“MAD MEN” Observations: (3.09) “Wee Small Hours”

After my recent viewing of the Season Three ”MAD MEN” episode called (3.09) “Wee Small Hours”, I came up with the following observations:

“MAD MEN” OBSERVATIONS: (3.09) “Wee Small Hours”

*I think that from the moment Lee Garner Jr. tried and failed to seduce Sal Romano, the latter was screwed no matter what. Even if Harry Crane had immediately informed Roger or Don about Garner’s demand; or if Sal had acted professionally and told not only Don, but Roger on what happened, he was screwed. The client came first. Especially clients like Lee Garner and Conrad Hilton, who were too powerful to ignore. As I recall that back in Season One, even Don had to apologize to Rachel Menken for his outburst, despite the fact that she had yet to become an official client. Even worse, I doubt that Roger Sterling, Bert Cooper or the firm’s British owners would have been tolerant of Sal’s sexual orientation.

*I have read a few posts on Betty’s aborted affair with Henry Francis. I find it interesting that so many were disappointed that she did not go ahead with the affair. In fact, they had harshly criticized her . . . which I found rather odd. Even more interesting was that some of the fans were demanding to know what she really wanted. Henry also seemed to be wondering. Judging from her disappointment with her marriage to Don and the belief that Henry simply wanted an affair, I suspected that what Betty really wanted was a meaningful relationship with someone. That would explain the letters she had exchanged with Henry, her anger at Don for keeping her in the dark about his contract problems, and her tears following the dinner with the Barretts in Season Two of (2.03) “The Benefactor”. And when she visited Henry’s office, she began to suspect that she was never going to receive one from him, anymore than she was ever going to receive one from Don.

*Despite Betty’s remark about civil rights, Carla was one lucky woman. At least in Season Three. She could have easily found herself in the same situation as Sal by the episode’s end. All Betty had to do was fire her and lie to Don about her reasons for firing Carla. Unless she feared that Carla would retaliate by telling Don about Betty’s meeting with Henry Francis. That is the only reason I could find why Carla remained employed.

*I also find it interesting that fans and the media lobbied criticisms at Betty for her remark about the Civil Rights Movement. I found it interesting and a little hypocritical. One, of course Betty would make such a remark. She was a white female from a privileged background. She was also a conservative, although a moderate one. She had called Carla “girl” when referring to the latter during a phone call with Henry. What did those fans expect? Yet, many fans made excuse after excuse for Joan’s unnecessary and racist remarks to Sheila White back in Season Two’s (2.02) “Flight”.

*After this last viewing, it seemed to me that Peggy look slightly smug after Connie Hilton made it clear that he disapproved of Don’s presentation. Mind you, I was not that impressed by it, either. It seemed a bit too simple and infantile for my tastes. And it failed to invoke the glamour of travel, while maintaining the message of American values. Well . . . at least to me.

*How many times did Don assume an aggressive stand when a client failed to be impressed by his work? Why did he do this? Was this Don’s way of intimidating a client into accepting his work? I still recall him pulling this stunt with Rachel Menken back in Season One’s (3.08) “The Hobo Code”, which angered her in the process. He also pulled this stunt with the client from Belle Jolie and succeeded. Then he tried it with Conrad Hilton and failed. The fans ended up expressing anger at Hilton. I found myself feeling slightly sympathetic toward him. After all, he was the client. If he did not like Don’s presentation, he did not like it. Don’s slight temper tantrum seemed a bit uncalled for.

*Pete hacking up a storm after taking a puff on a Lucky Strikes cigarette struck me as hysterical. So did the scene in which Betty threw the money box at Henry.

*Despite the British ownership of Sterling Cooper, it seemed obvious that Roger was still a force at the firm. But considering how the British regard him, I wonder how long this would have lasted if he, Don, Lane Pryce and Bert Cooper had not created their own firm at the end of Season Three.

*Don and Suzanne – to this day, I failed to see the chemistry. In fact, Miss Farrell seemed like a second-rate version of Rachel Mencken, but with a less stable personality. I realize that Don also wanted a meaningful relationship in his life . . . but Suzanne Farrell? Someone who had recently been his daughter’s teacher? What made Don’s affair with Suzanne even more troubling was that he seemed to be using her as some kind of drug. He had suffered rejection from a man he was beginning to view as a parent figure and turned to Suzanne for comfort.

*When I first saw this episode, I wondered if it would mean the end of Sal Romano on ”MAD MEN”. Sadly, I was right. It was.

Five Favorite “MAD MEN” Season Three (2009) Episodes

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Below is a list of my top five (5) favorite episodes from Season Three (2009) of “MAD MEN”. Created by Matthew Weiner, the series stars Jon Hamm:

FIVE FAVORITE “MAD MEN” SEASON THREE (2009) Episodes

1 - 3.11 The Gypsy and the Hobo

1. (3.11) “The Gypsy and the Hobo” – Don’s past finally catches up with him when Betty confronts him about his identity theft. Roger Sterling meets a former client/lover who wishes to rekindle their affair. And Joan discovers that her husband, Greg Harris, has joined the Army after failing to start a medical career in New York.

2 - 3.12 The Grown Ups

2. (3.12) “The Grown Ups” – The assassination of President John Kennedy serves as the backdrop of the wedding for Roger’s daughter and the final breakup of the Draper marriage.

3 - 3.07 Seven Twenty-Three

3. (3.07) “Seven Twenty-Three” – Don’s attempts to land the Conrad Hilton account leads to him being blackmailed by Bert Cooper to sign a three-year contract with Sterling Cooper. Peggy begins an affair with former Sterling-Cooper Accounts Head, Duck Phillips. And Betty expresses interest in the Governor’s aide, Henry Francis, when she becomes involved in civic politics.

4 - 3.06 Guy Walks into an Advertising Agency

4. (3.06) “Guy Walks into an Advertising Agency” – A visit by the British owners of the Sterling Cooper agency and an account involving a motorized lawn motor results in mishap and bloodshed.

5 - 3.09 Wee Small Hours

5. (3.09) “Wee Small Hours” – An executive from Sterling Cooper’s client, Lucky Strikes, demands that the agency fire art director Sal Romano after the latter rejects the executive’s sexual advances. Betty grows closer to Henry Francis and Don begins an affair with Sally’s teacher, Suzanne Farrell.

Top Five Favorite “MAD MEN” Season Two (2008) Episodes

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Below is a list of my top five favorite Season Two episodes of AMC’s “MAD MEN”:

TOP FIVE FAVORITE “MAD MEN” SEASON TWO (2008) Episodes

1 - 2.08 A Night to Remember

1. (2.08) “A Night to Remember” – During this game-changing episode, copywriter Peggy Olson agrees to help a friendly priest named Father Gill create a promotion for a Church-sponsored dance. Office manager Joan Holloway helps Television Advertiser Harry Crane read new television scripts and discovers that she likes the job. Still reeling from comedian Jimmy Barrett’s revelation of Don Draper’s infidelity, Betty Draper helps her husband with an important business dinner, before she later confronts him about his affair with Bobbie Barrett.

2 - 2.05 The New Girl

2. (2.05) “The New Girl” – Don and Bobbie heads out of the city for a night together, before getting into a traffic accident. Don recruits Peggy to help him cover up the incident. Meanwhile, a new Sterling-Cooper secretary named Jane Siegel begins working for Don.

3 - 2.04 Three Sundays

3. (2.04) “Three Sundays” – Over the Easter holidays, Don and Betty clash over the discipline of their son Bobby. Peggy meets the new family priest, Father Gill. And Head of Advertising Duck Phillips recruits the agency in an effort to win over American Airlines as a new client.

4 - 2.07 The Gold Violin

4. (2.07) “The Gold Violin” – Art director Sal Romano develops a case of unrequited attraction for Accounts man Ken Cosgrove. Joan and Jane clash over an incident regarding a new painting in owner Bert Cooper’s office. And Betty learns about Don’s affair with Bobbie Barrett at a media party, thanks to her husband Jimmy.

5 - 2.09 Six Month Leave

5. (2.09) “Six Month Leave” – Owner Roger Sterling leaves his wife for Jane Siegel. Senior copy Freddie Rumsen’s alcoholism spirals out of control. And the death of Marilyn Monroe has an impact upon the firm’s female employees.

Ten Favorite Movies Set in TEXAS

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Below is a list of my favorite movies set in Texas aka “the Lone Star State”:

TEN FAVORITE MOVIES SET IN TEXAS

1 - The Big Country

1. “The Big Country” (1958) – William Wyler directed this big scale adaptation of Donald Hamilton’s 1958 novel, “Ambush at Blanco Canyon”. The movie starred Gregory Peck, Jean Simmons, Carroll Baker and Charlton Heston.

2 - Written on the Wind

2. “Written on the Wind” (1956) – Douglas Sirk directed this adaptation of Robert Wilder’s 1954 novel about a East Coast secretary who married into a wealthy Texas family. The movie starred Rock Hudson, Lauren Bacall, Oscar nominee Robert Stack and Oscar winner Dorothy Malone.

3 - The Shadow Riders

3. “The Shadow Riders” (1982) – Tom Selleck and Sam Elliot starred in this television adaptation of Louis L’Amour’s novel about brothers who search for their kidnapped siblings at the end of the Civil War. Directed by Andrew V. McLaglen, the movie co-starred Jeff Osterhage, Katherine Ross and Ben Johnson.

4 - Giant

4. “Giant” (1956) – Oscar nominee George Stevens produced and directed this adaptation of Edna Ferber’s 1952 about a wealthy Texas family. The movie starred Elizabeth Taylor, and Oscar nominees Rock Hudson and James Dean.

5 - 2 Guns

5. “2 Guns” (2013) – Denzel Washington and Mark Wahlberg starred in this adaptation of a comic book series about two undercover agents and their search for missing C.I.A. money. The movie was directed by Baltasar Kormákur.

6 - No Country For Old Men

6. “No Country For Old Men” (2007) – The Coen Brothers directed this Oscar winning film adaptation of Cormac McCarthy’s 2005 novel. The movie starred Tommy Lee Jones, Josh Brolin, Kelly MacDonald, Woody Harrelson and Oscar winner Jarvier Bardem.

7 - Parkland

7. “Parkland” (2013) – Peter Landesman wrote and directed this film about the immediate aftermath of President John F. Kennedy’s assassination. The cast includes Paul Giamatti, Billy Bob Thornton, Marcia Gay Harden, Ron Livingston and James Badge Dale.

8 - Dallas Buyers Club

8. “Dallas Buyers’ Club” (2013) – Oscar winner Matthew McConaughey starred in this biopic about A.I.D.S. activist Ron Woodruff. Directed by Jean-Marc Vallée, the movie co-starred Jennifer Garner and Oscar winner Jared Leto.

9 - The Searchers

9. “The Searchers” (1956) – John Ford directed this epic adaptation of Alan Le May’s 1954 novel about the search for a missing girl taken by Commanches. The movie starred John Wayne and Jeffrey Hunter.

10 - Extreme Prejudice

10. “Extreme Prejudice” (1987) – Walter Hill directed this action packed tale about a conflict between a Texas Ranger, his former boyhood friend-turned-drug kingpin and a team of Army Intelligence agents. Nick Nolte and Powers Boothe starred.

Top Five Favorite “MAD MEN” Season One (2007) Episodes

Below is a list of my top five favorite Season One episodes of AMC’s “MAD MEN”:

 

TOP FIVE FAVORITE “MAD MEN” SEASON ONE (2007) Episodes

1 - 1.12 Nixon vs. Kennedy

1. (1.12) “Nixon vs. Kennedy” – In this superb episode, Sterling-Cooper’s employees have an all-night party to watch the results of the 1960 Presidential Election. Also, Pete Campbell discovers that Don Draper’s real name is Dick Whitman, who had been officially declared dead during the Korean War.

2 - 1.10 The Long Weekend

2. (1.10) “The Long Weekend” – During the Labor Day weekend, Roger Sterling decides to cheer up Don over the loss of a client by arranging a double date with twins. During the date, he suffers a heart attack. Meanwhile, Joan Holloway has a double date with her roommate and two out-of-town businessmen.

3 - 1.05 5G

3. (1.05) “5G” – In this poignant episode, Don receives an unwelcome visitor in the form of his half-brother, Adam Whitman, whom he had not seen since the Korean War. And when Ken Cosgrove gets his short story published in a magazine, a jealous Pete asks wife Trudy to convince an old boyfriend to publish his story.

4 - 1.01 Smoke Gets in Your Eyes

4. (1.01) “Smoke Gets in Your Eyes” – The series’ pilot episode introduces Manhattan advertisement executive Don Draper and his co-workers at the Sterling-Cooper agency, as he struggles to maintain Lucky Strike as a client for the agency.

5 - 1.09 Shoot

5. (1.09) “Shoot” – A larger ad agency tries to lure Don from Sterling-Cooper by hiring wife Betty Draper for a modeling job. Meanwhile, Pete devises a strategy to help the Nixon campaign.

Top Ten Favorite Movies Set in the 1840s

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Below is my current list of favorite movies set in the 1840s:

TOP TEN FAVORITE MOVIES SET IN THE 1840s

1 - The Heiress

1. “The Heiress” (1949) – William Wyler directed this superb adaptation of Ruth and Augustus Goetz’s 1947 play, which was an adaptation of Henry James’ 1980 novel, “Washington Square”. The movie starred Oscar winner Olivia De Havilland, Montgomery Clift, Ralph Richardson and Miriam Hopkins.

2 - All This and Heaven Too

2. “All This and Heaven Too” (1940) – Anatole Litvak co-produced and directed this excellent adaptation of Rachel Fields’ 1938 novel. The movie starred Bette Davis and Charles Boyer.

3 - Half-Slave Half-Free Solomon Northup Odyssey

3. “Half-Slave, Half-Free: The Solomon Northup Odyssey” (1984) – Avery Brooks starred in this emotional television adaptation of Solomon Northups’ 1853 memoirs, “12 Years a Slave”. Directed by Gordon Parks, the movie co-starred Rhetta Greene, John Saxon, Lee Bryant, Art Evans and Mason Adams.

5 - The Mark of Zorro

4. “The Mark of Zorro” (1940) – Rouben Mamoulian directed this superb adaptation of Johnston McCulley’s 1919 story called “The Curse of Capistrano”. The movie starred Tyrone Power, Linda Darnell and Basil Rathbone.

4 - The Liberators

5. “The Liberators” (1987) – Robert Carradine and Larry B. Scott starred in this Disney adventure film about Underground Railroad conductor John Fairfield and his fugitive slave friend, Bill; who escort Kentucky slaves north of the Mason-Dixon Line to freedom. Kenneth Johnson starred.

6 - The Adventures of Bullwhip Griffin

6. “The Adventures of Bullwhip Griffin” (1967) – Roddy McDowall and Suzanne Pleshette starred in this Disney adaptation of Sid Fleischman’s 1963 children’s novel called “By the Great Horn Spoon!”. James Neilson directed.

7 - Camille

7. “Camille” (1936) – George Cukor directed this lavish adaptation of Alexandre Dumas fils’ 1848 novel and 1852 play called “La Dame aux Camélias”. The movie starred Greta Garbo and Robert Taylor.

8 - Cousin Bette

8. “Cousin Bette” (1998) – Jessica Lange starred in this loose adaptation of Honoré de Balzac’s 1846 novel. Although unpopular with critics and moviegoers, it is a favorite of mine. Directed by Des McAnuff, the movie co-starred Hugh Laurie, Elisabeth Shue and Kelly MacDonald.

9 - Jane Eyre

9. “Jane Eyre” (2011) – Mia Wasikowska and Michael Fassbender starred in the 2011 movie adaptation of Charlotte Brontë’s 1847 novel. The movie was directed by Cary Fukunaga.

10 - 12 Years a Slave

10. “12 Years a Slave” (2013) – British director Steve McQueen helmed this Oscar winning second adaptation of Solomon Northup’s 1853 memoirs about the latter’s experiences as a slave in the Deep South. The movie starred Chiwetel Ejiofor, Oscar winner Lupita Nyong’o and Michael Fassbender.

“12 YEARS A SLAVE” (2013) Review

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“12 YEARS A SLAVE” (2013) Review

I first learned about Solomon Northup many years ago, when I came across a television adaptation of his story in my local video story. One glance at the video case for the 1984 movie, “HALF SLAVE, HALF FREE:  SOLOMON NORTHUP’S ODYSSEY”, made me assume that this movie was basically a fictional tale. But when I read the movie’s description on the back of the case, I discovered that I had stumbled across an adaption about a historical figure. 

Intrigued by the idea of a free black man in antebellum America being kidnapped into slavery, I rented “HALF-SLAVE, HALF-FREE: SOLOMON NORTHUP’S ODYSSEY”, which starred Avery Brooks, and enjoyed it very much. In fact, I fell in love with Gordon Park’s adaption so much that I tried to buy a video copy of the movie. But I could not find it. Many years passed before I was able to purchase a DVD copy. And despite the passage of time, I still remained impressed by the movie. However, I had no idea that someone in the film industry would be interested in Northup’s tale again. So, I was very surprised to learn of a new adaptation with Brad Pitt as one of the film’s producer and Briton Steve McQueen as another producer and the film’s director.

Based upon Northup’s 1853 memoirs of the same title, “12 YEARS A SLAVE” told the story of a New York-born African-American named Solomon Northup, who found himself kidnapped and sold into slavery in 1841. Northup was a 33 year-old carpenter and violinist living in Saratoga Springs, New York with his wife and children. After Mrs. Northup leaves Saratoga Springs with their children for a job that would last for several weeks, Northup is approached by two men, who offered him a brief, high-paying job as a musician with their traveling circus. Without bothering to inform Northup traveled with the strangers as far as south as Washington, D.C. Not long after his arrival in the capital, Northup found himself drugged and later, bound in the cell of a slave pen. When Northup tried to claim he was a free man, he was beaten and warned never again to mention his free status again.

Eventually, Northup and a group of other slaves were conveyed to the slave marts of New Orleans, Louisiana and given the identity of a Georgia-born slave named “Platt”. There, a slave dealer named Theophilus Freeman sells him to a plantation owner/minister named William Ford. The latter’s kindness seemed to be offset by his unwillingness to acknowledge the sorrow another slave named Eliza over her separation from her children. When Northup has a violent clash with one of Ford’s white employees, a carpenter named John Tibeats, the planter is forced to sell the Northerner to another planter named Edwin Epps. Unfortunately for Northup, Epps proves to be a brutal and hard man. Even worse, Epps becomes sexually interested in a female slave named Patsey. She eventually becomes a victim of Epps’ sexual abuse and Mrs. Epps’ jealousy. And Epps becomes aware of Patsey’s friendship with Northup.

“12 YEARS A SLAVE” gained a great deal of critical acclaim since its release. It won three Academy Awards, including one for Best Picture; and two British Academy Awards (BAFTAs).  Many critics and film goers consider it the truest portrait of American slavery ever shown in a Hollywood film. I have to admit that both director Steve McQueen and screenwriter John Ridley have created a powerful film. Both did an excellent job of translating the basic gist of Solomon Northup’s experiences to the screen. And both did an excellent job re-creating a major aspect of American slavery. I was especially impressed by certain scenes that featured the emotional and physical trauma that Northup experienced during his twelve years as a Southern slave.

For me, one of the most powerful scenes featured Northup’s initial experiences at the Washington D.C. slave pen, where one of the owners resorted to physical abuse to coerce him into acknowledging his new identity as “Platt”. Other powerful scenes include the slave mart sequence in New Orleans, where fellow slave Eliza had to endure the loss of her children through sale. I found the revelation of Eliza’s mixed blood daughter being sold to a New Orleans bordello rather troubling and heartbreaking. Northup’s encounter with Tibeats struck me fascinating . . . in a dark way. But the film’s most powerful scene – at least for me – proved to be the harsh whipping that Patsey endured for leaving the plantation to borrow soap from a neighboring plantation. Some people complained that particular scene bordered on “torture porn”. I disagree. I found it brutal and frank.

I have to give kudos to the movie’s visual re-creation of the country’s Antebellum Period. As in any well made movie, this was achieved by a group of talented people. Adam Stockhausen’s production designs impressed me a great deal, especially in scenes featuring Saratoga Springs of the 1840s, the Washington D.C. sequences, the New Orleans slave marts and of course, the three plantations where Northup worked during his twelve years in Louisiana. In fact, the entire movie was filmed in Louisiana, including the Saratoga Springs and Washington D.C. sequences. And Sean Bobbitt’s photography perfectly captured the lush beauty and color of the state. Trust the movie’s producers and McQueen to hire long time costume designer, Patricia Norris, to design the film’s costumes. She did an excellent job in re-creating the fashions worn during the period between 1841 and 1852-53.

Most importantly, the movie benefited from a talented cast that included Garrett Dillahunt as a white field hand who betrays Northup’s attempt to contact friends in New York; Paul Giamatti as the New Orleans slave dealer Theophilus Freeman; Michael K. Williams as fellow slave Robert, who tried to protect Eliza from a lustful sailor during the voyage to Louisiana; Alfre Woodward as Mistress Shaw, the black common-law wife of a local planter; and Bryan Batt as Judge Turner, a sugar planter to whom Northup was loaned out. More impressive performances came from Paul Dano as the young carpenter John Tibeats, who resented Northup’s talent as a carpenter; Sarah Poulson, who portrayed Edwin Epp’s cold wife and jealous wife; and Adepero Oduye, who was effectively emotional as the slave mother Eliza, who lost her children at Freeman’s slave mart. Benedict Cumberbatch gave a complex portrayal of Northup’s first owner, the somewhat kindly William Ford. However, I must point out that the written portrayal of the character may have been erroneous, considering Northup’s opinion of the man. Northup never judged Ford as a hypocrite, but only a a good man who was negatively influenced by the slave society. But the two best performances, in my opinion, came from Best Supporting Actress Oscar winner Lupita Nyong’o and especially Best Actor Oscar nominee and BAFTA winner Chiwetel Ejiofor.  Nyong’o gave a beautiful performance as the abused slave woman Patsey, whose endurance of Epps’ lust and Mrs. Epps’ wrath takes her to a breaking point of suicidal desire.  Chiwetel Ejiofor, whom I have been aware for the past decade, gave the definitive performance of his career – so far – as the New Yorker Solomon Northup, who finds himself trapped in the nightmarish situation of American slavery. Ejiofor did an excellent job of conveying Northup’s emotional roller coaster experiences of disbelief, fear, desperation and gradual despair.

But is “12 YEARS A SLAVE” perfect? No. Trust me, it has its flaws. Many have commented on the film’s historical accuracy in regard to American slavery and Northup’s twelve years in Louisiana. First of all, both McQueen and Ridley took historical liberty with some of Northup’s slavery experience for the sake of drama. If I must be honest, that does not bother me. The 1984 movie with Avery Brooks did the same. I dare anyone to find a historical movie that is completely accurate about its topic. But what did bother me was some of the inaccuracies featured in the movie’s portrayal of antebellum America.

One scene featured Northup eating in a Washington D.C. hotel dining room with his two kidnapper. A black man eating in the dining room of a fashionable Washington D.C. hotel in 1841? Were McQueen and Ridley kidding? The first integrated Washington D.C. hotel opened in 1871, thirty years later. Even more ludicrous was a scene featuring a drugged and ill Northup inside one of the hotel’s room near white patrons. Because he was black, Northup was forced to sleep in a room in the back of the hotel. The death of the slave Robert at the hands of a sailor bent on raping Eliza struck me as ludicrous. One, it never happened. And two, there is no way some mere sailor – regardless of his color – could casually kill a slave owned by another. Especially a slave headed for the slave marts. He would find himself in serious financial trouble. Even Tibeats had been warned by Ford’s overseer about the financial danger he would face upon killing Northup. I can only assume that Epps was a very hands on planter, because I was surprised by the numerous scenes featuring him supervising the field slaves. And I have never heard of this before. And I am still shaking my head at the scene featuring Northup’s visit to the Shaw plantation, where he found a loaned out Patsey having refreshments with the plantation mistress, Harriet Shaw. Black or white, I simply find it difficult to surmise a plantation mistress having refreshments with a slave – owned or loaned out. Speaking of Patsey’s social visit to the Shaw plantation, could someone explain why she and Mistress Shaw are eating a dessert that had been created in France, during the late 19th century? Check out the image below:

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The image features the two women eating macarons. Now I realize that macarons had existed even before the 1840s. But the macarons featured in the image above (with a sweet paste creating a sandwich with two cookies) first made their debut, thanks to a pair of Parisian bakers in the late 19th century, decades after the movie’s setting. This was a very sloppy move either on the part of Stockhausen or the movie’s set decorator, Alice Baker.

And if I must be frank, I had a problem with some of the movie’s dialogue. I realize that McQueen and Ridley were attempting to recapture the dialogue of 19th century America. But there were times I felt they had failed spectacularly. Some of it brought back painful memories of the stilted dialogue from the 2003 Civil War movie, “GODS AND GENERALS”. The words coming out of the actors’ mouths struck me as part dialogue, part speeches. The only thing missing was a speech from a Shakespearean play.

Not only did I have a problem with the dialogue, but also some of the performances. Even those performances I had earlier praised nearly got off tracked by the movie’s more questionable dialogue. But I was not impressed by two particular performances. One came from Brad Pitt, who portrayed a Canadian carpenter hired by Epps to build a gazebo. To be fair, my main problems with Pitt’s performance was the dialogue that sounded like a speech . . . and his accent. Do Canadians actually sound like that? In fact, I find it difficult to pinpoint what kind of accent he actually used. The performance that I really found troubling was Michael Fassbender’s portrayal of the brutal Edwin Epps. Mind you, he had his moments of subtle acting that really impressed me – especially in scenes featuring Epps’ clashes with his wife or the more subtle attempts of intimidation of Northup. Those moments reminded me why I had been a fan of the actor for years.  Perhaps those moments led him to earning an Oscar nomination for Best Supporting Actor.  But Fassbender’s Epps mainly came off as a one-dimensional villain with very little subtlety or complexity. Consider the image below in which Fassbender is trying to convey Epps’ casual brutality:

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For me, it seemed as if the actor is trying just a little too hard. And I suspect that McQueen’s direction is to blame for this. I blame both McQueen and Ridley for their failure to reveal Epps’ insecurities, which were not only apparent in Northup’s memoirs, but also in the 1984 movie. Speaking of McQueen, there were times when I found his direction heavy-handed. This was especially apparent in most of Fassbender’s scenes and in sequences in which some of the other characters’ dialogue spiraled into speeches. And then there was Hans Zimmer’s score. I have been a fan of Zimmer for nearly two decades. But I have to say that I did not particularly care for his work in “12 YEARS A SLAVE”. His use of horns in the score struck me as somewhat over-the-top.

Do I feel that “12 YEARS A SLAVE” deserves its acclaim? Well . . . yes. Despite its flaws, it is a very good movie that did not whitewash Solomon Northup’s brutal experiences as a slave. And it also featured some exceptional performances, especially from Chiwetel Ejiofor and Lupita Nyong’o. But I also feel that some of the acclaim that the movie has garnered, may have been undeserved, along with its Oscar and BAFTA Best Picture awards.  As good as it was, I found it hard to accept that “12 YEARS A SLAVE” was the best movie about American slavery ever made.