Top Ten Favorite Movies Set in the 1870s

2007_stardust_043

Below is my current list of favorite movies set in the 1870s:

TOP TEN FAVORITE MOVIES SET IN THE 1870s

ab63264205389e156f6fc487523aea58

1. “The Age of Innocence” (1993) – Martin Scorcese directed this exquisite adaptation of Edith Wharton’s award winning 1920 novel about a love triangle within New York’s high society during the Gilded Age. Daniel Day-Lewis, Michelle Pfieffer and Oscar nominee Winona Ryder starred.

 

The_Big_Country_1958_m720p_robin_coolhaunt_coolhd_org_00_52_12_00012

2. “The Big Country” (1958) – William Wyler directed this colorful adaptation of Donald Hamilton’s 1958 novel, “Ambush at Blanco Canyon”. The movie starred Gregory Peck, Jean Simmons, Carroll Baker and Charlton Heston.

 

truegrit4

3. “True Grit” (2010) – Ethan and Joel Coen wrote and directed this excellent adaptation of Charles Portis’ 1968 novel about a fourteen year-old girl’s desire for retribution against her father’s killer. Jeff Bridges, Matt Damon and Hattie Steinfeld starred.

 

farfrommaddingcrowd0001

4. “Far From the Madding Crowd” (2015) – Carey Mulligan, Matthias Schoenaerts, Tom Sturridge and Michael Sheen starred in this well done adaptation of Thomas Hardy’s 1874 novel about a young Victorian woman who attracts three different suitors. Thomas Vinterberg directed.

 

001wyqyq

 

5. “Around the World in 80 Days” (1956) – Mike Todd produced this Oscar winning adaptation of Jules Verne’s 1873 novel about a Victorian gentleman who makes a bet that he can travel around the world in 80 days. Directed by Michael Anderson and John Farrow, the movie starred David Niven, Cantiflas, Shirley MacLaine and Robert Newton.

 

kinopoisk.ru-Stardust-578192

6. “Stardust” (2007) – Matthew Vaughn co-wrote and directed this adaptation of Neil Gaman’s 1996 fantasy novel. The movie starred Charlie Cox, Claire Danes and Michelle Pfieffer.

 

495076

7. “Fort Apache” (1948) – John Ford directed this loose adaptation of James Warner Bellah’s 1947 Western short story called “Massacre”. The movie starred John Wayne, Henry Fonda, John Agar and Shirley Temple.

 

bfi-00o-18r

8. “Zulu Dawn” (1979) – Burt Lancaster, Simon Ward and Peter O’Toole starred in this depiction of the historical Battle of Isandlwana between British and Zulu forces in 1879 South Africa. Douglas Hickox directed.

 

kinopoisk.ru-Young-Guns-895124

9. “Young Guns” (1988) – Emilio Estevez, Kiefer Sutherland and Lou Diamond Phillips starred in this cinematic account of Billy the Kid’s experiences during the Lincoln County War. The movie was directed by Christopher Cain.

 

kinopoisk.ru-Cowboys-_26_2338_3B-Aliens-1632627

10. “Cowboys & Aliens” (2011) – Jon Favreau directed this adaptation of Scott Mitchell Rosenberg’s 2006 graphic novel about an alien invasion in 1870s New Mexico Territory. The movie starred Daniel Craig, Harrison Ford and Olivia Wilde.dom

Advertisements

Top Ten Favorite Movies Set in the 1890s

219309_full

Below is my current list of favorite movies set in the 1890s:

TOP TEN FAVORITE MOVIES SET IN THE 1890s

1 - Sherlock Holmes-Game of Shadows

1. “Sherlock Holmes: A Game of Shadows” (2011) – Guy Ritchie directed this excellent sequel to his 2009 hit, in which Sherlock Holmes and Dr. John Watson confront their most dangerous adversary, Professor James Moriarty. Robert Downey Jr. and Jude Law starred.

2 - Hello Dolly

2. “Hello Dolly!” (1969) – Barbra Streisand and Walter Matthau starred in this entertaining adaptation of David Merrick’s 1964 play about a New York City matchmaker hired to find a wife for a wealthy Yonkers businessman. Gene Kelly directed.

3 - King Solomon Mines

3. “King Solomon’s Mines” (1950) – Stewart Granger, Deborah Kerr and Richard Carlson starred in this satisfying Oscar nominated adaptation of H. Rider Haggard’s 1885 novel about the search for a missing fortune hunter in late 19th century East Africa. Compton Bennett and Andrew Marton directed.

4 - Sherlock Holmes

4. “Sherlock Holmes” (2009) – Guy Ritchie directed this 2009 hit about Sherlock Holmes and Dr. John Watson’s investigation of a series of murders connected to occult rituals. Robert Downey Jr. and Jude Law starred.

5 - Hidalgo

5. “Hidalgo” (2004) – Viggo Mortensen and Omar Sharif starred in Disney’s fictionalized, but entertaining account of long-distance rider Frank Hopkins’ participation in the Middle Eastern race “Ocean of Fire”. Joe Johnston directed.

6. “The Seven Per-Cent Solution” (1976) – Nicol Williamson, Robert Duvall and Alan Arkin starred in this very entertaining adaptation of Nicolas Meyer’s 1974 novel about Sherlock Holmes’ recovery from a cocaine addiction under Sigmund Freud’s supervision and his investigation of one of Freud’s kidnapped patients. Meyer directed the film.

Harvey Girls screenshot

7. “The Harvey Girls” (1946) – Judy Garland starred in this dazzling musical about the famous Harvey House waitresses of the late 19th century. Directed by George Sidney, the movie co-starred John Hodiak, Ray Bolger and Angela Landsbury.

6 - The Jungle Book

8. “Rudyard Kipling’s The Jungle Book” (1994) – Stephen Sommers directed this colorful adaptation of Rudyard Kipling’s 1894 collection of short stories about a human boy raised by animals in India’s jungles. Jason Scott Lee, Cary Elwes and Lena Headey starred.

7 - The League of Extraordinary Gentlemen

9. “The League of Extraordinary Gentlemen” (2003) – Sean Connery starred in this adaptation of Alan Moore and Kevin O’Neill’s first volume of his 1999-2000 comic book series about 19th century fictional characters who team up to investigate a series of terrorist attacks that threaten to lead Europe into a world war. Stephen Norrington directed.

8 - The Prestige

10. “The Prestige” (2006) – Christopher Nolan directed this fascinating adaptation of Christopher Priest’s 1995 novel about rival magicians in late Victorian England. Christian Bale, Hugh Jackman and Michael Caine starred.

10 - The Four Feathers 1939

Honorable Mention: “The Four Feathers” (1939) – Alexander Korda produced and Zoltan Korda directed this colorful adaptation of A.E.W. Mason’s 1902 novel about a recently resigned British officer accused of cowardice. John Clements, June Duprez and Ralph Richardson starred.

Favorite Films Set in the 1900s

Meet-Me-in-St-Louis-Trolley

Below is a list of my favorite movies (so far) that are set in the 1900s decade:

 

FAVORITE FILMS SET IN THE 1900s

1 - Howards End

1. “Howard’s End” (1992) – Ismail Merchant and James Ivory created this exquisite adaptation of E.M. Forster’s 1910 novel. The movie starred Oscar winner Emma Thompson, Anthony Hopkins, Helena Bonham-Carter, Samuel West and Oscar nominee Vanessa Redgrave.

2 - The Assassination Bureau

2. “The Assassination Bureau” (1969) – Oliver Reed, Diana Rigg and Telly Savalas starred in this delicious adaptation of Jack London’s unfinished novel about a woman journalist who uncovers an organization for professional assassins. Basil Dearden directed.

3 - A Room With a View

3. “A Room With a View” (1985-86) – Ismail Merchant and James Ivory created this excellent adaptation of E.M. Forster’s 1908 novel. The movie starred Helena Bonham-Carter, Julian Sands, Daniel Day-Lewis and Oscar nominees Maggie Smith and Denholm Elliot.

4 - Gigi

4. “Gigi” (1958) – Oscar winner Vincente Minelli directed this superb adaptation of Collette’s 1944 novella about a young Parisian girl being groomed to become a courtesan. Leslie Caron and Louis Jordan starred.

5 - The Illusionist

5. “The Illusionist” (2006) – Neil Burger directed this first-rate adaptation of Steven Millhauser’s short story, “Eisenheim the Illusionist”. The movie starred Edward Norton, Jessica Biel, Paul Giamatti and Rufus Sewell.

6 - The Great Race

6. “The Great Race” (1965) – Blake Edwards directed this hilarious comedy about a long-distance road race between two rival daredevils. The movie starred Jack Lemmon, Tony Curtis and Natalie Wood.

7 - Flame Over India aka North West Frontier

7. “Flame Over India aka North West Frontier” (1959) – Kenneth More and Lauren Bacall starred in this Imperial adventure about a British Army officer who serves as escort to a young Hindu prince being targeted by Muslim rebels. J. Lee Thompson directed.

8 - Meet Me in St. Louis

8. “Meet Me in St. Louis” (1944) – Judy Garland starred in this very entertaining adaptation of Sally Benson’s short stories about a St. Louis family around the time of the Louisiana Purchase Exposition World’s Fair in 1904. Vincente Minelli directed.

9 - The Golden Bowl

9. “The Golden Bowl” (2000) – Ismail Merchant and James Ivory created this interesting adaptation of Henry James’ 1904 novel about an adulterous affair in Edwardian England. The movie starred Uma Thurman, Nick Nolte, Kate Beckinsale and Jeremy Northam.

10 - North to Alaska

10. “North to Alaska” (1960) – John Wayne, Stewart Granger and Capucine starred in this surprisingly fun Western about how a mail-to-order bride nearly came between two partners during the Nome Gold Rush. Henry Hathaway directed.

Top Ten Favorite Movies Set in the 1910s

film-milestones-1910s

Below is my current list of favorite movies set in the 1910s:

TOP TEN FAVORITE MOVIES SET IN THE 1910s

1-Mary Poppins

1. “Mary Poppins” (1964) – Walt Disney personally produced this Oscar winning musical adaptation of P.L. Travers’ book series about a magical nanny who helps change the lives of a Edwardian family. Directed by Robert Stevenson, the movie starred Oscar winner Julie Andrews and Dick Van Dyke.

2-Those Magnificent Men in Their Flying Machines

2. “Those Magnificent Men in Their Flying Machines” (1965) – Ken Annakin directed this all-star comedy about a 1910 air race from London to Paris, sponsored by a newspaper magnate. Stuart Whitman, Sarah Miles, James Fox and Terry-Thomas starred.

3-Titanic

3. “Titanic” (1953) – Barbara Stanwyck and Clifton Webb starred in this melodrama about an estranged couple and their children sailing on the maiden voyage of the R.M.S. Titanic. Jean Negulesco directed.

4-Eight Men Out

4. “Eight Men Out” (1988) – John Sayles wrote and directed this account of Black Sox scandal, in which eight members of the Chicago White Sox conspired with gamblers to intentionally lose the 1919 World Series. John Cusack, David Strathairn and D.B. Sweeney starred.

5-A Night to Remember

5. “A Night to Remember” (1958) – Roy Ward Baker directed this adaptation of Walter Lord’s book about the sinking of the R.M.S. Titanic. Kenneth More starred.

6-The Shooting Party

6. “The Shooting Party” (1985) – Alan Bridges directed this adaptation of Isabel Colegate’s 1981 novel about a group of British aristocrats who have gathered for a shooting party on the eve of World War I. James Mason, Edward Fox, Dorothy Tutin and John Gielgud starred.

7-The Music Man

7. “The Music Man” (1962) – Robert Preston and Shirley Jones starred in this film adaptation of Meredith Wilson’s 1957 Broadway musical about a con man scamming a small Midwestern town into providing money for a marching band. Morton DaCosta directed.

8-My Fair Lady

8. “My Fair Lady” (1964) – Oscar winner George Cukor directed this Best Picture winner and adaptation of Alan Jay Lerner and Frederick Lowe’s 1956 Broadway musical about an Edwardian phonetics professor who sets out to transform a Cockney flower girl into a respected young lady to win a bet. Audrey Hepburn and Oscar winner Rex Harrison starred.

9-Paths of Glory

9. “Paths of Glory” (1957) – Stanley Kubrick directed this adaptation of Humphrey Cobb’s anti-war novel about a French Army officer who defends three soldiers who refused to participate in a suicidal attack during World War I. Kirk Douglas, Ralph Meeker, Adolphe Menjou and George Macready starred.

10-Somewhere in Time

10. “Somewhere in Time” (1980) – Jeannot Szwarc directed this adaptation of Richard Matheson’s 1975 time travel novel called “Bid Time Return”. Christopher Reeve, Jane Seymour and Christopher Plummer starred.

“HUGO” (2011) Review

 

“HUGO” (2011) Review

To the surprise of many, the top two contenders for Best Picture of 2011 featured on the history of film in the early 20th century. One of them was the Oscar winning “silent” film, “THE ARTIST”. The other turned out to be Martin Scorsese’s latest endeavor called “HUGO”

Based upon Brian Selznick’s 2008 novel, “The Invention of Hugo Cabret”“HUGO” told the story of a 12 year-old boy named Hugo Cabret, who lives with his widowed father, a clockmaker in 1931 Paris. Hugo’s father, who is a fan of Georges Méliès’s films, takes him to the theater on many occasions. When Hugo’s father dies in a museum fire, the boy is forced to live with his alcoholic Uncle Claude, who is also a watchmaker at the railway station, Gare Montparnasse. After teaching Hugo to maintain clocks, Claude disappears. His body is later found in the Seine River, drowned. Hugo lives between the walls of the railway station, maintaining clocks, stealing food and doing his best to avoid the attention of the tough stationmaster to avoid being shipped to a local orphanage.

He also becomes obsessed with repairing his father’s broken automaton – a mechanical man that writes with a pen. Convinced the automaton contains a message from his father, Hugo steals mechanical parts in order to repair the automaton. However, he is caught by a toy store owner, Papa Georges, who takes Hugo’s notebook from him, with notes and drawings for fixing the automaton. Hugo follows Georges home and befriends a girl close to his age named Isabelle and the latter’s goddaughter. When Hugo is finally able to repair the automaton, it produces a drawing straight from a Georges Méliès film. Thanks to the drawing and a film historian, Hugo and Isabelle discover that the latter’s godfather is the famous filmmaker, now financially strapped and forgotten.

When I first learned about “HUGO”, I heard that it was based upon a children’s book. And I found it unusual that Martin Scorsese would make a film for children. As it turned out, “HUGO” is more than just a story for children. It eventually turned out to be a peek into another chapter in film history, slowly focusing on the work of Georges Méliès, who was responsible for early silent films such as “A TRIP TO THE MOON” (1902) and “THE IMPOSSIBLE VOYAGE” (1904). I noticed that Scorsese utilized his usual formula in unfolding the movie’s plot. As in most of his other movies, he slowly introduced the characters – both major and minor – before setting up his plot. And while this formula worked in such films as “GOODFELLAS”“THE AGE OF INNOCENCE” and “CASINO”, it did not quite work for “HUGO”.

For me, “HUGO” suffered from two problems. One, the movie lingered just a bit too long on the introduction of all the characters – especially those who did not have any effect on Hugo’s situation or with the discovery . And because of this, the pacing in its first half dragged incredibly long. In fact, it dragged so long that I almost lost interest in finishing the film. It was not until Hugo managed to repair the automaton and continue his and his father’s love of films when life finally breathed into the film. From the moment the automaton produced the drawing of the moon from “A TRIP TO THE MOON”, I became increasingly interested in the film. “HUGO” soon became a interesting trip into the world of early Frenchfilmmaking. And it ended as a poignant story about how a boy’s love for his father and movies allowed a forgotten artist to be remembered by a new generation of filmgoers. I found myself practically on the verge of tears by the last frame.

If there was one aspect of “HUGO” that truly impressed me was the movie’s production design. Thanks to the legendary Dante Ferretti, it is truly one of the most beautiful looking films I have seen in the past few years. The movie’s visual style was enhanced by David Warren’s supervision of the movie’s art direction, and cinematographer Robert Richardson’s recreation of the Multicolor process – which he also used in the first half of “THE AVIATOR”. Although I was mildly impressed by Sandy Powell’s costume designs, it was Francesca Lo Schiavo’s set decorations, especially for the re-creation of the Gare Montparnasse station circa 1931, which really impressed me. In the end, the movie almost conveyed a Jules Verne visual style that I suspect seemed appropriate for a film about Georges Méliès. I could comment on Howard Shore’s score. But if I must be honest, I have no memories of it.

The film’s other real strength came from the cast led by young Asa Butterfield’s poignant portrayal of Hugo Calvert. He was ably supported by Chloë Grace Moretz, who gave a charming performance as Hugo’s friend Isabelle, and Helen McCrory’s skillful portrayal of Méliès’s supportive wife. Performers such as Ray Winstone, Jude Law, Michael Stuhlbarg, Emily Mortimer, Christopher Lee, Frances de la Tour and Richard Griffiths gave solid, yet brief performances. But aside from Butterfield, the most impressive performance came from Ben Kingsley, who was superb as Méliès. Kingsley conveyed every aspect of Méliès’s personality and life experiences. I am still astounded that he was never given any kind of acting nomination for his performance.

I cannot deny that “HUGO” is a very beautiful looking film. And I also cannot deny that I was mesmerized by the film’s second half – especially when it focused on Hugo and Isabelle’s discovery of Méliès’ past as a filmmaker. The movie also benefited from a first-rate cast and especially from superb performances from Asa Butterfield and Ben Kingsley. But Martin Scorsese tried to create a small epic out of a story that was part children’s tale/part film history. Which is why I believe“HUGO” fell short of becoming – at least in my eyes – one of the better movies of 2011.

“SHERLOCK HOLMES: A GAME OF SHADOWS” (2011) Review

“SHERLOCK HOLMES: A GAME OF SHADOWS” (2011) Review

Following the success of his 2009 movie, “SHERLOCK HOLMES”, Guy Ritchie returned to helm a sequel about 19th century detective Sherlock Holmes’ battle with his famous arch nemesis, Professor James Moriarty. Both Robert Downey Jr. and Jude Law reprise their roles of Holmes and Dr. John Watson. 

Loosely adapted from Arthur Conan Doyle’s 1893 short story called, “The Final Problem”“SHERLOCK HOLMES: A GAME OF SHADOWS” picks up sometime after the end of the 2009 movie. Thanks to Irene Adler’s disclosure of the master criminal, Sherlock Holmes has been investigating Moriarty’s activities. The latter brings him to the attention of Irene, who is still working as an agent for the professor. He follows Irene to an auction, where she delivers a package to a Dr. Hoffmanstahl as payment for a letter he was to deliver to Moriarty. The package holds not only money, but a bomb that would have killed Hoffmanstahl, if Holmes had not intervened. Unfortunately, Hoffmanstahl is assassinated upon leaving the auction house. And when Irene meets with Professor Moriarty to explain the events, he poisons her, deeming her compromised by her love for Holmes.

Holmes reveals to his friend and colleague, Dr. Watson, that Moriarty might be connected to a series of murders, terrorist attacks and business acquisitions. During Watson’s bachelor party, Holmes meets with the Gypsy fortune-teller Simza, the intended recipient of the letter he had taken from Adler. It was sent by Simza’s brother Rene, who has been working for Moriarty. Holmes defeats an assassin who had been sent to kill her. Later, Holmes meets with Moriarty after Watson’s wedding to Mary Morstan. Moriarty informs Holmes that he murdered Adler and will kill Watson and Mary if Holmes’ interference continues. After Holmes help Watson and Mary fight off attack by Moriarty’s men aboard a train during their honeymoon, the two men travel to Paris to find Simza. Their journey to Paris, Germany and Switzerland lead them to uncover a plot by Moriarty to instigate a world war and profit from it. This plot will be set off by an assassination at a peace conference in Switzerland.

Although the movie was a hit at the box office, it received mixed reviews from the critics. A good number of them and moviegoers claimed that although it was entertaining, it was not as good as the first movie. In my review of“SHERLOCK HOLMES”, I made it clear that I enjoyed it very much. And I still do. But after watching“SHERLOCK HOLMES: A GAME OF SHADOWS”, I realized that the villain’s plot featured in the first movie struck me as a little . . . illogical. Using the illusion of sorcery to assume control of the British Empire? James Moriarty’s plot to assume control of the arms market in Europe and instigate a world war for profit strikes me as a lot more logical. And James Moriarty made a scarier villain than Lord Blackwood.

Another advantage that this sequel has over the first film, was the change of location in the second half – from Paris to Germany and later, Switzerland. I loved it. The color, squalor and grandeur that production designer Sarah Greenwood, cinematographer Philippe Rousselot and the visual effects team created for Victorian London in“SHERLOCK HOLMES”, were not only re-created for the same setting in this new movie, but for also late 19th century Paris, Germany and Switzerland. My only quibble about the movie’s German setting is that Kieran and Michele Mulroney’s script failed to inform moviegoers the name of the German town where Holmes, Watson and Simza found themselves.

One outstanding sequence featured a gunfight between Holmes, Watson and Mary and Moriarty’s men, disguised as British Army troops. Not only did I find it very exciting, I especially enjoyed that last shot of a half-destroyed train racing forward, with Holmes and Watson staring ahead. But the real outstanding sequence featured the heroes’ flight from Moriarty’s German arsenal through heavy woods. Yes, Rousselot used slow motion photography during this sequence. A good number of people did complain about it. But you know what? Not only did it fail to bother me, I actually enjoyed it. And watching this sequence made me realize that I would love to see a war movie directed by Ritchie.

As in the first movie, the cast was outstanding. Rachel McAdams returned to give a beguiling, yet brief performance as the doomed Irene Adler. As much as I love this movie, I am PISSED OFF that Ritchie had her character killed. Paul Anderson was very effective as Moriarty’s henchman, villainous marksman Colonel Sebastian Moran. By the way, this same character was used by late author George MacDonald Fraser in two of his books, the 1971 novel “Flash For Freedom!” and the 1999 novella “Flashman and the Tiger”. Geraldine James made an amusingly brief appearance as Holmes’ beleaguered landlady, Mrs. Hudson. Stephen Fry gave a hilarious performance as Holmes’ equally brilliant and arrogant older brother, Mycroft. His scenes with Kelly Reilly especially had me in stitches. I was happy to see that Reilly had more to do in this movie, first as one of Moriarty’s intended victims, and later as an assistant to Mycroft, as they help Holmes and Watson stop the master criminal. I am a little mystified that Eddie Marsan maanged to receive such a high billing as Scotland Yard’s Inspector Lestrade in the end credits by only speaking one line.

Noomie Rapace was passionate in her portrayal of the Gypsy Simza, who is determined to prevent her brother from makingt the mistake of getting caught up in Moriarty’s plot. Jared Harris made a subtle and scary villain in his portrayal of Professor James Moriarty. At first, he did not seem that threatening – almost mild mannered. I supposed this was due to Ritchie and the Mulroneys’ decision to give the character a position in society as a reputable scholar within Europe’s diplomatic community. Bit by bit, Harris revealed Moriarty’s greed and penchant for sadism.

I am trying to find the words about Robert Downey Jr. and Jude Law’s portrayals of Sherlock Holmes and Dr. John Watson. I really am. But what can I say? I know . . . they were perfect. They really were. I am not claiming that they were the best to ever portray the two characters. Frankly, I cannot name any one screen team as the best to portray Holmes and Watson. Some might claim Basil Rathbone and Nigel Bruce. Others might claim Jeremy Brett and Edward Hardwicke, or the recent television pairing of Benedict Cumberbatch and Martin Freeman. I refuse to claim that Downey Jr. and Law were better than the other three teams. But I do not believe any of them were better than Downey Jr. and Law. What was their best scene together? Hmmm . . . I find I cannot name one particular scene. Every time they were together, they were magic.

Do I have any complaints about the movie? Well, I did not care for Irene Adler’s death, considering the character was a favorite of mine. I found the fight scene between Holmes and Irene’s bodyguards a bit confusing and contrived. I wish that Ritchie and the Mulrooney had clarified the name of the German town where Moriarty’s arsenal was located. And I finally wish that after the mental strategies of their upcoming fight on one of the balconies at Reichenbach Castle, Holmes and Moriarty’s actual fight had lasted a lot longer before the detective pulled his surprise move.

I believe I have said all I could about “SHERLOCK HOLMES: A GAME OF SHADOWS”. Even though I had a few complaints, I ended up enjoying the movie anyway. Hell, I loved it. The movie became my favorite 2011 movie. Although I had slight doubts, once again, Guy Ritchie, Robert Downey Jr. and Jude Law managed to create magic for another Sherlock Holmes adventure.

“THE LEAGUE OF EXTRAORDINARY GENTLEMEN” (2003) Review

 

league-of-extraordinary-movie-pic

 

“THE LEAGUE OF EXTRAORDINARY GENTLEMEN” (2003) Review

Comic novel writer Alan Moore must have a legion of fans to rival or maybe even surpass Marvel Comics icon, Stan Lee. I have noticed that whenever one of his comic creations is adapted as a motion picture, many of these fans seemed to crawl out of the woodworks to express their judgment on the finished film. This certainly proved to be the case for 2003’s “THE LEAGUE OF EXTRAORDINARY GENTLEMEN”

Based upon Moore’s comic series, “THE LEAGUE OF EXTRAORDINARY GENTLEMEN” followed the adventures of famous 19th century literary characters that became part of a league to stop a madman named the Fantom from starting and profiting from a major world war, during the summer of 1899. Among the members of the new League of Extraordinary Gentlemen are:

*Allan Quartermain, British big game hunter and explorer
*Captain Nemo, the Indian pirate/captain of the Nautilus and inventor
*The Invisible Man aka Rodney Skinner, invisible thief
*Mina Harker, British chemist/widow of Jonathan Harker and vampire
*Dorian Gray, British gentleman and immortal
*Dr. Henry Jekyll/Mr. Edward Hyde, British scientist/evil alter ego
*Tom Sawyer, American Secret Service agent

The story begins in the spring of 1899 with an attack upon the Bank of England by men dressed in German Army uniforms, using explosives and automated weapons. A month later, men dressed in British Army uniforms, attack a Zeppelin factory, using the same or similar weapons. Both the British and German Empires seemed to be on the verge of war. A British government emissary arrives in British East Africa to recruit the famous big game hunter and explorer Allan Quartermain to investigate. Quatermain expresses disinterest in the mission, until some armed men attack a gentleman’s club in order to assassinate him. Upon his arrival in London, Quartermain learns from his new boss, a mysterious government official named “M”, the latter’s plans to form a new version of the League of Extraordinary Gentlemen in order to thwart the war mongering plans of the Fantom. According to “M”, the Fantom plans to start a war and profit from it by blowing up Venice, Italy during its Festival.

While recruiting the immortal Dorian Gray at his home, the League is attacked by the Fantom and his men. During the attack, the League acquires a new member, an American Secret Service agent named Tom Sawyer. As the League sets out to recruit Dr. Henry Jekyll/Mr. Hyde in Paris and later for Venice aboard the Nautilus, Nemo’s submarine; they remain unaware that the Fantom’s plans to start a world war involves more than just blowing up a major city. His plans also involve acquiring and selling the League’s collective skills as weapons of war.

I have never read Alan Moore’s comic series. Nor do I have plans to read it. In fact, I have not laid eyes upon a comic book or novel since the age of nine. For me, comparing Moore’s story to the movie adaptation seemed irrelevant to me. But I can give an opinion of the movie. What did I think of it? Well, I had enjoyed it when I first saw it, eight years ago. And I still continue to enjoy it, whenever I view my DVD copy.

Mind you, “THE LEAGUE OF EXTRAORDINARY GENTLEMEN” was not perfect. One, I never understood the reasoning behind the Fantom’s attack upon the League members at Dorian Gray’s home . . . especially since he proved to be so interested in acquiring or stealing their skills/talents. My second problem concerned a certain invention created by Captain Nemo – namely an automobile. I realize that the movie was set in an alternate 1899. I also understand that Nemo’s character was supposed to be the creator of various inventions a’la Jules Verne. What I did not understand was how Tom Sawyer knew how to drive Nemo’s car throughout the streets of Venice at top speed, without any previous experience behind the wheel. Three, I found Quartermain’s description of American shooting (“buckaroo” that shoots too fast without any real accuracy) not only ludicrous, but false. Who on earth came up with this opinion in the first place? My father, who had been an expert shot in the military, immediately dismissed Quartermain’s description of American gunmanship, claiming that he had been taught to utilize patience for long distance shooting. My final beef has to do with Dan Laustsen’s photography for the movie’s exterior shots. Quite frankly, I found it unnecessarily dark. The only exterior scenes or shots that featured any bright light were the sequences set in British East Africa and aboard Captain Nemo’s submarine, the Nautilus, while above surface. All other exterior shots were either at night, in the rain or overcast. I have the deepest suspicion that all of this was done to save money on the exterior scenes.

However, despite my complaints or those by the fans were disappointed with the movie’s adaptation, I enjoyed“THE LEAGUE OF EXTRAORDINARY GENTLEMEN” very much. Hell, I saw it twice when it first reached the movie theaters, eight years ago. And the moment it was released on DVD, I immediately bought it. It may not have been the perfect adaptation of Alan Moore’s comic series, but I thought that it had a pretty damn good story, thanks to screenwriter James Dale Robinson.

One, I like stories about friends or colleagues that form a team to achieve a goal that involves a great deal of action. For me, “THE LEAGUE OF EXTRAORDINARY GENTLEMEN” is like a 19th century forerunner ofThe Justice League of America or The Avengers. And I have to give credit to Moore for coming up with the idea of using 19th century literary characters as members of the team and the story’s main villain. I found it very innovative. Many fans and critics had complained that with Sean Connery in the role of Allan Quartermain, the latter seemed to dominate the film. I agree that Connery’s Quartermain turned out to be the movie’s main character. But I do not agree that he dominated the movie. The other supporting characters were given a good number of chances to strut their stuff . . . so to speak. If anything, the movie seemed to have a strong, ensemble feel to it. This was especially apparent by the time the Nautilus reached Venice.

Speaking of Venice, the movie seemed to reach a turning point by the time the League reached it. During Nautilus’ voyage between Paris and Venice, the story showcased the numerous conflicts and jealousies that the team seemed to engage, as they became more acquainted with one another. But when forced to work together to foil the Fantom’s plans to destroy Venice, all conflicts were thrown aside and the League worked together as a very effective team. Venice also represented a major plot twist in the story. It is in Venice, when the League discovered a traitor within its midst . . . and the fact that they had been betrayed on a major scale by the Fantom. Personally, I found it to be one of the most satisfying aspects of the movie.

I read an article that Stephen Norrington had a great deal of trouble with Sean Connery and vowed to give up directing. Needless to say that despite the conflict between director and star, the latter gave one of his more poignant performances as the aging hunter who has become disenchanted with the British Empire, after his service to it has caused him so much loss. I was also impressed by Naseeruddin Shah’s portrayal of the intrepid Captain Nemo. He seemed to be the only member of the cast who seemed as commanding as Connery. I also enjoyed Peta Wilson’s performance as the sexy and intelligent vampire, Nina Harker. One of my favorite scenes featured her character’s surprising revelation that she was a vampire. Most people seemed to dismiss Shane West’s portrayal ofTom Sawyer, but I rather enjoyed it. He managed to create a strong chemistry with Connery, and I also found his quiet wit rather endearing. Tony Curran was a blast as Rodney Skinner, gentleman thief and the Invisible Man. He gave a hilarious performance and projected a lot of style for a character that was barely seen. Stuart Townsend seemed to be the epitome of degenerate style and sexuality as the immortal, Dorian Gray. He also had the good luck to spout some of the best lines in the movie. Richard Roxburgh gave an effectively quiet and intense performance as the man who created the League, the mysterious “M”. But as far as I am concerned Jason Flemyng had the best role in the movie as the morally conflicted Dr. Henry Jekyll and his alter ego, the ferocious, misshapen giant, Mr. Edward Hyde. I really enjoyed how he managed to slip back and forth between the two personalities. More importantly, Flemyng did an excellent job in incorporating Hyde’s darkness into Jekyll and the latter’s decency into Hyde with great ease. Well done.

Despite my complaints about Laustsen’s photography of the movie’s exterior shots, I must admit that he did a pretty good job in shooting the film. And Paul Rubell did a first-rate job with his editing – especially in the sequence that featured the League’s attack upon the Fantom’s lair at the Asiatic Artic. I also thought that Jason Barnett and his team did an excellent job in handling the makeup – especially for the Captain Nemo, the Invisible Man and Dr. Jekyll/Mr. Hyde characters. One last aspect of the movie that truly impressed me was Carol Spier’s production designs that nicely captured an alternate or Jules Verne-style take on the late Victorian Age. This was especially apparent in the interior designs for Nemo’s submarine, the Nautilus.

I could recommend that others keep an open mind in watching “THE LEAGUE OF EXTRAORDINARY GENTLEMEN”. Although it does not bear a close resemblance to Alan Moore’s comic series and I am not particularly fond of its dark exterior shots, I must admit that I was impressed by James Dale Robinson’s screenplay, the ensemble cast and some of the production designs. Considering what he had to work with – especially an allegedly difficult leading man – I think that director Stephen Norrington did a solid job in bringing it all together for what I believe to be a very entertaining movie.