“X-MEN” Movies Ranking

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Below is my ranking of the movies I have seen from the “X-MEN” film franchise.  Warning: many may not agree with it:

“X-MEN” MOVIES RANKING

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1. “X2: X-Men United” (2003) – Bryan Singer directed this film about Army colonel William Stryker’s plans to use Professor Charles Xavier to destroy the world’s mutant population once and for all. As you can see, this is my favorite in the franchise.

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3. “X-Men: First-Class” (2011) – Matthew Vaughn directed this tale set in 1962 about the first meeting between Charles Xavier “Professor X” and Erik Lensherr “Magneto”, their creation of the X-Men and their efforts to prevent mutant villain Sebastian Shaw from using the Cuban Missile Crisis to acquire world domination. Despite the questionable costumes and a few plot holes, this was a big favorite of mine.

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3. “X-Men: The Last Stand” (2006) – Brett Ratner directed this tale about the X-Men overcoming tragedy to deal with the resurrected and more powerful Jean Grey and Magneto’s continuing war on non-mutant humans. Many fans hated this film. I enjoyed it, although I found the pacing a bit too rushed. Enough said.

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4. “X-Men Origins: Wolverine” (2009) – Gavin Hood directed this movie about the origins of James Howlett aka the Wolverine and his relationship with his murderous half-brother Victor Creed aka Sabertooth and his first class with William Stryker in the 1970s. Another movie hated by the fans. And again, I enjoyed it, although I consider it lesser than the 2006 movie.

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5. “X-Men: Days of Future Days” (2014) – Directed by Bryan Singer, this movie is a time-travel adventure for Wolverine, who must convince a younger Charles Xavier and Erik Lensherr to prevent Mystique from murdering a anti-mutant scientist, whose work will prove deadly for mutants within a half century. Great premise, but shaky execution. Too many plot holes, but still enjoyable.

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6. “The Wolverine” (2013) – James Mangold directed this atmospheric tale about Wolverine, still grieving over a recent tragedy, traveling to Japan to meet the Wolverine heading to Japan for a reunion with a soldier named Ichirō Yashida whose life he saved during the Nagasaki bombing at the end of World War II. He ends up defending Yashida’s granddaughter from the Yakuza and her avaricious father. Great Japanese atmosphere and interesting beginning, but it nearly fell to pieces in the last half hour.

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7. “X-Men” (2000) – Bryan Singer directed this first movie in the franchise about Wolverine and a young Marie aka “Rogue”’s introduction to the X-Men and their efforts to defeat Magneto’s plans to transform the entire population into mutants against their will. Enjoyable, but it felt like a B-movie trying to disguise itself as an A-lister. Also, too many plot holes.

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8. “Deadpool” (2016) – Ryan Reynolds starred in this reboot of the Deadpool character about the comic book hero’s origins and his hunt for the man who gave him an accelerated healing factor, but also a scarred physical appearance. Despite the sharp humor and fourth wall cinematic device, the narrative struck me as sloppily written and mediocre.

Five Favorite Episodes of “AGENT CARTER” Season Two (2016)

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Below is a list of my five favorite episodes from ABC’s “AGENT CARTER”. Created by Christopher Markus and Stephen McFeely, the series stars Hayley Atwell as Agent Margaret “Peggy” Carter:

FIVE FAVORITE EPISODES OF “AGENT CARTER” SEASON TWO (2016)

1 - 2.02 A View in the Dark

1. (2.02) “A View in the Dark” – SSR Agent Peggy Carter’s investigation into the death of an Isodyne Energy employee in Los Angeles ends up with huge ramifications; when the wife of Isodyne’s owner, Hollywood actress Whitney Frost and another employee from the company, Dr. Jason Wilkes (who has volunteered to help Peggy), are exposed to the Zero Matter from the company’s particle accelerator.

2 - 2.07 Monsters

2. (2.07) “Monsters” – While Peggy plans a rescue mission for former Leviathan agent Dottie Underwood, who had been captured in the previous episode, Whitney Frost covers up her murder of husband Calvin Chadwick and some members of the Council of Nine, a secret organization of U.S. industrialists. Whitney tortures Dottie into revealing why Peggy is interested in the Zero Matter and sets a trap that involves Jason Wilkes, along with Edwin and Anna Jarvis.

3 - 2.05 The Atomic Job

3. (2.05) “The Atomic Job” – Peggy and her colleagues must find a way to prevent Whitney Frost and Calvin Chadwick from stealing and using an atomic blast to test the Zero Matter.

4 - 2.03 Better Angels

4. (2.03) “Better Angels” – Whitney Frost convinces hubby Calvin Chadwick to frame Jason Wilkes as a Communist spy, while Peggy’s investigation of Isodyne and the Zero Matter puts her in conflict with SSR Director Jack Thompson and War Department official Vernon Masters, who is also a member of the Council of Nine.

5 - 2.06 Life of the Party

5. (2.06) “Life of the Party” – When Peggy realizes she cannot save Jason Wilkes on her own, she turns to former adversary Dottie Underwood for help, while Whitney Frost makes a move to control the deadly Zero Matter.

Top Ten Favorite Movies Set in the 1870s

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Below is my current list of favorite movies set in the 1870s:

TOP TEN FAVORITE MOVIES SET IN THE 1870s

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1. “The Age of Innocence” (1993) – Martin Scorcese directed this exquisite adaptation of Edith Wharton’s award winning 1920 novel about a love triangle within New York’s high society during the Gilded Age. Daniel Day-Lewis, Michelle Pfieffer and Oscar nominee Winona Ryder starred.

 

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2. “The Big Country” (1958) – William Wyler directed this colorful adaptation of Donald Hamilton’s 1958 novel, “Ambush at Blanco Canyon”. The movie starred Gregory Peck, Jean Simmons, Carroll Baker and Charlton Heston.

 

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3. “True Grit” (2010) – Ethan and Joel Coen wrote and directed this excellent adaptation of Charles Portis’ 1968 novel about a fourteen year-old girl’s desire for retribution against her father’s killer. Jeff Bridges, Matt Damon and Hattie Steinfeld starred.

 

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4. “Far From the Madding Crowd” (2015) – Carey Mulligan, Matthias Schoenaerts, Tom Sturridge and Michael Sheen starred in this well done adaptation of Thomas Hardy’s 1874 novel about a young Victorian woman who attracts three different suitors. Thomas Vinterberg directed.

 

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5. “Around the World in 80 Days” (1956) – Mike Todd produced this Oscar winning adaptation of Jules Verne’s 1873 novel about a Victorian gentleman who makes a bet that he can travel around the world in 80 days. Directed by Michael Anderson and John Farrow, the movie starred David Niven, Cantiflas, Shirley MacLaine and Robert Newton.

 

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6. “Stardust” (2007) – Matthew Vaughn co-wrote and directed this adaptation of Neil Gaman’s 1996 fantasy novel. The movie starred Charlie Cox, Claire Danes and Michelle Pfieffer.

 

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7. “Fort Apache” (1948) – John Ford directed this loose adaptation of James Warner Bellah’s 1947 Western short story called “Massacre”. The movie starred John Wayne, Henry Fonda, John Agar and Shirley Temple.

 

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8. “Zulu Dawn” (1979) – Burt Lancaster, Simon Ward and Peter O’Toole starred in this depiction of the historical Battle of Isandlwana between British and Zulu forces in 1879 South Africa. Douglas Hickox directed.

 

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9. “Young Guns” (1988) – Emilio Estevez, Kiefer Sutherland and Lou Diamond Phillips starred in this cinematic account of Billy the Kid’s experiences during the Lincoln County War. The movie was directed by Christopher Cain.

 

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10. “Cowboys & Aliens” (2011) – Jon Favreau directed this adaptation of Scott Mitchell Rosenberg’s 2006 graphic novel about an alien invasion in 1870s New Mexico Territory. The movie starred Daniel Craig, Harrison Ford and Olivia Wilde.dom

“BATMAN V. SUPERMAN: DAWN OF JUSTICE” (2016) Review

“BATMAN V. SUPERMAN: DAWN OF JUSTICE” (2016) Review

Following on the heels of the success of 2013’s “MAN OF STEEL”, I had expected the Warner Brothers Studios to follow up with another movie about Superman, starring Henry Cavill. To my surprise, the studio had announced another movie featuring Superman, only the comic book character would be sharing top billing with another from the pages of D.C. Comics.

Warner Brothers surprised me with the announcement that their next comic book movie would feature Superman aka Clark Kent co-starring with none other than Batman aka millionaire Bruce Wayne. And the latter would be portrayed by Ben Affleck. Needless to say, I was not pleased by this announcement. I saw it as a personal insult to Cavill, who had really impressed me as the Man of Steel. And I felt that Warner Brothers could have given Affleck his own stand-alone film about the Caped Crusader, before rushing into some attempt to rush into a “Justice League of America” situation, similar to the one featuring the Avengers for Marvel Films and the Disney Studios. About a week before “BATMAN V. SUPERMAN: DAWN OF JUSTICE” was due to be released in movie theaters, I read a series of reviews that literally bashed the film. Now, I have never been a major fan of director Zack Synder in the past. And I was pleased that he did not go overboard with the angst factor in “MAN OF STEEL” as he has done with his previous films. But after reading so many negative reviews . . . well, I did not expect to like this movie. However, I had to see it just to satisfy my curiousity.

“BATMAN V. SUPERMAN: DAWN OF JUSTICE” began during the last events of “MAN OF STEEL”. It began with billionaire Bruce Wayne aka Batman arrival in Metropolis to assist Wayne Enterprises employees caught up with the city’s citizens in the destruction caused by Superman’s battle against fellow Kryptonian General Zod. Unfortunately for Bruce, one of his top executives is killed and the legs of another employee named Wallace Keefe are permanently damaged from falling debris. Due to these events, Bruce begins to view Superman as a destructive threat to Earth and desires to find a way to bring down the Man of Steel. Nearly two years later, Daily Planet reporter Lois Lane is visiting a North African country to interview a political figure believed to be a terrorist. However, her interview is cut short when the men who had accompanied her kill the terrorist’s men and many local villagers. Superman aka Clark Kent manages to rescue her from the terrorist, but Lois ends up feeling very disturbed by the event. But she is not the only one. Many people, including a Kentucky senator named June Finch blame Superman for the incident and like Bruce, begin to view him as a threat. Many are unaware that Metropolis’ top billionaire, Lex Luthor, was behind the incident in Northern Africa. Like Bruce, he began to view Superman as a threat . . . but to his own plans and his sense of worth. Unlike Bruce, he commences upon a plan to exploit the distrust of Senator Finch and others to bring down Superman and other meta-humans of whom he has become aware.

When I first learned that Warner Brothers had decided to follow up “MAN OF STEEL” with a movie in which Superman was to share top billing with Batman, I was not thrilled. In fact, I had hoped they would do a second Superman movie. And while the movie was being shot, I was more than determined not to like this film. Reading the movie’s negative reviews made me believe that disliking it would come very easy to me. And then . . . lo and behold! I ended up leaving the theater with a positive view about the film.

Mind you, “BATMAN V. SUPERMAN: DAWN OF JUSTICE” was not perfect in my eyes. I had two problems with it – one major and the other minor. My minor problem with “BATMAN V. SUPERMAN” has a lot to do with my virulent dislike of Snyder’s 2009 movie, “THE WATCHMEN”. The director utilized a device that he had carried over from the 2009 movie – namely the use of graffiti in some scenes. I thought he had overused it in “THE WATCHMEN” and continued to do so in this film. And the graffiti only brought back unpleasant memories of the 2009 film.

My major complaint against “BATMAN V. SUPERMAN: DAWN OF JUSTICE” has to do with the relationship between Batman and Lex Luthor. In one scene during the film’s last half hour, Luthor revealed to Clark that he had created situations not only to slowly direct public opinion against the latter, but also Bruce Wayne, whom he knew to be Batman. Luthor figured that Batman would go after the Man of Steel and the latter would eventually kill the former. I must admit that I found this very confusing, considering that the movie never hinted that Luthor was interested in killing Bruce in the movie’s first half. In fact, the Luthor Corp. files that Bruce had uploaded and Diana Prince aka Wonder Woman had stolen did not even contain any information on Batman. I had assumed that Luthor only became interested in killing Batman . . . after the latter had stolen the Kryptonite his people had discovered in the Indian Ocean and destroyed a LexCorp lab. And the movie that I had seen in a theater seemed to verify my assumption. Like I said . . . confusing!

So . . . what did I like about “BATMAN V. SUPERMAN: DAWN OF JUSTICE”? Well, the story. Okay, I really enjoyed it. I liked the fact that the movie eventually promised what its title had hinted . . . a conflict between Superman and Batman that eventually led to the promise of the Justice League of America. And screenwriters Chris Terrio and David S. Goyer presented this development with a very emotional and complex tale. What I found particularly interesting is that nearly everything in this tale is a direct result of the events from “MAN OF STEEL”. This was especially the case for both Bruce Wayne and Lex Luthor’s hostility toward Superman. In fact, Luthor used the dead body of General Zod (courtesy of the U.S. government) to not only study Kryptonian physiology, but also create the monster Doomsday, which would prove to be a threat in the movie’s final action sequence.

The movie also featured some excellent emotional development for the main characters. Again, this seemed to be the case for Clark Kent’s growing despair from the public and the government’s reactions to the events in Northern Africa; his disapproval toward Batman’s more violent vigilante activities; the latter’s anger towards the events from “MAN OF STEEL” and the heady mixture of paranoia and ego that drove Lex Luthor to investigate other meta-humans and plot against Superman.

For a movie heavy on action, it featured some interesting dramatic moments. My favorites included Clark’s clashes with Daily Planet editor-in-chief Perry White over investigating Batman’s activities in Gotham City; the first meeting between Clark, Bruce and Diana Prince at a party held by Luthor in Metropolis; Bruce’s lingering anger over what happened in “MAN OF STEEL”; Luthor’s clashes with Senator Finch over his plans to deal with Superman; Clark’s conversations with his adoptive mother Martha Kent about his activities as Superman and with the ghost of his adoptive father, Jonathan Kent; Lois Lane confrontation with Luthor before the final action began; and also, Diana and Bruce’s comments on the public’s fickle attitude toward Superman. The movie also featured further development of the relationship between Clark and Lois, which culminated in a very charming and sexy moment in a bathtub. I thought Sndyer handled these scenes very well, which is not surprising. He has always managed to get great performances from his actors . . . even in his movies that I dislike.

However, first and foremost, “BATMAN V. SUPERMAN: DAWN OF JUSTICE” is a comic book hero film . . . an action-adventure film. And Snyder was certainly in his element as a director. This especially seemed to be the case in those scenes that featured Lois and Superman’s adventures in northern Africa, Bruce’s dreams about leading a group of rebels against Superman, Batman’s attempt to steal the kryptonite from Luthor, his rescue of Martha from Luthor’s henchmen, and the attempt to rescue both Metropolis and Gotham from Luthor’s newly created monster, Doomsday.

However, one half of the movie’s title is called “BATMAN V. SUPERMAN”. Many movie fans and critics had dismissed the idea of an effective battle between the Man of Steel and the Caped Crusader. So did I. After all, Batman was not really a meta-human – someone with super abilities – merely a highly trained costumed crime fighter. The movie made me realize that many of us had forgotten that Bruce Wayne also had brains. Through his investigation of a Russian weapon-trafficker named Anatoli Knyazev, he learned that Luthor was not only investigating meta-humans, but had found a possible weapon against Superman. Kryptonite. By creating weapons from the kryptonite he had stolen from Luthor Corp. and a powered exoskeleton suit, Batman was able to put up a good fight against the Man of Steel. And surprisingly, their battle proved to be very effective to me . . . even if many still believe otherwise.

The other half of the movie’s title was “DAWN OF JUSTICE”, which hinted the beginning of the Justice League of America aka the Super Friends. I found it interesting that Bruce Wayne and Lex Luthor’s reactions to the events from “MAN OF STEEL” not only led to their fear of Superman and attempts to find a way to destroy the latter, but also to hints of the forthcoming creation of the Justice League of America. It all centered around Luthor’s investigation of other meta-humans and the files Bruce and Diana had found within Luthor Corp.’s computer mainframe. The file not only contained information and video clips on Diana’s past as Wonder Woman during World War I, but also on Barry Allen aka the Flash, Arthur Curry aka Aquaman and Victor Stone aka Cyborg. But it was that one scene in which Superman, Wonder Woman and Batman finally decided to form a team to battle the monster Doomsday . . .

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. . . that led to memories of the old ABC animated series, “SUPER FRIENDS” and its theme song going through my mind. It was a wonderful moment for me.

There was one aspect of “BATMAN V. SUPERMAN: DAWN OF JUSTICE” that left a heavy imprint on my mind was the fickleness of human nature. We humans are a fickle, controlling and very selfish specie. Snyder and screenwriters Terrio and Goyer really did an excellent job in portraying those aspects of our nature through the character of Superman. I found it interesting that many viewed Superman as a savior or angel. This was apparent in the statues raised in his honor and this almost selfish demand that he serve as their savior and nothing else. I can recall one moment in which victims of a flood had left the symbol on his costume painted on their roof to attract his attention. On the other hand, there were many others viewed him as a real threat against humanity . . . even after he had saved them from General Zod’s plans in “MAN OF STEEL”. Both Bruce and Senator Finch blamed Superman for the destruction that had occurred in Metropolis nearly two years ago, conveniently forgetting that it was Zod’s arrival on Earth that had led to that destruction. I came away with the feeling that people like Bruce, Senator Finch and Wayne Enterprises employee Wallace Keefe used Superman as a scapegoat, since the latter ended up being the last Kryptonian left standing. I do not find this surprising for using others as scapegoats is a very human thing to do. After the Congress bombing, even those who had seen Superman as a savior began to think otherwise. They did not come to this conclusion via any investigation on their parts. Superman was the last person standing and ergo, became “Suspect Number One” . . . just as he had become following Zod’s death. No wonder Clark had fallen into despair and walked away for a while. And no wonder Diana had such contempt toward the public’s renewed good opinion of Superman following the battle against Doomsday.

I have been talking about the plot so much that I forgot about other aspects of “BATMAN V. SUPERMAN: DAWN OF JUSTICE” – namely its technical and artistic effects. I might as well start with Patrick Tatopoulos’ production design. Tatopoulos did not have to create an alien world or a setting from the past. But I was impressed by his duel designs for not only the cities of Metropolis and Gotham, but also the northern African town at the movie’s beginning, Washington D.C. and the damage caused by Doomsday in the two fictional cities. He had ample support from the art direction and visual effects teams. I was surprised that Zack Snyder did not use Larry Fong as cinematographer for “MAN OF STEEL”. Because the latter had worked with Snyder on both “300” and “THE WATCHMEN”. In a way, Fong’s style, which struck me as sleek, rich in color and slightly dark, reminded me of Wally Pfister’s work for many of Christopher Nolan’s films. I have noticed that a good of Han Zimmer’s movie scores have seemed a little heavy-handed lately. And it certainly seemed to be the case for “BATMAN V. SUPERMAN: DAWN OF JUSTICE”. But there were moments when that heavy-handedness seemed to mesh rather well with certain scenes, especially during those that hinted the future Justice League of America and the battle against Doomsday.

Ben Affleck became the eighth actor to portray Bruce Wayne aka Batman on screen (television or movie) and the public had not reacted well to the news of his casting. I found this astounding, considering that Affleck is a first-rate actor, who had previous experience portraying a costume hero when he played Matt Murdock aka Daredevil in the 2003 movie about the character. Affleck did an excellent job in portraying the paranoid aspects of Wayne’s nature in a very intense and at times, slightly scary manner. Henry Cavill was equally effective in his continuing portrayal of Clark Kent aka Superman. The loneliness that seemed to mark his performance in “MAN OF STEEL” seemed to have been replaced by satisfaction in Clark’s relationship with Lois Lane, intense determination to investigate Batman’s activities and frustration with Perry White’s unwillingness to allow him to embark on that investigation. My favorite scene with Cavill involved Clark’s quarrel with Perry about investigating Batman. And my favorite Cavill moment was the “What the fuck is wrong with you?” expression he gave Luthor when the latter introduced him to the Doomsday monster. But following the Congress bombing, that old despair and loneliness returned in full force. When I first heard about this movie, I thought Amy Adams’ role would be reduced from what it was in “MAN OF STEEL”. Thankfully, my fears were abated, for not only did Lois continue to play a major role in this DC Comics universe, she also played a major role in exposing Luthor’s plans and eliminating Batman’s anger toward Superman. Being the consummate actress that she is, Adams did a superb job in conveying not only Lois’ emotional vulnerability regarding Clark and what happened in northern Africa, but also her intelligence and determination to discover the truth.

The movie also featured an exceptional performance from Jesse Eisenberg as main villain, Lex Luthor. Not only was his movie exceptional, but also rather surprising. It was not that I thought him incapable of portraying a villain, but I just could not see him as Lex Luthor. I was wrong. He gave a fantastic performance. It seemed both subtle and overly dramatic at the same time . . . in a good way. He made Luthor seem very eccentric . . . again, in a good way. Diane Lane returned to portray Clark’s adoptive mother, Martha Kent. Her portrayal of Martha struck me as rather unusual. In other comic book hero movies, maternal types like Martha tend to give speeches to the main hero in order to motivate them in serving the public. What I liked about Lane’s Martha is that she was more concerned about Clark’s well being and happiness than him fulfilling some destiny as a hero or savior. It may seem selfish, but it also seemed very real to me.

Gal Gadot became the first actress to portray Diana Prince aka Wonder Woman in a very long time. Ever since Lynda Carter ended her run with the ABC/CBS series in 1979, Hollywood seemed reluctant to bring the Amazonian Princess back to the screen. Thankfully, Warner Brothers, Snyder and Nolan ended that dry run by hiring Gadot for the role. And she was perfect . . . spot on. I never thought another actress could do justice to the role – except for Marvel alumni Jamie Alexander from “THOR”. But Gadot was perfect and I look forward to seeing her solo movie. Jeremy Irons, to my utmost surprise, became DC Comics’ new Alfred Pennyworth. His portrayal seemed so different from past performances – a little less of a servant and more of a companion for Bruce. More importantly, I really enjoyed the sardonic wit that Irons had infused into the character. But he was not the only one. Laurence Fishburne returned as Clark and Lois’ boss, Daily Planet editor-in-chief Perry White. In “MAN OF STEEL”, Fishburne had infused a touch of dry wit into his portrayal. In this movie, that wit was in full force and even more sharper – especially in the actor’s scenes with Cavill. I really enjoyed his presence in this film. The movie also featured some excellent supporting performances from the likes of Holly Hunter, who gave a wonderfully sarcastic speech to Luthor in her portrayal of Senator June Finch; Harry Lennix, who returned as former General now Secretary Calvin Swanwick; Scoot McNairy, who portrayed Wallace Keefe, the Wayne Enterprises employee who had been crippled during Superman’s battle with General Zod; and Kevin Costner, who returned with a poignant performance as the ghostly figure of Clark’s adoptive father, Jonathan Kent.

To this day, I am flabbergasted by the media’s negative campaign against “BATMAN V. SUPERMAN: DAWN OF JUSTICE”. I do not understand it . . . period. I could have understood if the movie had drawn some criticism. But this unrelenting criticism struck me as unreal . . . especially after I had seen the film. But you know what? I realize that I should not care. I saw the movie twice and I enjoyed what I had seen. Yes, “BATMAN V. SUPERMAN: DAWN OF JUSTICE” (what a mouthful!) had some flaws. What movie does not? But overall, I was very pleased by this film. I like to think that I understood what director Zack Snyder, along with screenwriters Chris Terrio and David S. Goyer were trying to say. And I enjoyed the performances of the cast led by Ben Affleck and Henry Cavill very much. More importantly, I am glad that the cinematic version of the Justice League of America has finally commenced. Regardless of the opinions of others, “BATMAN V. SUPERMAN: DAWN OF JUSTICE” more than satisfied me. It has become one of my favorite movies of 2016.

Top Ten Favorite Movies Set in the 1890s

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Below is my current list of favorite movies set in the 1890s:

TOP TEN FAVORITE MOVIES SET IN THE 1890s

1 - Sherlock Holmes-Game of Shadows

1. “Sherlock Holmes: A Game of Shadows” (2011) – Guy Ritchie directed this excellent sequel to his 2009 hit, in which Sherlock Holmes and Dr. John Watson confront their most dangerous adversary, Professor James Moriarty. Robert Downey Jr. and Jude Law starred.

2 - Hello Dolly

2. “Hello Dolly!” (1969) – Barbra Streisand and Walter Matthau starred in this entertaining adaptation of David Merrick’s 1964 play about a New York City matchmaker hired to find a wife for a wealthy Yonkers businessman. Gene Kelly directed.

3 - King Solomon Mines

3. “King Solomon’s Mines” (1950) – Stewart Granger, Deborah Kerr and Richard Carlson starred in this satisfying Oscar nominated adaptation of H. Rider Haggard’s 1885 novel about the search for a missing fortune hunter in late 19th century East Africa. Compton Bennett and Andrew Marton directed.

4 - Sherlock Holmes

4. “Sherlock Holmes” (2009) – Guy Ritchie directed this 2009 hit about Sherlock Holmes and Dr. John Watson’s investigation of a series of murders connected to occult rituals. Robert Downey Jr. and Jude Law starred.

5 - Hidalgo

5. “Hidalgo” (2004) – Viggo Mortensen and Omar Sharif starred in Disney’s fictionalized, but entertaining account of long-distance rider Frank Hopkins’ participation in the Middle Eastern race “Ocean of Fire”. Joe Johnston directed.

6. “The Seven Per-Cent Solution” (1976) – Nicol Williamson, Robert Duvall and Alan Arkin starred in this very entertaining adaptation of Nicolas Meyer’s 1974 novel about Sherlock Holmes’ recovery from a cocaine addiction under Sigmund Freud’s supervision and his investigation of one of Freud’s kidnapped patients. Meyer directed the film.

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7. “The Harvey Girls” (1946) – Judy Garland starred in this dazzling musical about the famous Harvey House waitresses of the late 19th century. Directed by George Sidney, the movie co-starred John Hodiak, Ray Bolger and Angela Landsbury.

6 - The Jungle Book

8. “Rudyard Kipling’s The Jungle Book” (1994) – Stephen Sommers directed this colorful adaptation of Rudyard Kipling’s 1894 collection of short stories about a human boy raised by animals in India’s jungles. Jason Scott Lee, Cary Elwes and Lena Headey starred.

7 - The League of Extraordinary Gentlemen

9. “The League of Extraordinary Gentlemen” (2003) – Sean Connery starred in this adaptation of Alan Moore and Kevin O’Neill’s first volume of his 1999-2000 comic book series about 19th century fictional characters who team up to investigate a series of terrorist attacks that threaten to lead Europe into a world war. Stephen Norrington directed.

8 - The Prestige

10. “The Prestige” (2006) – Christopher Nolan directed this fascinating adaptation of Christopher Priest’s 1995 novel about rival magicians in late Victorian England. Christian Bale, Hugh Jackman and Michael Caine starred.

10 - The Four Feathers 1939

Honorable Mention: “The Four Feathers” (1939) – Alexander Korda produced and Zoltan Korda directed this colorful adaptation of A.E.W. Mason’s 1902 novel about a recently resigned British officer accused of cowardice. John Clements, June Duprez and Ralph Richardson starred.

Favorite Films Set in the 1940s

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Below is a list of my favorite movies (so far) that are set in the 1940s:

FAVORITE FILMS SET IN THE 1940s

1-Inglourious Basterds-a

1. “Inglourious Basterds” (2009) – Quentin Tarantino wrote and directed this Oscar nominated alternate history tale about two simultaneous plots to assassinate the Nazi High Command at a film premiere in German-occupied Paris. The movie starred Brad Pitt, Melanie Laurent and Oscar winner Christoph Waltz.

2-Captain America the First Avenger

2. “Captain America: The First Avenger” (2011) – Chris Evans made his first appearance in this exciting Marvel Cinematic Universe installment as the World War II comic book hero, Steve Rogers aka Captain America, who battles the Nazi-origin terrorist organization, HYDRA. Joe Johnston directed.

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3. “Devil in a Blue Dress” (1995) – Denzel Washington starred in this excellent adaptation of Walter Mosley’s 1990 novel about a laid off factory worker who becomes a private detective, after he is hired to find a missing woman with connection to a local politician in post-World War II Los Angeles. Directed by Carl Franklin, the movie co-starred Don Cheadle, Jennifer Beals and Tom Siezmore.

3-Bedknobs and Broomsticks

4. “Bedknobs and Broomsticks” (1971) – Angela Landsbury and David Tomilinson starred in this excellent Disney adaptation of Mary Norton’s series of children’s stories about three English children, evacuated to the countryside during the Blitz, who are taken in by a woman studying to become a witch in order to help the Allies fight the Nazis. Robert Stevenson directed.

4-The Public Eye

5. “The Public Eye” (1992) – Joe Pesci starred in this interesting neo-noir tale about a New York City photojournalist (shuttlebug) who stumbles across an illegal gas rationing scandal involving the mob, a Federal government official during the early years of World War II. Barbara Hershey and Stanley Tucci co-starred.

5-A Murder Is Announced

6. “A Murder Is Announced” (1985) – Joan Hickson starred in this 1985 adaptation of Agatha Christie’s 1950 novel about Miss Jane Marple’s investigation of a series of murders in an English village that began with a newspaper notice advertising a “murder party”. Directed by David Giles, the movie co-starred John Castle.

6-Hope and Glory

7. “Hope and Glory” (1987) – John Boorman wrote and directed this fictionalized account of his childhood during the early years of World War II in England. Sarah Miles, David Hayman and Sebastian Rice-Edwards starred.

7-The Godfather

8. “The Godfather” (1972) – Francis Ford Coppola co-wrote and directed this Oscar winning adaptation of Mario Puzo’s 1969 novel about the fictional leaders of a crime family in post-World War II New York City. Oscar winner Marlon Brando and Oscar nominee Al Pacino starred.

8-Valkyrie

9. “Valkyrie” (2008) – Bryan Singer directed this acclaimed account of the plot to assassinate Adolf Hitler in July 1944. Tom Cruise, Bill Nighy and Tom Wilkinson starred.

9-The Black Dahlia

10. “The Black Dahlia” (2006) – Brian DePalma directed this entertaining adaptation of James Ellroy’s 1987 novel about the investigation of the infamous Black Dahlia case in 1947 Los Angeles. Josh Harnett, Scarlett Johansson, Aaron Eckhart and Hilary Swank starred.

10-Stalag 17

Honorable Mention: “Stalag 17” (1953) – Billy Wilder directed and co-wrote this well done adaptation of the 1951 Broadway play about a group of U.S. airmen in a prisoner-of-war camp in Germany, who begin to suspect that one of them might be an informant for the Nazis. Oscar winner William Holden starred.

Top Five Favorite Episodes of “LOIS AND CLARK: THE NEW ADVENTURES OF SUPERMAN” (Season Three)

Lois-Clark-lois-and-clark-32400677-900-619

Below is a list of my top five (5) favorite episodes from Season Three (1995-1996) of “LOIS AND CLARK: The New Adventures of Superman”. The series starred Dean Cain and Teri Hatcher:

TOP FIVE FAVORITE EPISODES OF “LOIS AND CLARK: THE NEW ADVENTURES OF SUPERMAN” (SEASON THREE)

1 - 3.17 Seconds

1. (3.17) “Seconds” – In this finale of a three-episode arc about Clark Kent and Lois Lane’s aborted wedding, Clark races to find Lex Luthor and an amnesiac Lois before the former billionaire can convince her to kill Clark and leave Metropolis forever.

2 - 3.13 The Dad Who Came in From the Cold

2. (3.13) “The Dad Who Came in From the Cold” – A visit from Jimmy Olsen’s father to Metropolis prompts a revelation of the latter’s profession as a spy.

3 - 3.22 Big Girls Dont Fly

3. (3.22) “Big Girls Don’t Fly” – AFter successfully passing the tests set by Kryptonian survivors Zara and Ching, Clark learns that they want him to leave Earth and go back with them to rule New Krypton, or the planet will be ruled by the evil Lord Nor.

4 - 3.04 When Irish Eyes Are Killing

4. (3.04) “When Irish Eyes Are Killing” – In an effort to make Clark jealous, Lois dates her old boyfriend, Patrick Sullivan. But she and Clark eventually learn that he is planning to use her as a Druidic sacrifice.

5 - 3.01 We Have a Lot to Talk About

5. (3.01) “We Have a Lot to Talk About” – While Clark and Lois deal with the ramifications of her discovery of his Superman identity, Intergang leader Bill Church’s attempts to go straight are hampered by his new wife and his son.

“MAN OF STEEL” (2013) Review

Superman-Man-of-Steel-2013-Metropolis-Background-Images

 

“MAN OF STEEL” (2013) Review

When I first learned that Warner Brothers Studios and D.C. Comics planned to release another Superman movie, I did not greet the news with any enthusiasm. In fact, my first reaction was sheer frustration. The last D.C. Comics movie I wanted to see was another Superman movie.

There were so many reasons for my negative reaction to the news of a new Superman movie. The last one I saw was 2006’s “SUPERMAN RETURNS”, which had been directed by Bryan Singer. There had also been two television series about the Man of Steel in the past twenty (20) years – “LOIS AND CLARK: THE NEW ADVENTURES OF SUPERMAN” (1993-1997) and “SMALLVILLE” (2001-2011). The film subsidiary for Marvel Comics have shown a willingness to release movies featuring a vast array of their comic book characters. On the other hand, D.C. Comics seems to be stuck on either Superman or Batman for television and movie material. There have been minor exceptions to the rule – including the Oliver Queen/Green Arrow character that became a regular on “SMALLVILLE”; the 2011 film, “THE GREEN LANTERN”; and the recent WB television series, “ARROW” (the Green Arrow again). Wonder Woman has not been a subject of a movie or television series in her own right since the Lynda Carter series from the 1970s. An unsuccessful television series about the Flash failed to last one season. And Aquaman merely served as a guest character on“SMALLVILLE” for a few episodes.

I had one other reservation regarding the announcement of a new Superman movie. The producers had chosen Zack Synder to direct the film. And I have never been a fan of his past films, at least the ones I have seen – namely the very successful “300”, the critically acclaimed “THE WATCHMEN” and “SUCKER PUNCH”. When I learned he had been selected to direct the new Superman film, “MAN OF STEEL”, my enthusiasm sunk even further. However, I saw the movie’s new trailer last spring and my opposition to the movie began to wane. What can I say? It impressed me. So, I decided to open my mind and give “MAN OF STEEL” a chance.

Thanks to David S. Goyer’s screenplay and the story created by him and Christopher Nolan, “MAN OF STEEL” follows the origins of Superman. Well . . . somewhat. The movie begins on the planet of Krypton, where scientist Jor-El assists his wife in the birth of their newborn son, Kal-El. Due to years of exploiting the planet’s natural resources by the planet’s inhabitants, the planet has an unstable core and faces imminent destruction. Jor-El and Lara plans to send their son to Earth to ensure his survival. They also infuse his cells with a genetic codex of the entire Kryptonian race, something that the planet’s military commander, General Zod desires. Zod and his followers commit a military coup. And the general murders Jor-El, after learning what the latter did with the genetic codex. But Zod and his followers are immediately captured and banished to the Phantom Zone. When Krypton finally self-destructs, the explosion frees Zod and his people; setting them on a search for young Kal-El and the genetic codex at other worlds colonized by Kryptonians.

Kal-El eventually lands on Earth and in the middle of the Kansas countryside. A farmer and his wife – Jonathan and Martha Kent – adopts and raises him, renaming him Clark Kent. However, Clark’s Kryptonian physiology gives him super abilities on Earth, which raises a lot of social problems for him. Jonathan eventually reveals to Clark that he came from another planet and advises not to use his abilities in public. Following Jonathan’s death, a bereaved Clark spends several years roaming the country and working at odd jobs, while he deals with his grief and save people in secret. He eventually infiltrates a scientific discovery of a Kryptonian scout spaceship in the Arctic, which had been discovered by the military. Also there is a reporter from the Daily Planet named Lois Lane. Clark, who is unaware of being followed by Lois, enters the alien ship. It allows him to communicate with the preserved consciousness of Jor-El in the form of a hologram. Jor-El reveals Clark’s origins and the extinction of his race, and tells Clark that he was sent to Earth to bring hope to mankind. Meanwhile, General Zod and his crew pick up a Kryptonian distress signal sent from the ship Clark had discovered on Earth. Zod arrives and demands the humans surrender Kal-El, whom he believes has the codex, or else Earth will be destroyed.

So . . . what did I not like about “MAN OF STEEL”? For one, I disliked the shaky cam photography used by Amir Mokri. I disliked its use by Paul Greengrass in some of his movies. I disliked its use in “QUANTUM OF SOLACE”. And I certainly did not like its use in this film. It made the final confrontations between Superman and the Kryptonians more confusing. Then again, David Brenner’s editing certainly did not help – not in this scene or in the burning oil rig sequence in the movie’s first half hour. I have been a fan of Hans Zimmer for years. But I found his score for this movie rather heavy-handed, especially his use of horns. Speaking of Superman and the Kryptonians’ final confrontations – I thought it was a bit over-the-top in regard to the destruction inflicted upon Metropolis. It reminded me of final action sequence in “IRON MAN 3”, which I also did not care for.

Fortunately, there was a great deal more about “MAN OF STEEL” that I liked. And I find this amazing, considering my past opinion of director Zack Synder. David S. Goyer and Christopher Nolan wrote a first-rate origin story for Superman. I noticed that they utilized the same or a similar story structure that they had used in the Dark Knight Trilogy. Instead of allowing Superman to face his most famous adversary in the first film, Goyer and Nolan utilized Superman’s Kryptonian origins to play a major role in the film’s story. Instead of Lex Luthor, Superman’s main nemesis in “MAN OF STEEL” proved to be General Zod. Some fans of the franchise were annoyed by this. I was not. Goyer and Nolan also did a first-rate job in exploring Clark Kent/Superman’s emotional growth, the loneliness he had endured during his childhood in flashbacks and those years he wandered before discovering the Kryptonian ship in the Artic, and his wariness toward the human race. I especially do not recall any previous Superman story or television series exploring the latter. How very original of Goyer and Nolan. Some fans have complained about the different twists that Goyer, Nolan and director Zack Synder made to the Superman mythos – especially in his relationship with reporter Lois Lane. I do not understand the complaints, considering the number of twists and changes that have been made to the Superman mythos in movies and especially television during the past twenty years. And honestly? The twist to Clark/Superman’s relationship with Lois made the story fresher.

Although I did not particularly care for the over-the-top destruction featured in “MAN OF STEEL”, I must admit that the special effects featured in that last scene impressed me very much. I was also impressed by their work in the sequence that featured Superman’s fight against Faora-Ul and the other Kryptonian in Smallville. But the one sequence that featured some great special effects happened to be the one on Krypton. I found the effects very beautiful. In fact, there were other aspects of that sequence that really impressed me – namely Alex McDowell’s production designs, Anne Kuljian’s set decorations, Kim Sinclair and Chris Farmer’s art direction and especially James Acheson and Michael Wilkinson’s costume designs. Some have complained by the lack of red shorts for Superman’s costume. But I did not miss them. More importantly, I liked how Sinclair and Farmer linked Superman’s costume with those worn by many of the Kryptonians.

When I first heard that Henry Cavill had been hired to portray Clark Kent/Superman, I must admit that I was somewhat taken aback. Mind you, the idea of a British actor portraying an American comic book character was nothing new, thanks to Christian Bale’s portrayal of Bruce Wayne/Batman and the Anglo-American Andrew Garfield’s recent portrayal of Spider-Man. I only felt uncertain if Cavill could portray a Midwesterner with the proper accent. Okay, I am not an expert in Midwestern accents. But Cavill handled the American accent rather well. More importantly, he gave a superb performance as the quiet, yet emotional Clark Kent who had spent a good number of years wallowing in loneliness. I was surprised that Amy Adams had signed on to portray Daily Planet reporter Lois Lane. I did not expect her to appear in a comic book hero movie. But I must admit that I really enjoyed her performance, especially since her Lois proved to be a lot less blind about Superman’s secret identity and more willing to track down the truth. Michael Shannon effectively utilized that same intensity that provided for his Nelson Van Alden role in HBO’s “BOARDWALK EMPIRE” in his performance as the single-minded Kryptonian General Zod.

Antje Traue proved to be even more scary than Shannon as Zod’s second-in-command, the less verbal Faora-Ul. Laurence Fishburne gave an intense performance as Perry White, the no-nonsense editor of theDaily Planet. Russell Crowe’s Jor-El not only proved to be charismatic, but something of a bad ass. Ayelet Zurer provided a great deal of pathos and emotion in her performance as Superman’s mother, Lara Lor-Van. Diane Lane proved to be the movie’s emotional rock in her down-to-earth performance as Martha Kent, Superman’s adopted mother. And Kevin Costner’s portrayal of Jonathan Kent proved to be just as charismatic as Crowe’s Jor-El and as emotional as Zurer’s Lara. The movie also featured some solid performances from the likes of Richard Schiff, Michael Kelly and Christopher Meloni. I was really impressed with Harry Lennix’s performance as the commanding, yet paranoid General Swanwick.

“MAN OF STEEL” had a few problems. But I believe that the movie possessed a great deal more virtues, including a first-rate story created by David S. Goyer and Christopher Nolan and a superb cast led by a talented Henry Cavill as Clark Kent/Superman. But I was very surprised by Zack Synder’s direction, especially since he managed to curtail some of his less-than-pleasant excesses in past films and at the same time effectively helm a first-rate movie. For the first time, I found myself being more than pleased by a movie directed by Synder.

Ten Favorite Movies Set in TEXAS

texas-sign

Below is a list of my favorite movies set in Texas aka “the Lone Star State”:

TEN FAVORITE MOVIES SET IN TEXAS

1 - The Big Country

1. “The Big Country” (1958) – William Wyler directed this big scale adaptation of Donald Hamilton’s 1958 novel, “Ambush at Blanco Canyon”. The movie starred Gregory Peck, Jean Simmons, Carroll Baker and Charlton Heston.

2 - Written on the Wind

2. “Written on the Wind” (1956) – Douglas Sirk directed this adaptation of Robert Wilder’s 1954 novel about a East Coast secretary who married into a wealthy Texas family. The movie starred Rock Hudson, Lauren Bacall, Oscar nominee Robert Stack and Oscar winner Dorothy Malone.

3 - The Shadow Riders

3. “The Shadow Riders” (1982) – Tom Selleck and Sam Elliot starred in this television adaptation of Louis L’Amour’s novel about brothers who search for their kidnapped siblings at the end of the Civil War. Directed by Andrew V. McLaglen, the movie co-starred Jeff Osterhage, Katherine Ross and Ben Johnson.

4 - Giant

4. “Giant” (1956) – Oscar nominee George Stevens produced and directed this adaptation of Edna Ferber’s 1952 about a wealthy Texas family. The movie starred Elizabeth Taylor, and Oscar nominees Rock Hudson and James Dean.

5 - 2 Guns

5. “2 Guns” (2013) – Denzel Washington and Mark Wahlberg starred in this adaptation of a comic book series about two undercover agents and their search for missing C.I.A. money. The movie was directed by Baltasar Kormákur.

6 - No Country For Old Men

6. “No Country For Old Men” (2007) – The Coen Brothers directed this Oscar winning film adaptation of Cormac McCarthy’s 2005 novel. The movie starred Tommy Lee Jones, Josh Brolin, Kelly MacDonald, Woody Harrelson and Oscar winner Jarvier Bardem.

7 - Parkland

7. “Parkland” (2013) – Peter Landesman wrote and directed this film about the immediate aftermath of President John F. Kennedy’s assassination. The cast includes Paul Giamatti, Billy Bob Thornton, Marcia Gay Harden, Ron Livingston and James Badge Dale.

8 - Dallas Buyers Club

8. “Dallas Buyers’ Club” (2013) – Oscar winner Matthew McConaughey starred in this biopic about A.I.D.S. activist Ron Woodruff. Directed by Jean-Marc Vallée, the movie co-starred Jennifer Garner and Oscar winner Jared Leto.

9 - The Searchers

9. “The Searchers” (1956) – John Ford directed this epic adaptation of Alan Le May’s 1954 novel about the search for a missing girl taken by Commanches. The movie starred John Wayne and Jeffrey Hunter.

10 - Extreme Prejudice

10. “Extreme Prejudice” (1987) – Walter Hill directed this action packed tale about a conflict between a Texas Ranger, his former boyhood friend-turned-drug kingpin and a team of Army Intelligence agents. Nick Nolte and Powers Boothe starred.

“FANTASTIC FOUR” (2015) Review

 

“FANTASTIC FOUR” (2015) Review

Rebooting a superhero movie franchise is nothing new in Hollywood. Warner Brothers has released two different series featuring the D.C. Comics character, Batman. That particular studio has also released one series of films about Superman, and has made two attempts to reboot a new series – first in 2006 and recently, in 2013. As far as I know, Marvel has only done this twice. Marvel Studios, along with Columbia Pictures, have released two series featuring the Spider-Man character and is the process of releasing a third series. And recently, Twentieth-Century Fox has released its second film series featuring the characters, the Fantastic Four.

This new version of “FANTASTIC FOUR”, which was directed by Josh Trank, began with the first meeting of two friends, Reed Richards and Ben Grimm, as young teenagers. Reed managed to recruit Ben into his new project – the creation of, the director of a government-sponsored research institute for young prodigies called the Baxter Foundation. Reed is recruited to jaid Storm’s children, scientist Sue Storm (who is adopted) and the somewhat reckless engineering prodigy Johnny Storm, into completing a “Quantum Gate”, which was originally designed by Storm’s wayward former protégé, Victor von Doom. Professor Storm managed to lure Victor back to the project, due to the latter’s unrequited feelings for Sue.

The “Quantum Gate” project proves to be a success. But the Storms, Reed and Victor are disappointed to learn that the Foundation’s government supervisor, Dr. Harvey Allen, plans to send a group from NASA to teleport to a parallel dimension known as “Planet Zero”. In a defiant movie, Reed, Johnny and Victor decide to test the “Quantum Gate” first. Reed also invites Ben, whom he had not seen in a while, to join them. The quartet makes it to Planet Zero successfully. But when Victor attempts to touch the planet’s ground, it starts to erupt, causing the four men to return to the teleporting shuttle, just as Sue begins to bring them back to Earth. Unfortunately, Victor is unable to return to the surface. And when the teleporter explodes upon the other three’s return, it alters Reed, Johnny, Ben and Sue on a molecular level, giving them super-human abilities. The new quartet find themselves struggling with their new physical state and at the same time, in conflict with Dr. Allen and the government, who wants to exploit their abilities for military purposes.

I am going to put my cards on the table. “FANTASTIC FOUR” is not a great film. Then again, I have noticed over the years that most movies released in the month of August are usually not that hot . . . with some exceptions. I feel that this new “FANTASTIC FOUR” reboot proved to be no better or worse than the 2005 film . . . but for different reasons. This new film could have better. I cannot deny this. But it was sabotaged by certain factors.

One; the screenplay written by Trank, Jeremy Slater and Simon Kinberg made the mistake of allowing the five major characters to be younger than usual – with the exception of the Johnny Storm character, who was always younger than his colleagues. I could have accepted this change in age. But it had a negative effect on one of the characters – namely Ben Grimes aka the Thing. Due to his lack of scientific skills and the fact that space flight was not involved, Ben was not really needed in this story. Trank and the other screenwriters could have given him scientific skills, as they did with the Johnny Storm aka Human Torch character. But for some reason, he was simply an old school friend of Reed Richards aka Mr. Fantastic, This made his trip to “Planet Zero” with Reed, Johnny and Victor seem like a flimsy afterthought. Another character that suffered from the screenwriters’ changes was Victor von Doom. Instead of the brilliant inventor/leader from Latveria, Victor is a brilliant anti-social computer programmer from the same country, who has lived in the United States since a young child. I had no problem with these changes, but I did have problems with how the screenwriters handled his character in the movie’s second half. He was missing from “FANTASTIC FOUR” for quite a while, between the incident on “Planet Zero” and his return to Earth. And upon his return, the narrative rushed through Victor’s encounters with the U.S. government and Franklin Storm, before he made his attempt to destroy Earth to keep “Planet Zero” safe from humanity.

The screenwriters’ handling of Victor von Doom in the movie’s last half hour illuminated one last problem with the film. Not only was Victor’s character arc rushed in the end, so was the entire movie. And I found this rather unsatisfying. Despite my hangups over the Ben Grimes character, I had no problems with most of the film’s narrative. But once the NASA men brought Victor back to Earth, it seemed as if Trank and the screenwriters were hellbent upon completing the film as quickly as possible. Or perhaps I should blame the movie’s producers or the 20th Century Fox bigwigs. I learned that right before its release, someone had ordered three action sequences cut from the film. Why they did it . . . I do not have the foggiest idea. Did it improved the film? Again, I do not know. But I cannot help but wonder if those cut scenes would have prevented the film from rushing to its conclusion.

Does this mean I regard “FANTASTIC FOUR” as the worst movie from the summer of 2015? No. No, I do not. The movie possessed virtues that made it more than watchable for me. Unlike the 2005 movie, this latest reboot took its time in setting up both the characters and the circumstances that led to the creation of the Fantastic Four. Unlike today’s film critics and fans, I do not believe in rushing the narrative in order to wallow in the action scenes. Action scenes should not be the backbone of a film. Thankfully, Trank and the other screenwriters seemed to fill the same. They took their time in setting up the characters’ meeting via Reed Richards’ point-of-view. They took their time in portraying the creation of the “Quantum Gate”, allowing the narrative to strengthen the characters’ interactions – especially the relationship between Reed and Sue Storm. The screenwriters also took their time in portraying the characters’ difficulties with adjusting to their powers and their dealings with the U.S. military. Only in the last half hour, did they screw up.

Another improvement over the earlier film proved to be the portrayal of Johnny Storm. The 2005 film more or less used Johnny as comic relief. And while I found his antics amusing, I also found them rather shallow and a little annoying at times. In this new film, Johnny is still a hot-headed action junkie. But thankfully, the screenwriters and actor Michael B. Jordan prevented him from being a shallow source of comedy. And with the addition of the Franklin Storm character, the movie allowed some angst-filled family moments between father, son and adopted daughter Sue. More importantly, the screenplay gave Johnny a plausible reason to be involved in the “Quantum Gate” and journey to “Planet Zero”. In the original comics from the early 1960s, Johnny was a sixteen year-old who had accompanied his sister, Reed Richards and astronaut/pilot Ben Grimes on the space journey that eventually gave them powers. The 2005 movie portrayed Johnny as a pilot and former astronaut, which I found incredibly implausible. No space agency or private corporation would be dumb enough to hire or recruit a young pilot in his early 20s to co-pilot a journey to space. I find it also implausible that Johnny was a former astronaut in this film, in the first place. It seems ironic that a movie torn to pieces by critics and film goers alike, failed to realize that its portrayal of how Johnny had acquired his abilities seemed ten times more plausible than the original comics or the 2005 film.

One last aspect of “FANTASTIC FOUR” that struck me as very plausible proved to be the team’s interactions with the U.S. government. Trank and the other screenwriters allowed the “Quantum Gate” project to be sponsored by the Feds, allowing the relationship between the government and the Fantastic Four, Professor Storm and Victor von Doom fraught with tensions – before and after the initial journey to “Planet Zero”. While watching this film, I found myself wondering why this did not happen to the main characters in the original comics from the 1960s or in the 2005 film. I never understood why this tenuous relationship was never explored before this movie. Even if the “Quantum Gate” project had not been sponsored by the U.S. government, the latter would have eventually learned about it and the team’s new abilities. Trank and the other writers seemed to realize this. No one else did – including Stan Lee, Jack Kirby and the screenwriters for the 2005 film.

If anyone had any complaints about the performances in the movie . . . well, I would be surprised. Personally, I thought“FANTASTIC FOUR” featured some very competent performances. Miles Teller did a stellar job of combining Reed Richards’ nebbish personality, enthusiasm and energy. At the same time, Teller skillfully allowed his character to mature and learn to accept responsibility by the end of the film. Many Marvel fans raised a fuss over the casting of Michael B. Jordan as Johnny Storm, due to him being African-American. Considering that Marvel has changed the ethnic background of a few characters in the past, I never understood the fuss. Not only that . . . Jordan gave an intense, yet skillful performance as the volatile Johnny, who learns to overcome his resentment toward his father’s efforts to dictate his future. I have always considered the character of Sue Storm rather difficult for any actress to tackle, considering there is nothing theatrical about her. But Kate Mara did a very solid job of conveying Sue’s quiet, yet no-nonsense persona. Jamie Bell really did not have much to do in the film’s first half, due to his lack of presence. But once his character, Ben Grimes became the Thing, Bell did an excellent job of portraying the character’s intense, yet quiet anger over what happened to him.

The last time I saw Toby Kebbell in a movie, he was chewing the scenery as John Wilkes Booth in the 2010 film, “THE CONSPIRATOR”. Thankfully, he maintained full control of his portrayal of computer geek loner, Victor von Doom and instead, gave a surprisingly intense, yet subtle performance. “FANTASTIC FOUR” proved to be Tim Blake Nelson’s second Marvel film in which he portrayed a scientist. But in this film, Nelson proved to be more interesting and complex as the insidious Dr. Harvey Allen, who used a fake jovial attitude to intimidate the Fantastic Four (or most of them) into cooperating with the government. But my favorite performance came from Reg E. Cathey, who portrayed Professor Franklin Storm. If one looked at Cathey’s warm, emotional and forceful performance, his Professor Storm seemed to be the movie’s heart and soul. More importantly, I walked away feeling that his Storm was the true creator of the Fantastic Four.

I am not going to pretend that “FANTASTIC FOUR” was a great film. Then again, neither was the 2005 movie. I had a few problems with the Ben Grimes and Victor von Doom characters. And I found the ending rushed. But the movie did featured some very skillful performances and a great one by Reg E. Cathey. And despite the flawed ending, I had no problems with most of the film’s narrative and thought it featured some improvements on both the 2005 film and even the original 1961 comics. Because of this, I have great difficulty in accepting the prevailing view of it being the summer’s worst film. In fact, I do not accept this view at all.