“SUICIDE SQUAD” (2016) Review

 

“SUICIDE SQUAD” (2016) Review

The year 2016 has proven to be a strange one for Warner Brothers Studios and fans of DC Comics. Their creation – the DC Extended Universe (DCEU) franchise had released two films that proved to be box office hits, yet critical flops. One of those movies was the Zack Synder film, “BATMAN V. SUPERMAN: DAWN OF JUSTICE”. And the other was the summer film, “SUICIDE SQUAD”

Three years before the release of these two films, the DCEU franchise witnessed its kickoff with the release of “MAN OF STEEL”, another origin tale of Clark Kent aka Superman. Whereas “BATMAN V. SUPERMAN” seemed to be more of a direct sequel to the 2013 movie, the narrative for “SUICIDE SQUAD” seemed to be something of a reaction to Superman’s death in “BATMAN V. SUPERMAN”.

Written and directed by David Ayer, “SUICIDE SQUAD” began several months after the previous film. Amanda Waller, director of the Federal agency Advanced Research Group Uniting Super-Humans (A.R.G.U.S.), convinces the Defense Department to allow her to assemble “Task Force X”, a team of dangerous criminals imprisoned at Belle Reve Prison in Louisiana, to engage in high risk black ops missions. The criminals that she has selected are:

*Floyd Lawton aka Deadshot – an elite marksman and professional assassin, who has a warm relationship with his only daughter

*Harleen Quinzel aka Harley Quinn – a former psychiatrist and crazed supervillain who is in a relationship with the psychotic gangster “the Joker”

*Chato Santana aka El Diablo – a former Los Angeles based gang member with a powerful pyrokinetic ability, who had turned himself in after accidentally killing his wife and children

*George “Digger” Harkness aka Captain Boomerang – an Australian-born thief with an unpredictable personality and a talent with deadly boomerangs and knives

*Waylon Jones aka Killer Croc – a supervillain who suffers from a skin condition that causes him to develop reptilian features and a powerful strength

*Dr. June Moone aka Enchantress – an archaeologist who is possessed by an ancient evil force that transforms her into a powerful sorceress

*Christopher Weiss aka Slipknot – a mercenary and assassin who specializes in tactical grappling and scaling

Waller assigns an Army Special Forces officer named Colonel Richard “Rick” Flagg to lead the squad into the field. He is assisted by a group of Navy SEALS led by GQ Edwards, and a widowed Japanese vigilante and martial arts expert named Tatsu Yamashiro aka Katana, who also happens to be a friend of Flagg’s. While Waller and Dr. Moore are in Midway City, the latter transforms into the Enchantress and manages to escape from the former’s control. The Enchantress then frees her brother Incubus from a South American artifact, allowing him to take control of a Midway City businessman’s body. While both the Enchantress and Incubus besiege the city, the former transforms many of its citizens into her monstrous minions and decides to build a mystical weapon to eradicate mankind. Meanwhile, Waller finally decides to deploy the squad to extract a high-profile mark from the besieged Midway and from possible capture by the Enchantress.

As I had earlier pointed out, the moment “SUICIDE SQUAD” hit the theaters, most of the critics trashed it. I must admit that I was baffled by their reactions. It is one thing to trash the DCEU’s earlier entry, “BATMAN V. SUPERMAN: DAWN OF JUSTICE”, even though I did not agree with their negative opinions. But “SUICIDE SQUAD” got trashed as well? Two DCEU movies in one year?

“SUICIDE SQUAD” was not perfect. One of the problems I had with the movie’s narrative is that the setting struck me as a bit constricted, considering its 123 minutes running time. At least two-thirds of the film was set during one night in the downtown area of a major city. Also, I never understood why Amanda Waller and Rick Flagg went out of their way to keep the identity of the high-profile mark that the squad had to rescue a secret. Even if they had revealed the truth to Deadshot and the squad’s other members, the latter would have been forced to go ahead with the rescue, due to the nano bombs injected into their necks that coerced the squad to cooperate.

Speaking of the nano bombs, I found myself thinking about the character portrayed by Adam Beach, Christopher Weiss aka Slipknot. I hate to say this, but David Ayer really wasted his role. Unlike the other members of the Suicide Squad, there were no glimpses of his backstory in flashbacks. In fact, his name was not even mentioned in the scene in which Amanda Waller introduced her scheme to create the squad. Nor was he seen in the sequence in which Waller and Flagg “recruited” the other members. Audiences knew nothing about Slipknot’s role in the film, until he made his first appearance at a military base, where the other squad members had gathered. So . . . what was the point of Slipknot’s role in the movie? Utilizing a scene from one of the comic books for “Suicide Squad” in which Captain Boomerang managed to convince Slipknot to join him in an escape attempt from the military, he was merely used as a plot device to show what would happen to the squad’s other members if they try to escape. Death by an explosion from an injected nano bomb. That is all.

Despite the above problems I had with this film, overall, I liked it very much. Okay, who am I kidding? Hell, I loved this movie! It was a hell of a ride and a lot of fun. And it did a great job in expanding the DCEU even more. Just as Zach Synder had connected “MAN OF STEEL” with “BATMAN V. SUPERMAN: DAWN OF JUSTICE”, David Ayer did the same by connecting the latter with “SUICIDE SQUAD”. More importantly, he also connected this movie with one of the upcoming DCEU films, “JUSTICE LEAGUE” in one scene featuring Captain Boomerang getting arrested by Barry Allen aka the Flash in a flashback and in a post-credit scene featuring Amanda Waller and Bruce Wayne aka Batman. The latter scene proved to be a special connection between Waller’s failed attempt to make the Enchantress a part of the squad, her files on other meta humans like the Flash and Aquaman, and Bruce Wayne’s government contacts that would allow her to avoid any consequences from the whole Enchantress/Midway City debacle.

I also enjoyed how “SUICIDE SQUAD” began with the introduction of the squad’s “recruits”. While Amanda Waller narrated, the movie embarked upon a series of entertaining flashbacks that revealed the squad members’ talents, crimes and how they were captured. Naturally, my two favorite backstories were about Deadshot and Harley Quinn. Both of them revealed how their encounters with Batman led to their incarceration. I was surprised to see another member of the future Justice League of America, namely the Flash, in Captain Boomerang’s flashback.

Another aspect of “SUICIDE SQUAD” that I found interesting was how the squad’s members managed to form a well tight unit on their own, even when their ties to others were either disconnected like Deadshot’s to his daughter Zoe during his time in prison; questionable like Harley Quinn’s disturbed and abusive romance with the Joker; and in the case of three other members, non-existent. El Diablo has spent most of his time in prison mourning over the family he had killed and indulging in self-isolation. Killer Croc’s reptilian appearance has led him to be isolated and reviled by his fellow criminals and society at large. As for Captain Boomerang, he made it quite clear in a flashback when he double-crossed a colleague that he preferred to work alone. Despite these disparate situations, the squad learned to work together. More importantly, they even learned to work with Rick Flagg, Katana and the Navy SEALs, despite the distrust between the squad and their military watchdogs.

There had been a good deal of criticism from critics and some fans about how Ayer dealt with the relationship between Harley Quinn and the Joker. Many seemed to believe that Ayer had whitewashed the abusive nature of their relationship. That is not the relationship I had seen on screen. It really was not that difficult for me to notice how the Joker seemed to be in control of their relationship. Flashbacks revealed how he had exploited her infatuation for him. I also noticed his disturbing penchant for infantilizing her at times. Even the wardrobe that Harley wore to Midway City seemed to indicate that the Joker regarded her as his possession – namely her “Daddy’s Lil Monster” T-shirt and “Puddin” choker:

And yet, I do not recall the Joker wearing any clothing or accessories hinting that he is Harley’s possession. Curious. In fact, the controlling nature of their relationship seemed indicative in other relationships in the movie. The Enchantress proved to be something of a control freak. Brimming with resentment over humanity for imprisoning her and her brother Incubus, the sorceress decides to mankind. And yet . . . she transformed many of Midway City’s citizens into her minions and seemed to be the dominant half of her relationship with Incubus. On the other hand, Amanda Waller seemed to be the “Queen of Control” in “SUICIDE SQUAD”. She uses her position as Director of A.R.G.U.S. to assume control of the criminals who form the squad. And to insure that they will cooperate, she has small nano bombs implanted in their necks. She also tried to use her possession of the Enchantress’ heart to control the latter. And she encouraged a romance between Rick Flagg and the Enchantress’ human identity, Dr. June Moone, to guarantee Flagg’s undivided cooperation.

What can I say about the cast? Personally, I thought the cast members were the best thing about “SUICIDE SQUAD”. I have not seen Will Smith in a really good movie since 2012’s “MEN IN BLACK III”. And I really enjoyed his entertaining, yet first-rate and ambiguous portrayal of sharpshooter Floyd Lawton aka Deadshot. Margot Robbie gave what has turned out to be a superb performance as the hilarious, yet somewhat insane Dr. Harleen Quinzel aka Harley Quinn. Frankly, I think her performance was one of the best in the movie. Another performance that really impressed me came from Viola Davis, who nearly ruled above the others as the ruthless and diabolical Amanda Waller, Director of A.R.G.U.S. The ironic thing is that Waller’s character was not the movie’s main antagonist, yet Davis’ portrayal of her was so scary that she might as well have been.

Jay Hernandez was marvelous as the emotionally tortured Chato Santana aka El Diablo, whose guilt over his family’s deaths have led him to be reluctant to participate in the fight against the Enchantress. Karen Fukuhara was equally marvelous as Tatsu Yamashiro aka Katana, the expert martial artist/swordswoman, who guarded Rick Flagg and mourned her dead husband with the intensity of El Diablo’s flames. Speaking of Rick Flagg, it is amazing that I have never noticed Joel Kinnaman before this movie. I was surprised to learn that he was not the first choice for the role, for I believe he fitted it like a perfectly well-tailored suit. Adewale Akinnuoye-Agbaje’s role as Waylon Jones aka Killer Croc was not as big as I would have liked. But the British actor still managed to give a great performance as the isolated supervillain, who managed to maintain a healthy attitude about his own self-esteem . . . despite what others may have thought about him. The biggest surprise proved to be Jai Courtney’s portrayal of Australian criminal George “Digger” Harkness aka Captain Boomerang. I have seen Courtney portray a series of intense characters – both heroes and villains. I never knew that he had a talent for comedy. Because . . . dammit! The man was funny as hell.

I thought Jared Leto gave one of the most interesting and original portrayals of the D.C. Comics supervillain, the Joker, I have ever seen. It was . . . well, very dangerous, but in a very sexy way. A sexy Joker. I never thought I would ever say that about the famous villain. But Leto did give a rather sexy and entertaining performance. “SUICIDE SQUAD” also featured some solid supporting performances from the likes of Cara Delevingne as Dr. June Moone aka the Enchantress, Ben Affleck as Bruce Wayne aka Batman, David Harbour as a Federal official named Dexter Tolliver, Shailyn Pierre-Dixon as Zoe Lawton, Corina Calderon as Grace Santana, Scott Eastwood as Navy SEAL GQ Edwards, Common as a Gotham City criminal named Monster T and yes, even Adam Beach as Christopher Weiss aka Slipknot . . . despite his limited appearance.

Although I had a problem with director David Ayer’s use of the Slipknot character and other minor aspects of the narrative for “SUICIDE SQUAD”, I must admit that I enjoyed the movie a lot. Very much. In fact, it has become my favorite movie from the summer of 2016 and one of my favorite movies of the summer. Despite what other critics may have thought about it, I thought it was one hell of a film. I look forward to a sequel.

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“BATMAN V. SUPERMAN: DAWN OF JUSTICE” (2016) Review

“BATMAN V. SUPERMAN: DAWN OF JUSTICE” (2016) Review

Following on the heels of the success of 2013’s “MAN OF STEEL”, I had expected the Warner Brothers Studios to follow up with another movie about Superman, starring Henry Cavill. To my surprise, the studio had announced another movie featuring Superman, only the comic book character would be sharing top billing with another from the pages of D.C. Comics.

Warner Brothers surprised me with the announcement that their next comic book movie would feature Superman aka Clark Kent co-starring with none other than Batman aka millionaire Bruce Wayne. And the latter would be portrayed by Ben Affleck. Needless to say, I was not pleased by this announcement. I saw it as a personal insult to Cavill, who had really impressed me as the Man of Steel. And I felt that Warner Brothers could have given Affleck his own stand-alone film about the Caped Crusader, before rushing into some attempt to rush into a “Justice League of America” situation, similar to the one featuring the Avengers for Marvel Films and the Disney Studios. About a week before “BATMAN V. SUPERMAN: DAWN OF JUSTICE” was due to be released in movie theaters, I read a series of reviews that literally bashed the film. Now, I have never been a major fan of director Zack Synder in the past. And I was pleased that he did not go overboard with the angst factor in “MAN OF STEEL” as he has done with his previous films. But after reading so many negative reviews . . . well, I did not expect to like this movie. However, I had to see it just to satisfy my curiousity.

“BATMAN V. SUPERMAN: DAWN OF JUSTICE” began during the last events of “MAN OF STEEL”. It began with billionaire Bruce Wayne aka Batman arrival in Metropolis to assist Wayne Enterprises employees caught up with the city’s citizens in the destruction caused by Superman’s battle against fellow Kryptonian General Zod. Unfortunately for Bruce, one of his top executives is killed and the legs of another employee named Wallace Keefe are permanently damaged from falling debris. Due to these events, Bruce begins to view Superman as a destructive threat to Earth and desires to find a way to bring down the Man of Steel. Nearly two years later, Daily Planet reporter Lois Lane is visiting a North African country to interview a political figure believed to be a terrorist. However, her interview is cut short when the men who had accompanied her kill the terrorist’s men and many local villagers. Superman aka Clark Kent manages to rescue her from the terrorist, but Lois ends up feeling very disturbed by the event. But she is not the only one. Many people, including a Kentucky senator named June Finch blame Superman for the incident and like Bruce, begin to view him as a threat. Many are unaware that Metropolis’ top billionaire, Lex Luthor, was behind the incident in Northern Africa. Like Bruce, he began to view Superman as a threat . . . but to his own plans and his sense of worth. Unlike Bruce, he commences upon a plan to exploit the distrust of Senator Finch and others to bring down Superman and other meta-humans of whom he has become aware.

When I first learned that Warner Brothers had decided to follow up “MAN OF STEEL” with a movie in which Superman was to share top billing with Batman, I was not thrilled. In fact, I had hoped they would do a second Superman movie. And while the movie was being shot, I was more than determined not to like this film. Reading the movie’s negative reviews made me believe that disliking it would come very easy to me. And then . . . lo and behold! I ended up leaving the theater with a positive view about the film.

Mind you, “BATMAN V. SUPERMAN: DAWN OF JUSTICE” was not perfect in my eyes. I had two problems with it – one major and the other minor. My minor problem with “BATMAN V. SUPERMAN” has a lot to do with my virulent dislike of Snyder’s 2009 movie, “THE WATCHMEN”. The director utilized a device that he had carried over from the 2009 movie – namely the use of graffiti in some scenes. I thought he had overused it in “THE WATCHMEN” and continued to do so in this film. And the graffiti only brought back unpleasant memories of the 2009 film.

My major complaint against “BATMAN V. SUPERMAN: DAWN OF JUSTICE” has to do with the relationship between Batman and Lex Luthor. In one scene during the film’s last half hour, Luthor revealed to Clark that he had created situations not only to slowly direct public opinion against the latter, but also Bruce Wayne, whom he knew to be Batman. Luthor figured that Batman would go after the Man of Steel and the latter would eventually kill the former. I must admit that I found this very confusing, considering that the movie never hinted that Luthor was interested in killing Bruce in the movie’s first half. In fact, the Luthor Corp. files that Bruce had uploaded and Diana Prince aka Wonder Woman had stolen did not even contain any information on Batman. I had assumed that Luthor only became interested in killing Batman . . . after the latter had stolen the Kryptonite his people had discovered in the Indian Ocean and destroyed a LexCorp lab. And the movie that I had seen in a theater seemed to verify my assumption. Like I said . . . confusing!

So . . . what did I like about “BATMAN V. SUPERMAN: DAWN OF JUSTICE”? Well, the story. Okay, I really enjoyed it. I liked the fact that the movie eventually promised what its title had hinted . . . a conflict between Superman and Batman that eventually led to the promise of the Justice League of America. And screenwriters Chris Terrio and David S. Goyer presented this development with a very emotional and complex tale. What I found particularly interesting is that nearly everything in this tale is a direct result of the events from “MAN OF STEEL”. This was especially the case for both Bruce Wayne and Lex Luthor’s hostility toward Superman. In fact, Luthor used the dead body of General Zod (courtesy of the U.S. government) to not only study Kryptonian physiology, but also create the monster Doomsday, which would prove to be a threat in the movie’s final action sequence.

The movie also featured some excellent emotional development for the main characters. Again, this seemed to be the case for Clark Kent’s growing despair from the public and the government’s reactions to the events in Northern Africa; his disapproval toward Batman’s more violent vigilante activities; the latter’s anger towards the events from “MAN OF STEEL” and the heady mixture of paranoia and ego that drove Lex Luthor to investigate other meta-humans and plot against Superman.

For a movie heavy on action, it featured some interesting dramatic moments. My favorites included Clark’s clashes with Daily Planet editor-in-chief Perry White over investigating Batman’s activities in Gotham City; the first meeting between Clark, Bruce and Diana Prince at a party held by Luthor in Metropolis; Bruce’s lingering anger over what happened in “MAN OF STEEL”; Luthor’s clashes with Senator Finch over his plans to deal with Superman; Clark’s conversations with his adoptive mother Martha Kent about his activities as Superman and with the ghost of his adoptive father, Jonathan Kent; Lois Lane confrontation with Luthor before the final action began; and also, Diana and Bruce’s comments on the public’s fickle attitude toward Superman. The movie also featured further development of the relationship between Clark and Lois, which culminated in a very charming and sexy moment in a bathtub. I thought Sndyer handled these scenes very well, which is not surprising. He has always managed to get great performances from his actors . . . even in his movies that I dislike.

However, first and foremost, “BATMAN V. SUPERMAN: DAWN OF JUSTICE” is a comic book hero film . . . an action-adventure film. And Snyder was certainly in his element as a director. This especially seemed to be the case in those scenes that featured Lois and Superman’s adventures in northern Africa, Bruce’s dreams about leading a group of rebels against Superman, Batman’s attempt to steal the kryptonite from Luthor, his rescue of Martha from Luthor’s henchmen, and the attempt to rescue both Metropolis and Gotham from Luthor’s newly created monster, Doomsday.

However, one half of the movie’s title is called “BATMAN V. SUPERMAN”. Many movie fans and critics had dismissed the idea of an effective battle between the Man of Steel and the Caped Crusader. So did I. After all, Batman was not really a meta-human – someone with super abilities – merely a highly trained costumed crime fighter. The movie made me realize that many of us had forgotten that Bruce Wayne also had brains. Through his investigation of a Russian weapon-trafficker named Anatoli Knyazev, he learned that Luthor was not only investigating meta-humans, but had found a possible weapon against Superman. Kryptonite. By creating weapons from the kryptonite he had stolen from Luthor Corp. and a powered exoskeleton suit, Batman was able to put up a good fight against the Man of Steel. And surprisingly, their battle proved to be very effective to me . . . even if many still believe otherwise.

The other half of the movie’s title was “DAWN OF JUSTICE”, which hinted the beginning of the Justice League of America aka the Super Friends. I found it interesting that Bruce Wayne and Lex Luthor’s reactions to the events from “MAN OF STEEL” not only led to their fear of Superman and attempts to find a way to destroy the latter, but also to hints of the forthcoming creation of the Justice League of America. It all centered around Luthor’s investigation of other meta-humans and the files Bruce and Diana had found within Luthor Corp.’s computer mainframe. The file not only contained information and video clips on Diana’s past as Wonder Woman during World War I, but also on Barry Allen aka the Flash, Arthur Curry aka Aquaman and Victor Stone aka Cyborg. But it was that one scene in which Superman, Wonder Woman and Batman finally decided to form a team to battle the monster Doomsday . . .

how-wonder-woman-casually-stole-the-show-in-batman-v-superman-dawn-of-justice-904952.gif

. . . that led to memories of the old ABC animated series, “SUPER FRIENDS” and its theme song going through my mind. It was a wonderful moment for me.

There was one aspect of “BATMAN V. SUPERMAN: DAWN OF JUSTICE” that left a heavy imprint on my mind was the fickleness of human nature. We humans are a fickle, controlling and very selfish specie. Snyder and screenwriters Terrio and Goyer really did an excellent job in portraying those aspects of our nature through the character of Superman. I found it interesting that many viewed Superman as a savior or angel. This was apparent in the statues raised in his honor and this almost selfish demand that he serve as their savior and nothing else. I can recall one moment in which victims of a flood had left the symbol on his costume painted on their roof to attract his attention. On the other hand, there were many others viewed him as a real threat against humanity . . . even after he had saved them from General Zod’s plans in “MAN OF STEEL”. Both Bruce and Senator Finch blamed Superman for the destruction that had occurred in Metropolis nearly two years ago, conveniently forgetting that it was Zod’s arrival on Earth that had led to that destruction. I came away with the feeling that people like Bruce, Senator Finch and Wayne Enterprises employee Wallace Keefe used Superman as a scapegoat, since the latter ended up being the last Kryptonian left standing. I do not find this surprising for using others as scapegoats is a very human thing to do. After the Congress bombing, even those who had seen Superman as a savior began to think otherwise. They did not come to this conclusion via any investigation on their parts. Superman was the last person standing and ergo, became “Suspect Number One” . . . just as he had become following Zod’s death. No wonder Clark had fallen into despair and walked away for a while. And no wonder Diana had such contempt toward the public’s renewed good opinion of Superman following the battle against Doomsday.

I have been talking about the plot so much that I forgot about other aspects of “BATMAN V. SUPERMAN: DAWN OF JUSTICE” – namely its technical and artistic effects. I might as well start with Patrick Tatopoulos’ production design. Tatopoulos did not have to create an alien world or a setting from the past. But I was impressed by his duel designs for not only the cities of Metropolis and Gotham, but also the northern African town at the movie’s beginning, Washington D.C. and the damage caused by Doomsday in the two fictional cities. He had ample support from the art direction and visual effects teams. I was surprised that Zack Snyder did not use Larry Fong as cinematographer for “MAN OF STEEL”. Because the latter had worked with Snyder on both “300” and “THE WATCHMEN”. In a way, Fong’s style, which struck me as sleek, rich in color and slightly dark, reminded me of Wally Pfister’s work for many of Christopher Nolan’s films. I have noticed that a good of Han Zimmer’s movie scores have seemed a little heavy-handed lately. And it certainly seemed to be the case for “BATMAN V. SUPERMAN: DAWN OF JUSTICE”. But there were moments when that heavy-handedness seemed to mesh rather well with certain scenes, especially during those that hinted the future Justice League of America and the battle against Doomsday.

Ben Affleck became the eighth actor to portray Bruce Wayne aka Batman on screen (television or movie) and the public had not reacted well to the news of his casting. I found this astounding, considering that Affleck is a first-rate actor, who had previous experience portraying a costume hero when he played Matt Murdock aka Daredevil in the 2003 movie about the character. Affleck did an excellent job in portraying the paranoid aspects of Wayne’s nature in a very intense and at times, slightly scary manner. Henry Cavill was equally effective in his continuing portrayal of Clark Kent aka Superman. The loneliness that seemed to mark his performance in “MAN OF STEEL” seemed to have been replaced by satisfaction in Clark’s relationship with Lois Lane, intense determination to investigate Batman’s activities and frustration with Perry White’s unwillingness to allow him to embark on that investigation. My favorite scene with Cavill involved Clark’s quarrel with Perry about investigating Batman. And my favorite Cavill moment was the “What the fuck is wrong with you?” expression he gave Luthor when the latter introduced him to the Doomsday monster. But following the Congress bombing, that old despair and loneliness returned in full force. When I first heard about this movie, I thought Amy Adams’ role would be reduced from what it was in “MAN OF STEEL”. Thankfully, my fears were abated, for not only did Lois continue to play a major role in this DC Comics universe, she also played a major role in exposing Luthor’s plans and eliminating Batman’s anger toward Superman. Being the consummate actress that she is, Adams did a superb job in conveying not only Lois’ emotional vulnerability regarding Clark and what happened in northern Africa, but also her intelligence and determination to discover the truth.

The movie also featured an exceptional performance from Jesse Eisenberg as main villain, Lex Luthor. Not only was his movie exceptional, but also rather surprising. It was not that I thought him incapable of portraying a villain, but I just could not see him as Lex Luthor. I was wrong. He gave a fantastic performance. It seemed both subtle and overly dramatic at the same time . . . in a good way. He made Luthor seem very eccentric . . . again, in a good way. Diane Lane returned to portray Clark’s adoptive mother, Martha Kent. Her portrayal of Martha struck me as rather unusual. In other comic book hero movies, maternal types like Martha tend to give speeches to the main hero in order to motivate them in serving the public. What I liked about Lane’s Martha is that she was more concerned about Clark’s well being and happiness than him fulfilling some destiny as a hero or savior. It may seem selfish, but it also seemed very real to me.

Gal Gadot became the first actress to portray Diana Prince aka Wonder Woman in a very long time. Ever since Lynda Carter ended her run with the ABC/CBS series in 1979, Hollywood seemed reluctant to bring the Amazonian Princess back to the screen. Thankfully, Warner Brothers, Snyder and Nolan ended that dry run by hiring Gadot for the role. And she was perfect . . . spot on. I never thought another actress could do justice to the role – except for Marvel alumni Jamie Alexander from “THOR”. But Gadot was perfect and I look forward to seeing her solo movie. Jeremy Irons, to my utmost surprise, became DC Comics’ new Alfred Pennyworth. His portrayal seemed so different from past performances – a little less of a servant and more of a companion for Bruce. More importantly, I really enjoyed the sardonic wit that Irons had infused into the character. But he was not the only one. Laurence Fishburne returned as Clark and Lois’ boss, Daily Planet editor-in-chief Perry White. In “MAN OF STEEL”, Fishburne had infused a touch of dry wit into his portrayal. In this movie, that wit was in full force and even more sharper – especially in the actor’s scenes with Cavill. I really enjoyed his presence in this film. The movie also featured some excellent supporting performances from the likes of Holly Hunter, who gave a wonderfully sarcastic speech to Luthor in her portrayal of Senator June Finch; Harry Lennix, who returned as former General now Secretary Calvin Swanwick; Scoot McNairy, who portrayed Wallace Keefe, the Wayne Enterprises employee who had been crippled during Superman’s battle with General Zod; and Kevin Costner, who returned with a poignant performance as the ghostly figure of Clark’s adoptive father, Jonathan Kent.

To this day, I am flabbergasted by the media’s negative campaign against “BATMAN V. SUPERMAN: DAWN OF JUSTICE”. I do not understand it . . . period. I could have understood if the movie had drawn some criticism. But this unrelenting criticism struck me as unreal . . . especially after I had seen the film. But you know what? I realize that I should not care. I saw the movie twice and I enjoyed what I had seen. Yes, “BATMAN V. SUPERMAN: DAWN OF JUSTICE” (what a mouthful!) had some flaws. What movie does not? But overall, I was very pleased by this film. I like to think that I understood what director Zack Snyder, along with screenwriters Chris Terrio and David S. Goyer were trying to say. And I enjoyed the performances of the cast led by Ben Affleck and Henry Cavill very much. More importantly, I am glad that the cinematic version of the Justice League of America has finally commenced. Regardless of the opinions of others, “BATMAN V. SUPERMAN: DAWN OF JUSTICE” more than satisfied me. It has become one of my favorite movies of 2016.