they reveal that the Charmings’ act of kidnapping had been manipulated by the Author, then I will be sadly disappointed.

But you know what? Even if the show runners decide to include that Snow and Charming had been manipulated into kidnapping Maleficent’s child, the royal pair still managed to commit some morally questionable acts since the Apprentice had entrapped the Author in that book. And because both of them, along with other characters in “ONCE UPON A TIME”, have shown they are capable of both decent and very questionable acts, I can never regard them as innately good. Frankly, I see that as a good thing. Because in my eyes, there is nothing more boring or damaging to a good story than a morally one-dimensional character.

“No Criticism of Emma Swan Allowed”

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I had originally wrote this article when the first half of “ONCE UPON A TIME” Season Four aired:

 

“NO CRITICISM OF EMMA SWAN ALLOWED”

What is it about the Emma Swan character that raises the ire of so many fans whenever any of her actions are criticized? Is she some kind of sacred cow of the “ONCE UPON A TIME” fandom?

I do not regard Emma as some kind of monster. I never have. But I do get tired of fandom stomping down on anyone who dares to criticize her character or any of her actions. Some have claimed that my criticisms are a result of my dislike of Emma. Well, I am going to protest against that accusation. When the series first began in the fall of 2011, Emma was one of my favorite characters on the show. I spent most of that season cheering for her victory against Big Bad Regina Mills aka the Evil Queen. I felt especially thrilled when she finally restored everyone’s memories of their Enchanted Forest personas when she broke the curse cast by Regina. So . . . what happened? How did I come to this point where I find myself criticizing Emma so much? More importantly, why are so many fans intolerant of the idea of her being criticized in the first place?

I feel it began in Season Two, when Emma and her mother, Snow White, found themselves conveyed to a post-curse Enchanted Forest. They spent most of that season’s early episodes trying to find a way to return to Storybrooke, Maine with the help of two new acquaintances – Mulan and Princess Aurora aka Sleeping Beauty. When they finally stumbled across a means – namely a magical compass that could guide them to a portal, it just went sour. There was an incident between Snow White and Mulan in the episode, (2.08) “Into the Deep” in which the latter had stolen the compass in order to exchange it with Regina’s mother, the more evil Cora Mills aka the Queen of Hearts, for the kidnapped Aurora’s life. However, Snow and Emma managed to catch up with Mulan. And Snow started to murder Mulan. I had posted a complaint about what happened. How did many fans respond? They claimed that Snow was about to kill Mulan, while in the midst of a fight. In reality, the fight had ended with Snow the victor. After Mulan confessed that she wanted the compass to save Aurora, Snow started to kill her anyway by shoving an arrow toward her face. Emma . . . did nothing to stop her mother. Instead, she stood there and watched. It was Aurora (freed by Killian Jones aka Captain Hook) who actually saved Mulan. Every time . . . every time I bring this up, people sweep Emma and Snow’s actions under the rug by insulting Mulan or pretending that no such thing happened.

On several occasions since Season Two, I have brought up the subject of Emma’s possession of a stolen car . . . namely the yellow Volkswagen that she drives. The Season Two episode, (2.06) “Tallahassee” revealed that her former lover, Neal Cassidy aka Baefire, had originally stolen the yellow Volkswagen. Then Emma, who was in her late teens at the time, tried to steal the car from him, before he stopped her. Following her arrest for the theft of watches that he had stolen, Neal had changed the car’s registration in order to reflect Emma as the vehicle’s legal owner. And instead of doing the right thing and turning it in to the police, Emma took possession of a vehicle that she knows was stolen and kept it for over a decade. Even after she managed to become a successful bails bondsman. Whenever I brought up this matter, other fans would sweep Emma’s misdeed under the rug and use her sentimentality over her past relationship with Neal as an excuse for her maintaining possession of a stolen vehicle.

From the moment she had decided to remain in Storybrooke in the series’ premiere, Emma has been breaking the law regarding the close adoption she had agreed to when she gave up her birth son, Henry Mills. When Emma learned that Regina, who was Henry’s adopted mother, had used a file about her criminal background to divide her and Henry, she used a chainsaw to destroy one of Regina’s apple trees … on her personal property. When I first saw the Season One episode, (1.02) “The Thing You Love Most”, I cheered. What can I say? I was pretty stupid back then. After some thought, my feelings over the incident has changed. For reasons that now baffles me, the series’ creators Edward Kitsis and Adam Horowitz had allowed Emma to get away with this criminal act by having Sheriff Graham Humbert convince Regina not to press charges. I could not fucking believe it when I last saw this episode. Why was it so important that Emma avoid paying the price for trespassing and damage to private property? Come to think of it . . . why was just as it was important that she did not pay the price for possession of stolen property? Why was Snow White allowed to avoid any consequences for the attempt on Mulan’s life? Why was Emma allowed to avoid any consequences for being an accessory to her mother’s attempted murder? Why are the crimes of Regina, Rumpelstiltskin aka Mr. Gold and Killian constantly discussed and criticized by fans . . . and not those crimes and mistakes committed by Emma and/or her parents?

Speaking of Emma Swan and the law … why on earth is this woman the Sheriff of Storybrooke? Since when is experience as a bail bondsman qualifies someone for law enforcement? Mind you, none of the other characters – Graham or Sidney Glass – were not qualified. But neither was Emma. To make matters worse, she has developed a bad habit of abusing her position. At the end of the Season Two episode, (2.11) “The Outsider”, Killian shot Belle in an attempt to move her across the town’s limit and have her lose her memories. Why? He wanted revenge against Belle’s future husband, Rumpelstiltskin, for the loss of his hand and the murder of his former lover, Rumpelstiltskin’s wife Milah. For his actions, Killian got hit by a car. I had no problems with that. He deserved to pay the consequences of his act. In the following episode, (2.12) “In the Name of the Brother”, Emma questioned Killian for the whereabouts of his companion at the time, Cora Mills. When Killian responded with a snarky and flirtatious remark, Emma applied pressure to his wound, causing him pain. This little act was supposed to be a joke. All I can say is . . . what the fuck? Were Kitsis and Horowitz advocating police brutality? Apparently so, for in the Season Four episode, (2.04) “The Apprentice”, Emma had interrupted her date with Killian, to arrest Will Scarlet, after she spotted inside the restaurant where they were dining. She and her father, David aka Prince Charming had been looking for Will since they spotted him going through Robin Hood’s belongings and breaking into the town’s ice cream shop in the previous episode. And how did Emma treat him? She fed him a half-eaten Pop Tart and kept him jailed longer than necessary, because he had interrupted her date. This was the showrunners’ idea of law enforcement? The audience was supposed to view such abuse of position as a joke? In the wake of national scandals regarding the abuse of law enforcers, I found it difficult to be amused.

The incident that “broke the camel’s back occurred in the Season Three finale, (3.22) “There’s No Place Like Home”. In this episode, Emma and Killian accidentally got caught into a vortex that sent them back into time. During their little time traveling sojourn, Emma accidentally prevented Snow and David’s first meeting. So, she and Killian set out to clean up the mess created by her. In doing so, Emma ended up captured by Regina and tossed into a dungeon that included an imprisoned Maid Marian, wife to Robin Hood, whom Regina was dating in the present time Storybrooke. As everyone knows, when Killian sprung Emma from the dungeon, the latter decided to rescue Marian as well . . . despite the fact that the latter was killed years before Robin Hood ever met Regina. In other words, Emma changed the past. To make matters worse, she revealed Neal’s fate to his father, Rumpelstiltskin. In order to prevent the latter from being tempted to change the time and save Neal, Emma convinced him to drink a memory wiping potion.

Just think about that . . . shall we? Are we to assume that it was okay for Emma to play “savior” by saving a woman who had died in the past and changing the timeline in the process? Yet, it was not okay for Rumpelstiltskin to be tempted to change the time in order to save Neal? The hypocrisy of Emma’s actions still astounds me to this day. When I had posted an earlier article about this, I predicted that Regina would eventually forgive Emma within a few episodes of Season Four. And I was right. Emma felt remorse for ruining Regina’s romance with Robin. But she remained convinced that she had the right to change the timeline in order to save Marian. And within five episodes, Regina forgave Emma for her “mistake” in (4.05) “Breaking Glass”.

I felt disgusted beyond belief. More importantly, I felt angry. And when I posted my feelings about Emma’s actions, I ended up banned from a “ONCE UPON A TIME” Live Journal blog. I posted this article on Tumblr and received a good deal of personal insults for my troubles. When I complained about Emma’s actions and expressed hope that she would see the errors of her actions on the show’s Fanforum thread, I received a warning from the moderator that I was guilty of baiting. I am curious. If I continue to complain about Emma’s inability to see the wrong of her actions … especially her time changing stunt in ““There’s No Place Like Home”, will I ended up being banned from more message boards and sites?

When the idea of SwanQueen first appeared in late Season One/early Season Two of the series, I saw some merit in the idea, even if I could not care less whether Emma and Regina ended up with each other or other partners. Now . . . I would rather blind myself than watch the two of them become a couple. I have a problem with them being friendly, due to the show’s current inability to allow Emma to see the errors of her ways. Such a relationship now strikes me as uneven. As long as Regina continues to be judged for her past actions, while Emma gets a free ride or excuses for hers, I could never support such a relationship. Hell, I could barely give a rat’s ass about Emma’s relationship with Killian. I am not one of those who believe that their relationship supports “rape culture”, due to Killian’s past sexual innuendos to Emma. But I cannot support a relationship when the abusive actions of one them – namely Emma’s physical abuse of Killian in mid-Season Two and her treatment of the imprisoned Will Scarlet – are treated like jokes.

This is my plea to Adam Horowitz and Edward Kitsis. Do something about Emma Swan. Please. I am sick and tired of you giving Emma an excuse for many of her questionable actions. If you are capable of allowing characters like Regina Mills, Rumpelstiltskin, Killian Jones and even Snow White (for the murder of Cora) facing their mistakes and crimes, why can you not do the same for Emma? Why allow her to break the law regarding her son’s adoption terms, destroy private property, possess a stolen vehicle, be an accessory to attempted murder, engage in police brutality and do something incredibly stupid like change the timeline . . . and NOT have her face the consequences of her actions? Because I am fast losing all respect for Emma. And I am getting sick and tired of being punished for criticizing her behavior.

Five Favorite Episodes of “ONCE UPON A TIME” – Season Two (2012-2013)

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Below is a list of my top five favorite episodes from Season Two of “ONCE UPON A TIME”. The series was created by Edward Kitsis and Adam Horowitz:

 

FIVE FAVORITE EPISODES OF “ONCE UPON A TIME” – Season Two (2012-2013)

1 - 2.16 The Millers Daughter

1. (2.16) “The Miller’s Daughter” – While Regina Mills and her mother Cora hunt for Rumpelstiltskin’s dagger in Storybrooke in this spine-tingling episode, Cora’s back story as a poor miller’s daughter who becomes the wife of a prince is revealed in flashbacks.

 

2 - 2.10 The Cricket Game

2. (2.10) “The Cricket Game” – Following Cora and Captain Hook’s arrival in Storybrooke, the former set about framing Regina for Archie Hooper’s “murder” in an effort to emotionally break the former mayor. Snow White and Charming disagree over how to handle the captured Evil Queen in the Fairy Tale Land flashbacks.

 

3 - 2.05 The Doctor

3. (2.05) “The Doctor” – The true identity of Dr. Victor Whale is revealed to be Dr. Frankenstein, when he attempts to resurrect Regina’s long dead fiancé in an effort to make a bargain with her. Flashbacks reveal Rumpelstiltskin’s manipulations of a young Regina that prove to have major consequences.

 

4 - 2.22 And Straight Until Morning

4. (2.22) “And Straight Until Morning” – Regina and the Charmings join forces to prevent Storybrooke from being destroyed by the former mayor’s magical trigger, stolen by anti-magic vigilantes Greg and Tamara in this surprisingly interesting season finale.

 

5 - 2.14 Manhattan

5. (2.14) “Manhattan” – Emma Swan, Henry Mills and Rumpelstiltskin’s search for the latter’s son in Manhattan results in a major surprise for all three. Flashbacks reveal Rumpelstiltskin’s encounters with a blind seer, whose predictions will harbor consequences for the former.

“Disturbing Deaths”

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“DISTURBING DEATHS”

Ever since I watched (3.01) “The Heart of the Truest Believer”, the Season Three premiere for ABC’s “ONCE UPON A TIME”, I have been experiencing troubling thoughts about the series’ writing. And those troubling thoughts centered around the deaths of two recurring characters. 

Anyone who had watched both the Season Three premiere and the Season Two finale, (2.22) “And Straight On ‘Til Morning” would know to what I am referring. The latter episode saw two recurring characters, Greg Mendell and Tamara, attempt to destroy Storybrooke in an effort to rid the world of any magic. Before Regina Mills aka the Evil Queen and Emma Swan could foil their plans, they kidnapped the pair’s son, Henry Mills, and took him to Neverland using a magic bean. Apparently, the leader of their anti-magic organization called “the Home Office”, had ordered them to take Henry to Neverland, claiming that his presence was more important than destroying magic.

Upon their arrival in Neverland, Greg and Tamara discovered that “the Home Office” had never existed. They had been tricked by Peter Pan and the Lost Boys to bring Henry to Neverland, because Peter wanted the boy he believed possessed the heart of the truest believer. Realizing that the Lost Boys wanted Henry, Tamara ordered him to run. Meanwhile, an entity called “The Shadow” ripped Greg’s shadow from his body. One of the Lost Boys shot Tamara with an arrow, badly wounding her. While all of this occurred, the Charmings, Regina, Rumpelstiltskin aka Mr. Gold and Captain Killian Hook arrived in Neverland via the latter’s ship, the Jolly Roger. Rumpelstiltskin left his companions behind and appeared on the island. He eventually found the wounded Tamara, ripped her heart and crushed it, killing her in the process. All of this happened before the end of the episode’s first half.

My reaction to Tamara and Greg’s fates really took me by surprise. I realized that the pair were merely recurring characters. But I never thought that the series’ creators, Adam Horowitz and Edward Kitsis, would get rid of them so soon. I, along with other regular viewers of “ONCE UPON A TIME”, knew that Sonequa Martin-Green, the actress who had portrayed Tamara, was scheduled to resume her role on AMC’s “THE WALKING DEAD”, which had been upgraded from recurring to regular, during this new television season. But I had no idea that Horowitz would get rid of her character so soon. Too soon, in my opinion. If Horowitz and Kitsis realized they would not be able to employ Martin-Green for more than one episode, they could have recast the Tamara character with a new actress. Would it have really killed them?

Why do I have such a problem with Tamara and Greg’s fates? It happened . . . too soon. And too fast. The writers of “And Straight On ‘Til Morning” gave Greg and Tamara’s kidnapping of Henry and journey to Neverland such a big buildup. To have them killed off – or in Greg’s case – shadow ripped from his body in such a quick fashion left a bitter taste in my mouth. Unlike many fans, I never disliked the pair. But I have to admit that Horowitz and Kitsis really mishandled their characters. Their handling of Tamara proved to be even worse than their handling of Greg. Do the two creators plan to reveal how Peter Pan and the Lost Boys created an anti-magic organization in the first place? I hope so. After all, Greg was first contacted by “the Home Office” thirty years ago, after losing his father to Regina and Graham in Storybrooke. And what about Tamara? What led her to embrace this anti-magic agenda? When was she first contacted by “the Home Office”? Since Rumpelstiltskin had murdered her halfway through the episode, I now realize that viewers will never know the truth.

If I have to be honest, Tamara’s death bothered me a lot more than Greg’s. Greg merely had his shadow ripped from his body. Audiences do not really know whether he is still alive or not. Horowitz and Kitsis made it very clear that Tamara was killed. Now, this might have to do with the fact that Martin-Green was scheduled to appear on “THE WALKING DEAD”set. But as I had stated earlier, they could have simply hired another actress to replace her. And there are other aspects of Tamara’s death that bother me. She was killed off before any attempt could be made to reveal her background. Audiences know how she became acquainted with both August W. Booth aka Pinocchio and Neal Cassidy aka Baelfire. Otherwise, we know nothing about her past. The writers did not even bothered to give her a surname. And judging from the comments I have read on the series’ messageboards and forums, along with television critics from the WALL STREET JOURNAL blog, the HUFFINGTON POST blog and DEN OF GEEK; no one really cared that Tamara’s background and her surname were never revealed. Instead, they crowed with glee that the pair was quickly killed off. They especially crowed over the manner of Tamara’s death – either deliberately dismissing her remorse with sarcasm or ignoring it altogether. Their attitudes did not merely bothered me, it angered me beyond belief.

I am coming to believe that Tamara’s death merely confirmed what many critics have been complaining about “ONCE UPON A TIME” – their shabby handling of characters portrayed by non-white characters. Tamara was a prime example. Between her and Greg, the latter was given a background story, a surname and a questionable “death”. Nor did the fans and critics regard him with the same vitriolic hatred leveled at Tamara. Horowitz and Kitsis could have developed Tamara’s character in Season Three by recasting a new actress for the role. They did not bother.

But Tamara was not the only example of the series’ poor handling of non-white characters. I still cannot help but shake my head in disbelief over that fight scene between Snow White and Mulan in Season Two’s (2.08) “Into the Deep” in which the less experienced princess quickly defeated the more experienced and non-white warrior. Mulan, who was portrayed as a young woman from a well-to-do Chinese family in the 1998 animated film, was portrayed as illiterate in another Season Two episode, (2.11) “The Outsider”. Her illiteracy prevented her from being able to read Chinese characters. Yet, the very white Belle, was able to reach Chinese characters after reading a book. I just . . . I just could not believe this. Poor Lancelot, who was portrayed by African-American actor Sinqua Walls, was killed off in the Season Two episode, (2.03) “Lady of the Lake”, his only appearance on the show. In fact, his character was already dead and being impersonated by Cora Mills aka Queen of Hearts. And Cinderella’s Fairy Godmother, who was portrayed by an African-American actress, was killed by Rumpelstiltskin during the first three-to-five minutes of the Season One episode, (1.04) “The Price of Gold”. Only Sidney Glass aka the Genie-in-the-Lamp and Regina, who are portrayed by Giancarlo Espocito and Lana Parrilla respectively, avoided such poor handling. Well . . . somewhat. Espocito could not reprise his role in Season Two, due to his obligations as a regular cast member of NBC’s “REVOLUTION”. However, he could have been replaced by another actor. It would take another essay to write about the handling of the Regina Mills character, especially in the last five to six episodes of Season Two. But I found it annoying that she was the only major character described as “the Villain” by ABC’s promotion for Season Three, when there was a bigger villain worthy of the title – Mr. Gold aka Rumpelstiltskin.

I am amazed. I had started this article with the intent to complain about the series’ handling of both Greg and Tamara in“The Heart of the Truest Believer”. I am still upset over their fates and the piss poor reactions by the fans and critics. But I now realize that what pissed me even more was that the show’s handling of Tamara merely confirmed my worst instincts about “ONCE UPON A TIME” and the creators Adam Horowitz and Edward Kitsis – their inability to write or maintain decent characterizations for those roles portrayed by minority actors and actresses. But I should not be surprised. Despite the Hollywood community’s pretense at being liberals, in the end it is just as narrow-minded and conservative as the worst bigot or pop culture geek.

“How Do You Solve a Problem Like the Charmings?”

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I first wrote this article before (2.10) “The Cricket Game” of “ONCE UPON A TIME” aired on January 6, 2013: 

 

“HOW DO YOU SOLVE A PROBLEM LIKE THE CHARMINGS?”

I will be the first to admit that I have become a diehard fan of ABC’s “ONCE UPON A TIME”. It was not easy for me. The concept of fairy tale characters existing in the modern world because of a magical curse really appealed to me. However, I had some difficulty in maintaining interest in the series, due to what I felt was the slow introductions of the major characters and slow pacing in the first half of Season One.

In the end, it took episodes like (1.11) “Fruit of the Poisonous Tree”(1.12) “Skin Deep”(1.15) “Red-Handed” and (1.18) “The Stable Boy” to maintain a strong interest in “ONCE UPON A TIME”. By the time protagonist Emma Swan broke the curse (somewhat) in the first season finale, (1.22) “A Land Without Magic”, I was a diehard fan. Then Season Two arrived and the series’ hold on my interest continued. Some critics and fans have complained about the storylines and characterizations featured in the first half of Season Two. Many complained about Emma and Snow White’s adventures in Post-Curse Fairy Tale Land, frustrated by Snow and Charming’s new period of separation. Some have complained about the minimal attention toward the Rumpelstiltskin/Belle romance. Some have complained about Regina Mills/Evil Queen’s redemption arc, demanding that she remain a non-redeeming villainess. And some have complained about the revelation of Dr. Whale as Dr. Victor Frankenstein, a character from literary horror.

If I must be honest, I had an easier time enjoying Season Two’s first half than I did the first half of Season One. The pacing seemed faster. Unlike many others, I had no problems with the idea of Emma and Snow White being stuck in Post-Curse Fairy Tale Land. The sequence re-introduced memorable guest character Cora Mills/the Queen of Hearts as a more memorable recurring character and a new spin on Captain Hook. I certainly had no problems with Regina Mills’ redemption arc, and my instincts tell me that the character is in for a long and difficult road ahead. And Dr. Whale’s revelation did not bother me one bit. Yes, I had a problem with the writers’ handling of the Mulan and Princess Aurora characters, even if I did like them. Rumpelstiltskin and Belle did not strike me as interesting as they were in Season One. And I was not impressed with (2.07) “Child of the Moon” and its handling of Red Riding Hood’s wolf nature or the King George/George Spencer character. But the one aspect of Season Two that I found truly annoying were the characterizations for the members of the Charming family – Snow White and Prince Charming, their daughter Emma Swan, and her biological son Henry Mills (Regina’s adoptive son). I found them more than annoying. There were many times when I felt bile rising up my throat.

Snow White and Charming were not much of a problem for me during Season One, especially their cursed Storybrooke alter egos – Mary Margaret Blanchard and David Nolan. Superficially, Mary Margaret and David seemed like slightly boring personas. But at least their affair, which really hurt David’s alter ego wife Kathryn Nolan (aka Princess Abigail), made them interesting and somewhat corrupted. Last year, I had viewed the affair as inoffensive, especially since they were really husband and wife in real life. But as far as the pair knew in their cursed state, David was married to Kathryn . . . and that did not stop them from hurting her with an affair. It took a second viewing of Season One to make me realize this. I found the affair distasteful, but I also believed it made Mary Margaret and David more interesting than their Fairy Tale Land counterparts.

After the couple regained their memories of their true selves, Snow White and Charming became very annoying. Season One introduced the idea of Snow White being an action woman. But the writing in Season Two took this concept to ridiculous heights in two particular episodes in Season Two. In (2.03) “Lady of the Lake”, Snow White made a big deal about the dangerous aspects of ogres. Yet, when an ogre threatened Emma, Snow killed him so easily that I found her warnings rather ludicrous. Writers Andrew Chambliss and Ian Goldberg did not even bother to make it difficult for Snow to kill him. I found the ogre’s death anti-climatic and disappointing. The writers’ handling of Snow White in (2.08) “Into the Deep” really pissed me off. One, her fight with Mulan left me shaking my head in disbelief. I realize that the years of evading Regina had transformed her into some kind of action woman. But honestly . . . I really found it difficult to swallow the easy manner in which she got the best of Mulan in a fight over the compass that could lead them to a portal. Mulan was a trained warrior, who had more experience in combat. Yet, the audience was supposed to believe that Snow could easily best her in a fight? This was a fairy tale of the worst kind. Snow’s intitial compassion toward Aurora disappeared real fast after Mulan took the compass to trade it for the younger princess’s life. Even worse, she tried to kill Mulan for the compass. While most fans bashed Mulan for being concerned enough about Aurora to take the compass, I was too busy being disgusted by Snow’s murder attempt. And guess what folks? Her act of attempted homicide has been swept under the rug and quickly forgotten.

Charming has been a real pain in the ass in Season Two. Remember the finale of the Season Two premiere, (2.01) “Broken”? I do. The Charmings had learned that Rumpelstiltskin had sent a wraith after Regina to kill her in retaliation for Belle’s incarceration during the curse. They prevented the wraith from killing Regina, but it dragged both Snow White and Emma into Jefferson’s magical hat and Fairy Tale Land. What happened next? An enraged Charming shoved Regina and threatened to kill her if she did not bring back Snow and Emma. Regina retaliated and nearly killed him using magic. Guess which act Henry conveniently appeared to witness? Not Charming’s attack, but Regina. And Henry threatened to never talk to her again if she did not bring back his mother and grandmother. How convenient for Charming. And the self-righteous bastard never admitted that his attack on Regina led to her to attack him, thanks to Horowitz, Kitsis and their writers. Charming proved to be an ineffective guardian for Henry. Even though he knew how to be the kid’s best friend and promised to train him in the arts of being a knight, he never really bothered to discipline Henry. When Regina informed him about a resurrected Daniel in (2.05) “The Doctor”, Charming’s only method in getting information from her was to threaten her with jail time. Honestly, I found the scene laughable. However, I was not laughing in the scene in which he punched Dr. Whale for the latter’s one night stand back in Season One. I was simply disgusted. Whale pointed out that his brief affair occurred during the Curse, when everyone believed that Charming was married to Abigail (Kathryn Nolan). But Snow’s husband had to prove his manhood with a move that left me viewing him as a dick. A good number of the fans shared my views. But there were many others – especially male fans and critics – that crowed with delight over Charming’s punch. The incident merely lowered my opinion of him a step further. His decision to use the sleeping curse in order to communicate with Snow White via dreams struck many as infantile, especially since he discovered that he could not be awakened by her in the dream state.

As I had stated earlier, Emma Swan and Henry Mills have been a problem since the series’ premiere. I personally believe it was a big mistake for Horowitz and Kitsis to make Henry the biological son of Emma. I suppose the pair needed him as a means for Emma to “somewhat” break the Curse with a mother’s kiss. But honestly? Their storyline has been a problem since Day One. One, how on earth did the 10 year-old Henry get from Storybrooke, Maine to Boston, Massachusetts on his own? To this day, I am still flabbergasted by the idea of Emma, who had given up her son while in prison, remaining in Storybrooke to keep an eye on both Regina and Henry. All because Regina had insisted that she stay away from the boy. This was Emma’s excuse? It is only natural that the parent of an adopted child would want the biological parent to stay away . . . especially if the child was a minor. I do not believe that Regina’s antipathy toward her was a good excuse for Emma to remain in Storybrooke. Regina could have easily filed a restraining order against Emma for harassing her and Henry. She even threatened Emma with a restraining order once, but she never made good on her threat, thanks to the writers. And are we really supposed to believe that Regina was an abusive parent? Henry has never exhibited signs of being an abused child. The worst Regina ever did to him was hint that he may be emotionally or mentally unstable in order to maintain the secret of the Curse in the first season, and use magic to keep Henry with her in (2.02) “We Are Both”. Regina may have been a bit of a disciplinarian, but I found that a lot more admirable than the Charmings’ penchant for indulging Henry’s habit of skipping school or putting himself in dangerous situations. I still recall one Season One episode in which Emma allowed Henry to skip school without Regina’s permission in one of the early episodes . . . a habit that Charming occasionally continued in Season Two.

Ever since the character was first introduced, Emma has boasted of her ability to sense when someone was lying to her. I found this boast a joke, especially since newspaper editor Sidney Glass/the Magic Mirror in Season One and Regina’s mother, Cora Mills in Season Two; have both been able to successfully lie to her. Many fans have also complained of Emma’s talents as a law enforcer. If I must be frank, I have not been that impressed myself. Think about it. She has no real experience or training to be a police officer, let alone a town sheriff. She spent her adolescence either as a thief or a prison inmate. And she spent the rest of her years before her arrival in Storybrooke as a bails bondsman. Emma was qualified to find a missing person, not police a small town, let alone a city neighborhood. And how did the writers ensure that Emma would maintain her job as sheriff? By having her run in an election against Sidney Glass, the town’s newspaper editor? Who were they fucking kidding? It got worse in Season Two. After her first encounter with Cora in “Lady of the Lake”, Emma regained her ability to sniff out a liar when she met Captain Hook for the first time in “The Doctor”. She first proved that she was her mother’s daughter by killing Maleficent in dragon form in “A Land Without Magic”. I found the scenario of a bail bondsman successfully killing a dragon just as implausible as her father Charming killing his first dragon with ease in (1.06) “The Shepherd”. Although Emma displayed a lack of familiarity in Fairy Tale Land during the season’s early episodes, she became another ideal action woman – like her mother Snow White – in episodes like (2.06) “Tallahassee” and “(2.09) “Queen of Hearts”. The latter episode featured a sword fight between Emma and Hook before she and Snow White jumped into a portal in order to return to Storybrooke. I realize that Emma had difficulty in defeating Hook. I simply had difficulty in believing that she was able to defeat him at all. He is an experienced swordsman. The series has never hinted that Emma knew anything about sword fighting. Hook should have sliced her up in bits within a minute. I do not know how to explain this phenonemon. Perhaps his feelings for her led him to merely toy with her. Between Snow White and Emma, the producers and writers seemed to believe that portraying the Charming women as badasses, while maintaining near ideal personalities is a sign of good characterization. Audiences also discovered in this episode that being the offspring of “Twu Luv”, Emma’s heart is impregnable from being ripped out by magic. Oh God! I guess no one can spare me from this ridiculous crap. Some fans and critics found this revelation brilliant, romantic or both. When I saw Cora fail to rip out Emma’s heart because she is the embodiment of “Twu Luv”, I merely rolled my eyes in disgust.

I have saved the worst for last – namely Henry Mills, Emma’s biological son, Snow and Charming’s biological grandson and Regina’s adoptive son. God, I cannot stand him. I really cannot stand him. Henry has to be one of the most unreal child characters I have ever come across in recent years. I have discovered that in one-and-a-half seasons, he has not developed as a character one whit. He has remained the same, self-righteous child with a desire to be a fairy tale hero. How did he discover that Emma was his natural mother, let alone discover that she lived in Boston? The series has never revealed this and honestly, his possession of the Fairy Tale storybook is not much of an excuse. And not only do I find his ability to track down Emma in Boston and travel to said city without his stepmother’s knowledge implausible, I also find his ability to identify nearly every citizen of Storybrooke with their Fairy Tale Land identity hard to accept. Did the fairy tales book in his possession provide him with this information? I became increasingly weary of his penchant for skipping school. His self-righteous claims of“magic has a price” got on my nerves. To be honest, I got tired of many characters – especially Rumpelstiltskin/Mr. Gold – making the same claim. I also became weary of Henry’s constant and self-righteous “good always defeat evil” declarations. Are we, the viewers, supposed to regard this ten year-old as the voice of morality? Dear God! I hope not. But what really irks me about Henry is that he seems to be the driving force of many of the actions of the major characters. Regina decided to redeem herself in order to win Henry’s love. It was Henry who lured Emma to Storybrooke so that she would act out her role as savior. It was Henry who reunited Jefferson/the Mad Hatter with his daughter. It was Henry who drove Emma to finally break the curse. It was Henry’s dreams that provided Rumplestiltskin with the opportunity to communicate with Emma and Snow so they could return to Storybrooke. Henry, Henry, Henry! I am so sick of him. Then I remembered. Both Horowitz and Kitsis used to be among the staff writers for “LOST”. And that series did a piss poor job in its portrayals of children characters. With Henry’s characterization, the tradition continues.

Adam Horowitz and Edward Kitsis need to do something about the Charmings. By mid-Season Two, they have become ridiculously ideal and at times, self-righteous. I get tired of certain fans wallowing in the crimes or mere mistakes of other characters, while making excuses for the mistakes of this increasingly annoying family. Please do something. Provide the family with some real character development or moral complexity, instead of portraying them as badasses and ideal leaders. And please have another character call them up on their bullshit. Just for once. As for Henry Mills, the only change in his character that will truly please me is his death. Yes, I realize that I sound cruel. But that damn brat simply brings out the worst in me.

POST SCRIPT: The last scene of the Season Two episode, (2.15) “The Queen Is Dead”, revealed Snow White’s plans to kill Cora Mills, Queen of Hearts; in revenge for the death of her mother, Queen Eva. In the following episode, (2.16) “The Miller’s Daughter”, she made good her vow. Unfortunately, this dark turn in Snow White’s character was explored in two or three episodes before Horowitz and Kitsis dropped it completely by the season’s finale. I found myself very disappointed.

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