“Guidance and Estrangement”

 

“GUIDANCE AND ESTRANGEMENT”

During its seven seasons run, the television series, “BUFFY THE VAMPIRE SLAYER” has generated a good number of controversy amongst its fans, other viewers and the media in its approach to several subjects regarding its main character, Buffy Summers, and its supporting characters. Many of those subjects have included sex, violence, addiction, and discrimination – both gender and racial. But there seemed to be one topic that fans of the series seemed to be in conflict over – namely authority figures and how it pertained to Buffy’s relationship with her Watcher, Rupert Giles.

When the series first began in January 1997, Buffy and her mother, Joyce Summers, had recently moved from Los Angeles to Sunnydale; following the latter’s divorce from Buffy’s father, Hank. The Summers’ marriage had buckled under the strain of his infidelity and Buffy’s early activities as a Slayer in Los Angeles. The move to Sunnydale also meant the eventual erosion of daughter and father’s relationship. Since Buffy’s first Watcher, Merrick, had killed by a vampire named Lothos; the young Slayer found herself with a new Watcher – the English-born Rupert Giles.

The relationship between Buffy and Giles went through many stages and emotional upheavals. Due to her father’s declining presence in her life, the Slayer began to regard her Watcher as a new father figure. Yet, at the same time, she struggled to maintain a private life of her own – one that involved school and a social life – despite Giles’ insistence upon her focusing upon her training and duties as a Slayer. One such incident occurred when Buffy wanted to forego another training session to attend a fraternity party at Sunnydale’s University of California campus in (2.05) “Reptile Boy”. Despite their occasional bouts of conflict and the crisis surrounding the re-emergence of Angelus in late Season Two, Buffy’s view of Giles as a replacement for her father had grown stronger by mid-Season Three. Then came the Cruciamentum in the episode, (3.12) “Helpless”

The Cruciamentum was a test that senior members of the Watchers Council put each Slayer through on her eighteenth birthday. She must be weakened (namely stripped of her Slayer abilities) and left alone with a vampire to test her skills and resourcefulness. The weakened Slayer rarely survives such a test. As I had stated earlier, Buffy had truly began to regard Giles as a second father, especially since her own father failed to appear and take her to an ice show for her 18th birthday. Unfortunately for Buffy, the Cruciamentum test proved to be the first time that Giles would betray her. Showing more loyalty to the Council than the Slayer, he placed Buffy under hypnosis before stripping away her Slayer abilities with a drug. However, guilt over his betrayal and the danger of a psychotic vampire loose upon Sunnydale led Giles to confess his actions and help her deal with the vampire. Because of his actions, the leader of the Watchers Council – Quintin Travers – accused Giles of being too emotionally close to Buffy and fired him. However, Buffy severed her ties with the Watchers Council and continued to regard Giles as her Watcher. However, the Cruciamentum did not prove to be the last time that Buffy and Giles would clash.

Season Five provided more heartaches and crisis for Buffy than any previous season. Buffy’s relationship with her college boyfriend, Riley Finn, crashed and burned. She discovered that her old nemesis, the vampire Spike, had fallen in love with her. Joyce became seriously ill. And a new member joined the Summers household – a younger sister named Dawn. However, Buffy and the Scoobies eventually learned in (5.05) “No Place Like Home” that Dawn was originally a mystical object known as the Key, which can be used to open portals to alternate dimensions; a group of monks transformed the Key into human form and sent it to the Slayer for protection from the villainous hellgod, Glory. The hellgod wanted to use the Key (Dawn) to return to her home dimension. The memories of Buffy and her associates were altered, along with relevant records, so that they believed Dawn had always existed as Buffy’s sister. Once Glory discovered that Dawn was the Key, her presence became a threat to human existence. Giles certainly believed so and insisted that Buffy kill Dawn before Glory can use her blood in (5.22) “The Gift”. Fearful for Dawn’s life, Buffy asked Spike to protect the teenager from any threat. I can only wonder if she had viewed Giles as a possible threat.

Eventually, Buffy sacrificed her life to stop the threat of Glory and to close the portal that the hellgod had used Dawn’s blood to open. Several months following Buffy’s death, Giles decided to return home to England in (6.01) “Bargaining”. Following her resurrection, he returned to Sunnydale. However, he noticed that Buffy had begun a disturbing trend of depending upon him for everything – including matters in her non-Slayer life. In the episode, (6.07) “Tabula Rasa”, Giles decided to return to England in order for Buffy to gain independence. He did not return, until the crisis over Willow’s turn to evil evolved, following the death of her lover, Tara Maclay.

Giles’ return to England during Season Six proved to have a major impact upon his relationship with Buffy during the show’s seventh and final season. The impact of his disappearance would not be realized, until the two clashed over the status of a chip-free Spike in the episode, (7.17) “Lies My Parents Told Me”. After acquiring his soul in Africa, during the Season Six finale, (6.22) “Grave”, Spike returned to Sunnydale, racked with guilt over his past as a vampire and his attempted rape of Buffy in (6.19) “Seeing Red”. And unbeknownst to himself and others, he was being mentally tormented and controlled by the season’s Big Bad – the non-corporeal being known as the First Evil. Spike’s troubles did not end there. By (7.13) “The Killer in Me”, the chip was slowly killing Spike and Buffy had to request help from her old flame, Army officer, Riley Finn, to remove the chip for good. Spike was finally free from the dangers of the chip, but not from the First Evil.

Buffy and Giles’ clash over Spike first spilled over in an amusing exchange featured in the beginning of the following episode,(7.14) “First Date”. However, Giles’ anxieties over Spike’s chip-free and First Evil-influenced state continued unabated. He continued to insist that Spike be contained or slayed, for the safety of the Potentials and the Scoobies, now residing inside the Summers house. Giles disappeared for two episodes and returned at the beginning of ”Lies My Parents Told Me” with a magical artifact called a Prokaryote stone. Willow used the stone and a spell to penetrate Spike’s mind and make him more conscious of how the First Evil’s trigger worked. Needless to say, the session ended in disaster, with Spike unintentionally hurting Dawn (why Buffy allowed her to hang around, I do not know). Following the failure to break the First Evil’s hold on Spike, Giles conspired with Robin Wood – the son of a Slayer that Spike had killed back in 1977 – to kill the blond vampire behind Buffy’s back. Buffy eventually realized what Giles and Wood had conspired and coldly ended their Watcher-Slayer relationship . . . and friendship.

I am not really surprised that Buffy turned his back on him, following the incidents of ”Lies My Parents Told Me”. As I had earlier pointed out, it was not the first time he had betrayed her. He betrayed her in Season 3’s “Helpless”. But he realized his error and made amends in the end. In late Season 5’s “The Gift”, he continuously pressured Buffy to kill Dawn in order to save the world. Not only did she refuse, but she asked Spike to kill him or anyone else who made a move toward Dawn. Even if Dawn’s death would have saved the world, I do not think that Buffy could have lived with herself if she had killed her younger sister. Her slide into catatonia in (5.21) “The Weight of the World”, following Glory’s abduction of Dawn, struck me as proof that Buffy would have serious problems with anything happening to her younger sisters.

But Giles’ betrayal in “Lies My Parents Told Me” proved to be the last straw. Not only did Giles plotted behind her back, he never expressed any remorse for his actions. Worse, he only gave Spike once chance to deal with the First Evil’s trigger before he began plotting with Robin Wood behind Buffy’s back. Giles never took into account that triggered or not, Spike was not the only dangerous person in that house. There was Willow, who was not only a very powerful witch, but still emotionally unsure about herself. And I suspect that if the First Evil had triggered Spike, he would have to deal with Willow, a powerful and experienced Slayer in the form Buffy, and a house full of potential Slayers. Giles never considered all of this or that Wood’s plotting centered on an emotional desire for revenge against Spike. Instead, he allowed his fears and his dislike of the vampire to rule his emotions. And he never expressed any remorse for his actions.

Buffy had been slowly maturing as a person throughout the series’ run. By late Season Seven, it was time for her to realize that Giles did not always have the answers or that he was not always right. It was also time for her to realize that sometimes, every individual has to question authority figures . . . or rely upon yourself and not a parent or a surrogate parent. Back in early Season Six, Giles realized that Buffy could not always depend upon him and that sooner or later, she would have to learn to stand on her own. Unfortunately, the destruction of the Watchers Council triggered a great deal of fear within Giles. He forgot about his resolve about Buffy becoming an adult, and tried to overcome this fear by resurrecting his old relationship with Buffy. By ”Lies My Parents Told Me” he failed to realize that she had matured too much for him to recapture it.

Buffy and Giles had failed to resolve their conflict over his final betrayal by the end of the series . . . despite their willingness to fight together in the final battle against the First Evil’s plans in (7.22) “Chosen”. Their relationship grew worse over Giles’ failure to inform Buffy about his and Faith Lehune’s dealings with a rogue Slayer named in one of the Season Eight stories featured in a series of comic books based upon the series. It was not until their dealings with the being known as Twilight (aka Angel) that Buffy and Giles finally reconciled. Unfortunately, their reconciliation did not last very long. While still under the guise of Twilight, Angel murdered Giles. Pity. It would have been nice to see Buffy and Giles develop an equal relationship between two friends and colleagues.

“24” and the Breaking Point

 

After watching the April 12, 2010 episode of ”24”, it occurred to me that I had put up a lot with this series during most of its eight seasons run. Perhaps a bit too much – especially since Season Three.  But the above-mentioned episode proved to be the final straw for me. 

 

“24” AND THE BREAKING POINT

It seems a miracle to me that I managed to remain a steady viewer of FOX-TV’s ”24”. Despite being a pretty good series, it has presented its viewers with some mind boggling plotlines. Mind you, some of the series’ plotlines from Seasons One and Two left me scratching my head. Kim Bauer’s (Elisha Cuthbert) Season Two adventures that included encounters with a murderous employer, the law and a slightly demented survivalist portrayed by Kevin Dillon come to mind. And the circumstances that led to Nina Myers’ (Sarah Clarke) revelation as a mole inside CTU left me wondering if she had any senses. The fact that Season One featured two intelligence moles who had no idea that the other was a mole seemed to be skimming on thin ice to me. As did the subplot involving Presidential candidate David Palmer (Dennis Haysbert) and his family.

Then came Season Three. Personally, I thought it was a pretty good season. Jack Bauer (Kiefer Sutherland) and CTU found themselves battling a former MI6 agent named Stephen Saunders (Paul Blackthorne), who wanted revenge for being abandoned during a disastrous operation against the Season One main villain, Victor Drazen (Dennis Hopper) by unleashing a deadly virus upon Los Angeles. This season also featured a con job perpetrated by Jack, Tony Almeida (Carlos Bernard) and a CTU employee named Gael Ortega (Jesse Borrego); the return of Nina Myers; the introduction of Chase Edmunds (James Badge Dale) as the first (and my personal favorite) of several younger partners for Jack; a virus outbreak in Los Angeles and an exciting showdown in which Jack and Chase attempt to prevent one of Saunders’ men from carrying out his threat.

Unfortunately, Season Three seemed to have kick started many major mistakes created by the series’ writers over the next six years. I tried to deal with the introduction of the Chloe O’Brian character (Mary Lynn Rajskub). But I failed. After another five seasons, I still dislike her. From Season Three to the present, serious mistakes piled on one after the other – Jack’s murder of Nina Myers; the subplot involving Wayne Palmer’s (D.B. Woodside) involvement with a billionaire’s wife and Sherry Palmer (Penny Johnson); Tony’s arrest for the so-called “treason” charge for exchanging Jack’s kidnapped victim for his kidnapped wife – CTU’s own Michelle Dressler (Reiko Aylesworth); the loss of Chase’s hand and his departure from the series (I rather liked him . . . a lot). In Season Four, I had to deal with Jack’s dull ass romance with the senator’s daughter Audrey Raines (Kim Ravner), that stupid plot to infiltrate the Chinese consulate and extract a terrorist, which ended in the death of the Chinese consul, the return of that traitorous ass, Mike Novik (Jude Ciccolella); and a disjointed and badly written season. Season Five brought about a series of deaths that I still believe was heavy-handed – former President Palmer, Michelle Dressler and the near death of Tony Almeida. Many fans have claimed that Season Five – which centered around President Charles Logan’s attempt to sign some treaty with the Russians – was the best. I would have been more tolerant of it, if it were not for the series of murders that occurred in the season’s first episode, Kim’s reaction to Jack’s fake death, and a major plot that really did not require a 24-hour setting. Season Six – with a badly written storyline about suicide bombers and Jack’s family (James Cromwell and Paul McCrane) – was the worst. Wayne Palmer became the new president, but he ended up in a coma from a bombing before mid-season. Chloe’s husband – the equally annoying Morris O’Brian (Carlos Rota) – played a major role in this season . . . unfortunately. I found Season Seven tolerable, especially since it introduced FBI Agent Renee Walker (Annie Wersching) and brought back Tony Almeida. However, Season Eight proved to be another matter.

Mind you, I did not hate Season Eight, like I did Seasons Four and Six. But . . . its plot about a group of Middle Eastern terrorists trying to prevent the president of their country from signing a peace treaty with the United States proved to be . . . old hat. Many fans could see that this series seemed a little tired and filled with some plot holes. The worst and dumbest subplot in the series’ history centered on CTU Agent Dana Walsh’s (Katee Sackhoff) problems involving her criminal ex-boyfriend and some of the dumbest plot lines in television history. But last week’s episode – (8.17) “Day 8: 8:00 a.m. – 9:00 a.m.” – proved to be the last, fucking straw for me. Two things happened. Renee Walker – whom Jack had fallen in love with – ended up murdered by a Russian assassin. And Tim Woods (Frank John Hughes), Director of Homeland Security, fired CTU New York director Brian Hastings (Mykelti Williamson).

It was bad enough that producers Joel Surnow and Robert Cochran, along with screenwriter David Fury had killed off Renee. One, she turned out to be one of my favorite characters from the series. And she also seemed to be the only female capable of dealing with the real Jack Bauer – warts and all. Two, Renee’s murder has jumpstarted an old and tired subplot – namely Jack’s desire to go after the person or persons responsible for the death of a loved one. We saw this in his murder of Nina Myers in Season Three. We also saw this in Season Five, when he murdered the man who had assassinated David Palmer. Some fans see this as a return of the old Jack Bauer. For years, I had disliked Jack for his murderous inclinations, his hypocrisy and the fans’ hypocritical view of his crimes. For the first time in years, I managed to enjoy Jack as a character. With Renee’s murder, it looks as if that enjoyment has come to an end. I do not see any possible hope of an emotional recovery for Jack after this. And honestly . . . if Surnow and Cochran wanted to kill someone off, they could have waited to bump off Jack either in the last episode or in the damn movie. But no . . . they drummed up some contrived plot line to kill off Renee in order to bring back Killer Jack.

But the worst thing I ever saw during Season Eight and during the series’ entire run the demotion of Brian Hastings by Homeland Security Director Tim Woods as director of CTU New York and being replaced by that whining bitch, Chloe O’Brian. I had stated earlier, I do not like Chloe. I never have. I have always found her whining and personality disorders a pain in my ass. But this latest plot development regarding her promotion as CTU New York’s new director was truly the most utterly stupid thing I have ever seen on ”24”. On television period. First of all, Chloe was a computer analyst for CTU. A computer geek. Chloe has had at least one or two hours of experience in the field. And yet, that idiot Woods had decided she would be a better person to run CTU New York than Hastings. Why? Because Hastings had failed to sniff out Dana Walsh as a mole. No intelligence official in his or her right mind who allow a computer analyst to assume command of an intelligence field office. It is an utter act of idiocy. And yet, Surnow and Cochran allowed this to happen. And instead of realizing the stupidity of such a plot twist, many fans have been cheering Chloe’s promotion. Why? Because Hastings had failed to do two things – immediately follow Jack’s lead and sniff out Dana Walsh as a mole. Damn hypocrites!

Why do I call the fans, David Fury and the producers hypocrites over this situation with Chloe, Hastings and Dana? Hastings was not that popular with fans. Chloe is very popular fans. And the fans were impatient with Hastings’ failure to spot Dana as a mole. Well if that is the case, then allow me bring up another name. Nina . . . Myers. Have fans and television critics actually forgotten that for several years, Nina was Jack’s second-in-command at CTU Los Angeles? In fact, they even had an affair. Jack eventually learned that she was a mole out of sheer . . . dumb . . . luck.  Nina was ordered to tell a lie about Kim in order to lure Jack into the clutches of Victor Drazen. No one has ever complained about Jack’s inability to sniff out Nina as a mole, until it was almost too late. Hell, in Season Seven, Jack never knew that a vengeful Tony Almeida was playing a double game against him, the FBI and the Allison Taylor Administration until it was almost too late. Yet, Brian Hastings is criticized for failing to sniff out a mole. This is an example of the fans’ hypocrisy at its worst. And all of this happened six or seven episodes before the end of the series.

I did not bother to watch tonight’s episode of ”24”. After the debacle of last week’s episode, I decided that I finally had enough. In fact, I will NOT be looking forward to any ”24” movie in the future. Thank you, Joel Surnow, Robert Cochran and David Fury for allowing any leftover enjoyment I might have of “24” to hit rock bottom. This is how I will always remember the series – with two of the dumbest plot developments I have ever seen.

“The Meaning Behind the First Evil”

Season Seven of ”BUFFY THE VAMPIRE SLAYER” has been a favorite of mine for years. But it has been rather unpopular with many fans of the series. And I suspect that this unpopularity may have centered around the character and main villain of Season Seven – the First Evil: 

 

“THE MEANING BEHIND THE FIRST EVIL”
If there is one nemesis that has baffled fans of ”BUFFY THE VAMPIRE SLAYER” for the past six to seven years, it would have to be the First Evil. This entity first made its appearance in the Season Three episode, (3.10) “Amends”and became Buffy Summer’s main nemesis in Season Seven, the last season of the series.

In a nutshell, the First Evil is an incorporeal entity that is manifested from all of the evil in existence. It can assume the form of any person who has died, including vampires and dead persons who have been resurrected. Because of this, it has appeared in various forms over the course of the series as a method of manipulating others. For this reason, the First has appeared as Buffy Summers to the Slayer and her allies. But it has also assumed the forms of Warren Mears, Spike, and Jonathan Levinson on multiple occasions, and a variety of other forms less frequently. It was also able to merge with a corporeal individual, as it had done with a serial killer named Caleb, providing the latter with immense strength. The First Evil’s only real weakness was that it was non-corporeal, and could not do real physical damage. However, it was an expert at psychological manipulation, and could act through its servants such as the Bringers, Turok-Han, Caleb or whomever it could manage to control.

As I had stated earlier, the First Evil made its debut on ”BUFFY THE VAMPIRE SLAYER” in the episode, ”Amends”. It tried to drive Angel into killing Buffy by appearing to him as Jenny Calendar and other people he had murdered as a souless vampire. The First Evil told Angel that it was responsible for his return from “Hell” and that he could end his sufferings by turning evil again. Whether or not this was true is unknown. In any event, it did not mind when Angel chose to kill himself, via a sunrise instead. After Buffy’s confrontation with the First Evil, she managed to stop Angel from committing suicide.

Using Buffy’s second resurrection in the Season 6 premiere – (6.01) “Bargaining, Part I” as an excuse, the First Evil returned in full force in Season Seven in an attempt to eliminate the Slayer line permanently. Using servants such as the defrocked serial killer Caleb and the Harbingers of Death (or Bringers), the First Evil not only brought about the deaths of many Potential Slayers and Watchers, it also destroyed the Watcher’s Council (no loss there) and nearly came close to killing Buffy, Faith, the Scoobies and Spike. It used both Andrew Wells and Spike to raise the Turok-Han (a race of ancient powerful vampires stronger and fiercer than the regular vampires). It manipulated Spike by using an old English folk song – ”Early One Morning” – into killing again, hoping his actions would attract Buffy’ attentions. According to sources from the ”All Things Philosophical on ‘Buffy the Vampire Slayer’ and ‘Angel the Series’” and”Buffyverse Wiki” sites, the First Evil wanted to seize the opportunity to upset the balance between good and evil whenever the Slayer line was disrupted. It tried to manipulate Angel into committing suicide in ”Amends” about a year-and-a-half, following Buffy’s brief death and resuscitation in (1.12) “Prophecy Girl”. And about a year following Buffy’s resurrection in ”Bargaining”, it made its move to destroy the Slayer line and upset the moral balance permanently.

Many fans did not like the First Evil as Buffy’s main antagonist in Season Seven. From what I could gather from many message boards, forums and blogs; they seemed confused about the First Evil’s intentions or what it represented. Nor did they seemed impressed that it was the one Big Bad that Buffy could not destroy in a physical manner. Some fans even accused ”BUFFY” creator Joss Whedon of writing himself into a corner with the creation of the First Evil. Personally, I disagree. I do not feel that Whedon had written himself into a corner by bringing the First Evil back in Season Seven.

It is easier to identify a nemesis that is solid enough for someone – namely Buffy – to physically kill or fight. Nemesis like the Master, Angelus, Mayor Wilkins, Adam, Glory, Warren Mears or even Willow Rosenberg. But the First Evil was a different matter. It symbolized a continuation of the theme from Season 6 – namely “You are your own worst enemy”. In other words, I believe that the First Evil symbolized the spirit of Evil that existed in everyone – from Buffy to some minor demon minion or some housewife.

I must be one of the few fans who actually enjoyed Season Seven. But even I had one or two issues about that particular season that did not sit right with me. One of those issues was the appearance of a supernatural being called Beljoxa’s Eye in (7.11) “Showtime”. Rupert Giles and Anya Jenkins visited the being to learn everything they could about the First Evil. Instead of fulfilling their wishes, the Beljoxa’s Eye told them that that the First Evil cannot be destroyed and that it exists now because of a disruption in the Slayer’s line, which was in fact, caused by the Slayer. Both Giles and Anya concluded that Buffy’s second resurrection brought about the return of the First Evil.

This did not make sense to me. One, I found it hard to believe that the First Evil existed because of Buffy’s resurrection. It had already existed before the events of ”Bargaining”. In fact, I believe that it had already existed before ”Amends”. Why? As I had stated earlier, I believe the First Evil was . . . or is the spirit of evil, itself. It was all of the negative thoughts, emotions and impulses that reside within all living beings. And the late Joyce Summers hinted this during Buffy’s dream in (7.12) “Bring On the Night”:

BUFFY: Something evil is coming.

JOYCE: Buffy, evil isn’t coming, it’s already here. Evil is always here. Don’t you know? It’s everywhere.

BUFFY: And I have to stop it.

JOYCE: How are you gonna do that?

BUFFY: I-I don’t know yet, but—

JOYCE: Buffy, no matter what your friends expect of you, evil is a part of us. All of us. It’s natural. And no one can stop that. No one can stop nature, not even—

Joyce would eventually be proven right in (7.22) “Chosen, the series finale. When Buffy, Spike, Faith, the Scoobies, Robin Wood, Dawn and the Potentials battled the First Evil’s army of Turok-Han vampires inside the Hellmouth; all they did – especially Spike – was ruin the First Evil’s plans to upset the balance of good and evil in the mortal world. In my personal opinion, that imbalance already existed before Buffy’s first death in ”Prophecy Girl”. It never made any sense to me that a balance between good and evil had been maintained by the presence of one Slayer against a slew of vampires, demons and other forms supernatural evil for centuries. I suspect that the First Evil saw the presence of more than one Slayer and a vampire with a soul as a threat to that imbalance. Like many others, the First Evil believed that only one Slayer should exist. And as I had earlier stated, I found this belief rather ridiculous and I am glad that Buffy proved that it did not have to be so at the end of the series.

Would the Watcher’s Council or the African shamans who had first created the Slayer line approve of the idea of more than one Slayer in existence? I rather doubt it. I suspect that they may have feared the idea of dealing with more than one Slayer . . . or even more than two. I suspect that controlling the Slayer or wielding her as a weapon mattered more to the shamans and the Watcher’s Council than the idea of more than one warrior against the forces of Evil. And I would not be surprised if the First Evil – or their own inner darkness – prevented them from considering this possibility.

And I believe that is what the First Evil represented in Buffy’s story – the inner darkness that she, her sisters and friends all harbored within themselves . . . and which they had to learn to acknowledge. Buffy’s conversation with the vampire sired by Spike – Holden Webster – forced her to face and acknowledge her own inner darkness. By (7.15) “Get It Done”, she also realized that her two most powerful allies – Willow and Spike – needed to face their own darkness:

BUFFY: The First isn’t impressed. It already knows us. It knows what we can do, and it’s laughing. You want to surprise the enemy? Surprise yourselves. Force yourself to do what can’t be done, or else we are not an army – we’re just a bunch of girls waiting to be picked off and buried. (Spike stands and walks toward the door) Where are you going?

SPIKE: Out. Since I’m neither a girl, nor waiting. All this speechifying doesn’t really apply to me, does it? (walks away)

BUFFY: (calls after him) Fine. Take a cell phone. That way, if I need someone to get weepy or whaled on, I can call you.

SPIKE: (turns to Buffy) If you’ve got something to say –

BUFFY: Just said it. You keep holding back, you might as well walk out that door.

SPIKE: Holding back? You’re blind. I’ve been here, right in it – fighting, scrapping…

BUFFY: Since you got your soul back?

SPIKE: Well, as a matter of fact, I haven’t quite been relishing the kill the way I used to.

BUFFY: You were a better fighter then.

SPIKE: I did this for you. The soul, the changes – it’s what you wanted.

BUFFY: What I want is the Spike that’s dangerous. The Spike that tried to kill me when we met.

SPIKE (angrily): Oh, you don’t know how close you are to bringing him out.

BUFFY: I’m nowhere near him.

The above conversation was one of the most interesting I have ever come across during the series’ seven season run. A vampire Slayer – someone considered the epitome of goodness and light – encouraging a former killer to face that darkness that made him such an effective killer. She even gave a similar speech to Willow, who as “Darth Willow” nearly came close to destroying the world in the Season Six finale, (6.22) “Grave”. Many fans had thought Buffy may have lost her mind. I understood what Buffy was trying to say. During Season Seven, Spike and Willow had spent most of it wallowing in guilt over certain acts they had committed in Season Six. I could probably say the same about Buffy. Like Spike and Willow, she learned to face her past treatment of the blond vampire in the episode, (7.08) “Conversations with Dead People”. But duties and the re-emergence of the First Evil made her realize that she had no time to wallow in her guilt. Her rants against Spike and Willow in ”Get It Done” expressed her own impatience with their guilt and tendencies to hold themselves back in fear of releasing the inner darkness that made them fearsome. She forced both the vampire and the red-haired witch to realize that they can only be fully effective by learning to face their inner darkness . . . and controlling it. By facing the many aspects of their nature, could Spike and Willow learn to develop as individuals.

The First Evil’s activities forced Buffy to develop in another path. She had to start learning how to evolve beyond her inferiority/superiority complex and learn to connect with others . . . when the situation demanded. Thanks to her former Watcher, Rupert Giles, she tried to use this aloofness to become an authority figure to the many Potential Slayers that had arrived on her doorstep. She also had to learn not to allow her insecurities and fear (traits that originated from the negativity within) of being alone to give others like her former Watcher Rupert Giles and even her friends a chance to dictate her actions and behavior. Like Spike and Willow, she had to learn to become her own person. She had to stop being afraid to connect with others and at the same time, allowing them to dictate her behavior.

In the end, I found Season Seven to be very complex and mature on a level that may have eluded certain viewers. Before the season first began, Whedon and Mutant Enemy had announced that the series would take viewers back to how it used to be during the earlier seasons. And perhaps that was what they had been looking forward to . . . recapturing the past. Season Seven did just that . . . but with a twist. The season reminded viewers that no one can recapture the past. Not really. In a way, Spike and Willow tried to recapture their former selves – the mild-mannered Victorian gentleman and the shy computer geek. And Buffy, at Giles’ orders, tried to enforce her authority upon the Potential Slayers as the Watchers’ Council had done to her in the past. Even the fans got into the act. They wanted Whedon to take this season back to what “BUFFY” used to be, failing to realize that would never happen. Buffy and the Scoobies could never go back to being what they used to be. Too much had changed for them over the years. They had changed. And so had the series.

Not only did Buffy and the Scoobies’ conflict with the First Evil – namely their own inner demons – made them realize they could not recapture their past. They may have learned something else. Battling the First Evil was like battling a part of them. In other words, they had been battling their worst enemy – namely themselves. And in doing so, continued the theme that had been prevalent throughout the series’ run . . . growing up.

The Powers to Be In WHEDONVERSE

 

 

“The Powers to Be In WHEDONVERSE”

While perusing one of the many “BUFFY THE VAMPIRE SLAYER” message boards on the Internet, I came across a passage from an article titled, ”Classic CJL: Spike and the Whedonverse”

”In order to battle the new enemy (vampires), the Powers have called upon Slayers, Champions (welcome, Cordy!), Seers and Mystics, all dedicated to protecting the human race from the vampires and half-breed demons who feed upon and ravage the populace.”

Like many other BtVS, I had believed in this nonsense . . . until I saw the Season 7 episode, ”Get It Done” (7.15). Thanks to this particular episode, I finally came to the conclusion that the above comment about the so-called “Powers to Be” featured in both BtVS and its spin-off, “ANGEL” just might not be true

Following the suicide of one of the Potential Slayers and a dream of the First Slayer, in ”Get It Done”, Buffy Summers (Sarah Michelle Gellar) receives a bag from Principal Robin Wood (D.B. Woodside). The bag had once belonged to his mother – a former Slayer in the 1970s named Nikki Wood. This bag eventually leads Buffy to discover the true origins of a long line of vampire slayers. .

In ”Get It Done”, Buffy finally learns the real truth about the Slayer line’s origins. It was not PTB who had created the line. Instead, a trio of ancient African shamans had committed the dead, in order to create a weapon (one of flesh) to fight vampires and other demons for them. And to insure that this weapon would remain in their control – and under the controls of those that followed them – they made sure that the Slayer line would continue through countless young females throughout the ages. Why? Because they had believed that adolescent girls and young women would be easily controlled, due to their ages and gender.

So, one has to wonder. Did the First Slayer, Buffy, Faith, Kendra, Nikki Wood, Xin Rong and all of the Slayers before and after really have a sacred duty to defend humans against vampires and other demons, because of the Powers to Be? Or had they merely been reluctant conscripts in a never ending war waged against demons by these shamans and their descendants – the Watcher’s Council?

 

 

Speaking of vampires, here is another passage from the article . . . this time, about Angel (David Boreanaz) – the vampire with a soul, who had formed his own gang to fight demonic evil on his own show in Los Angeles:

”Of course, the biggest exception to the rule, the vamp who broke the mold, is Angel. The Powers and our Lord Joss have spent a great deal of time and effort guiding his path from Chaos, prepping him for his pivotal and unique role in the upcoming ‘End of Days’ we’ve been waiting for since BtVS, Season 1.”

I am curious. Exactly how did the vaunted Powers to Be guide Angel toward his actions in one of the late BtVS episodes,”End of Days”? I will admit that the Powers to Be were responsible for placing him in Buffy’s path back in 1996. A demon named Whistler had introduced Angel to the future Slayer and within less than a year, he would follow her to Sunnydale and his own future in demon slaying.

But the Powers to Be had not been responsible for giving him his soul back in 1898. A group of Kalderash gypsies from Romania had restored his human soul in an act of revenge for his murder of one of their children. This soul would afflict him with a conscience and condemn him to an eternity of remorse for the crimes he has committed. After Angel lost his soul one hundred years later in 1998, it was Buffy’s friend, Willow Rosenberg, who had restored his soul. Come to think of it, Willow performed this act again, five years later, on the behest of Angel’s L.A. associates. If the PTB were not responsible for the restoration of his soul, who would have become their “Champion” if Angel had not killed that Kalderash gypsy child?

As for his role in the so-called ‘End of Days’ – the only task he ended up performing was to hand Buffy the amulet that would help her defeat the First Evil’s plans to upset the balance of good and evil. Come to think of it, the heads of Wolfram and Hart – the PTB’s opposite number – had given Angel that amulet. And it was Spike who eventually wore the amulet in the BUFFY series finale, ”Chosen” that led to the First Evil’s defeat.

From what I have surmised, the Powers to Be only committed one major act in the so-called ”war against evil” – they had used Whistler to guide Angel into making his aquaintance with Buffy, before she became a Slayer. They certainly were not responsible for the creation of the Slayer line. And they certainly were not responsible for Angel receiving his human soul. Come to think of it, they were not responsible for Spike retrieving his soul. Apparently, William the Bloody had made the choice to regain his soul. No one made it for him. Which only leads me to wonder just how relevant were the Powers to Be in the Whedonverse.