“X-MEN: APOCALYPSE” (2016) Review

“X-MEN: APOCALYPSE” (2016) Review

Two years following the success of 2014’s “X-MEN: DAYS OF FUTURE PAST”, Marvel Entertainment released a new “X-MEN” film set ten years after the previous one. The movie proved to be the fourth one directed by Bryan Singer.

“X-MEN: APOCALYPSE” began in ancient Egypt, where the world’s first mutant, a powerful individual named En Sabah Nur, ruled by by transferring his mind into new bodies. Unfortunately, a group of former worshipprs betrayed En Sabah Nur aka “Apocalypse” by entombing him alive. They also killed his four lieutenants, the “Four Horsemen of the Apocalypse”, who tried to protect him. The movie jumped to 1983 Egypt where C.I.A. Agent Moira MacTaggert (last seen in 2011’s “X-MEN: FIRST CLASS”) has been investigating a cult in Egypt that worships En Sabah Nur. Her accidental exposure his tomb to sunlight awakened the ancient mutant and produced a shock wave around the globe. Following his awakening, En Sabah Nur set out to recruit four mutants as his new “Four Horsemen”:

*Ororo Munroe aka “Storm” – an orphan and pickpocket from the streets of Cairo, who is able to control the weather

*Warren Worthington III aka “Angel” – a mutant with feathered wings on his back, who has resorted to participating in underground fight clubs in Berlin

*Psylocke – an enforcer for the black marketeer mutant Caliban, who is not only telepathic and telekinetic, but can also produce a purple-colored psychic energy

*Erik Lehnsherr aka “Magneto” – a Holocaust survivor and former friend of Charles Xavier, who has the ability to manipulate metal and control magnetic fields, and who is recently grieving over the accidental deaths of his wife and daughter by the Polish police

Apocalypse’s shock wave also caused Jean Grey, an adolescent student and mutant at Xavier’s School for Gifted Youngsters to have a nightmare and momentarily lose control of her powers. When Charles Xavier attempted to investigate the power source he discovered that Moira was involved. Although her previous memories of them together were erased, Xavier meets with her to discuss the legend of En Sabah Nur. But when they become aware of the ancient mutant’s plans to bring about the apocalypse; Xavier and Moira recruit fellow mutants like Raven aka “Mystique”, Hank McCoy aka “Beast”, Alex Summers aka “Havok”, and Peter Maximoff aka “Quicksilver” to stop Apocalypse’s plans. Xavier students like Jean Grey, Scott Summers aka “Cyclops” (Alex’s nephew) and Kurt Wagner aka “Nightcrawler” also join the campaign to stop En Sabah Nur.

Let me be frank. “X-MEN: APOCALYPSE” was not well received by the critics and many filmgoers. I am not going to explain why they felt this way about the movie. Needless to say, I do not agree with this pervading view. I am not saying that “X-MEN: APOCALYPSE” was a great film. It was not. I believe the movie had some problems.

One of those problems is that some of the cast members were obviously too young for their roles. This certainly seemed to be the case for James McAvoy Michael Fassbender and Rose Byrne, who portrayed Charles Xavier, Magneto and Moira McTaggart. All three are in their mid-to-late 30s and portrayed characters who were in their early 50s (late 40s for Moira, I suspect) . . . with no make-up to convey their characters’ aging. Both Jennifer Lawrence and Nicholas Hoult portrayed Mystique and Hank McCoy, who were slightly younger than Xavier and Magneto. But “X-MEN: FIRST CLASS” gave a good excuse for their slow aging . . . Mystique’s blood. Another cast member who portrayed a character much older than himself (without makeup) is Lucas Till, who is at least 25 or 26 years old, reprising his role as the late 30s to early 40s Alex Summers. And finally, we have Josh Helman, who is barely 30 years old, who reprised his role as William Stryker, who must have been around the same age as Xavier and Magneto. Does Singer have something against aging in his “X-MEN” films? And if he wanted to maintain the same cast, could he have at least consider using aging makeup for at least five members of the cast?

Two, what was the point in including both Stryker and Wolverine in this movie? Why? They were not essential to the plot. Was it really necessary for Singer to convey that Stryker had ended up giving Wolverine adamantium after all? Despite the time change in “DAYS OF FUTURE PAST”? What was the point? Could we at least have one “X-MEN” film in which Hugh Jackman does not appear? I also see that Singer, along with screenwriter Simon Kinberg, decided to include Stryker in this tale as a plot device to delay Hank, Raven, Peter, and Moira from reaching Cairo. Pointless. It was the most pointless moment in this movie. Finally, I had a problem with the “Four Horsemen”. Aside from Magneto, the other three were barely used. What was the point in showing how they were recruited by En Sabah Nur, when Oscar Isaac and Michael Fassbender seemed to be the only ones in scenes featuring the ancient mutant and his “Horsemen”, who had the most lines. It is bad enough that once again, Singer indulged in his penchant for ignoring minority characters like Storm and Psylocke. Then he includes Angel into this movie – who was shown to be younger than Storm, Scott and Jean in 2006’s “X-MEN: THE LAST STAND” – and barely give the latter any lines.

And yet . . . I still liked “X-MEN: APOCALYPSE”. In fact, I liked it more than I did “X-MEN: DAYS OF FUTURE PAST”. The 2016 movie had its problems, but it never seemed racked with so many plot holes like the 2014 movie did. Without the cloud of time travel hovering over the movie, the writing for “APOCALPYSE” struck me as a little clearer and a lot more straightforward. I can applause Singer for attempting to tackle something complicated as time travel. I simply believe that he, Kinberg and the other screenwriters did not handle it very well. On the other hand, the more straightforward narrative for “X-MEN: APOCALYPSE” seemed to suit both Singer and Kinberg.

I did not care for the minor arc regarding William Stryker and Wolverine. And yes, En Sabah Nur’s plot to retake the world seemed a bit unoriginal. But Singer and Kinberg handled this story a lot better than they did the time travel plot for the 2014 movie. And to be honest, I rather liked it. I did not love it, but I liked it. I also liked the fact that En Sabah Nur’s plot had a surprising twist (well, one that I did not see coming) that did not involved his “Four Horsemen”.

I may not have a high opinion of “DAYS OF FUTURE PAST”. But the movie did provide some interesting consequences that played out in “APOCALYPSE”. One, both movies allowed Xavier and Mystique to become close again, following their estrangement in “X-MEN: FIRST-CLASS”. In one of the movie’s more interesting scenes, Mystique discovers that she has become something of a legend to some of the younger mutants, including Xavier’s students. The movie also allowed Jean Grey the opportunity to learn to utilize her “Dark Phoenix” powers with more control . . . and without Xavier trying to suppress her. Do not get me wrong. I am one of those fans who actually enjoyed “X-MEN: THE LAST STAND”. But it was nice to see Xavier dealing with Jean’s powers with a healthier attitude. And although I was not impressed by how Singer and Kinberg pushed Storm into the background – especially during the film’s second half, it was nice to get a peek into her life as a young Cairo pickpocket before she ended up as one of Apocalypse’s minions and later, a student at Xavier’s school.

I certainly had no problem with the movie’s productions. I thought Grant Major did an exceptional job in not only re-creating ancient Egypt for the movie’s prologue and for the rest of it, the early 1980s. This is not surprising, considering Major’s work with director Peter Jackson on movies such as “THE LORD OF THE RINGS” trilogy. Newton Thomas Sigel’s cinematography contributed to the movie’s epic and sweeping look. Louise Mingenbach’s costumes, along with Geoffroy Gosselin and Anne Kuljian’s set decorations struck me as a solid reflection of the movie’s early 1980s setting. But the two aspects of the movie’s visual style that really impressed me were Michael Louis Hill and John Ottman’s editing, especially in scenes that involved En Sabah Nur’s entombing in the movie’s beginning and the X-Men’s showdown with the ancient mutant. I was especially impressed with the movie’s special effects, especially in the very two scenes that I had just pointed out.

The acting featured in “X-MEN: APOCALYPSE” also struck me as impressive. Well, to be honest, there were only a few performances that really caught my notice. However, I certainly had no problem with the other performances. Of the four actors who portrayed En Sabah Nur’s “Four Horsemen of the Apocalypse”, only one left no impression upon me – namely Ben Hardy, who portrayed Angel. The character barely had any lines and if I am mistaken, I could have sworn that Angel’s character was from a younger generation (that of Rogue and Iceman’s) – at least in the current movie franchise. I can also say the same about actress Lana Candor, who portrayed Jubilee. Not only did the actress barely had any lines, she was also portrayed as an Xavier student from Rogue and Iceman’s generation in a previous movie.

Although Alexandra Shipp, who portrayed Storm, and Olivia Munn, who portrayed Psylocke; were shifted to the background after their characters were introduced; both managed to impress me in the end. Shipp’s portrayal of the adolescent Storm struck me as rather lively and energetic. And Munn was effectively intimidating as the mutant enforcer, who becomes one of En Sabah Nur’s minions. The movie also featured solid performances from Rose Byrne, who returned as C.I.A. Agent Moira McTaggert; Sophie Turner and Tye Sheridan as the adolescent Jean Grey and Scott Summers aka “Cyclops”; Kodi Smit-McPhee as the younger Kurt Wagner aka “Nightcrawler”; Lucas Till as Alex Summers aka Havok; Nicholas Hoult as Dr. Hank McCoy aka “Beast”; Josh Helman as William Stryker; and Evan Peters as the always amusing Peter Maximoff aka “Quicksilver”. If you are careful, you might also spot Hugh Jackman, Zeljko Ivanek, Ally Sheedy and of course, Stan Lee.

Only four performances in this movie really impressed me. One of them turned out to be James McAvoy’s portrayal of Charles Xavier aka “Professor X”. At first, McAvoy’s performance seemed solid . . . almost perfunctory. But once it became apparent that Professor Xavier’s fate was connected with with En Sabah Nur’s scheme, McAvoy skillfully portrayed the telepathic mutant with a great deal of emotion and pathos. Michael Fassbender proved to be equally fascinating as the emotionally battered Erik Lensherr. He did a great job in conveying Magneto’s reactions to the deaths of a family and peaceful life, and to being emotionally manipulated by En Sabah Nur. Jennifer Lawrence continued to impress me with her excellent portrayal of the complex Raven aka “Mystique”. I found it fascinating to watch the 20-something actress portray a character who had become battle hardened and mature after spending two decades fighting on behalf of fellow mutants. Many critics have complained about Oscar Isaac’s portrayal of the movie’s main villain, En Sabah Nur aka “Apocalypse”. Apparently, they could not get past the actor’s make-up or mask. Well, I could. And I thought Isaac did a pretty damn good job in portraying a villain who was not only something of an egomaniac, but also a world-class manipulator. And he did so with great skill and subtlety.

I am not saying that “X-MEN: APOCALYPSE” was one of the best movies from the summer of 2016. Nor am I saying that it was one of the best in the “X-MEN” movie franchise. But I certainly do not believe that it was one of the worst. As far as I am concerned, the worst in the movie franchise was released four-and-a-half months earlier. But I thought it was something of an improvement over the convoluted plot that seemed to mar “X-MEN: DAYS OF FUTURE PAST”, thanks to Bryan Singer’s direction, Simon Kinberg’s screenplay and an excellent cast led by James McAvoy and Michael Fassbender.

“X-MEN” Movies Ranking

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Below is my ranking of the movies I have seen from the “X-MEN” film franchise.  Warning: many may not agree with it:

“X-MEN” MOVIES RANKING

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1. “X2: X-Men United” (2003) – Bryan Singer directed this film about Army colonel William Stryker’s plans to use Professor Charles Xavier to destroy the world’s mutant population once and for all. As you can see, this is my favorite in the franchise.

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3. “X-Men: First-Class” (2011) – Matthew Vaughn directed this tale set in 1962 about the first meeting between Charles Xavier “Professor X” and Erik Lensherr “Magneto”, their creation of the X-Men and their efforts to prevent mutant villain Sebastian Shaw from using the Cuban Missile Crisis to acquire world domination. Despite the questionable costumes and a few plot holes, this was a big favorite of mine.

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3. “X-Men: The Last Stand” (2006) – Brett Ratner directed this tale about the X-Men overcoming tragedy to deal with the resurrected and more powerful Jean Grey and Magneto’s continuing war on non-mutant humans. Many fans hated this film. I enjoyed it, although I found the pacing a bit too rushed. Enough said.

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4. “X-Men Origins: Wolverine” (2009) – Gavin Hood directed this movie about the origins of James Howlett aka the Wolverine and his relationship with his murderous half-brother Victor Creed aka Sabertooth and his first class with William Stryker in the 1970s. Another movie hated by the fans. And again, I enjoyed it, although I consider it lesser than the 2006 movie.

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5. “X-Men: Days of Future Days” (2014) – Directed by Bryan Singer, this movie is a time-travel adventure for Wolverine, who must convince a younger Charles Xavier and Erik Lensherr to prevent Mystique from murdering a anti-mutant scientist, whose work will prove deadly for mutants within a half century. Great premise, but shaky execution. Too many plot holes, but still enjoyable.

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6. “The Wolverine” (2013) – James Mangold directed this atmospheric tale about Wolverine, still grieving over a recent tragedy, traveling to Japan to meet the Wolverine heading to Japan for a reunion with a soldier named Ichirō Yashida whose life he saved during the Nagasaki bombing at the end of World War II. He ends up defending Yashida’s granddaughter from the Yakuza and her avaricious father. Great Japanese atmosphere and interesting beginning, but it nearly fell to pieces in the last half hour.

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7. “X-Men” (2000) – Bryan Singer directed this first movie in the franchise about Wolverine and a young Marie aka “Rogue”’s introduction to the X-Men and their efforts to defeat Magneto’s plans to transform the entire population into mutants against their will. Enjoyable, but it felt like a B-movie trying to disguise itself as an A-lister. Also, too many plot holes.

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8. “Deadpool” (2016) – Ryan Reynolds starred in this reboot of the Deadpool character about the comic book hero’s origins and his hunt for the man who gave him an accelerated healing factor, but also a scarred physical appearance. Despite the sharp humor and fourth wall cinematic device, the narrative struck me as sloppily written and mediocre.

Favorite Moments in MARVEL Movies and Television

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Below is a list of my favorite moments featured in Marvel movies and television: 

FAVORITE MOMENTS IN MARVEL MOVIES AND TELEVISION

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1. “Spider-Man 2” (2004) – After a brutal fight with Doc Ock on top of a Manhattan El Train and saving the train’s passengers, an exhausted Spider-Man aka Peter Parker is unmasked by the latter in what I regard as the most poignant moment in any Marvel production.

 

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2. “The Avengers” (2012) – During its fight against invading Chitauri troops, director Joss Whedon gave audiences an iconic shot of the newly formed Avengers, before they continued the battle.

 

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3. “Iron-Man 3” (2013) – Iron Man aka Tony Stark saves the surviving passengers and crew of Air Force One in this breathtaking sequence, using aerodynamics, one of his Iron Man bots and his brains.

 

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4. “The Wolverine” (2013) – In this exciting sequence, the Wolverine aka Logan battles members of the Yakuza on top of a Tokyo bullet train, as he tries to prevent them from kidnapping the granddaughter of a recently deceased businessman that he had briefly met at the end of World War II.

 

 

5. “Agents of S.H.I.E.L.D” (1.20) “Nothing Personal” – Agent Phil Coulson rescues his kidnapped subordinate Skye aka Daisy Johnson from HYDRA agents, who had hijacked the fallen agency’s C-17 plane, known as “the Bus”, with his sports car called “L.O.L.A.”.

 

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6. “Captain America: The Winter Soldier” (2014) – While staving off rogue HYDRA agents in Washington D.C., Captain America aka Steve Rogers has a brutal hand-to-hand fight with the assassin known as “the Winter Soldier”. Best fight scene in any Marvel production … at least for me.

 

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7. “Iron Man 3” (2013) – In this hilarious scene, Tony Stark finally comes face-to-face with the “terrorist” known as “the Mandarin”, who proves not to be what many had assumed.

 

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8. “The Hulk” (2003) – The opening credits of the 2003 movie featured the chilling efforts of Dr. David Banner to create super soldiers by introducing modified DNA sequences extracted from various animals to strengthen the human cellular response. This sequence gives me the chills whenever I watch the movie.

 

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9. “X2: X-Men United” (2003) – The second movie in the “X-MEN” franchise featured an exciting attack by a brainwashed Nightcrawler aka Kurt Wagner on the White House, in an attempt to assassinate the U.S. President.

 

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10. “Captain America: The Winter Soldier” (2014) – S.H.I.E.L.D. Director Nick Fury is attacked by HYDRA agents and the assassin known as “the Winter Soldier” on the streets of Washington D.C.

 

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11. “Iron Man 2” (2010) – S.H.I.E.L.D. agent Natasha Romanoff aka the Black Widow fights off security guards at Justin Hammer’s factory in order to prevent Ivan Venko from using James Rhodes in the War Machine suit from killing Tony Stark aka Iron Man.

 

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12. “Ant-Man” (2015) – Scott Laing aka Ant-Man attempts to infiltrate the new Avengers headquarters for a particular device, and has an unexpected encounter with Avenger Sam Wilson aka the Falcon.

 

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13. “Iron Man 3” (2015) – An Extremis enhanced Pepper Potts saves Tony Stark from villain Aldrich Killian by killing the latter.

 

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14. “Captain America: The First Avenger” (2011) – The recently enhanced Steve Rogers is recruited by a U.S. senator for a war bonds tour in this colorful montage, after the former is rejected by Colonel Chester Phillips when the super soldier formula is lost.

 

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15. “Thor” (2011) – Recently cast out from Asgaard by his father Odin, a now mortal Thor struggles to free himself from a hospital’s personnel before he is eventually drugged in this very funny scene.

 

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16. “Guardians of the Galaxy” (2014) – A group of extraterrestrial misfits uses one of the Infinity stones to defeat Kree supervillain Ronan the Accuser, who is bent upon destroying the Nova Empire’s capital city, Xandar.

 

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17. “Captain America: The First Avenger” (2011) – In this emotionally sad scene, S.S.R. Agent Peggy Carter gives in to tears, when communication with Captain America aka Steve Rogers is cut short, after he forces a HYDRA plane with deadly weapons into the Atlantic Ocean.

 

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18. “Spider-Man 3” (2007) – Another sad scene features Spider-Man aka Peter Parker and Mary Jane Watson grieving over the dead body of their friend, Harry Osborn aka New Goblin, after the latter is skewered by villain Venom aka Eddie Brock.

 

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19. “Agent Carter” (1.07) “Snafu” – S.S.R. Chief Roger Dooley jumps to his death in order to save the lives of his subordinates from the bomb device that had been strapped to his body.

 

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20. “The Hulk” (2003) – Ang Lee directed this bizarre scene featuring the death of former military officer Glenn Talbot, after the Hulk aka Bruce Banner escapes from a military base.

 

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Honorable Mention: “The Amazing Spider-Man 2” (2014) – Director Marc Webb directed this heartbreaking sequence in which Gwen Stacy falls to her death, after Spider-Man aka Peter Parker fails to save her from Harry Osborn aka the Green Goblin.

Favorite Films Set in the 1940s

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Below is a list of my favorite movies (so far) that are set in the 1940s:

FAVORITE FILMS SET IN THE 1940s

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1. “Inglourious Basterds” (2009) – Quentin Tarantino wrote and directed this Oscar nominated alternate history tale about two simultaneous plots to assassinate the Nazi High Command at a film premiere in German-occupied Paris. The movie starred Brad Pitt, Melanie Laurent and Oscar winner Christoph Waltz.

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2. “Captain America: The First Avenger” (2011) – Chris Evans made his first appearance in this exciting Marvel Cinematic Universe installment as the World War II comic book hero, Steve Rogers aka Captain America, who battles the Nazi-origin terrorist organization, HYDRA. Joe Johnston directed.

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3. “Devil in a Blue Dress” (1995) – Denzel Washington starred in this excellent adaptation of Walter Mosley’s 1990 novel about a laid off factory worker who becomes a private detective, after he is hired to find a missing woman with connection to a local politician in post-World War II Los Angeles. Directed by Carl Franklin, the movie co-starred Don Cheadle, Jennifer Beals and Tom Siezmore.

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4. “Bedknobs and Broomsticks” (1971) – Angela Landsbury and David Tomilinson starred in this excellent Disney adaptation of Mary Norton’s series of children’s stories about three English children, evacuated to the countryside during the Blitz, who are taken in by a woman studying to become a witch in order to help the Allies fight the Nazis. Robert Stevenson directed.

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5. “The Public Eye” (1992) – Joe Pesci starred in this interesting neo-noir tale about a New York City photojournalist (shuttlebug) who stumbles across an illegal gas rationing scandal involving the mob, a Federal government official during the early years of World War II. Barbara Hershey and Stanley Tucci co-starred.

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6. “A Murder Is Announced” (1985) – Joan Hickson starred in this 1985 adaptation of Agatha Christie’s 1950 novel about Miss Jane Marple’s investigation of a series of murders in an English village that began with a newspaper notice advertising a “murder party”. Directed by David Giles, the movie co-starred John Castle.

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7. “Hope and Glory” (1987) – John Boorman wrote and directed this fictionalized account of his childhood during the early years of World War II in England. Sarah Miles, David Hayman and Sebastian Rice-Edwards starred.

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8. “The Godfather” (1972) – Francis Ford Coppola co-wrote and directed this Oscar winning adaptation of Mario Puzo’s 1969 novel about the fictional leaders of a crime family in post-World War II New York City. Oscar winner Marlon Brando and Oscar nominee Al Pacino starred.

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9. “Valkyrie” (2008) – Bryan Singer directed this acclaimed account of the plot to assassinate Adolf Hitler in July 1944. Tom Cruise, Bill Nighy and Tom Wilkinson starred.

9-The Black Dahlia

10. “The Black Dahlia” (2006) – Brian DePalma directed this entertaining adaptation of James Ellroy’s 1987 novel about the investigation of the infamous Black Dahlia case in 1947 Los Angeles. Josh Harnett, Scarlett Johansson, Aaron Eckhart and Hilary Swank starred.

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Honorable Mention: “Stalag 17” (1953) – Billy Wilder directed and co-wrote this well done adaptation of the 1951 Broadway play about a group of U.S. airmen in a prisoner-of-war camp in Germany, who begin to suspect that one of them might be an informant for the Nazis. Oscar winner William Holden starred.

“X-MEN: DAYS OF FUTURE PAST” (2014) Review

 

“X-MEN: DAYS OF FUTURE PAST” (2014) Review

When the news reached many fans that Bryan Singer would be helming the next film, fans rejoiced. As far as they were concerned, the best movies from the franchise had been directed by Singer. And since he had served as one of the producers for 2011’s “X-MEN: FIRST CLASS”, that particular film is highly regarded by fans as well.

The latest film in question, “X-MEN: DAYS OF FUTURE PAST” seemed to serve as a sequel to both “FIRST-CLASS” and the 2006 movie, “X-MEN: THE LAST STAND”. Adapted from Chris Claremont John Byrne’s 1981 storyline, “Days of Future Past”, for comic book, The Uncanny X-Men, Issues #141-142; “DAYS OF FUTURE PAST” starts in the 2020s in which robots known as Sentinels are exterminating mutants, humans who harbor the genes that lead to mutant offspring, and humans who help mutants. A band of mutants led by Charles Xavier “Professor X” and Erik Lehnsherr “Magneto” manage to evade the Sentients and eventually find refuge in China. Realizing that the Sentients will finally catch up with them, Xavier and Magneto, along with fellow mutant Kitty Pryde, come up with a plan to prevent the events that would kick-start the creation of the Sentients.

Using Kitty’s ability to project an individual’s consciousness through time, they instruct her to do the same to Logan’s “Wolverine” consciousness back to late January 1973 (over ten years following the events of “X-MEN: FIRST CLASS” – to prevent Raven Darkhölme “Mystique” from assassinating Bolivar Trask, the creator of the Sentinels. Following the assassination, the U.S. government captured Mystique and allowed Trask’s company to use her DNA to create Sentinels that are near-invincible due to their ability to adapt to any mutant power. Xavier and Magneto advise Wolverine to seek out both of their younger selves for aid. When Logan finally arrives in the past, he learns that the younger Xavier has become an embittered man over the premature closing of his school for mutants and addicted to a serum created by Hank McCoy “the Beast” to suppress his mutation. Logan also learns that the younger Magneto has spent over 10 years imprisoned for the assassination of President John F. Kennedy.

I might as well lay my cards on the table. I love time travel movies. It is the reason why I am such a big fan of the“BACK TO THE FUTURE” franchise and especially 2012’s “MEN IN BLACK 3”. The return of Bryan Singer as the director of an X-MEN film was not the reason why I had anticipated this film so much. It was the story’s theme of time travel. Only in this case, the movie’s time traveler, Logan, does not bodily travel back through time. Instead, his 2020s consciousness is sent back to his 1973 body. I found nothing wrong with that. After all, the 2011 movie, “SOURCE CODE”used a similar method. And the 2000 movie, “FREQUENCY” featured the communication between father and son – across a period of thirty years via a shortwave radio. When I realized what the plot was about, I suspected “X-MEN: DAYS OF FUTURE PAST” might prove to be the best film in the franchise.

The movie certainly featured a great deal that made it memorable. Unlike “FIRST CLASS”, “DAYS OF FUTURE PAST”did an excellent job in re-creating the early 1970s. One has to thank John Myhre’s excellent production designs, along with Gordon Sim’s set decorations, the special effects team and Newton Thomas Sigel’s superb photography. I was especially impressed by Sigel’s photography and the special effects in the following scenes:

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More importantly, Louise Mingenbach did a much better job in creating costumes that adhere correctly to the movie’s setting (especially the early 1970s) than Sammy Sheldon did for the early 1960s costumes for “FIRST CLASS”.

“DAYS OF FUTURE PAST” also featured some excellent action sequences that left me feeling slightly dazzled. I especially enjoyed the two battles fought between the mutant and the Sentinels in the movie’s first five minutes and its last ten to twenty minutes, Mystique’s rescue of her fellow mutants from an Army base in South Vietnam, the rescue of Magneto from a Federal prison and especially Mystique’s attempt to assassinate Bolivar Trask at the latter’s meeting with North Vietnam generals, following the signing of the Paris Peace Accords.

But action scenes, cinematography and special effects do not alone make a good movie. Thankfully, “DAYS OF FUTURE PAST” featured some excellent dramatic scenes and a decent narrative – with some flaws. I must admit that I was impressed at how screenwriter Simon Kinberg carried over the early Xavier-Magneto relationship from “FIRST CLASS” in two scenes – Xavier greeting the recently imprisoned Magneto with a punch to the face and their embittered quarrel aboard Xavier’s private plane, as they fly to Paris. He also did an excellent job in carrying over the same for the two men’s relationship with Mystique. The first meeting – actually, I should say Magneto’s first meeting with Wolverine proved to be interesting. It did not take long for the animosity between the two to immediately spark. One of the best dramatic sequences proved to be – ironically – in the middle of the film’s last action scene that was set on the White House lawn. I am speaking of that moment in which Xavier tried to talk Mystique out of carrying out her plan to assassinate Trask. As for the sequences set in the 2020s, I cannot recall any memorable dramatic moments. But there is one unforgettable scene that linked the two time settings that I will never forget. It featured a conversation between the young and old Xavier, thanks to a psychic link set up by Logan. A great, dramatic and emotional moment.

I read on the Wikipedia site that “X-MEN: DAYS OF FUTURE PAST” is regarded as the best film in the X-MEN franchise and the best reviewed. I feel that it had the potential to be the best in the franchise, thanks to its time travel theme. But . . . I am afraid it did not achieve that goal. At least for me. What tripped up this movie? Simon Kinberg’s screenplay. However, I cannot solely place the blame on him. As one of the producers and the director of the film, I believe Bryan Singer deserves most of the blame.

I read somewhere that Josh Helman had originally been hired to portray a younger version of Juggernaut, who was portrayed by Vinnie Jones in 2006’s “X-MEN: THE LAST STAND”. But the filmmakers changed their minds, dropped the Juggernaut character from the script and gave Helman the role of a younger William Stryker. And this was the biggest mistake that Singer, his crew and the rest of the producers made. A big mistake. The 2009 film, “X-MEN ORIGINS: WOLVERINE” made it clear that Stryker was the leader of a group of mutant mercenaries hired to help him develop his Weapons X project. Stryker was portrayed by the then 46-47 year-old Danny Huston, who portrayed Stryker as someone in his late thirties or early forties. I recall that Stryker had recruited both Logan and his half-brother, Victor Creed “Sabretooth” in Vietnam. Later, Logan had left the group in 1973. But there was no sign of Sabretooth and the other mutants working for Stryker in “DAYS OF FUTURE PAST”. And we are also supposed to be believe that a Stryker portrayed by a 26-27 year-old Josh Helman, was the son of a 10 year-old boy. Are they kidding? When I had pointed out this problem on the Internet, I was told that the audience was supposed to dismiss the 2009 movie as part of the franchise. What the hell? Was this really Singer’s idea of handling the continuity problem of William Stryker in this movie? If so, this is sloppy film writing at its worse.

The William Stryker character proved to be a problem in other areas of the story. In the movie, he is supposed to be Boliviar Trask’s Army liaison. Okay, I can buy that. But would an officer of the U.S. Army stand by silently, while Trask meets with a group of Communist military generals (especially from an army that had just been at war with the United States) in order to sell his Sentinel program? I rather doubt it. Even if Congress was not interested in using Trask’s program, I doubt it or Stryker would be so cavalier about Trask selling his program for combatant robots to military armies they would deem enemies of the U.S. The movie also featured a scene with President Richard M. Nixondiscussing the chaos and violence caused by Mystique’s assassination attempt in Paris with his political and military advisers in the White House’s Oval Office. Nixon and his advisers are suddenly surprised by Trask and Stryker’s appearance, who were there to push the Sentinel program again. Guess what? I was also surprised. How did Trask and Stryker gain entry into the Oval Office without an appointment or security agents stopping them? How was it even possible?

Since I am on a roll, there are other matters in the script that I find questionable. For example . . . did anyone notice any similarities between the plot for “X-MEN UNITED” and this film? In the 2003 movie, Magneto hijacked William Stryker’s plans to use the kidnapped Xavier to kill all mutant in order to use his old friend against non-mutants. And in“DAYS OF FUTURE PAST”, Magneto (again) hijacked Trask’s Sentient robots that were created to kill mutants in order to bump of President Nixon and his advisers. Hmmmm . . . how unoriginal. And how was Magneto able to reprogram the prototype Sentinel robots in the first place? He had never displayed any technological skill or talent in the past. I read in Wikipedia’s recap of the movie’s plot that Magneto had intercepted the Sentinels that were in transit by rail and laced their polymer-based frames with steel, allowing him control of them. What the hell? I have never heard of such contrived bullshit in my life. I take that back. I just realized more contrived bullshit in the plot. When did Kitty Pryde acquire the ability to send a person’s consciousness back through time? Her ability is to phase through objects like walls, doors, etc. How did she acquire this second ability, when it was non-existent in the comics? According to Bryan Singer, Kitty’s phasing ability enables time travel. Hmmm. More bullshit to explain vague and bad writing. And speaking of the future segments, could someone explain what was going on the movie’s first action sequence that involved the younger mutants fighting Sentients . . . and nearly being wiped out? And yet, the next thing I know, all of them rendezvous with the older mutants in China – Xavier, Magneto, Ororo Munroe aka Storm, and Logan. So . . . could someone please explain in full detail what the hell was going on?

And could someone please explain why Storm ended up as a background character in this movie? All she did was stand around, while others around her talked . . . until a few minutes before her death. I read that actress Halle Berry was pregnant at the time of the movie’s production. All I can say is . . . so what? Rosamund Pike (her co-star from the 2002 Bond movie, “DIE ANOTHER DAY”) was pregnant during the production of “JACK REACHER”. She was not treated like a background character. And Berry could have been provided with a great deal more dialogue than she was given. There was no need for her to be involved in mainly action sequences. Also, I am at a loss on how Jean Grey and Scott Summers aka Cyclops ended up alive and well in the altered timeline. How? How on earth did their fates have anything to do with Trask’s Sentinels? It was Stryker’s actions in “X-2: X-MEN UNITED” that eventually led to Jean’s “death” in this movie and eventually hers and Scott’s actual deaths in “X-MEN: THE LAST STAND”. And I do not recall Stryker’s Army career being affected by Trask’s downfall by the end of this movie. Some fans claim that the post-credit scene of “X-MEN: THE LAST STAND” explained how Xavier was resurrected, following his death at the hands of Jean. Uh . . . it did not explain anything to me. And you know what? Neither “THE WOLVERINE” or “DAYS OF FUTURE PAST”. Am I to assume that Xavier’s resurrection in the franchise’s movieverse will always remain a mystery?

The movie eventually revealed that the younger Magneto had been imprisoned for Kennedy’s assassination. As it turned out, Magneto was trying to save Kennedy’s life. Why? Because according to Magneto, the 35th President was a mutant. What was the point of this tidbit? To give Kennedy a reason for his . . . so-called liberal politics? Why was that necessary? Speaking of Magneto, I noticed in one scene that was dressed in this manner in order to retrieve his uniform and telepathy-blocking helmet:

Mind you, Michael Fassbender looked good. But honestly . . . why did his character, a forty-something year-old man who was born and raised in Europe, had to channel “Superfly” in order to retrieve his old uniform? I have one last quibble. This movie is supposed to be set around late January to early February, 1973; during the time when the Paris Peace Accords to end the Vietnam War were signed. Could someone explain why the weather conditions – for locations in the State of New York; Paris, France; and Washington D.C. – in the movie made it seem this story was set during the spring or summer? No one wore a heavy coat. Nor did I see signs of snow, blustery weather or trees with dead leaves.

Before one thinks I hate this movie, I do not. I believe “X-MEN: DAYS OF FUTURE PAST” has a great deal of flaws. But it does have its merits. I have already commented on them, earlier in this review. But I have not touched upon the performances. Personally, I have no complaints about them. Sure, Halle Berry barely had any dialogue. Ian McKellen was slightly more fortunate, which I found surprising. Anna Paquin as Marie aka Rogue, Kelsey Grammer as the older Hank McCoy aka the Beast, Famke Janssen as Jean Grey, and James Marsden as Scott Summers aka Cyclops all made ten (10) seconds or more appearances at the end of the film. What a waste. However, Ellen Page as Kitty Pryde and Shawn Ashmore as Bobby Drake aka Iceman gave solid performances. So did Josh Helman , who made a very effective and scary younger William Stryker. Evan Peters gave a very entertaining and crowd-pleasing performance as supersonic mutant Peter Maximoff aka Quicksilver. I enjoyed Nicholas Hoult’s quiet, yet intense performance as the younger Hank McCoy. Hugh Jackman gave his usual intense and deliciously sardonic portrayal of the time traveling Logan aka Wolverine. However . . . I sense that he is getting a bit too old to be portraying a mutant that barely ages. And his physique looked extremely muscular . . . even more so than he did at the age of 31 in 2000’s “X-MEN”. In fact, his body looked downright unnatural and heavily veined.

However, there were outstanding performances in the movie. Patrick Stewart did an excellent job in conveying the many aspects of the older Xavier’s emotional reactions to the war against the Sentients. Also, both he and McKellen continued their first-rate chemistry as the former foes who had renewed their friendship. Both James McAvoy and Michael Fassbender continued their strong screen chemistry as the younger Xavier and Magneto. I was especially impressed by their performances in the scene that featured their quarrel aboard Xavier’s private plane. And remember the rapture I had expressed over the scene that featured the two Xaviers? Well, one should thank both Stewart and McAvoy for making it so memorable. Peter Dinklage gave an outstanding performance as the intelligent mastermind behind the Sentient robots, Bolivar Trask. But the best performance, I believe, came from Jennifer Lawrence’s portrayal of the younger Mystique, who seemed hellbent upon assassinating the man she perceived as a threat to the mutants’ future. She was all over the place . . . and in the right way. I found her performance a lot more impressive than the one she gave in “FIRST CLASS”.

Unlike many other fans of the X-MEN movies, I was not particularly impressed by the news that Bryan Singer had returned to direct this latest film for the franchise. I was more impressed by the movie’s theme of time travel. “DAYS OF FUTURE” had a lot to offer – colorful visual effects, great dramatic moments, superb action sequences and some excellent performances by the cast. But the inconsistencies that popped up in the movie’s plot were too many for me to dismiss. And I believe that in the end, those inconsistencies prevented the movie from achieving its potential to be the best in the X-MEN franchise. Hmmm . . . too bad.

“X-MEN” (2000) Review

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“X-MEN” (2000) Review

If anyone had asked me what was the first genuine superhero film, based upon Marvel Comics characters, my choice would be the 2000 flick, “X-MEN”. In fact, I suspect that it was the first Marvel film ever shown in the movie theaters. Its success spawned a series of superhero films that continue to this day.

Based upon the Marvel Comics series, the plot for “X-MEN” began first in 1944, at a concentration camp in German-occupied Poland. Thirteen year-old Erik Lehnsherr is separated from his parents, upon entry to the camp. And in an attempt to reach them, he causes a set of gates to bend with a magnetic force and is knocked unconscious by the guards. The story jumps several decades later when a 17 year-old girl from Meridan, Mississippi named Marie aka Rogue is flirting with her boyfriend. They kiss and her boyfriend goes into a coma, thanks to Marie’s ability to suck an individual’s life force. Instead of immediately killing a mutant, Marie’s ability manages to suck his or her ability before dying. Upset over the harm she had inadvertently caused, Marie runs away from home and ends up in Laughlin City, Alaska. She meets Logan, an amateur fighter known as “The Wolverine” at a local bar. He also possesses superhuman healing abilities, heightened senses, and metal claws that extend outwards from between his knuckles. Marie hitches a ride with Logan. While on the road together, they are both attacked by Sabretooth, a fellow mutant and an associate of the adult Erik Lehnsherr, who has become known as Magneto. Two mutants – Scott Summers aka Cyclops and Ororo Munroe aka Storm arrive on time to save Wolverine and Rogue, and bring them to Charles Xavier’s mansion in Westchester County, New York. Xavier is an old friend of Magneto’s.

Xavier’s mansion serves as headquarters for Cyclops and Storm, the two mutants who had rescued Rogue and Logan. They are part of a group called the X-Men, who try to seek peace with non-mutant humans, educate young mutants in the responsible use of their powers, and stop Magneto from starting a war with humanity. While Xavier, Cyclops, Storm and a fourth member of the X-Men named Jean Grey try to figure out the reason by Magneto’s attempt to kidnap Logan and Marie; Magneto sets his plan in motion with the kidnapping of an anti-mutant politician named Senator Robert Kelly by Sabretooth and another minion, a shapeshifter named Mystique. Kelly is behind a Federal legislation called the “Mutant Registration Act”, which would force mutants to publicly reveal their identities and abilities. Magneto uses Kelly as a subject for a machine that artificially induces mutation. He plans to use it on the entire non-mutant population. But a mutant has to generate the machine’s power. When it weakens Magneto during his experimentation on Senator Kelly, it becomes clear to the X-Men that Magneto wants to use Rogue’s transferring ability and the Statue of Liberty to power the machine.

I never saw “X-MEN” at the movie theater. In fact, I had never heard of Marvel’s “X-MEN” comic series, until I saw the movie after its video release in late 2000. Needless to say, I became an immediate fan. I found the idea of a group of people with psychic abilities divided by moral compass and political beliefs, and who are regarded by others as freaks, rather fascinating. I realize that the movie is not particularly faithful to the comic book series that it is based upon. However, director Bryan Singer and screenwriter David Hayter did a pretty solid job of using the comic source to create their own cinematic version of the series. The movie also featured some first-rate acting and excellent production values.

After seeing the film, I saw how the original costumes for the X-Men looked in the comics. And all I have to say is thank goodness Louise Mingenbach designed a more uniformed look for the superheroes . . . even if it involved black leather. Newton Thomas Sigel’s photography struck me as solid. His best work seemed to be featured in the Liberty Island sequence. Ann Brodie and her team did excellent work on the makeup for some of the characters – especially Logan, Sabretooth, Toad and Mystique. Mike Fink and his team received an Oscar nomination for the film’s visual effects. Fink later expressed dissatisfaction with his work and I can see why. They struck me as . . . okay, but nothing more or less. I found the visual affects used during Logan’s fight against Sabertooth atop the Statue of Liberty as somewhat clumsy. And considering that most of the movie was either set indoors or at night, I cannot honestly say that “X-MEN” was a visually stunning film.

Most of the performances featured in “X-MEN” struck me as solid. There were a few exceptional ones. The movie made a star out of Hugh Jackman and it is easy to see why. Jackman is obviously a talented actor and he had the good luck to be cast in one of the comic franchise’s most memorable characters. I could also say the same about Ian McKellen’s performance as Erik Lensherr aka Magneto. What I found fascinating about McKellen’s take on the character is that he managed to convey Magneto’s willingness to pretend that his heinous actions were for the benefit of his fellow mutants, whom he believe should rule the earth. Patrick Stewart gave a fine performance as the more tolerant Charles Xavier, who would rather mutants and non-mutants to live side-by-side, instead of engaging in eternal conflict. I was also impressed by Anna Paquin’s poignant performance as the young Marie aka Rogue, who seemed desperate to make some kind of connection to others, despite her ability. Bruce Davidson gave an excellent and complex performance as Senator Robert Kelly, whose fervent anti-mutant stance eventually softens from a traumatic experience and a conversation with Ororo Munroe aka Storm.

Among the movie’s solid performances came from James Marsden’s Scott Summers aka Cyclops, Famke Jenssen’s Jean Grey and Rebecca Romijn as Magneto’s hench woman, Mystique. I suspect some might be astonished by my description of Romijn’s performance as “solid”. I stand by my word. Mind you, I found the Mystique character rather striking – especially physically – but Romijn’s performance merely struck me as solid. I wish I could say the same about Ray Park’s portrayal of another of Magneto’s minions, Toad. Honestly? I found the character cartoonish and one-dimension. Unfortunately, Park failed to rise above the material. I hate to say this, but I have to say the same about Halle Berry’s performance as X-Men Storm aka Ororo Munroe. Most fans tend to blame Berry for the poor portrayal of Storm in this film. I cannot, considering her more positive portrayals of the character in subsequent films. Frankly, I blame Bryan Singer and screenwriter David Hayter. Poor Storm was merely used as a background character, except in a few crucial scenes. And Hayter wrote one of the worst pieces of dialogue in Hollywood history for the character. However, there was one scene in which Berry gave an excellent performance; and it featured Storm’s poignant conversation with Senator Kelly.

As much as I liked “X-MEN”, I feel that it is very overrated by many critics and the franchise’s fans. I can honestly say that it is probably my least favorite X-MEN film. The main problem I have with this film is the number of plot holes or lack of logic in the story. I could say that it is indicative of the franchise’s growing reputation for plot inconsistency. I never understood how Magneto learned about Rogue’s ability to absorb a mutant’s ability. I realize he must have learned about what she had done to her boyfriend David. But how did he learn about her ability’s impact upon mutants? How did he or Sabretooth discover that she had traveled all the way from Mississippi to Alaska? I was also unimpressed by Logan’s first scene at Xavier’s school in which he woke up, heard voices in his head and ended up roaming all over the place in confusion. I am confused. Did Professor Xavier used telepathy to awaken him? Or did Logan simply hear voices, thanks to his enhanced hearing?

The one sequence that really puzzles me was Mystique’s activities at Xavier’s School. The scene began with Mystique shape shifting into Rogue’s new boyfriend, Bobby Drake aka Iceman in order to convince the adolescent that Xavier was angry at her for using her ability on Logan to heal herself and that she should leave the school. Why? So that Magneto could have an opportunity to snatch her. Later, Mystique transformed into Xavier in order to infiltrate Cerebro, Xavier’s telepathic enhancing machine and sabotage it. Why on earth did Singer and Hayter create such a convoluted situation? They could have easily allowed Mystique to first sabotage Cerebro and then snatch Rogue from the school, herself. I also realize that Jean Grey, being both telepathic andtelekinetic, could have easily rescued herself and her fellow X-Men from Magneto’s trap inside the Liberty statue’s interior. I have already commented on the clumsily shot fight scene between Logan and Sabretooth. The former’s fight against Mystique was somewhat better and probably enhanced by slow motion. And if I must be honest, I found the movie’s writing and pacing almost episodic. Every time I watch “X-MEN”, I get the feeling that it is a first-rate “B” or television movie . . . or a second-rate “A” movie, even if it is entertaining.

In the end, my opinion of “X-MEN” has diminished over the years. It is still an entertaining film with a decent story, and a mixture of solid and first-rate performances from the cast. And I have to give it credit for successful kick-starting not only the X-MEN franchise, but also spawning a reemergence of superhero films – especially from Marvel. However, I believe the movie is tainted by some very questionable writing and a style that nearly strikes me as slightly sub par. I still like the movie, but it has become my least favorite X-MEN film in the entire franchise.

Top Ten Favorite COMIC BOOK HEROES Movies

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Below is a list of my ten favorite movies featuring comic book heroes: 

TOP TEN FAVORITE COMIC BOOK HEROES MOVIES

1-The Avengers

1. “The Avengers” (2012) – Joss Whedon directed this superb movie about a team of Marvel Comics heroes teaming together to battle an alien invasion.

2-The Incredibles

2. “The Incredibles” (2004) – Brad Bird created one of the best Disney animated films about a family of superheroes living a quiet suburban life and forced to hide their powers, who are forced out of retirement to save the world.

3-Spider-Man 2

3. “Spider-Man 2” (2004) – Tobey Maguire made his second appearance as Marvel Comic’s web-slinger, who contemplates retirement while facing a new threat, Doctor Octavius in this first-rate sequel.

4-Captain America - The First Avenger

4. “Captain America: The First Avenger” – Chris Evans made his first appearance as Steve Rogers aka Captain America, Marvel’s first superhero who deals with the threat of a madman during World War II. Joe Johnston directed.

5-Iron Man 2

5. “Iron Man 2” (2010) – Robert Downey Jr. reprised his role as Tony Stark aka Iron Man. In this excellent sequel, Iron Man battles a “ghost” from his family’s past and a professional threat. Jon Farveau directed.

6-The Rocketeer

6. “The Rocketeer” (1991) – Bill Campbell starred in this first-rate Disney adaptation of Dave Stevens’ comic novel about a pilot who discovers a rocket pack and struggles to keep it out of the hands of Nazi pilots in 1938 Los Angeles. Joe Johnston directed.

7-X2

7. “X2: X-Men United” (2003) – Bryan Singer directed this second and best X-MEN film about the X-Men’s reluctant teaming with Erik Lensherr aka Magneto and friends to deal with the threat of a vengeful U.S. Army intelligence officer.

8-Batman Begins

8. “Batman Begins” (2005) – Director Christopher Nolan and actor Christian Bale teamed for the first time in my favorite BATMANfilm about the origins of the Caped Crusader and his efforts to save Gotham City from a mysterious threat.

9-Iron Man

9. “Iron Man” (2008) – Robert Downey Jr. exploded on the scene as playboy millionaire in this origin tale about how the latter became costumed hero Iron Man. Jon Farveau directed.

10-The Dark Knight

10. “The Dark Knight” (2008) – Christopher Nolan directed Christian Bale in this well-made BATMAN movie about the Caped Crusader’s conflict with the Joker. Heath Ledger and Aaron Eckhart co-starred.