“POLITICAL ANIMALS” (2012): Episode Ranking

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Below is my ranking of USA Network’s 2012 six-episode limited series called “POLITICAL ANIMALS”. Created by Greg Berlanti, the series starred Sigourney Weaver, Carla Gugino and Ciarán Hinds:

 

“POLITICAL ANIMALS” (2012): Episode Ranking

1- 1.05 16 Hours

1. (1.05) “16 Hours” – Secretary of State Elaine Barrish instructs one of her twin sons, Douglas “Doug” Hammond, to keep an eye on journalist Susan Berg during a trip to San Diego regarding a sunken Chinese submarine, in order to keep her distracted from any news regarding the drug overdose of her other son, T.J. Unexpected sparks results. And Elaine’s mother, Margaret Barrish, discovers that Doug’s fiancee, Anne Ogami, is bulimic.

 

 

2- 1.01 Pilot

2. (1.02) “Pilot” – After a failed attempt to win the Democratic nomination for President, Elaine asks her husband, former President Donald “Bud” Hammond, for a divorce and becomes Secretary of State for election winner Paul Garcetti in this episode that introduces the series.

 

 

3- 1.04 Lost Boys

3. (1.04) “Lost Boys” – This episode featured flashbacks that revealed the origins of an earlier suicide attempt of T.J. Hammond, while he struggles to open a new nightclub. Meanwhile, Elaine and President Garcetti deal with a Chinese submarine that nearly sunk off the U.S. West Coast.

 

 

4- 1.06 Resignation Day

4. (1.06) “Resignation Day” – While the Garcetti Administration deal with the tragic crash of Air Force One and President Garcetti, Doug decides to elope with Anne; and both Elaine and Bud contemplate her running for president again in the near future.

 

 

5- 1.02 Second Time Around

5. (1.02) “Second Time Around” – Elaine convinces President Garcetti to appoint Bud as a negotiator to release three journalists held hostage in Iran. Susan serves as a member of the journalist corps, appointed to cover the story. And Doug leaks to Susan that Elaine will make another bid for president.

 

 

6- 1.03 The Woman Problem

6. (1.03) “The Woman Problem” – To prevent Elaine from running for President again; President Garcetti asks her mentor, Justice Diane Nash, to retire from the Supreme Court, so that he can appoint Elaine to replace her. And Elaine’s announcement of her decision to run for President draws negative reactions from Margaret, Doug and T.J.

Favorite Movies Set in MIAMI

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Below is a list of my favorite movies set in Miami, Florida: 

FAVORITE MOVIES SET IN MIAMI

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1. “Bad Boys II” (2003) – Martin Lawrence and Will Smith starred in this hilarious sequel to their 1995 hit film about two Miami cops who, this time, battle a Cuban drug dealer. Directed by Michael Bay, the movie co-starred Gabrielle Union, Jordi Mollà and Joe Pantoliano.

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2. “Miami Vice” (2006) – Michael Mann directed this remake of the 1980s television crime drama about two undercover cops for the Miami-Dade Police, who investigate a Columbian drug lord on behalf of the F.B.I. Jamie Foxx and Colin Farrell starred.

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3. “Absence of Malice” (1981) – Paul Newman and Sally Field starred in this high-powered drama about a liquor warehouse owner, whose life begins to unravel when a prosecutor leaks a false story about him being involved in the murder of a union leader. Sydney Pollack directed.

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4. “2 Fast 2 Furious” (2003) – Paul Walker and Tyrese Gibson starred in this exciting second film in the FAST AND FUIROUS franchise about former cop Brian O’Conner and childhood friend Roman Pearce forced to help the Feds arrest a local Miami drug importer in order to clear their names. Directed by John Singleton, Eva Mendes, Chris Bridges and Cole Hauser co-starred.

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5. “The Crew” (2000) – Richard Dreyfuss, Burt Reynolds, Seymour Cassel and Dan Hedaya starred as four retired mobsters who decide to make one last score to save their apartment at a South Beach retirement home. Directed by Michael Dinner, the movie co-starred Carrie-Anne Moss, Jeremy Piven and Jennifer Tilly.

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6. “Bad Boys” (1995) – Martin Lawrence and Will Smith first starred together in this funny movie as Miami-Dade cops Marcus Burnett and Mike Lowrey; protect a witness to a murder, while investigating a case of missing heroin. Directed by Michael Bay, the movie co-starred Tea Leoni, Tchéky Karyo, Joe Pantoliano and Theresa Randle.

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7. “The Birdcage” (1996) – Mike Nichols directed Robin Williams and Nathan Lane in this funny remake of the 1978 movie “La Cage aux Folles” about a gay couple who pretends to be straight for the conservative parents of their son’s fiancée. Gene Hackman, Dianne Weist, and Dan Futterman co-starred.

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8. “Marley & Me” (2008) – Owen Wilson and Jennifer Anniston starred in this heartwarming adaptation of John Grogan’s 2005 book about the experiences of a journalist and his family with their incorrigible Labrador Retriever. The movie was directed by David Frankel.

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9. “A Hole in the Head” (1959) – Frank Capra directed this engaging comedy about a womanizing widower who struggles to raise his son and hang on to his small Miami Beach hotel. The movie starred Frank Sinatra, Eleanor Parker, and Edward G. Robinson.

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10. “Moon Over Miami” (1941) – Betty Grable and Carole Landis starred in this charming musical about two Texas sisters who move to Miami in order to meet and marry millionaires. Directed by Walter Lang, the movie also starred Don Ameche and Robert Cummings.

“CAPOTE” (2005) Review

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”CAPOTE” (2005) Review

I finally got around to watching the first of two movies about writer Truman Capote and his work on the non-fiction novel, “In Cold Blood”. This particular movie, “CAPOTE”, starred American actor Philip Seymour Hoffman, who eventually won a SAG award, a Golden Globe award and an Oscar for his performance.

Penned by actor Dan Futterman and directed by Bennett Miller, “CAPOTE” turned out to be a more somber affair than its 2006 counterpart, “INFAMOUS”. Miller had once commented that he wanted to create a more subtle portrait of the flamboyant author in order to emphasize on Capote’s lonely and alienated state . . . despite his relationships with authors, Nelle Harper Lee (Catherine Keener) and Jack Dunphy (Bruce Greenwood); and his popularity with New York high society. This subtle approach not only permeated the movie’s tone and pace, it also affected the cast’s performances – especially Hoffman and Clifton Collins Jr., as Perry Smith.

I do not know if I would have automatically given Philip Seymour Hoffman that Oscar for his performance as Truman Capote. I am still inclined toward Heath Ledger receiving the award for his performance in “BROKEBACK MOUNTAIN”. But I must admit that Hoffman certainly deserved his nomination. He managed to skillfully portray Capote’s ambition and determination to create a literary masterpiece from the real life murders surrounding the Herb Clutter family in Holcomb, Kansas. Hoffman also revealed how Capote used his charm to manipulate others . . . especially Perry Smith.

Catherine Keener earned both BAFTA and Academy Award nominations for her warm portrayal of “To Kill Mockingbird” author, Nelle Harper Lee. Granted, she deserved her nominations and I especially enjoyed how she managed to project a mixture of friendly warmth, reserve and moral fortitude in her performance. But I could not help but wonder if she could receive acting nominations, why not Clifton Collins, Jr.?

It seemed a shame that more praise had not been heaped upon Clifton Collins’ shoulders for his portrayal of the intense and soft-spoken convicted murderer, Perry Smith. His scenes with Hoffman gave the movie an extra bite of emotionalism that saved it from being too subtle. Like Daniel Craig’s performance of Smith in “INFAMOUS”, Collins brought an interesting balance of soft-spoken politeness and intense danger in his performance. Well . . . almost. The real KBI investigator in charge of the Clutter case, Alvin Dewey, had once described Perry Smith as a quiet, intense and dangerous man. In “CAPOTE”, Smith’s own sister had warned Capote that despite her brother’s quiet and polite demeanor, he was easily capable of committing the crimes against the Clutters. And yet, I never did sense any real danger in Collins’ performance. Not quite. Except in two scenes – namely his confrontation with Capote over the “In Cold Blood” title; and the flashbacks revealing the Clutters’ murders. The ironic thing is that I suspect that Collins was not to blame. I suspect that Miller’s direction and Futterman’s script simply did not really allow Collins to reveal Smith’s more dangerous aura.

All of this led to what became my main problem with “CAPOTE” – namely the somber subtlety that seemed to permeate the production. Not only did the director’s desire to create a subtle film seem to mute Collins’ potential for a more balanced portrayal of Perry Smith, it also forced Hoffman to hold back some of Capote’s more flamboyant traits. I am quite certain that this was both the director and the screenwriter’s intentions. But I also feel that this deliberate attempt at subtlety may have robbed both the Capote and Smith characters of a more balanced nuance. It also denied the audience a deeper look into Capote’s New York lifestyle and bogged down the movie’s pacing in the end. During the last thirty or forty minutes, I found myself begging for the movie to end.

But despite the movie’s “too somber” mood and pacing, “CAPOTE” is an excellent movie and I would highly recommend it for viewing.

8/10