“CAPTAIN AMERICA: CIVIL WAR” (2016) Review

 

“CAPTAIN AMERICA: CIVIL WAR” (2016) Review

One of the more popular story lines to emerge from Marvel Comics was the 2006 story called “Civil War” in which many comic book characters from the company’s franchise battled over a new law designed to have superpowered individuals act under Federal regulation. Kevin Fiege and Marvel Films decided to adapt this story line for the final film in their Captain America trilogy.

“CAPTAIN AMERICA: CIVIL WAR” features some differences from the Marvel Comics comic series. The latter featured the Superhuman Registration Act, which would force those with superhuman abilities to register with the U.S. government . . . even at the expense of their secret identies. All those with special abilities – via magic, science, extra-terrestrials and even gods – would be forced to register. The 2016 movie featured the Sokovia Accords, a set of internationally ratified legal documents that provide regulation and frame-working for the military/law enforcement deployment of enhanced individuals, particularly the Avengers. To be honest, the difference between the Superhuman Registration Act and the Sokovia Accords strikes me as rather minimal.

However, the plot for “CAPTAIN AMERICA: CIVIL WAR” began with a flashback to 1991 when a mysterious assassin intercepts an automobile on an isolated road, carrying a case of super-soldier serum. The plot jumped some twenty-five years later to Lagos, Nigeria; where a team of Avengers under the command of Steve Rogers aka Captain America stop a HYDRA team led by Brock Rumlow aka Crossbones from stealing a biological weapon from a lab in Lagos. When Rumlow blows himself up, hoping to kill Steve; Wanda Maximoff aka tries to displace the blast into the sky with telekinesis. Unfortunately, the blast destroys a nearby building, killing several Wakandan humanitarian workers. Because of the Lagos incident, U.S. Secretary of State Thaddeus Ross informs the Avengers that the United Nations is preparing to pass the Sokovia Accords, which will establish a U.N. panel to oversee and control the team.

Some members of the Avengers support the Accords and decide to follow Tony Stark aka Iron Man, who continues to feel guilt over his creation of the A.I. Ultron and the latter’s destruction of Sokovia. Others decide to follow Steve, who remains suspicious of the governments’ use of enhanced individuals. But when a bombing disrupts a conference in Vienna where the Accords were to be ratified and kills King T’Chaka of Wakanda, security footage indicates that the bomber is James “Bucky” Barnes aka the Winter Soldier, whom T’Chaka’s son, T’Challa aka Black Panther, vows to kill. Steve, who has been searching for Bucky since the fall of S.H.I.E.L.D., becomes determined to find Bucky first before anyone else can harm him and find out what really happened in Vienna. The search for Bucky manifests into another story line when the latter and Steve begin to suspect that someone from HYDRA might behind

I must admit that when I first learned that the third Captain America movie would be an adaptation of Marvel’s “Civil War”, I was not happy. I felt certain that the movie would be more of an Avengers tale than another Captain America movie that would round off the character’s trilogy. But I had decided to put aside such fears and see the movie. “CAPTAIN AMERICA: CIVIL WAR” had a great deal to offer. Exciting action sequences, plenty of travel, drama, thought provoking issues and especially some first-rate acting.

One aspect of “CAPTAIN AMERICA: CIVIL WAR” that really caught my attention were the issues presented in this story. And the issues in this story seemed to focus on guilt and responsibilities. This especially seemed to be the case for the Avengers in the wake of what happened in Sokovia and Lagos. Although Steve, Sam Wilson aka the Falcon, and especially Wanda feel guilty for what happened in Lagos; they would prefer to deal with the consequences on their own rather than allow the government to take control of their lives as Avengers. Tony, James “Rhodey” Rhodes aka War Machine, Vision and Natasha Romanoff aka Black Widow seemed to feel that the best course to deal with the consequences of the group’s actions is to allow the government to control their actions. What is interesting is that while various governments and especially Thaddeus Ross want the Avengers to pay a high price for what happened in Sokovia and Lagos, Ross refuses to acknowledge guilt or pay the consequences for the battle in Harlem between Bruce Banner aka the Hulk and Emil Blonsky aka Abomination in “THE INCREDIBLE HULK”. Someone had pointed out how friends found themselves on opposite sides of this conflict. I saw this theme played out with Natasha, who found herself opposing Clint Barton aka Hawkeye, Sam and Steve – three men with whom she had formed close friendships. This theme also played out with Wanda’s growing friendship with Vision, when the pair of them took opposing sides on the Accords issue.

The past seemed to weigh heavily in this movie, as well. The ghost of Steve’s past – in the form of one “Bucky” Barnes manifests on the heels of the Vienna bombing. Another ghost from Steve’s past manifested in the form of Sharon Carter, a former S.H.I.E.L.D. agent, whom he had first met in “THE WINTER SOLDIER”. Both Steve and Sam were surprised to discover that Sharon was the great-niece of his former love, Peggy Carter. One could say the same for Bucky, whose past as the brainwashed Winter Soldier is not only used to frame him for the Vienna bombing, but also manifests in the discovery of Howard and Maria Stark’s fates. And while I found this revelation rather interesting, I did not find it particularly surprising, after the events of “THE WINTER SOLDIER”. In fact, many fans of the franchise did not seem surprised. Tony’s ghosts from the past also formed a cloud above this story. His and Bruce’s creation of Ultron not only led to Sokovia’s destruction, but also to his support of the Sokovia Accords. More importantly, Sokovia’s destruction led a colonel from an elite Sokovian commando unit named Helmut Zemo to seek revenge for the deaths of his family during the battle against Ultron. And the newly ascended King T’Challa struggled to deal with his father’s death, as he sought to kill Bucky for the death of his father King T’Chaka during the Vienna bombing.

But “CAPTAIN AMERICA: CIVIL WAR” is foremost an action film. And the movie featured some first-rate action sequences. Many film critics and moviegoers have been talking about the battle between the two Avengers factions at a Berlin airport. And yes, I found it impressive . . . somewhat. My favorite moment occurred when Scott Lang aka Ant-Man transformed himself into a giant, taking everyone by surprise. But if I must be honest, the airport sequence is not my favorite action scene in the movie. One of my favorites proved to be the chase sequence in Berlin in which the police, Steve, Sam and T’Challa pursued a fleeing Bucky. Another favorite turned out to be the movie’s first action sequence in which Steve’s Avenger team battled against Rumlow and his HYDRA team in Lagos.

The movie also featured some excellent acting. To be honest, I cannot think of a bad performance in this film. Once again, Chris Evans stepped up to the plate and provided another first-rate performance as Steve Rogers aka Captain America. For once, his Steve proved to be a more reflective man, who had learned to control his quick temper (until near the end of the film). I can also say the same for Robert Downey Jr., who gave another excellent performance as Tony Stark aka Iron Man.

Scarlett Johansson was excellent as former S.H.I.E.L.D. agent Natasha Romanoff aka Black Widow, who desperately tried to get Steve and Sam to cooperate with the government and sign the Accords. Anthony Mackie’s portrayal of Sam Wilson aka the Falcon proved to be a little more emotional and satisfying, as his character openly expressed contempt toward the Sokovia Accords and minor distrust toward Bucky Barnes’ re-appearance in Steve’s life. Sebastian Stan continued his excellent performance as Bucky Barnes, now a desperate man trying to keep both his memories and his life intact. Don Cheadle’s performance throughout most of the movie struck me as solid. But I must admit that he really stepped up his game and gave a very poignant performance in his last scene in which he and Tony discuss the near tragic circumstances of the Berlin airport fight. Both Elizabeth Olsen and Paul Bettany clicked on screen as Wanda Maximoff aka Scarlet Witch and Vision. This was especially apparent in one scene in which Wanda becomes aware that Vision has been trying to prevent her from leaving the Avengers’ headquarters.

Chadwick Boseman made a very impressive debut as T’Challa aka Black Panther. Boseman did an excellent job in portraying T’Challa’s barely controlled anger over his father’s death and his obsession in exacting revenge. Eight years after “THE INCREDIBLE HULK”, William Hurt repeated his role as Bruce Banner’s main adversary, Thaddeus Ross, who has become the U.S. Secretary of Defense and main supporter of the Sokovia Accords. And he was a lot more subtle and scary in this film than he was in the 2008 movie. Daniel Brühl gave a very subtle, yet intense performance as Helmut Zemo, the former Sokovian commando who wanted revenge against the Avengers for the deaths of his family. Alfre Woodard gave a very sublte, yet emotional performance as a woman who had confronted Tony about the death of her son in Sokovia. The movie also featured some solid performances from Jeremy Renner, Paul Rudd, Emily VanCamp, Tom Holland, John Slattery, Hope Davis and Frank Grillo.

Despite my admiration for the movie’s cast, the action sequences and some of the issues raised in “CAPTAIN AMERICA: CIVIL WAR”, I had a major problem with it. In fact, I had several problems with it. First of all, the whole idea behind the Sokovia Accords really made no sense to me. I could say that this whole matter began because several Wakandan civilians were killed, when Steve and Wanda were trying to stop Rumlow from harming others through self-detonation. But it really began with the Chitauri invasion of New York in “THE AVENGERS”. Then came the fallout from the destruction of the HYDRA sponsored helicarriers in “THE WINTER SOLDIER”, along with Iron Man and the Hulk’s battle in South Africa and the destruction of Sokovia in “AGE OF ULTRON” and finally, the Lagos incident in this film. For some reason, people like Thaddeus Ross want to solely blame the Avengers for the civilian fallout and not the villains. In the case of the events of “AGE OF ULTRON”, Tony, Bruce and Wanda were to blame. And Wanda . . . was not an Avenger at the time. What I could not understand is that neither Steve, Sam or anyone else who supported them had bothered to point this out. In fact, no one had bothered to point out Ross’ own involvement in the Hulk v. Abomination battle that nearly destroyed Harlem in “THE INCREDIBLE HULK”. You know . . . like Tony and Natasha?

Even if the Avengers had found themselves under government control, the possibility that innocent civilians might get hurt would always be possible. Not even the Avengers or any other costumed hero/heroine can save everyone. Yet, no bothered to point this out. I also noticed that Thaddeus Ross failed to mention the Hulk v. Abomination battle in Harlem. This is understandable, considering he was partially to blame for what happened. But why did no one pointed this out? And could someone please explain why the Accords were named after the Sokovia incident, instead of the incident in Lagos, which had kick-started the international community’s decision to create them in the first place? Martin Freeman portrayed a character from the Joint Counter Terrorist Centre, who helped Ross regulate the Avengers. The problem is that . . . he really did nothing in this movie, except show up and then sneer, first at Bucky and later, at the movie’s villain. Frankly, I found his appearance in this movie a complete waste of time. Speaking of waste . . . Frank Grillo, who had skillfully portrayed Brock Rumlow aka Crossbones in “THE WINTER SOLDIER”, reprised his character for this movie. And guess what happened to him? The poor schmuck was bumped off via a suicide bombing some twenty to thirty minutes into the film. Am I to believe that Rumlow, a major character in “THE WINTER SOLDIER”, had been reduced to a cameo, a plot device for the Lagos sequence . . . and nothing else? I guess so. In the end, Marvel ended up wasted Grillo’s time, just as they had wasted Thomas Kretschmann’s time in “AGE OF ULTRON”. And what were the German special forces, the GSG 9 doing in Bucharest, Romania? Bucharest was Bucky Barnes’ home at the time. And it was at his apartment where the GSG 9 tried to arrest him. What were they doing in a foreign country, trying to arrest an American citizen for a terrorist attack (the Accords conference) that happened in another foreign country – namely Austria. What on earth was the GSG 9 doing there?

I also had a problem with Tony Stark’s discovery that Bucky Barnes was the HYDRA assassin who had killed his parents. This discovery led Tony to try to kill Bucky, and Steve to come to his best friend’s defense. Two years earlier, Natasha Romanoff and Nick Fury had released top secret S.H.I.E.L.D. and HYDRA files on the Internet, during the battle at the Triskelion in “THE WINTER SOLDIER”. Through these files, Helmut Zemo discovered that Bucky was a brainwashed assassin used by HYDRA to kill Howard and Maria Stark back in 1991. If Zemo had been able to gain access to those files, why did Tony or any Stark Enterprises employee failed to do so? Why did he not make any attempt to access the files? A man, whose own father had been one of the co-founders of S.H.I.E.L.D. and a former enemy of HYDRA’s? Considering Tony’s nature, I find it difficult to believe that he never bothered to make the attempt. I have a deep suspicion that screenwriters Christopher Markus and Stephen McFeely may have deliberately ignored this issue so they would have an excuse for Tony to suddenly react to Zemo’s revelation. How sloppy . . . and manipulative.

And then there is the problem of Robert Downey Jr. The actor was first cast in “CIVIL WAR” in a supporting role. However, the actor refused to do the movie, unless he was made a co-star. And Marvel gave in to his demands, because they so desperately wanted him in another Marvel film. Why did they allow Downey Jr., who portrayed Iron Man, to become a co-star in a Captain America movie? The name in the movie’s title is Captain America. I do not recall the name of Iron Man being in the title. So, why did Kevin Fiege and Marvel allow Downey Jr. to hijack half of Chris Evans’ third solo film? Especially since Evans was the lead in one of Marvel’s biggest hits – both financially and critically. Why did a Captain America movie end up giving as much attention to Tony’s character arc as it did to Steve’s? Tony’s character arc had more screen time than Bucky Barnes or Sam Wilson, who had stronger emotional connections to Steve than Tony. Why did the movie’s screenplay featured a five-to-ten minute scene in which Tony Stark recruited Peter Parker aka Spider-Man for his team and did not bother to show how Steve recruited Clint Barton and Scott Lang? In a Captain America movie?

You know, Marvel could have saved the Civil War story line for an Avengers film and wrapped up Steve’s connection to HYDRA in this film. This movie could have focused upon Steve’s efforts to help Bucky and put HYDRA behind him for good. The movie “ANT-MAN” featured former S.H.I.E.L.D. official/HYDRA mole Mitchell Carson alive and well at the end, with a sample of Darren Cross’ Yellow Jacket serum in his possession. They could have tied this up with the Winter Soldier program . . . or create another plot featuring HYDRA. The narrative for “CIVIL WAR” could have focused on the Winter Soldier program, allowed Helmut Zemo to remain a HYDRA agent, allowed Steve’s friendships with both Sam and Bucky to become more complex and allowed his relationship with Sharon Carter to develop at a decent pace. Instead, Fiege and Marvel decided to (temporarily?) end the HYDRA story arc with former S.H.I.E.L.D. director Phil Coulson and ATCU director Glenn Talbot blowing up HYDRA bases . . . off screen in an “AGENTS OF S.H.I.E.L.D.” episode called (3.18) “Singularity”. I found this so unsatisfying. And since Marvel and Fiege decided that this third Captain America movie should be more about the Sokovia Accords, this left Sam and Bucky engaged in a long and rather stupid running joke regarding their mutual competition for Steve’s friendship. The latter’s romance with Sharon proved to be very rushed. And instead of admitting this, some fans are blaming actress Emily VanCamp and the Sharon Carter character, instead of the movie’s screenwriters and producers. They have also began promoting the idea of Steve becoming bisexual and beginning a romance with Bucky (and not Sam, whom I suspect was not white enough for them). And I am not the only one who has noticed that Zemo’s motivation for revenge against the Avengers bore a strong resemblance to the Maximoff twins’ hostility toward Tony Stark in “AGE OF ULTRON”?

“CAPTAIN AMERICA: CIVIL WAR” featured some excellent acting by a cast led by Chris Evans, some interesting issues on whether government intervention is a good thing or not, and some great action sequences, thanks to directors Anthony and Joe Russo. But for me, “CIVIL WAR” turned out to be nothing more than an Avengers movie shoved into a Captain America flick. And in the end, I found this rather unsatisfying and schizophrenic.

“AGENT CARTER”: Fans and Romance

 

“AGENT CARTER”: FANS AND ROMANCE

When “AGENT CARTER” first aired last year, some fans were speculating on who would become Peggy Carter’s future husband. After all, 2014′s “CAPTAIN AMERICA: THE WINTER SOLDIER” revealed that by 1953, she was married and had kids. Fans were wondering on whether Daniel Sousa or Jack Thompson would end up as her future husband. But when the character of Dr. Jason Wilkes was introduced as a potential romantic interest for Peggy in Season Two, the reaction among the show’s fandom became WEIRD.

First of all, there were the fans who screamed holy terror, complaining about how the show included a love triangle arc in the first place. They felt this story arc was sexist and an insult to Peggy’s character. I noticed that most of these fans were major supporters of a relationship between Peggy and her New York roommate, Angie Martinelli. I could not help but wonder … if Peggy had been in a love triangle with Angie and another woman, would they be making the same complaints?

I also noticed that many fans reacted to Jason Wilkes in a similar manner as Daniel Sousa. They either dismissed him and pretended that he did not exist. Some tried to focus on any negative traits he might possess – in an effort to indicate that he was unworthy of Agent Carter or a villain. In fact, the Marvel Cinematic Universe Wiki page for Jason had this to say about his relationship with Peggy:

“This ambition extended into his personal life as well by manipulating a way to have a date with Peggy Carter, though she initially refused to go out with him.”

Way to go, MCU Wiki for dismissing Jason’s feelings for Peggy as mere manipulative ambition. But most of the fans became increasingly fervent … almost rabid in their support of a Peggy/Sousa relationship.

Considering that Jason is an African-American character, I found these reactions rather … well, WEIRD. Dare I say racist? Because right now, I am beginning to wonder. I would not have minded a romantic triangle on this show. But the fan reaction to Dr. Jason Wilkes and his role in Peggy Carter’s life in Season Two seemed to have left an ugly taint in my regard for this show and the latter’s fandom.

Favorite Moments in MARVEL Movies and Television

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Below is a list of my favorite moments featured in Marvel movies and television: 

FAVORITE MOMENTS IN MARVEL MOVIES AND TELEVISION

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1. “Spider-Man 2” (2004) – After a brutal fight with Doc Ock on top of a Manhattan El Train and saving the train’s passengers, an exhausted Spider-Man aka Peter Parker is unmasked by the latter in what I regard as the most poignant moment in any Marvel production.

 

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2. “The Avengers” (2012) – During its fight against invading Chitauri troops, director Joss Whedon gave audiences an iconic shot of the newly formed Avengers, before they continued the battle.

 

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3. “Iron-Man 3” (2013) – Iron Man aka Tony Stark saves the surviving passengers and crew of Air Force One in this breathtaking sequence, using aerodynamics, one of his Iron Man bots and his brains.

 

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4. “The Wolverine” (2013) – In this exciting sequence, the Wolverine aka Logan battles members of the Yakuza on top of a Tokyo bullet train, as he tries to prevent them from kidnapping the granddaughter of a recently deceased businessman that he had briefly met at the end of World War II.

 

 

5. “Agents of S.H.I.E.L.D” (1.20) “Nothing Personal” – Agent Phil Coulson rescues his kidnapped subordinate Skye aka Daisy Johnson from HYDRA agents, who had hijacked the fallen agency’s C-17 plane, known as “the Bus”, with his sports car called “L.O.L.A.”.

 

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6. “Captain America: The Winter Soldier” (2014) – While staving off rogue HYDRA agents in Washington D.C., Captain America aka Steve Rogers has a brutal hand-to-hand fight with the assassin known as “the Winter Soldier”. Best fight scene in any Marvel production … at least for me.

 

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7. “Iron Man 3” (2013) – In this hilarious scene, Tony Stark finally comes face-to-face with the “terrorist” known as “the Mandarin”, who proves not to be what many had assumed.

 

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8. “The Hulk” (2003) – The opening credits of the 2003 movie featured the chilling efforts of Dr. David Banner to create super soldiers by introducing modified DNA sequences extracted from various animals to strengthen the human cellular response. This sequence gives me the chills whenever I watch the movie.

 

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9. “X2: X-Men United” (2003) – The second movie in the “X-MEN” franchise featured an exciting attack by a brainwashed Nightcrawler aka Kurt Wagner on the White House, in an attempt to assassinate the U.S. President.

 

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10. “Captain America: The Winter Soldier” (2014) – S.H.I.E.L.D. Director Nick Fury is attacked by HYDRA agents and the assassin known as “the Winter Soldier” on the streets of Washington D.C.

 

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11. “Iron Man 2” (2010) – S.H.I.E.L.D. agent Natasha Romanoff aka the Black Widow fights off security guards at Justin Hammer’s factory in order to prevent Ivan Venko from using James Rhodes in the War Machine suit from killing Tony Stark aka Iron Man.

 

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12. “Ant-Man” (2015) – Scott Laing aka Ant-Man attempts to infiltrate the new Avengers headquarters for a particular device, and has an unexpected encounter with Avenger Sam Wilson aka the Falcon.

 

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13. “Iron Man 3” (2015) – An Extremis enhanced Pepper Potts saves Tony Stark from villain Aldrich Killian by killing the latter.

 

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14. “Captain America: The First Avenger” (2011) – The recently enhanced Steve Rogers is recruited by a U.S. senator for a war bonds tour in this colorful montage, after the former is rejected by Colonel Chester Phillips when the super soldier formula is lost.

 

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15. “Thor” (2011) – Recently cast out from Asgaard by his father Odin, a now mortal Thor struggles to free himself from a hospital’s personnel before he is eventually drugged in this very funny scene.

 

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16. “Guardians of the Galaxy” (2014) – A group of extraterrestrial misfits uses one of the Infinity stones to defeat Kree supervillain Ronan the Accuser, who is bent upon destroying the Nova Empire’s capital city, Xandar.

 

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17. “Captain America: The First Avenger” (2011) – In this emotionally sad scene, S.S.R. Agent Peggy Carter gives in to tears, when communication with Captain America aka Steve Rogers is cut short, after he forces a HYDRA plane with deadly weapons into the Atlantic Ocean.

 

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18. “Spider-Man 3” (2007) – Another sad scene features Spider-Man aka Peter Parker and Mary Jane Watson grieving over the dead body of their friend, Harry Osborn aka New Goblin, after the latter is skewered by villain Venom aka Eddie Brock.

 

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19. “Agent Carter” (1.07) “Snafu” – S.S.R. Chief Roger Dooley jumps to his death in order to save the lives of his subordinates from the bomb device that had been strapped to his body.

 

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20. “The Hulk” (2003) – Ang Lee directed this bizarre scene featuring the death of former military officer Glenn Talbot, after the Hulk aka Bruce Banner escapes from a military base.

 

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Honorable Mention: “The Amazing Spider-Man 2” (2014) – Director Marc Webb directed this heartbreaking sequence in which Gwen Stacy falls to her death, after Spider-Man aka Peter Parker fails to save her from Harry Osborn aka the Green Goblin.

How Iron Man Ruined “CAPTAIN AMERICA: CIVIL WAR″ For Me

 

HOW IRON MAN RUINED “CAPTAIN AMERICA: CIVIL WAR” FOR ME

I am so disappointed with Marvel. And I am especially disappointed with its latest entry for the Marvel Cinematic Universe – namely “CAPTAIN AMERICA: CIVIL WAR”. I never thought I would be so disappointed with a Captain America film, considering how much I loved “CAPTAIN AMERICA: THE FIRST AVENGER” and especially “CAPTAIN AMERICA: THE WINTER SOLDIER”.

As for “CIVIL WAR”, I found it disappointing. Worse, I left the movie theater feeling unusually angry. And a great deal of my anger was focused on Tony Stark aka Iron Man’s role as the movie’s co-lead, which the writers had allowed to nearly dominate the film. Someone on the TREK BBS forum had pointed out that “CAPTAIN AMERICA: CIVIL WAR” had sewn up the plot lines left dangling from “THE WINTER SOLDIER”. And the movie did so . . . WITH BAD WRITING!

“CIVIL WAR” started with a flashback of Tony’s parents getting killed in 1991. The screenplay tried to make a mystery of it, but even a dummy would have known who was the killer.
Steve’s romance with Sharon Carter was rushed, because the Sokovia Accords story line and Tony’s man pain made it impossible for the screenwriters to do justice to it. Now, we have fans demanding that Steve become a bisexual, so that he can have a romance with his old buddy, Bucky Barnes. One, I cannot believe that these fans are so unwilling to see how badly written that Steve and Sharon’s romance was that they would rather he become a bisexual. Really? Because the screenwriters had failed to follow up the promise of Steve and Sharon? And two, I find it ironic (or not) that they would not consider Steve having a romance with Sam Wilson, who is African-American.

Speaking of Sam and Bucky, I noticed that their relationship was never really explored. Instead, the movie presented their rivalry over the role of Steve’s “best friend” in a series of silly comedy routines in which they are mildly hostile toward one another. The movie spent 10 to 15 minutes showing how Tony Stark recruited Peter Parker (who really had no business being in this movie) for Team Iron Man. They could have saved this first meeting in MCU’s upcoming“SPIDER-MAN” movie. Yet, “CIVIL WAR” failed to explain or show why Scott Lang and Clint Barton had decided to side with Steve.

Zemo’s whole revenge plot was all about Tony finding out that Bucky, as the brainwashed Winter Soldier, had killed his parents in order to break up the Avengers for what happened in Sokovia. Again, it became all about Tony. The worst aspect of all of this is that Marvel ended Steve and S.H.I.E.L.D.’s conflict with HYDRA in such a weak manner. The studio ended it on “AGENTS OF S.H.I.E.L.D.” – with Phil Coulson and Glenn Talbot coordinating a series of bombing on HYDRA bases . . . off screen. I found that incredibly pathetic. Someone on Tumblr had pointed out that Steve Roger’s personal arc in “CIVIL WAR” had been weakened by the screenwriters’ unnecessary focus on Tony Stark. After seeing this movie, I heartily agree. What is really sickening about this is that Marvel Studios came up with the idea to focus the Civil War arc in a Captain America movie in order to lure Robert Downey Jr. into another Marvel film.

You would think after the box office successes of movies like “CAPTAIN AMERICA: THE WINTER SOLDIER” and“GUARDIANS OF THE GALAXY” that this idea was unnecessary. But apparently, Marvel thought otherwise and decided to shove an Avengers film into a Captain America movie . . . all because they could not do without the increasingly overrated Robert Downey Jr. And because of this decision, I have now developed deep contempt toward Marvel Studios.

Top Five Favorite Episodes of “AGENTS OF S.H.I.E.L.D.” Season One (2013-2014)

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Below is a list of my top five favorite episodes from Season One of Marvel’s “AGENTS OF S.H.I.E.L.D.”. Created by Joss Whedon, Jed Whedon, and Maurissa Tancharoen; the series stars Clark Gregg.:

 

TOP FIVE FAVORITE EPISODES OF “AGENTS OF S.H.I.E.L.D.” SEASON ONE (2013-2014)

1 - 1.17 Turn Turn Turn

1. (1.17) “Turn, Turn, Turn” – All hell breaks loose when the events of “CAPTAIN AMERICA: THE WINTER SOLDIER” leads to the downfall of S.H.I.E.L.D. and the exposure of HYDRA moles within their ranks.

2 - 1.21 Nothing Personal

2. (1.20) “Nothing Personal” – Former S.H.I.E.L.D. Agent Maria Hill helps Coulson and his team track down fellow agent Skye, who has been snatched by HYDRA and former ally, Mike Peterson aka Deathlok.

3 - 1.13 - T.R.A.C.K.S.

3. (1.13) “T.R.A.C.K.S.” – The team’s search for the head of the Centipede organization, the Clairvoyant, takes a troubling turn when they board a train in Italy on which a Cybertek employee is shipping a package to Ian Quinn, a wealthy follower of the Clairvoyant.

4 - 1.10 The Bridge

4. (1.10) “The Bridge” – Coulson recruits Mike, who has become a new S.H.I.E.L.D. agent, to help him and the team track down fugitive Edison Po and the Centipede organization, which is a part of HYDRA. Unfortunately, trouble ensues when Centipede manages to kidnap Mike’s son.

5 - 1.15 Yes Men

5. (1.15) “Yes Men” – The team helps Asgardian Lady Sif hunt down enchantress Lorelei, who has plans to create an army with the help of Human males. Unfortunately, the team and Sif encounter trouble when Agent Grant Ward falls under her spell.

HM - 1.22 Beginning of the End

Honorable Mention: (1.22) “Beginning of the End” – In the first season’s finale, Coulson and his team raid the Cybertek facility controlled by HYDRA agents and receive much needed help from former S.H.I.E.L.D. director Nick Fury.

“THE AVENGERS: AGE OF ULTRON” (2015) Review

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“THE AVENGERS: AGE OF ULTRON” (2015) Review

The Marvel Cinematic Universe, which first began back in 2008, edged closer to the completion of its second phase with the release of “THE AVENGERS: AGE OF ULTRON”. This second film featured the return of the team of superheroes that saved Earth from an alien invasion in the 2012 film, “THE AVENGERS”.

In reality, the movie began with the “AGENTS OF S.H.I.E.L.D.” Season Two episode, (2.19) “The Dirty Half Dozen”, in which Phil Coulson and his team managed to infiltrate a HYDRA base led by one Doctor List and discover the location of the secret base of the evil organization in the fictional country of Sokovia. “THE AVENGERS: AGE OF ULTRON”opened with the Avengers in Slovakia, attacking the HYDRA base. Despite Clint Barton aka Hawkeye’s injury and the team’s encounter with HYDRA’s new superhumans, Sokovia natives Pietro and Wanda Maximoff aka Quicksilver and Scarlet Witch; the Avengers prevail by arresting HYDRA leader Baron Wolfgang von Strucker and obtaining the Chitauri Scepter used by Loki in the 2012 movie. However, Tony Stark aka Iron Man has an encounter with the telepathic Wanda Maximoff that leaves him with visions of the entire Avengers team dead (except him).

Upon the team’s return to Tony’s Manhattan penthouse, which is being used as their headquarters; he asks fellow Avenger Thor Odinson if he could examine the scepter before the latter can deliver it to Asgard. Thor acquiesces and both Tony and Bruce Banner aka the Hulk discover one of the Infinity stones (Mind Stone) within the scepter. They also discover that the stone has an artificial intelligence. Tony decides to use the stone complete his idea of an “ULTRON” global defense program – an artificial intelligence that controls robotic armor to protect Earth from future danger. Unfortunately the ULTRON program becomes sentient. He believes that he must eradicate humanity in order to save Earth. So ULTRON eliminates Stark’s A.I., J.A.R.V.I.S., and attacks the Avengers at their headquarters. ULTRON escapes with the scepter and uses the resources at Strucker’s Sokovia base to upgrade his rudimentary body and build an army of robot drones. After killing Strucker, ULTRON recruits the Maximoffs, who hold Stark responsible for their parents’ deaths by his weapons. Once the Avengers learn what Tony and Bruce had created, they set off to track down ULTRON and prevent the latter from carrying out his agenda for the destruction of humanity.

I might as well put my cards on the table. “THE AVENGERS: AGE OF ULTRON” is not as good as its 201 predecessor. I fear that writer-director Joss Whedon may have gotten a little sloppy with the execution of his story. The first problem I had with the movie is its use of the HYDRA organization. Since 2014’s “CAPTAIN AMERICA: THE WINTER SOLDIER revealed that HYDRA leader Baron von Stucker was in possession of the Chitauri scepter, it is obvious that Whedon used HYDRA for the Avengers – especially Tony Stark – to get their hands on it and the Mind Stone. More importantly, he wanted to use the Mind Stone for the creation of both ULTRON and the newest Avenger team member, Vision. But after the movie’s opening action sequence, Stucker was captured and later killed by ULTRON, making his appearance in the film a complete waste of time. In fact, it seems as if the Marvel Cinematic Universe (MCU) has been hellbent upon the misuse of HYDRA since Season Two of “AGENTS OF S.H.I.E.L.D.”. Personally, I wish that producer Kevin Fiege had allowed the HYDRA/Chitauri scepter plot line to be used for the third Captain America film and allowed both ULTRON and Vision to be created without the Mind stone. And why on earth did Whedon allowed the Mind stone to contain artificial intelligence? Was this an attempt by him to remove a possible supernatural or spiritual aspect of the Infinity Stones, due to some lack of religious beliefs?

What other problems I had with the movie? Honestly, I found the action sequences in the movie rather over-the-top. I was not that impressed by sequence featuring the Avengers’ attack upon the HYDRA Sokovia base and their final showdown against ULTRON in the same location. And if I must be brutally honest, I was especially put off by the fight between Iron Man and an enraged Hulk (courtesy of Scarlet Witch’s mind games) in the fictional country of Wakanda (home of the Black Panther). Speaking of the movie’s final action sequence, I was not particularly fond it. I hated the methods ULTRON used to finally destroy humanity. What did he do? ULTRON used vibranium from the old HYDRA base to build a machine that would lift a large part of Sokovia’s capital city skyward and crash it into the ground in order to cause global extinction. And I had to sit inside that movie theater and watch the Avengers battle robots and ULTRON in a city that was rising in the air. There was a point in which I found the whole thing simply fucking ridiculous. Speaking of robots . . . the sight of ULTRON’s killer droids brought back memories of the Sentinels from 2014’s “X-MEN: DAYS OF FUTURE PAST”, a movie that is not high on my list of favorite Marvel flicks. And there was the vision that Thor had received from the Scarlet Witch. One, how on earth did a human managed to force an image upon an Asgardian? Especially one as powerful as Thor? Two, was this vision supposed to be of Wanda’s creation . . . or a genuine vision of the future? I do not recall the Scarlet Witch possessing the talent of precognition. And why was Thor’s dream or vision edited in such a choppy manner? It is a miracle that I managed to understand it in the end.

The movie also featured the death of a major character in the film. Whedon claimed he wanted to reveal the emotional impact of war. Personally, I think he wanted to rectify his decision to resurrect the Phil Coulson character for “AGENTS OF S.H.I.E.L.D.”, who had originally been killed off in “THE AVENGERS”. And frankly, I found it unnecessary. The MCU could have saved a character death for the third “AVENGERS” film. Speaking of characterizations, I was not particularly thrilled by Whedon’s handling of some of the minor characters. As I had earlier pointed out, I thought he had mishandled the HYDRA story line that began in “AGENTS OF S.H.I.E.L.D.”. Which meant he also mishandled both the Baron von Stucker and Dr. List characters and wasted the time of actors Thomas Kretschmann and Henry Goodman. I was really looking forward to watching Kretschman’s portrayal of the HYDRA leader. And what the hell did Whedon to do the James Rhodes aka War Machine character? Poor Don Cheadle! Whedon turned his character into a one-note joke, as Rhodey continuously recalled the time he saved the President’s life in “IRON MAN 3”. Even though he helped the Avengers save Sokovia’s citizens in the final battle, Whedon still decided to make Rhodey a “machismo” joke. Only Cheadle’s skillful comic acting skill made Anthony Mackie made two brief appearances as Sam Wilson aka the Falcon – during the victory party at Stark Towers and in the final scene in which he had joined the Avengers at their new headquarters in upstate New York. That is all. Perhaps he was filming another movie at the time. Who knows? But Whedon really wasted his role in this film. Another wasted performance came from Cobie Smulders, whose appearance and relevance as Maria Hill in the Marvel Cinematic Universe seemed to be shrinking with each film. As for Stellan Skarsgård’s performance as Dr. Erik Selvig, it appearance seemed to be a case of “now you see him . . . now you don’t”. At least Idris Elba’s Hemidall managed to have a stronger impact on the story, due to his appearance in Thor’s vision. And Hayley Atwell’s appearance as Peggy Carter in Steve Roger’s vision had a strong impact on his psyche.

It is a good thing that I actually managed to enjoy “THE AVENGERS: AGE OF ULTRON” very much . . . despite its flaws. Fortunately, the movie possessed a lot more flaws than virtues. The ensemble created for the film seemed strong as ever . . . especially in the sequence featuring the Avengers’ victory party at Stark Towers. Although I was not that enamored of the ULTRON storyline idea, I must admit that overall, Joss Whedon managed to make it work. Whedon did an excellent job of connecting the dots between the HYDRA base attack, one of the Infinity stones and the creations of both ULTRON and Vision. And the two characters that served as the connections to these different aspects of the plot were Tony Stark and Thor. I never understood why Nick Fury sent the Avengers after Baron von Strucker and HYDRA. There were plenty of S.H.I.E.L.D. agents still around who could have done the job. But it made sense that Thor would want to retrieve the Chitauri scepter, since it contained one of the Infinity stones. And knowing Tony’s penchant for curiosity, it made sense that he would want to examine the scepter. Whedon even managed to create connections between Tony and the Maximoff twins – Wanda and Pietro. Missiles created by Stark Industries were responsible for their parents’ deaths.

It was a relief to see that Whedon did not shortchange the major characters. Although previous MCU movies have shown some of Tony Stark’s more unpleasant traits, he really came close to being very unlikable in this film. This was especially obvious in the scene in which Tony refused to acknowledge his mistake in creating ULTRON. Robert Downey Jr. did a great job in conveying Tony’s ugly side and at the same time, still maintain the character’s “hero” status. I feel that “THE AVENGERS: AGE OF ULTRON” also conveyed a good deal of Bruce Banner’s ugly nature as well . . . and I am referring to those scenes in which he did not morph into Hulk mode. Mark Ruffalo gave a sweet performance as a Bruce who seemed to be developing feelings for former S.H.I.E.L.D. agent Natasha Romanoff aka the Black Widow. But there were moments when Bruce did not seem that likable. Some have cited that one moment in which he threatened to harm Wanda Maximoff. I can think of two other moments. He seemed incapable of understanding Natasha’s own personal demons during one conversation between them . . . to the point that he eventually ran off, making their potential romance all about him. “THE AVENGERS: AGE OF ULTRON” finally verified that Natasha had been trained in the Soviets’ Red Room Academy, the same organization that Leviathan agent “Dottie Underwood” had been trained in the ABC series, “AGENT CARTER”. Natasha’s visions, along with her conversation with Bruce, made it clear that her training had left scars on her psyche. Scarlett Johansson performance certainly made this clear . . . especially in the scene in which she revealed Natasha’s demons in a conversation with Bruce. It was a truly superb moment in an otherwise first-rate performance by Johansson.

Jeremy Renner had more ample time to shine as former S.H.I.E.L.D. agent and expert marksman, Clint Barton aka Hawkeye. Not only did we see Renner interact with the cast a lot more, but audiences were allowed an in-depth look into his personal life as a happily married man and father. In many ways, Renner’s down-to-earth performance as Barton served as the film’s emotional backbone. One would think that role should have belonged to Chris Evans’ Steve Rogers aka Captain America. However, I got the feeling that Steve was still reeling from the aftermath of the events from “CAPTAIN AMERICA: THE WINTER SOLDIER” and his continuing grief over the loss of Peggy Carter, as shown in Steve’s heartbreaking vision of a possible date with Peggy at a 1940s nightclub. It is amazing how much Evans has made the Captain America role his own after three films. Hell, he made it his own back in the 2011 film. Chris Hemsworth’s role as Thor did not strike me as “major” in compare to the other members of the Avengers team. Without the presence of Thor’s half-brother Loki, I got the feeling that Whedon did not really know what to do with him . . . other than help create Vision. But Hemsworth’s performance was my favorite in the film. That man has such a superb comic timing. And he providing some of the film’s funniest moments, including that hair-raising moment in which Steve nearly lifted his hammer, Mjolnir. Samuel L. Jackson gave a very interesting performance as former S.H.I.E.L.D. director Nick Fury. He seemed rather introspective . . . almost weary. At first, I wondered if Jackson had become tired of the role. But he had made clear his desire to continue portraying Fury beyond his current contract. I suspect that Jackson was conveying the toll of Fury’s worldwide search for HYDRA bases and agents and S.H.I.E.L.D.’s downfall.

James Spader gave one hell of a performance as the voice for the artificial intelligence being, ULTRON. Spader gave one of those memorable voice performances that I believe I will never forget. Since ULTRON is Tony Stark’s creation, it seemed as if Spader was portraying Stark’s personality . . . but with his own particular twist. It was an interesting and brilliant performance to watch . . . or hear. “THE AVENGERS: AGE OF ULTRON” proved to be the first role in which I have seen actor Aaron Johnson-Taylor portrayed an extroverted character – namely Pietro Maximoff aka Quicksilver. And being the first-rate actor I have always believed he was, Johnson-Taylor did an excellent job in conveying Pietro’s impulsive nature, protectiveness toward his twin sister and cockiness – especially in his interactions with Clint Barton. In fact, his ability as a speedster seemed to correlate well with his personality. And who portrayed his twin sister? None other than Elizabeth Olsen, who portrayed his wife in the 2014 blockbuster, “GODZILLA”. Man, the irony! And she gave an equally superb performance as the more serious, yet emotional Wanda Maximoff, who possessed the talents of telepathy and telekinesis. Paul Bettany, who had served as the voice of Tony Stark’s artificial intelligence program, J.A.R.V.I.S., acquired a new role in the MCU. He is now portraying Vision, an organic-based android who eventually became a member of the Avengers. Bettany gave a very skillful, yet ethereal performance. His Vision struck me as a quiet, naive being, with a surprising penchant for wise and occasionally sardonic barbs. The movie also featured solid supporting performances from Linda Cardellini, Claudia Kim, Idris Elba, Andy Serkis and Julie Delpy.

What else can I say about “THE AVENGERS: AGE OF ULTRON”? Well, nothing really. The movie’s special effects and musical score by Hans Zimmer did not exactly blow my mind. Come to think of it, Ben Davis’ cinematography failed to impress me, as well . . . even if I found his work competent. But I thought it lacked the sharp and colorful beauty of the 2012 movie. In fact, I would go as far to say that “THE AVENGERS: AGE OF ULTRON” is not as good as “THE AVENGERS”. But . . . it did continue the Marvel Cinematic Universe’s main narrative. And this continuation was marked by Josh Brolin’s appearance as Thanos in the movie’s first post-credit scene. “AGE OF ULTRON” may not have been perfect or even near perfect. But I thought it was still a first-rate film.

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Ranking of Movies Seen During Summer 2015

Usually I would list my ten favorite summer movies of any particular year. However, I only watched ten new releases during the summer of 2015. Due to the limited number, I decided to rank the films that I saw:

 

 

RANKING OF MOVIES SEEN DURING SUMMER 2015

1. “Jurassic World” – In the fourth movie for the JURASSIC PARK franchise, a new dinosaur created for the Jurassic World theme park goes amok and creates havoc. Directed by Colin Trevorrow, the movie starred Chris Pratt and Bryce Dallas Howard.

 

 

2. “Ant-Man” – Convicted thief Scott Lang is recruited to become Ant-Man for a heist in this new entry in the Marvel Cinematic Universe. Directed by Peyton Reed, Paul Rudd, Evangeline Lily and Michael Douglas starred.

 

 

3. “The Man From U.N.C.L.E.” – Guy Ritchie directed this adaptation of the 1964-1968 television series about agents for the C.I.A. and KGB working together to fight neo-Nazis in the early 1960s. Armie Hammer, Henry Cavill and Alicia Vikander starred.

 

 

4. “Tomorrowland” – Brad Bird directed this imaginative tale about a a former boy-genius inventor and a scientifically inclined adolescent girl’s search for a special realm where ingenuity is encouraged. George Clooney, Britt Robertson and Hugh Laurie starred.

 

 

5. “The Avengers: Age of Ultron” – Earth’s Mightiest Heroes are forced to prevent an artificial intelligence created by Tony Stark and Bruce Banner from destroying mankind. Joss Whedon wrote and directed this second AVENGERS film.

 

 

6. “Mission: Impossible – Rogue Nation” – Tom Cruise starred in this fifth entry in the MISSION: IMPOSSIBLE” film franchise about Ethan Hunt’s efforts to find and destroy a rogue intelligence organization engaged in terrorist activities.

 

 

7. “Mr. Holmes” – Ian McKellen starred in this adaptation of Mitch Cullin’s 2005 novel about the aging Sherlock Holmes’ efforts to recall his last case. Directed by Bill Condon, Laura Linney and Milo Parker co-starred.

 

 

8. “Fantastic Four” – Josh Trank directed this reboot of the Marvel comics series about four young people whose physical form is altered after they teleport to an alternate and dangerous universe. Miles Teller, Kate Mara, Michael B. Jordan and Jamie Bell starred.

 

 

9. “Entourage” – Doug Ellin wrote and directed this fluffy continuation of the 2004-2011 HBO series about a movie star and his group of friends dealing with a new project. Kevin Connolly, Adrian Grenier, Kevin Dillon, Jerry Ferrara and Jeremy Piven starred.

 

 

10. “Terminator: Genisys” – Alan Taylor directed this fifth movie in the TERMINATOR franchise, an unexpected turn of events creates a fractured timeline when Resistance fighter Kyle Reese goes back to 1984 in order to prevent the death of leader John Connor’s mother. Arnold Schwartzenegger, Emilia Clarke, Jai Courtney and Jason Clarke starred.

“AGENTS OF S.H.I.E.L.D.” Season Two – At Mid Point

 
“AGENTS OF S.H.I.E.L.D.” SEASON TWO – AT MID-POINT

Ever since the second season of Marvel’s “AGENTS OF S.H.I.E.L.D.”, many television viewers and critics have waxed lyrical over their belief over the series’ improvement from Season One. And yet … the ratings for the show seemed to reflect differently from this view. Regardless of the opinions of others or the ratings, I have my own views about the show’s Season Two.

I am going to be blunt. I do not like Season Two of “AGENTS OF S.H.I.E.L.D.”. In fact, it has turned out to be a major disappointment for me. Last season, many fans and critics complained about the show’s pacing and slow revelation of the season’s main story arc. For them, Mutant Enemy’s handling of Season Two’s story arc has improved a great deal. I disagree. I had no problems with the development of Season One’s story arc. For me, it was no different from the formats for previous Sci-Fi/Fantasy serial television shows like “BABYLON 5”, along with Mutant Enemy’s “BUFFY THE VAMPIRE SLAYER” and “ANGEL”. All three shows began their story arcs for each season slowly and eventually build up the story arc to a mind boggling conclusion.“AGENTS OF S.H.I.E.L.D.” did the same. Many fans, critics and even Marvel claimed that Season One’s slow build up and occasional breaks had more to do with allowing the season’s story arc to build up to the plot for “CAPTAIN AMERICA: THE WINTER SOLDIER”. I say bullshit to that.

“AGENTS OF S.H.I.E.L.D.”, like many other television shows with twenty-two (22) episodes per season, usually took occasional breaks in order to stretch out 22 episodes within a time period of seven to eight months. This is nothing new. These breaks have been going on for many television shows for a long time. In their impatience and occasional stupidity, many forgot that. Many also seemed to have forgotten that “AGENTS OF S.H.I.E.L.D.” was a serial drama about government agents that work for an intelligence organization … not about superheroes and superheroines. For some reason, many fans ignored the show’s title and honestly expected the constant appearances of costumed Marvel superheroes and superheroines. Why? I have no idea. But Disney (who owns the ABC Network), Marvel and Mutant Enemy decided to heed the complaints for the sake of ratings and change the series’ style.

What did they do? Well, they introduced new characters – especially new agents – in the wake of the downfall of S.H.I.E.L.D. from the spring of 2014. How did Mutant Enemy introduce these new characters? Actually, they did not. Instead, new characters such as Alphonse “Mack” McKenzie, Lance Hunter and Isabelle Hartley had already been recruited as S.H.I.E.L.D. agents when the first episode, (2.01) “Shadows”. The episode also quickly introduced a new villain, a HYDRA official known as Daniel Whitehall, with a flashback to the past. The new characters, along with familiar characters such as Phil Coulson, Melinda May, Skye and Antoine Triplett, were quickly thrust into a new mission, which quickly morphed into part of the season’s new story arc – the recovery of an alien object known as the Obelisk. Everything about this episode seemed to hint “speed”. Missing from “Shadows” was Agent In fact,“speed” seemed to be the essence of the plotting and pacing for the first half of Season Two.

I find it ironic that many fans complained about how certain characters like Akela Amador, Chan Ho Yin and the Asgardian refugee Dr. Elliot Randolph seemed to have come and gone with the wind. Yet, they failed to realize that similar characters in Season Two did the same … or appeared in at least two to three episodes before disappearing. I refer to characters like Isabelle Hartley, Carl Creel, and Senator Christian Ward. But this did not bother me … except for their handling of Agent Amador and Senator Ward. What really bothered me was the handling of certain recurring or main characters.

There have been complaints about Mutant Enemy’s handling of its minority characters … well, its African-American characters. I never understood why it was so important for the Mike Peterson character to disappear after the Season One episode, (1.22) “Beginning of the End”. What the hell happened to him? Ten Season Two episodes have aired since and not once has the series revealed his whereabouts. Come to think of it … what happened to Akela Amador? She was imprisoned by Coulson’s team … even after they had learned that HYDRA had coerced her into pulling off several robberies on their behalf. HYDRA had released prisoners such as Raina and Ian Quinn, after the S.H.I.E.L.D. Civil War. What about Agent Amador? What happened to her? Off all the new S.H.I.E.L.D. agents introduced during Season Two, only two got the shot end of the stick. One of them was Isabelle Hartley, who was killed off in “Shadows”. The other character was Alphonso “Mack” MacKenzie, who was more or less used as some kind of therapy tool for the Leo Fitz character, before being transformed into some kind of zombie in the episode, (2.09) “…Ye Who Enter Here”. As of the season’s mid-season finale, (2.10) “What They Become”, Mack is no longer a “zombie”. But no one knows if he has fully recovered. I fear that Mack’s fate will become similar to that of the Elam Ferguson character from AMC’s “HELL ON WHEELS”.

Ruth Negga continued her role as Raina, the mysterious woman who had aligned herself with HYDRA and later, a man named Calvin Zabo who might be an Inhuman. As it turned out, Raina is also an Inhuman … like Skye. However, she underwent a physical transformation:

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And Skye … did not:
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Why? Why Raina and not Skye? Why did a character portrayed by an actress of Irish and African ancestry transformed into a non-Human form?

Finally, I come to Antoine “Trip” Triplett. The show’s “Legacy” agent, who had played a major role in the defeat of John Garrett, a S.H.I.E.L.D. agent-turned-HYDRA mole at the end of Season One, seemed to have been shoved to the background by the writers under showrunners Joss and Jed Whedon, Maurissa Tancharoen and producer Jeffrey Bell. Why? Mutant Enemy and Marvel claimed that Britt was under contract to the BET series, “BEING MARY JANE”, which meant in their eyes, they could not use him as much as they “wanted”. Hmmm … more bullshit. They were able to use a great deal of Britt in the second half of Season One. And the actor appeared in less than half of the latest season for “BEING MARY JANE”. In fact, the latter has been scheduled by BET to end in 2015. What was the point in sidelining Britt in that manner? And why did they killed off Britt’s character with some of the most contrived writing I have seen on this show in “What They Become”, without allowing him to have a major appearance in said episode? It was just disgusting to watch.Speaking of contrived writing, I encountered a good deal of it in Season Two. The writers for “AGENTS OF S.H.I.E.L.D.” went through of minor story arcs with the speed of a ballistic missile. I realize that Season One had its share of one-shot episodes – especially in its first half. Again, I have no problems with this. One-shot episodes were pretty common in televised serial dramas like“BUFFY” and “BABYLON 5”. But in Season Two of “AGENTS OF S.H.I.E.L.D.”, the writers would set up a story arc with a great deal of build up and end the story arc within two to five episodes. The series ended up wasting potential characters and story arcs like Carl Creel, Jemma Simmons’ role as a S.H.I.E.L.D. mole within HYDRA, the introduction of Senator Christian Ward and the Daniel Whitehall character. Mind you, Whitehall lasted for ten episodes. Only, I had not expected him to be introduced so fast … and killed off so soon. Speaking of speed, I had no idea that the Skye character would be exposed as an Inhuman – part of a race of superhumans who had been engineered by aliens such as the Kree – so soon. Halfway into Season Two? I found this rather quick, considering that Marvel has plans to release a movie about the Inhumans in 2018, four years from now. Do they really expect“AGENTS OF S.H.I.E.L.D.”, with its sketchy ratings, to last that long? If so, they could have waited a little longer.One last example of the show’s fast-paced narration was its tendency to shove two or three subplots into one episode. Other television shows have done this as well. But in a serial drama format, most writers would include the main story arc and a minor subplot that had little to do with the former. Mutant Enemy’s writers did not utilize this style. In order to keep the story arc going at neck break speed, they would shove two plotlines that had a great deal to do with the main story arc into one episode. This resulted in several episodes coming off as convoluted and very confusing. Several critics have complained about this, but most viewers and critics are pretending that this is a sign of improved writing from last season. Apparently rushed storytelling is now Mutant Enemy/Marvel’s idea of writing for sci-fi serial drama. Really? Speed writing for viewers or critics with the attention span of lice?Another problem I had with Season Two of “AGENTS OF S.H.I.E.L.D.” is the character of Grant Ward – former S.H.I.E.L.D. agent and HYDRA mole. Why is he still alive? Why? I suppose Marvel and especially Mutant Enemy still want actor Brett Dalton around. Just recently, producer Jeffery Bell said the following about the character and the actor:“What we love is that Brett Dalton is this actor that brings this complexity to this guy, a lot of the way that James Marsters brought it to Spike on Buffy and Angel.”

Okay, it is official. Mutant Enemy has a hard-on for Brett Dalton. But when I read the above quote, I did not know whether to laugh or upchuck. Look … Dalton is a tolerable actor. He is pretty solid. But I CANNOT believe that Bell had the nerve to compare Dalton with the likes of James Marsters. To this day, I consider Marsters to be one of the best actors or actresses I have ever seen in a Mutant Enemy production hands down. One of the best … ever. Dalton is nowhere that good. Now, I will admit that although Spike proved to be one of my favorite television characters, I have no love for Grant Ward. I disliked Ward when he was one of the “good guys” during most of Season One. When he proved to be a HYDRA mole, my feelings for him did not change on whit. I realize that Mutant Enemy was trying to make him complex. But thanks to Dalton’s performance, I simply failed to be impressed. But my dislike of the Ward character has nothing to do with my opinion of Dalton as an actor. I also disliked the vampire character Angel, also featured in“BUFFY” and “ANGEL”. But despite my dislike, I cannot deny that actor David Boreanaz’s portrayal of the character was superb. Another actor that made a name for himself portraying a morally questionable fantasy character was Julian McMahon, who portrayed the human-demon hybrid for three seasons in “CHARMED”. Like Marsters and Boreanaz, McMahon was superb in the role, despite producer Brad Kern’s shabby handling of the character during his last year on the show. Hell, he proved to be the best actor during the show’s eight season run. I noticed something else. Ever since the premiere of “AGENTS OF S.H.I.E.L.D.” Season Two, Brett Dalton seems hellbent upon impersonating McMahon. Why, I do not know. Brett Dalton is no Julian McMahon. He should simply give up the effort.

Also, Mutant Enemy’s efforts to retain the Grant Ward character has resulted in some seriously contrived writing. After Ward’s capture in “Beginning of the End”, new S.H.I.E.L.D. Director Phil Coulson decided to keep the former agent at the new hidden base. Why? So that he can provide the new S.H.I.E.L.D. with information on HYDRA? What could Ward possibly know? He was a low-level HYDRA mole. I doubt that John Garrett knew everything. Hell, I doubt that Garrett, who can be very manipulative, told Ward everything. Anyone with brains or common sense should have realized this. Why keep Ward around? So that Dalton can do his Julian McMahon impersonation every now and then? Then Mutant Enemy decided to hire actor Tim DeKay to portray Ward’s older brother, Senator Christian Ward. DeKay appeared in two episodes – (2.06) “A Fractured House” and (2.08) “The Things We Bury” – before his character was killed off camera by Ward. Aside from giving the writers an opportunity for Ward to escape imprisonment, what was the purpose of DeKay’s presence on the show? I cannot decide what was more wasted – the Jemma Simmons w/HYDRA mini arc, Antoine Triplett’s Season Two presence, or the use of the Senator Christian Ward character. Even when the writers finally had a chance to rid the show of Ward in the mid-season finale, “What They Become”, they kept him alive with some ridiculously contrived writing. I suspect this is Mutant Enemy and Marvel’s way of giving Ward some kind of redemption by the end of the season. If so, this will proved to be the fastest redemption arc in television history. And right now, I found myself feeling disgusted over the whole matter.

I really do not know what else to say about “AGENTS OF S.H.I.E.L.D.”. Other than I have washed my hands of this show? I cannot believe this is the same television series that I had fallen in love with, last year. I have to end this article before I find myself in danger of upchucking again. Dear Mutant Enemy. You have become such a disappointment to me.

“CAPTAIN AMERICA: THE WINTER SOLDIER” (2014) Review

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“CAPTAIN AMERICA: THE WINTER SOLDIER” (2014) Review

If I have to be perfectly honest, I do not recall the initial reaction to many Marvel fans, when the studio first released the news of the upcoming release of the second Captain America film. I do recall various comments regarding the first one – 2011’s “CAPTAIN AMERICA: THE FIRST AVENGER”. The comments for that film ranged from mediocre to box office disappointing. I found the latter opinion odd, considering that movie made a considerable profit at the box office. And besides . . . “CAPTAIN AMERICA: THE FIRST AVENGER” proved to be a favorite of mine from 2011.

It was not until the release of this second Captain America film was less than a month away, when I finally heard some excellent word-of-mouth about it. Some were even claiming that it was better than the 2012 blockbuster hit, “THE AVENGERS”. Personally, I could not see how any comic book movie could top that. But I did look forward to seeing “CAPTAIN AMERICA: THE WINTER SOLDIER” – especially after I learned that Robert Redford, of all people, had been cast in the film. I mean . . . honestly, can you imagine an actor like Redford appearing in a Marvel Comics movie? And yet . . . he appeared in this one. Either he was desperate for work, or he really liked Christopher Markus and Stephen McFeely’s screenplay.

“CAPTAIN AMERICA: THE WINTER SOLDIER” begins two years after the events of “THE AVENGERS”. Steve Rogers aka Captain America now works as a S.H.I.E.L.D. agent in Washington D.C. During an early morning jog, he meets and befriends an Army veteran named Sam Wilson, before he is summoned by Natasha Romanoff aka the Black Widow for a new mission. Steve, Natasha and a team of S.H.I.E.L.D. agents led by Agent Brock Rumlow are ordered to free hostages aboard a S.H.I.E.L.D. vessel from a group of mercenaries. During the mission, Steve discovers that Romanoff has another agenda – to extract data from the ship’s computers for Director Nick Fury. When Rogers returns to the Triskelion, S.H.I.E.L.D.’s headquarters, to confront Fury, the latter briefs him on Project Insight, which consists of three Helicarriers linked to spy satellites and designed to preemptively eliminate threats. After failing to decrypt Romanoff’s recovered data, Fury becomes suspicious about Insight and asks World Security Council member Alexander Pierce to delay the project.

Fury is later ambushed by assailants and a mysterious assassin named the Winter Soldier. After reaching Steve’s apartment and giving the latter a flash drive of the information acquired by Natasha, Fury is gunned down by the Winter Soldier. Steve is summoned by Pierce to explain what happened between him and Fury. But Steve refuses to cooperate and is later declared a fugitive by Pierce and S.H.I.E.L.D. When Natasha helps him evade S.H.I.E.L.D. agents, she also becomes a fugitive. The two S.H.I.E.L.D. agents discover that Steve’s old World War II nemesis, HYDRA, had been infiltrating the agency for years. They seek sanctuary with Sam Wilson, who turns out to be a former U.S. Air Force pararescueman, trained for combat and the use of an EXO-7 “Falcon” wingpack. The trio sets out to learn more details about HYDRA’s infiltration of S.H.I.E.L.D. and their agenda, before they can do something about it.

If I must be brutally honest, I feel that “CAPTAIN AMERICA: THE WINTER SOLDIER” is not only one of the best Marvel Comics movies I have ever seen, but also one of my top favorite comic book movies. It is superb. Some have claimed that it is better than “THE AVENGERS”. I do not share that belief. I have yet to see a comic book movie that is better than the 2012 film. But this movie was fantastic. I could see why Robert Redford was willing to be cast in this film. I agree with many that “CAPTAIN AMERICA: THE WINTER SOLDIER” was reminiscent of the political thrillers released during the 1970s. But this particular film did more . . . it shook up the Marvel Movieverse in ways that no one saw coming. The revelation of HYDRA’s infiltration of S.H.I.E.L.D. certainly had a major impact on the ABC television series, “AGENTS OF MARVEL”, which is a spin-off of the Marvel films. I also have to say a word about the fight sequences. There have been fight scenes from other Marvel movies and the TV series “AGENTS OF S.H.I.E.L.D.” that I found admirable. But the fight scenes featured in “CAPTAIN AMERICA: THE WINTER SOLDIER” – especially those between Steve and the brainwashed Bucky – were probably the best I have ever seen in a Marvel movie, let alone in recent years.

Many film critics and some moviegoers have commented on the movie’s action sequences. To them, “CAPTAIN AMERICA: THE WINTER SOLDIER” seemed to be a movie with a great deal of action sequences and very little dramatic moments. That was not the movie I saw. Mind you, Anthony and Joe Russo handled the movie’s action sequences very well. Their work was aptly supported by Trent Opaloch’s gorgeous cinematography, Jeffrey Ford’s excellent editing and the exciting work from the visual effects team. I was especially impressed by the following sequences: the S.H.I.E.L.D. team’s rescue of the hostages; HYDRA’s attack upon Nick Fury on the streets of Washington D.C.; Steve, Natasha and Sam deal with a team of HYDRA agents led by the Winter Soldier; and especially the big finale in which the trio and Maria Hill attempted to stop HYDRA’s plans to use the three newly constructed S.H.I.E.L.D. helicarriers.

But as I had earlier stated, I do not believe that “CAPTAIN AMERICA: THE WINTER SOLDIER” was all action and very little drama. The film featured some dramatic moments that not only brought out the best in the cast, but also struck me as very well written. There were a good deal of verbal confrontations in this film. And most of them seemed to feature the Director of S.H.I.E.L.D., Nick Fury. I was especially impressed by the drama and the acting in scenes that featured Fury’s two conversations with Steve – one regarding the helicarriers and the other about the future of S.H.I.E.L.D. I also enjoyed Fury’s final confrontation with Alexander Pierce inside the Triskelion. I was also impressed by how the screenwriters and the Russo brothers managed to inject some very good drama in the middle of Steve’s final fight against Bucky, while he tried to convince the latter to remember the past. Speaking of the past, this movie also featured a poignant moment that displayed the strength of Steve and Bucky’s friendship in a late 1930s flashback regarding the death of Steve’s mother. The movie also featured another friendship – the budding one between Steve and Sam. This was especially apparent in one poignant scene in which Steve and Sam discussed the latter’s experiences in Afghanistan.But the best scene, as far as I am concerned, featured Steve’s last conversation with a very elderly and dying Peggy Carter. That moment between the two former lovers seemed so sad that I found myself crying a little. How this particular scene managed to evade the memories of those who claimed that the movie was basically an action fest baffles me.

Was there anything about “CAPTAIN AMERICA: THE WINTER SOLDIER” that baffled me or turned me off? I found it hard to believe that Fury actually accepted Steve’s rather ludicrous suggestion regarding the future of S.H.I.E.L.D. Why he did not laugh in the super soldier’s face or told the latter that suggestion was dangerously naive is beyond me. Why did the movie make such a big deal about HYDRA infiltrating S.H.I.E.L.D., when certain characters made it pretty obvious that it had infiltrated other government agencies . . . all over the world? And considering that Steve’s personality was not suited for espionage, I am still wondering why Marvel – both in the comics and in the movies – would have him join S.H.I.E.L.D. in the first place. And what happened to World Council Member Hawley in the movie’s climax? The movie never explained.

I certainly had no problems with the performances featured in the movie. Once again, Chris Evans proved that he could be a first-rate dramatic actor in his portrayal of Steve Rogers. Although he injected a little more humor into his character – especially in the movie’s first half hour – he did an excellent job of expressing Steve’s continuing discomfort of being a man in the wrong time period, his penchant for making friends with people who are not Tony Stark, and his priggish nature. I should have known that since Evans, who can be a first-rate comedic actor, should also prove to be excellent in drama. He certainly proved it in his scene with Hayley Atwell, who reprise her role as former S.H.I.E.L.D. agent Peggy Carter. And she was marvelous as the aging Peggy, who wavered between joy at being with Steve again, sadness that they are now far apart age wise, and suffering from Alzheimer’s disease. But Evans’ leading lady in this film proved to be Scarlett Johansson, who reprised her role as S.H.I.E.L.D. agent Natasha Romanoff aka the Black Widow. And as usual, she was fantastic. I do not know whether she did all of her stunts, but she certain looked good. And . . . as usual, Johansson did a great job in conveying the agent’s ambiguous nature – especially in the film’s first half hour. I was especially impressed by her chemistry with Evans in this film. Mind you, they did a good job of projecting a newly developed friendship in“THE AVENGERS”. But in this film, there seemed to be an extra sexual charge between the two characters.

So far, Samuel L. Jackson has appeared in at least six Marvel films. Of the six, he has somewhat sizeable role in“IRON MAN 2”, and major roles in both “THE AVENGERS” and “CAPTAIN AMERICA: THE WINTER SOLDIER”. He did such a marvelous job as the manipulative Fury in “THE AVENGERS” that I did not think he could repeat himself in portraying that aspect of the S.H.I.E.L.D. Director’s character. I was wrong. He not only did a great job in portraying Fury as manipulative as ever, but at the same time, conveyed Fury’s own anger at being a victim of his mentor’s betrayal. Speaking of which, a part of me still cannot imagine Robert Redford in a comic book movie. And I cannot help but wonder if he felt the same. I wonder who approached him – the people at Marvel or his agent? Nevertheless, I am glad he accepted the role of World Security Council Alexander Pierce. This is the first time I have seen Redford portray a genuine villain and he was great. His Pierce was intelligent, soft-spoken, friendly, manipulative as Fury, and cold-blooded. It is a pity that he did not portray similar roles in the past.

Anthony Mackie joined the cast as Steve’s new friend, Army veteran Sam Wilson aka the Falcon. And like the rest of the cast, he gave a great performance. Mackie injected a good of down-to-earth sensibility to the story, along with some much-needed humor – especially in scenes in which Sam expressed annoyance at the machismo of both Steve and S.H.I.E.L.D. agent Brock Rumlow. I was especially impressed in one scene in which Mackie’s Sam recalled his time in Afghanistan and the death of a fellow Army comrade. Sebastian Stan reprised his role as James “Buchanan” Barnes, Steve’s old childhood friend. Only his Bucky Barnes in “CAPTAIN AMERICA: THE WINTER SOLDIER” is, like Steve, a man out of time. More importantly, he is a brainwashed amnesiac and super assassin known as the Winter Soldier. I have to give kudos to Stan for skillful portrayal this seemingly cold-blooded assassin, who seemed torn between his role as a HYDRA killer and a confused man haunted by memories of his friendship with Steve.

The movie also featured some solid supporting performances from Cobie Smulders, who portrayed Fury’s no-nonsense second-in-command Maria Hill; Maximiliano Hernández as Agent Jasper Sitwell; Frank Grillo, who portrayed the cocky Brock Rumlow; Gary Shandling as Senator Stern, and the members of the World Security Council – Alan Dale, Chin Han, Bernard White and Jenny Agutter. By the way, many fans will be amazed to see Jenny Agutter kick butt in one particular scene. And for fans of “LOST”, you might be able to spot Adetokumboh M’Cormack, who portrayed Mr. Eko’s brother in the series, as one of the mercenaries who took control of the S.H.I.E.L.D. ship early in the movie.

There may have been a few things that left me feeling a bit uneasy in “CAPTAIN AMERICA: THE WINTER SOLDIER”. But if I must be brutally honest, I think it is one of the best Marvel and comic book films I have ever seen . . . period. And one has to thank Kevin Fiege’s excellent control of the Marvel films that centered on the Avengers Initiative, the marvelous screenplay scripted by Stephen McFeely and Christopher Markus, Anthony and Joseph Russo’s superb direction and an excellent cast led by Chris Evans. Not only is this a superb film, but it managed to shake up the Marvel Movie Universe considerably.

“AGENTS OF S.H.I.E.L.D.: This Is Love?”

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“AGENTS OF S.H.I.E.L.D.: THIS IS LOVE?”

Ever since the middle of Season One of Marvel’s “AGENTS OF S.H.I.E.L.D.”, there has been a fandom dedicated to the relationship between two of the series’ characters: former hackivist/turned S.H.I.E.L.D. agent Skye (no surname mentioned) and Agent Grant Ward. And despite the amount of attention dedicated to this potential romance on the Internet and in the media, I have found myself wondering if I should support it or not.

The relationship between Skye and Ward began in (1.01) “Pilot”, the series’ very first episode. Despite being a member of a hacktivist group called Rising Tide, Skye ended up being recruited by S.H.I.E.L.D. Agent Phil Coulson and his newly formed team (which included Ward) track down a man named Mike Peterson, who had recently acquired super powers. Coulson assigned the no-nonsense Ward to serve as Skye’s S.O. (Supervising Officer) and train her.

During Season One’s first half, Ward trained Skye; while she responded with quirky jokes and mild flirtation. Then in the final scene of (1.08) “The Well”, Ward began an affair with another member of Coulson’s team – the formidable Agent Melinda May. I suspect that May slept with Ward as some form of comfort following his traumatic experiences with an Asgardian Beserker Staff. Their relationship lasted until a “repentant” Ward received a grilling for fraternizing with another agent and promised to end the affair in (1.13) “T.R.A.C.K.S.”. Two episodes later in (1.15) “Yes Men”, Ward admitted his attraction to Skye in a conversation with the rogue Asgardian goddess, Lorelei. She had him under her thrall at the time. The friendship between Skye and Ward deepened in the following four episodes – between (1.16) “End of the Beginning” and (1.19) “The Only Light in the Darkness”. During this period, the events of “CAPTAIN AMERICA: THE WINTER SOLDIER” played out and resulted in the downfall of S.H.I.E.L.D., the revelation of HYDRA’s (a former Nazi science organization-turned-terrorist group) infiltration, and Skye’s discovery that Ward had been a HYDRA mole on behalf of another S.H.I.E.L.D./HYDRA traitor, Agent John Garrett.

The relationship between Skye and Ward fell apart during Season One’s remaining three episodes. Skye was forced to leave Director Nick Fury’s secret Providence base and allow Ward to lead her into the arms of HYDRA and Garrett. The latter needed her to break the encryption code she had created to guard many S.H.I.E.L.D. files. After Coulson rescued her at the end of (1.20) “Nothing Personal” with the help of fellow agents Maria Hill and Antoine Triplett, Skye and Ward did not face each other again until the big confrontation between Coulson and Garrett in the season’s finale, (1.22) “Beginning of the End”. In that episode, Skye expressed her disgust and contempt for Ward and he ended up in Federal custody after enduring a beat down by May.

Since the airing of “Beginning of the End”, fans have been divided over the future of Skye and Ward’s relationship (dubbed “Skyeward” on the Internet). They have also been divided over the possibility of Ward’s redemption in future episodes. How do I now feel about these issues? Honestly, I am a bit conflicted. At least about Ward’s redemption. Do I believe that he is beyond redemption? Well . . . no. I do feel that it would take a great deal of sacrifice on Ward’s part (possibly his death) to redeem himself for the murders of S.H.I.E.L.D. Agents Victoria Hand, her assistants, and Eric Koenig; and the attempted murders of S.H.I.E.L.D. Agents Leo Fitz, Jemma Simmons, Coulson and Skye.

What about “Skyeward”? How do I feel about the Skye/Ward relationship? Honestly? I do not sense any real love between them. Not really. The ironic thing is that I had earlier considered the possibility of a romance between them. After all, cast members Chloe Bennet and Brett Dalton managed to generate a pretty good screen chemistry. However, the revelation of Ward as a HYDRA mole led me to dismiss any considerations . . . for the present. But after my recent re-watching of several Season One episodes, I found myself wondering how I could have ever considered any possibility of a romance between them in the first place.

S.H.I.E.L.D. Agent Skye

There are certain fans who believe that Ward could find redemption from his actions as a HYDRA mole through Skye’s love. I have a problem with this theory. I have a problem, because I have doubts that Skye actually loves him . . . or ever loved him. Her flirtation attempts at Ward in the early episodes seemed to hint that Skye found Ward attractive. She even used a photograph of him as her laptop computer’s wallpaper . . . like an infatuated schoolgirl. This attraction was especially apparent in an early scene from “Yes Men”, in which both seemed physically aware of each other, while the latter expressed relief at her recovery from being shot by HYDRA scientist/industrialist Ian Quinn in “T.R.A.C.K.S.”. Before this romantic exchange could progress, Skye expressed her dismay over Mike Peterson, who had just become Deathlok. Because she viewed him as a close friend, this was the second time she had expressed disbelief and concern over Mike’s transformation. The first time this happened, Skye had discovered his transformation for the first time before Quinn shot her. And she expressed her dismay for the third when she was a prisoner of HYDRA in “Nothing Personal”. For some reason, Skye found it difficult to give up on Mike.

At the same time . . . I do not recall Skye ever expressing similar feelings for Ward, when she discovered he was a HYDRA mole. Not once. When she finally confronted him about his betrayal to S.H.I.E.L.D., she merely expressed anger and disgust. In fact, she labeled him as someone “evil”. In the season finale, her feelings toward him had transformed into contempt and she judged him as “weak”, instead of “evil”. The only member of Coulson’s team who seemed unable to face Ward’s betrayal or give up on him was Leo Fitz. From the moment the rest of the team learned about Ward’s betrayal, Fitz expressed disbelief that Ward was a HYDRA agent and expressed numerous theories that Ward may have been coerced. Even moments before Ward tried to kill him and Jemma Simmons by ejecting them into the ocean, Fitz continued to blind himself from Ward’s perfidy.

As I had stated earlier, Skye never tried to deny Ward’s betrayal. One might point out her willingness to cooperate with Garrett over the encrypted files, when Mike endangered Ward’s life in “Nothing Personal”. But Skye was willing, if reluctantly, willing to allow Ward to die if it meant preventing HYDRA from accessing those files. In the end, it took Mike’s argument that she would have Ward’s blood on her hands if she did not cooperate. If Joss and Jed Whedon, along with Maurissa Tancharoen, are willing to satisfy fans with some plot twist that allows Skye’s love to redeem Ward; they will have to dramatically change her character for that to happen.

S.H.I.E.L.D./HYDRA Agent Grant Ward

Judging from the Season One episodes I have seen, I would say that Grant Ward harbors stronger feelings for Skye than she does for him. And yet . . . I cannot sense any deep and abiding love on Ward’s part for Skye. I can recall him expressing concern for her life, when she infiltrated Quinn’s mansion in (1.03) “The Asset”. He did seemed concerned for Skye’s life after she had been shot by Quinn. Yet, other members of the team seemed more openly upset. Like Ward, Fitz expressed remorse that he did not accompany Skye to Quinn’s Italian villa, where she got shot. But he seemed a lot more emotional than Ward. Simmons literally burst into tears. May lost her temper and nearly beat the living crap out of Quinn, who became their prisoner. And Coulson became uber-determined, actually desperate to find a means to save Skye’s life – even to the point of breaking S.H.I.E.L.D. protocol and searching for the project that had resurrected him. Of all the team members, Ward seemed the least emotional over Skye’s fate. Perhaps the latter was trying not to shed “unmanly” tears. Who knows? He did express his displeasure to his mentor John Garrett, who had ordered Skye’s death. But his easy willingness to accept Garrett’s dismissal of the incident struck me as a bit . . . interesting.

Ward’s most emotional reaction to any character on the show was directed at Garrett. This happened when the latter’s organs began to fail, due to internal cybernetic parts. Ward expressed deep concern when Garrett’s health began to fail in(1.21) “Ragtag”. And when a captured Fitz used an old World War II EMP device that further endangered Garrett’s life, Ward nearly flipped out. Despite the fact that Garrett had ordered Quinn to kill Skye and Mike Peterson to endanger his life, Ward remained concerned over and loyal to the older man. Some might say that Ward’s continuing loyalty to Garrett was a sign of emotional abuse he had received. But those flashbacks in “Ragtag” seemed more like examples of emotional manipulation from Garrett, not abuse.

And there is something else that bothers me. I found it odd that Ward’s attraction to Skye finally became apparent to audiences in “Yes Men”. Especially when May had brusquely brushed aside his concern and offers of help after she had been tortured in “T.R.A.C.K.S.”. Minutes later, Ward spotted Coulson tenderly attending to May’s wounds inside the Bus’ (S.H.I.E.L.D. plane) medical bay. I found it odd that Ward would begin expressing any romantic feelings for Skye two episodes after what he had witnessed between Coulson and May. Was he fooling himself about Skye? Had he been fooling her and the rest of the team about his true feelings? Was he relieved that he no longer had to fake romantic feelings for May? Or had he viewed Skye as an easier target for his reluctant lover act? Who knows?

Those fans who have rejected the idea of a future romance between Skye and Ward tend to cite the latter’s sexism, which reared its ugly head in both “Nothing Personal” and “Beginning of the End”. But I had spotted other reasons that make me doubt these two might be destined for any future love. One, Skye had no problems accepting Ward’s betrayal of the team and S.H.I.E.L.D., unlike Leo Fitz. On the other hand, she had trouble accepting Mike Peterson’s cooperation with Garrett and HYDRA. As for Ward, he was willing to deliver Skye into Garrett’s hands in episodes like “The Only Light in the Darkness”, “Nothing Personal” and even “Beginning of the End”. If he truly loved her, why would he be willing to endanger her in this manner? Is this supposed to Marvel’s idea of love? Frankly, I rather doubt it.

I could see that both Skye and Ward found each other sexually attractive. But love? Sorry, but I am not buying it. Not at the moment. The Whedon brothers and Tancharoen will have to make numerous changes in Skye and Ward’s personalities in order for me to believe they will eventually become one of the great romances for “AGENTS OF S.H.I.E.L.D.”.