“TERMINATOR: GENISYS” (2015) Review

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“TERMINATOR: GENISYS” (2015) Review

I have a confession to make. I am not a major fan of the “TERMINATOR” franchise. It has never been one of my favorite pop culture obsessions. In fact, I have never seen the “TERMINATOR: THE SARAH CONNOR CHRONICLES” television series, aside from two or three episodes. But I have seen all of the franchise’s movies, including its most recent one – “TERMINATOR: GENISYS”.

Directed by Alan Taylor (“THOR: THE DARK WORLD”), “TERMINATOR: GENISYS” seemed to be some kind of attempt to reboot the franchise’s main narrative. In other words, many fanboys believe that the 1991 film, “TERMINATOR 2: JUDGEMENT DAY” should have resolved the matter of whether Sarah and John Connor, along with the Terminator/T-800 (Model 101) cyborg, had permanently prevented Judgment Day (the date on which Skynet, an artificial intelligence general system, becomes self-aware and decides to exterminate mankind). In other words . . . there was no real need for the continuation of the franchise with 2004’s“TERMINATOR: RISE OF THE MACHINE” and 2009’s “TERMINATOR: SALVATION”. This is due to the virulent dislike of the two movies by many fans. But what these fans had failed to take consider is that director James Cameron had failed to resolve the matter and allowed the John Connor character to exist in the 1991 movie’s last reel. Producers David Ellison and Dana Goldberg must have realized this, along with screenwriters Laeta Kalogridis and Patrick Lussier. Or else there would have never been a movie like “TERMINATOR: GENISYS”.

What this recent film did was pretty much reset the entire movie franchise – more or less. “TERMINATOR: GENISYS” began with Human Resistance leader John Connor launching a final offensive against Skynet in 2029. Before the Resistance can win the battle, Skynet sends a T-800 Terminator back to 1984 to kill John’s mother, Sarah Connor. One of John’s aides, Kyle Reese, volunteers to travel back in time to stop the Terminator and save Sarah. This sounds very familiar, does it not? Guess what? The plot is about to get tricky. While floating in the time machine magnetic field, Kyle spots another Resistance soldier attacking John. He also has visions of his younger self back in 2017.

Upon its arrival in 1984, the Skynet T-800 is disabled by Sarah and the Guardian, a reprogrammed T-800 sent back to protect her when she was nine years old. Kyle eventually arrives and is immediately attacked by a T-1000. Kyle, along with Sarah and the Guardian, destroy the T-1000 using acid. Sarah and the Guardian also reveal they have constructed a makeshift time machine similar to the one constructed by Skynet. Sarah plans to travel forward to 1997 – allegedly, the year Skynet becomes self-aware. Realizing the timeline has been altered, Kyle is convinced that the future has changed due to the warning he had received in his vision. He persuades Sarah to travel to 2017 with him in order to stop Skynet. But in that year, a surprise awaits the trio in the form of John Connor, who had been transformed into a Terminator by the physical embodiment of Skynet, the Resistance solider who had attacked him during Kyle’s journey to the past.

I did like “TERMINATOR: GENISYS”. Honestly, I did. But if I must be brutally frank, the movie’s producers should have dragged the screenwriters out of bed and shot them for creating such a mucked up screenplay. I have not seen this many plot holes in a movie since 2009’s “STAR TREK”. It was a mess. First of all, Kalogridis and Lussier arrogantly ignored “TERMINATOR 3: RISE OF THE MACHINES” by originally stating that Judgment Day happened in 1997. It was supposed to happen two years after the setting for the second film (1995), but Sarah, John and the first Terminator guardian prevented this from happening in“TERMINATOR 2: JUDGMENT DAY”. The screenwriters forgot this. They also forgot or ignored that Judgment Day actually happened in 2004. They also decided to ignore the fact that John was married to Kate Brewster by 2029. She was no where to be found. Although Kyle Reese originally did travel from 2029, the Resistance did not launch its final offensive against Skynet until 2032. And as a slap in the face against the fourth film, “TERMINATOR: SALVATION”, the movie featured Kyle Reese as a boy between the ages of 10 to 13 or 14. In the 2009 film, Kyle was in his late teens – probably 17 years old . . . in 2018. I can only assume that the screenwriters (and possibly the producers) wanted to ignore what happened in the third and fourth films. And yet . . . they managed to ignore what happened at the end of the “highly acclaimed” second film, as well. To make matters even more confusing, John Connor was sporting a scar that he had acquired from a Terminator . . . in “TERMINATOR: SALVATION”. Go figure.

Another matter in the script that I found confusing was the vision that Kyle had received from his childhood. How did he know that the warning about Genisys had something to do with Skynet . . . or that Genisys was the beginning form of Skynet? How did he know that they had to go back to the year 2017? To that exact year? And there is the matter of “the Guardian”. I am speaking of the original Terminator T-800 who had been sent back to the 1970s to save and protect a very young Sarah Connor. This happens to be one of the movie’s major plot twists, since it never happened in any of the previous four films. The problem is that the movie never revealed who had sent the T-800 back to the 1970s. And how did Sarah spend the rest of her childhood, being raised by an emotionless (back then) cyborg? This movie opened a new can of worms that demanded its own movie.

In “TERMINATOR 2”, the Myles Dyson character (creator of Skynet) was killed by members of a SWAT team in 1995, while he and the Connors were breaking into Cyberdyne. If Sarah and Kyle’s time jump erased the events of “TERMINATOR 2”, this would explain Miles Dyson’s appearance in this film. Frankly, I wish he had stayed dead, because Courtney B. Vance, who portrayed Dyson, was literally wasted in this film. And the movie allowed Dyson’s son Danny, who was portrayed by Dayo Okeniyi, to be the force behind Genisys. And if this time jump allowed Dyson to remain alive, it probably erased the events of the 2004 and 2009 movies . . . along with the events of the second half of “THE TERMINATOR”. Which means . . . John Connor should have ceased to exist by the second half of “TERMINATOR: GENISYS”. Some fans claim that John’s father was the guy Sarah had been dating before she met Kyle in the 1984 movie. But . . . considering the change of events (namely Sarah spending the rest of her childhood, adolescence and early adulthood with the Guardian), I guess that never happened. And since she and Kyle time jumped before they could conceive John in that motel room . . . why did he still exist in the movie’s second half?

By this time, one might be wondering why I liked this movie in the first place. Because I do like it. “TERMINATOR: GENISYS”was filled with some memorable moments. I could not help but smile at the re-creation of Kyle’s journey from the early 21st century to 1984. I also found the details surrounding Sarah and Kyle’s journey to 2017 also amusing. In the TERMINATOR universe, one has to strip naked before making a time jump. Watching Sarah and Kyle squirm with discomfort as they strip and prepare for their time jump, was quite enjoyable to watch. It seemed very obvious they were attracted to each other, yet seemed bent upon denying their attraction. This attraction between Sarah and Kyle proved to be one of my favorite aspects of “TERMINATOR: GENISYS”. In fact, I found the interactions between Emilia Clarke and Jai Courtney more fun to watch than those between Linda Hamilton and Michael Biehn, who portrayed the same roles in the first film. It struck me as emotionally more complex and heated. And when the Guardian’s character was thrown into the mix, the relationship between all three made this film very bearable and at times, rather fun. This was especially due to a surprisingly lively performance by Arnold Schwarzenegger. I might as well be frank. For me, the movie’s highlight proved to be the relationship between the Guardian, Sarah Connor and Kyle Reese.

However, “TERMINATOR: GENISYS” had its share of some first-rate action sequences. I thought Alan Taylor did a well done re-creation of Kyle’s original jump back into time. This became even more effective when the re-creation took a left turn with the appearance of a more militant Sarah and the Guardian. I also enjoyed the trio’s encounter with the T-1000 (in the form of actor Lee Byung-hun) in 1984. And dealing with both the San Francisco Police in 2017 and the Terminator T-3000 (especially on the Golden Gate Bridge) proved to be quite exhilarating to watch.

I might as well be frank. “TERMINATOR: GENISYS” is not a perfect movie. I would not even regard it as a decent movie. It had too many plot holes for me to be comfortable with. And the movie struck me as an extremely clumsy way to reboot the franchise. As far as I am concerned the producers and screenwriters should have continued the franchise’s narrative from where“TERMINATOR: SALVATION” left off. But thanks to some action sequences well shot by director Alan Taylor and the dynamic screen chemistry between Arnold Schwarzenegger, Emilia Clarke and Jai Courtney; I still managed to enjoy the film. Go figure.

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Ranking of Movies Seen During Summer 2015

Usually I would list my ten favorite summer movies of any particular year. However, I only watched ten new releases during the summer of 2015. Due to the limited number, I decided to rank the films that I saw:

 

 

RANKING OF MOVIES SEEN DURING SUMMER 2015

1. “Jurassic World” – In the fourth movie for the JURASSIC PARK franchise, a new dinosaur created for the Jurassic World theme park goes amok and creates havoc. Directed by Colin Trevorrow, the movie starred Chris Pratt and Bryce Dallas Howard.

 

 

2. “Ant-Man” – Convicted thief Scott Lang is recruited to become Ant-Man for a heist in this new entry in the Marvel Cinematic Universe. Directed by Peyton Reed, Paul Rudd, Evangeline Lily and Michael Douglas starred.

 

 

3. “The Man From U.N.C.L.E.” – Guy Ritchie directed this adaptation of the 1964-1968 television series about agents for the C.I.A. and KGB working together to fight neo-Nazis in the early 1960s. Armie Hammer, Henry Cavill and Alicia Vikander starred.

 

 

4. “Tomorrowland” – Brad Bird directed this imaginative tale about a a former boy-genius inventor and a scientifically inclined adolescent girl’s search for a special realm where ingenuity is encouraged. George Clooney, Britt Robertson and Hugh Laurie starred.

 

 

5. “The Avengers: Age of Ultron” – Earth’s Mightiest Heroes are forced to prevent an artificial intelligence created by Tony Stark and Bruce Banner from destroying mankind. Joss Whedon wrote and directed this second AVENGERS film.

 

 

6. “Mission: Impossible – Rogue Nation” – Tom Cruise starred in this fifth entry in the MISSION: IMPOSSIBLE” film franchise about Ethan Hunt’s efforts to find and destroy a rogue intelligence organization engaged in terrorist activities.

 

 

7. “Mr. Holmes” – Ian McKellen starred in this adaptation of Mitch Cullin’s 2005 novel about the aging Sherlock Holmes’ efforts to recall his last case. Directed by Bill Condon, Laura Linney and Milo Parker co-starred.

 

 

8. “Fantastic Four” – Josh Trank directed this reboot of the Marvel comics series about four young people whose physical form is altered after they teleport to an alternate and dangerous universe. Miles Teller, Kate Mara, Michael B. Jordan and Jamie Bell starred.

 

 

9. “Entourage” – Doug Ellin wrote and directed this fluffy continuation of the 2004-2011 HBO series about a movie star and his group of friends dealing with a new project. Kevin Connolly, Adrian Grenier, Kevin Dillon, Jerry Ferrara and Jeremy Piven starred.

 

 

10. “Terminator: Genisys” – Alan Taylor directed this fifth movie in the TERMINATOR franchise, an unexpected turn of events creates a fractured timeline when Resistance fighter Kyle Reese goes back to 1984 in order to prevent the death of leader John Connor’s mother. Arnold Schwartzenegger, Emilia Clarke, Jai Courtney and Jason Clarke starred.

“TOTAL RECALL” (2012) Review

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“TOTAL RECALL” (2012) Review

Twenty-two years ago, moviegoers rushed to see a movie called “TOTAL RECALL”, an adaptation of Philip K. Dick’s 1966 novella called “We Can Remember It for You Wholesale”. Directed by Paul Verhoeven, the 1990 movie starred Arnold Schwartzenegger and was a big hit.

Two decades passed before Hollywood tackled the 1964 novella for the second time. Still called “TOTAL RECALL”, this new adaptation was directed by Len Wiseman. It starred Golden Globe winner Colin Farrell in the role of amnesiac Doug Quaid. The movie has not been as well received as the 1990 movie. And it barely went into the black. But surprisingly, at least for me, I discovered that I prefer it over Verhoeven’s version.

“TOTAL RECALL” begins at the end of the 21st century. Earth has been devastated by chemical warfare and only two habitable territories exist – the United Federation of Britain (formerly Great Britain) and the Colony (formerly Australia). The UFB is a haven for humanity’s elite and white-collar employees. The less affluent population reside in the Colony, yet have low paying jobs in the UFB. They have to travel there to work in the elite’s factories via “the Fall”, a gravity elevator, which travels through the Earth. Habitable space is at a minimum in both the UFB and the Colony.

A disenchanted factory worker named Doug Quaid is convinced by a co-worker to visit Rekall, a company that implants artificial memories. Rekall’s manager, McClane, convinces Quaid to be implanted with memories of a secret agent. But when the latter is tested to avoid having implanted memories conflicting with real memories, McClane discovers that Quaid has real memories of being a spy. McClane and his co-workers are killed by a SWAT team and Quaid instinctively reacts by killing the officers before his escape. When Quaid returns home to his wife Lori, she tries to kill him before revealing that she is not his wife of seven years, but an undercover UFB agent who has been monitoring him for the past six weeks. Quaid manages to escape and with some help and funds, make his way to the UFB to learn about his true identity. Quaid meets old girlfriend Melina upon his arrival and eventually discovers that his name is Carl Hauser, an agent who works for UFB Chancellor Vilos Cohaagen. Quaid had defected to the Resistance movement against Cohaagen’s rule, became Melina’s lover and was later was captured by the UFB and implanted with false memories. Quaid also learns from a recording left by him at his apartment that Cohaagen plans to use the synthetic police force to invade the Colony and kill its inhabitants in order to provide more living space for UFB.

I am sure that many are either surprised, appalled or both by my earlier declaration that I preferred this version of Dick’s novella over Paul Verhoeven. I stand by my word. But that does not mean that I believe Wiseman’s version was perfect. One, the movie lacked Verhoeven’s style and humor. Two, despite some changes in setting, characterization and plot; the movie’s story is a little too close to the 1990 movie for my tastes. I do wish that the screenplay written by Kurt Wimmer and Mark Bomback had been a little more original. And unlike the memorable fight scene between Sharon Stone and Rachel Ticotin, I was not that impressed by the one between Jessica Biel and Kate Beckinsale. It seemed a bit . . . confusing. I love Bryan Cranston as an actor. I have been a fan of his since I first saw him in “MALCOLM IN THE MIDDLE”. But I was not impressed by his portrayal of main villain Vilos Cohaagen. I found it a little hammy. Now Cranston can be hammy and funny at the same time. But hammy and serious? Uh . . . sorry. It just did not work for me. And I found it disappointing that an actor who won three consecutive Emmys for portraying a school teacher-turned-drug lord resorted to such theatrics in this particular movie.

Despite its flaws, I still managed to enjoy “TOTAL RECALL”. And I will tell you why I enjoyed it more than the 1990 movie. Wiseman’s direction may have lacked Verhoeven’s style and humor. Fortunately, he also lacked Verhoeven’s penchant for over-the-top violence . . . the kind that makes me want to close my eyes.  And I . . . am a fan of action films. Unlike the 1990 film, I was not distracted from the story by extreme violence, a trip to a very unimpressive Mars and mutants. Also, I found Farrell’s first fight scene with Kate Beckinsale – who portrayed his fake wife Lori – very impressive. The idea of Sharon Stone fighting muscle man Schwartzenegger was hard to swallow when I first saw Verhoeven’s film. And I still find it difficult.

The political and economical overtones of “TOTAL RECALL” strongly resonated within me. It made sense to me that the great distance between the rich and poor existed with such extremity by the end of the 21st century, considering our current economic state. In a way, the setting of “TOTAL RECALL” reminded me of last year’s “IN TIME”. But this movie benefited from a more solid script than the 2011 movie.

“TOTAL RECALL” also benefited from first-rate performances by the cast. Yes, I had a problem with Bryan Cranston as the main villain, Cohaagen. But I certainly cannot say the same about the rest of the cast. Colin Farrell, in his own way, can be just as effective as Schwartzenegger, as an action hero. But, he can also act rings around the latter. He certainly proved this in his portrayal of Doug Quaid/Carl Hauser. Jessica Biel not only projected a shining idealism in her portrayal of Resistance fighter, Melina; she also proved to be just as effective in action as Farrell. Kate Beckinsale nearly blew my mind as the ruthless UFB agent Lori. She re-created two roles from the 1990 movies – those portrayed by Sharon Stone as the fake wife and Michael Ironside, who portrayed Cohaagen’s chief lieutenant, Ritcher – and put her own delicious and twisted spin on them. Bokeem Woodbine, whom I have not seen in years – portrayed Doug’s “best friend” Harry. I have to say that he gave probably the most subtle performance in the movie. And it is a pity that he was not on the screen longer. The movie also featured brief, yet solid appearances from the likes of John Cho, Bill Nighy and Will Yun Lee.

It is a pity that “TOTAL RECALL” did not fare that well at the box. I guess it was unable to overcome the shadow of Paul Verhoeven’s 1990 movie. Which is too bad, because I believe that in its own way, it was just as entertaining . . . and flawed as the earlier version. Well . . . at least I have a future DVD copy of it to look forward and enjoy.

“TERMINATOR 3: RISE OF THE MACHINES” (2003) Review

“TERMINATOR 3: RISE OF THE MACHINES” (2003) Review

There are times when it seems to me that the third entry in the “TERMINATOR” franchise is regarded as nothing more than an afterthought with the fans. Whereas the first two movies are regarded as masterpieces and the fourth movie is regarded as a showpiece for actor Sam Worthington and the scene for star Christian Bale’s behind-the-camera rant.

“TERMINATOR 3: RISE OF THE MACHINES” is set at least a decade after the events of the 1991 movie. John Connor, now a young man around twenty, has been off the grid for a few years, drifting from one area to another, while taking on the occasional odd job. Because of this, Skynet – the self-aware, artificially intelligent system that became humanity’s enemy – has been unable to locate him during this time period. Instead, Skynet focuses its attention upon John’s future lieutenants, including a young veterinarian assistant named Kate Brewster. Skynet sends a more sophisticated cyborg assassin named T-X back to the early 21st century to kill Kate and John’s other lieutenants. Unbeknownst to Skynet, the Resistance sends back another reprogrammed T-850 Terminator cyborg to the same era to assist John and Katherine . . . and keep them alive.

”TERMINATOR 3: RISE OF THE MACHINES” pretty much followed the same formula that dominated the first two films. In all three movies, Skynet sends a cyborg back to the past to prevent John Connor from becoming the Resistance’s future leader. And in the second and third movies, the Resistance sends a reprogrammed cyborg to save John. But there are some minor differences in this third film. One, ”TERMINATOR 3” marked the first time that James Cameron did not participate in the production of one of the franchise’s film. And two, this movie also marked the first time that Sarah Connor was not a major character. Due to Cameron’s lack of participation in the film and because Jonathan Mostow was hired to direct, ”TERMINATOR 3” has not been highly regarded by film critics and moviegoers alike. In fact, this movie did a lot better overseas than it did in the U.S.

I can see how this film had acquired such a lackluster reputation after viewing the movie’s first fifteen to twenty minutes. The movie’s early period seemed filled with scenes that struck me as sophomoric and cheap. John Connor struck me as a melancholic slacker for whom I found difficult to harbor any symphathy, let alone interest. The arrivals of both the T-850 and the T-X came off as rather silly. The T-850 arrived at a stripper bar for women, where he stole some clothes from an effeminate male stripper. And after killing a woman and stealing her clothes and car, the T-X encountered a cop and resorted to inflating her cleavage in order to distract him. Mind you, the scene featuring the T-850 at the stripper bar struck me as mildly amusing. But I was not amused by watching the T-X inflate her bust in order to vamp a cop. It was ridiculous and slightly insulting. After saving Kate from the T-X, the T-850 and John get involved in an over-the-top car chase that featured a loud and aggressive truck driver that struck me as more obnoxious than funny. However, once the car chase ended, Mostow’s direction, along with John Brancato and Michael Ferris’s screenplay, elevated ”TERMINATOR 3” into something truly worthwhile.

The T-850 led both John and Sarah to a cemetery, where they found a cache of weapons that had been stored by Sarah Connor. Audiences also learned that poor Sarah had contracted leukemia before succumbing rather quickly. The T-850 also revealed that Judgment Day – originally thought to commence on August 29, 1997 – was scheduled to begin within a few hours (on July 24, 2004). Apparently, the U.S. Air Force took control of Cyberdyne Systems and the Skynet project, following the events in ”TERMINATOR 2: JUDGMENT DAY”. And the Skynet project is being headed by Kate’s father, Lieutenant General Robert Brewster. Not only did the cast’s performance improved greatly following the movie’s Act I, the movie’s plot acquired a sense of both urgency and pathos, as John, Kate and T-850 raced to prevent Judgment Day. Their efforts led to an exciting, yet horrifying bloodbath initiated by the T-X at Cyberdyne System’s new location, and a few tragic moments that allowed ”TERMINATOR 3” to have the best – in my opinion – ending in the entire franchise.

Arnold Schwarzenegger returned to portray the new T-850 cyborg sent to protect John Connor and Kate Brewster. I was amazed to see that he managed to create a second new twist on the T-850 character. In ”THE TERMINATOR”, his cyborg was nothing more than a relentless killing machine. In the 1991 movie, his T-850 seemed childishly thrilled by the slang and rituals taught to him by a young John Connor. But his T-850 in ”TERMINATOR 3” is not the same being that John knew as a boy. Schwarzenegger’s T-850 is a no-nonsense mentor who is exasperated by John and Kate’s unwillingness to consider the possibility that there are some events in time that one cannot change. I had feared that this new T-850 would be a rehash of the one featured in”TERMINATOR 2” and was happily surprised that it did not.

As I had stated earlier in this review, I was not impressed by the early portrayal of John Connor in this movie. I could blame actor Nick Stahl, but I now realize that the lackluster quality of the character is not his fault. He was simply doing his job and portraying John as the script demanded. I understand John’s mental ennui, considering his situation. But it bored me. Thankfully, the revelation of a possible new Judgment Day lit a fire under John and Stahl did a superb job in infusing all of the fire and desperation into his character. And by the end of the film, he gave what I believe was possible the finest moment in the entire movie – let alone in the entire franchise – when his character learned a powerful lesson. I am also grateful that Stahl managed to create a strong screen chemistry with Claire Danes. The latter portrayed Kate Brewster, the feisty veterinarian assistant, who finds herself swept up the chaos caused by the two time traveling cyborgs and the threat to humanity’s future. She was very skillful in conveying Kate’s outrage and confusion over the events that threatened to overtake her. At one point in the film, John compared Kate to his late mother. Personally, I never saw the resemblance. Although Kate seemed as strong-willed as Sarah Connor, I got the impression that she was a different character altogether. Although emotional, Danes’ Kate seemed more level-headed . . . and a lot saner.

There were other performances that impressed me. It was nice to see Earl Boen again, who reprised his role as the criminal psychologist, Dr. Peter Silberman, for the second time. He had a rather nice scene in which his Dr. Silberman tried to comfort Kate after she has witnessed the acts of the T-X. And for once, he seemed to consider that what he had witnessed in the past might be real. Dave Andrews gave a solid performance as Lieutenant General Robert Brewster, Kate’s father. Thanks to Andrews’ performance, one could see from whom Kate had inherited her level-headed personality. And he also managed to skillfully convey a sense of horror over the implications of Skynet’s threat to humanity. I have noticed that the more dangerous the cyborg in this franchise, the smaller it seemed to be. The cyborgs have ranged from the tall and hulking body-builder Schwartzenegger, to the slim and athletic looking Robert Patrick in the second film, to the very feminine Kristanna Loken. And thanks to her performance, Loken managed to convey all of the menace and danger of a relentless killer with very few lines, just as effectively as Schwartzenegger and Patrick before her.

I realize that ”TERMINATOR 3: RISE OF THE MACHINES” will never overcome its low reputation with many film critics and movie fans. All one has to do is watch the first fifteen to twenty mintues and be tempted to watch another movie . . . or walk out of the movie theater. I know I was tempted to do the latter, when I first saw this film. But once ”TERMINATOR 3” got past that silly nonsense; it turned out to be an exciting movie with an ending filled with a level of pathos that the other three movies never reached. In the end, I believe it was worthwhile.

“AROUND THE WORLD IN 80 DAYS” (2004) Review

Below is my review of Disney’s 2004 adaptation of Jules Verne’s novel called “AROUND THE WORLD IN 80 DAYS”

 

“AROUND THE WORLD IN 80 DAYS” (2004) Review

The year 2004 marked the umpteenth time that an adaptation of Jules Verne’s travelogue movie, ”Around the World in Eighty Days” hit the movie screen. Well . . . actually, the fifth time. Released by Disney Studios and directed by Frank Coraci, this adaptation starred Jackie Chan, Steve Coogan, Cécile de France, Ewan Bremmer and Jim Broadbent.

This adaptation of Verne’s novel started on a different note. It opened with a Chinese man named Xau Ling (Jackie Chan) robbing a precious statuette called the Jade Buddha from the Bank of England. Ling managed to evade the police by hiding out at the home of an English inventor named Phileas Fogg (Steve Coogan). To keep the latter from turning him in to the police, Ling pretends to be a French-born national named Passepartout, seeking work as a valet. After Fogg hired “Passepartout”, he clashed with various members of the Royal Academy of Science, including its bombastic member Lord Kelvin (Jim Broadbent). Kelvin expressed his belief that everything worth discovering has already been discovered and there is no need for further progress. The pair also discussed the bank robbery and in a blind rage, Phileas declared that that the thief could be in China in little over a month, which interests “Passepartout”. Kelvin pressured Phileas Fogg into a bet to see whether it would be possible, as his calculations say, to travel around the world in 80 days. If Fogg wins, he would become Minister of Science in Lord Kelvin’s place; if not, he would have to tear down his lab and never invent anything again. Unbeknownst to both Fogg and “Passepartout”, Kelvin recruited a corrupt London police detective named Inspector Fix to prevent the pair from completing their world journey. However, upon their arrival in Paris, they met an ambitious artist named Monique Larouche (Cécile de France), who decides to accompany them on their journey. Ling also became aware of warriors under the command of a female warlord named General Fang (Karen Mok), who also happens to be an ally of Lord Kelvin.

I might as well make this short. ”AROUND THE WORLD IN 80 DAYS” did not do well at the box. In fact, it bombed. In a way, one could see why. In compare to the 1956 and 1989 versions, it took a lot more liberties with Verne’s original story. Phileas Fogg is portrayed as an eccentric inventor, instead of a Victorian gentleman of leisure. He takes on a bet with a rival member of the Royal Academy of Science, instead of members of the Reform Club. Passepartout is actually a Chinese warrior for an order of martial arts masters trying to protect his village. Princess Aouda has become a cheeky French would-be artist named Monique. And Inspector Fix has become a corrupt member of the London Police hired by the venal aristocrat Lord Kelvin to prevent Fogg from winning his bet. Fogg, Passepartout and Monique traveled to the Middle East by the Orient Express, with a stop in Turkey. Their journey also included a long stop at Ling’s village in China, where Fogg learned about Ling’s deception.

Some of the comedy – especially those scenes involving Fix’s attempts to arrest Fogg – came off as too broad and not very funny. Also, this adaptation of Verne’s tale was not presented as some kind of travelogue epic – as in the case of the 1956 and 1989 versions. The movie made short cuts by presenting Ling and Fogg’s journey through the use of day-glow animation created by an art direction team supervised by Gary Freeman. Frankly, I thought it looked slightly cheap. I really could have done without the main characters’ stop in Turkey, where Monique almost became Prince Hapi’s (Arnold Schwarzenegger) seventh wife. It slowed down the story and it lacked any humor, whatsoever. I am a major fan of Jim Broadbent, but I must admit that last scene which featured his rant against Fogg and Queen Victoria on the steps of the Royal Academy of Science started out humorous and eventually became cringe-worthy. Poor man. He deserved better.

Did I like ”AROUND THE WORLD IN 80 DAYS”? Actually, I did. I found it surprisingly entertaining, despite its shortcomings. Jackie Chan and Steve Coogan made a rather funny screen team as the resourceful and clever Ling who had to deceive the slightly arrogant and uptight Fogg in order to quickly reach China. Cécile de France turned out to be a delightful addition to Chan and Coogan’s screen chemistry as the coquettish Monique, who added a great deal of spark to Fogg’s life. Granted, I had some complaints about Broadbent’s performance in his last scene. Yet, he otherwise gave a funny performance as the power-hungry and venal Lord Kelvin. It was rare to see him portray an outright villain. And although I found most of Bremmer’s scenes hard to take (I am not that big of a fan of slapstick humor), I must admit that two of his scenes left me in stitches – his attempt to arrest Ling and Fogg in India and his revelations of Lord Kelvin’s actions on the Royal Academy of Science steps.

There were many moments in David N. Titcher, David Benullo, and David Goldstein’s script that I actually enjoyed. One, I really enjoyed the entire sequence in Paris that featured Ling and Fogg’s meeting with Monique and also Ling’s encounter with some of General Fang’s warriors. Not only did it featured some top notch action; humorous performances by Chan, Coogan and de France; and colorful photography by Phil Meheux. Another first-rate sequence featured the globe-trotting travelers’ arrival at Ling’s village in China. The action in this sequence was even better thanks to the fight choreography supervised by Chan and stunt/action coordinator Chung Chi Li. It also had excellent characterization thanks to the screenwriters and the actors. One particular scene had me laughing. It featured Coogan and the two actors portraying Ling’s parents during a drunken luncheon for the travelers.

I wish I could say that this version of ”AROUND THE WORLD IN 80 DAYS” is the best I have seen. But I would be lying by making such a statement. To be honest, all three versions I have seen are flawed in their own ways. This version is probably more flawed than the others. But . . . I still managed to enjoy myself watching it. The movie can boast some first-rate performances from the cast – especially Jackie Chan, Steve Coogan and Cécile de France. And it also featured some kick-ass action scenes in at least three major sequences. Thankfully, it was not a complete waste.

“TERMINATOR SALVATION” (2009) Review

Below is my review of the fourth installment of the TERMINATOR franchise – “TERMINATOR SALVATION”:

”TERMINATOR SALVATION”  (2009) Review

For some particular reason, I have never been in the habit of anticipating a movie from the ”TERMINATOR” franchise. I never saw ”THE TERMINATOR” (1984) or ”TERMINATOR 2: JUDGEMENT DAY” (1991) in the theaters. Not that I really cared, since I never did make the effort to go see either movie. I had to be dragged to the theater to see ”TERMINATOR 3: RISE OF THE MACHINES” (2003). And as for the latest installment in the franchise, ”TERMINATOR SALVATION” – again, I had to be dragged to the theater. Yet, every time I have seen any of these films, I end up enjoying them. Or being intrigued by them – including this latest film.

Directed by McG, who was responsible for the two ”CHARLIE’S ANGELS” movies and “WE ARE MARSHALL”, ”TERMINATOR SALVATION” told the struggles of Resistance leader John Connor during the war between humanity and Skynet – the artificial intelligence system that became self aware and revolted against its human creators – in the year 2018. For the first time, a movie in the ”TERMINATOR” franchise did not feature the time travel of one or two of its characters. The movie not only revealed how John Connor first met his father – the teenaged and future time traveler, Kyle Reese, it also focused on how a death row inmate named Marcus Wright had signed over his body to Cyberdyne Systems and ended up being used as a model for the T-800 Model 101 Terminator and to lure Connor to Skynet. The movie starred Christian Bale as John Connor; Sam Worthington as Marcus Wright; Moon Bloodgood as Blair Williams, a Resistance pilot who falls for Marcus; Anton Yelchin as the teenaged Kyle Reese; Byrce Howard Dallas as Kate Brewster Connor, John’s wife; Common as Barnes, Connor’s second-in-command; Jadagrace Berry as Star, Kyle’s nine year-old mute companion; Helena Bonham-Carter as Dr. Dr. Serena Kogan, the cancer-ridden Cyberdyne scientist who had convinced Marcus to donate his body before Judgment Day; and Linda Hamilton as the voice of Sarah Connor.

As far as I know, the movie has received mixed reviews from both the critics and moviegoers. How do I feel about ”TERMINATOR SALVATION”? Well . . . it was not perfect. First of all, singer-turned-actor Common seemed incapable of acting worth a damn in this film. Which I found surprising, considering how impressed I had been by his performances in movies like ”SMOKIN ACES” (2007) and ”STREET KINGS” (2008). It could be that McG might be one of those directors incapable of handling actors with little experience. Another problem I had with the movie was Conrad Buff’s editing. In fact, I have been complaining about the editing in a good number of movie during this past year. I am beginning to wonder if the new and cheap editing style created by Christopher Rouse for the last two ”BOURNE” movies seemed to be getting very popular in the movie industry, these day. And, quite frankly, I found Jane Alexander’s presence in the film as another Resistance leader named Virginia to be a complete waste of time. Aside from a few lines in the movie, she barely said a word. Another problem I had centered around John Connor’s inability to remember that two previous T-800 Terminators had saved his life in the past. Instead, the only thing remembered from his first meeting with Marcus Wright was that the latter reminded him of the cyborg who tried to kill his mother, Sarah, in 1984. I had posted this complaint on one of the movie’s blogs and was told that it was possible that fifteen years of fighting machines may have eroded John’s memories. Hmmm . . . perhaps. However, I am still slightly uneasy about it.

One last complaint – namely the ending. Many fans have been complaining that the filmmakers did not stick with the original ending that called for John Connor to die and for his command to have his skin grafted upon Marcus Wright’s body in order to continue the Resistance. But when the ending was leaked on the Internet, the screenwriters created a new ending. First of all, I thank God for the person who had leaked the original ending, because I hate it. If that had been the ending shown in the theaters, I would have been tempted to throw my shoe at the movie screen. Yes, I hate it that much. Now, I like the new ending. I like it a hell of a lot more than the original ending. But . . . I feel that director McG or screenwriters John Brancato and Michael Ferris had rushed it a bit. I feel that it could have been better paced.

Okay. Despite my complaints, I discovered that I liked the movie . . . a lot. Like I did the three previous ”TERMINATOR” movies. Brancato and Ferris’ screenplay for this new installment is quite different from the three previous ones in which no one character had traveled back in time to protect a member of the Connor family. For once, Arnold “the Govenator” Schwarzenegger did not appear in the movie as a major character. And ”TERMINATOR SALVATION” revealed an interesting twist from the last two films in which a cyborg was used to form close ties with John Connor in order to arrange for his death, instead of to protect him. Another interesting thing about the story is that the aim of Skynet was not to kill John Connor before he could become a Resistance leader. Instead, it seemed determine to kill him, while he fought with the Resistance. And it also targeted Kyle Reese in order to lure Connor to Skynet and kill Kyle before his future trip back through time. However, I did notice that Skynet had targeted both son and father, before the son could become ”the top” leader of the Resistance. And when you think about it, with the character of Marcus Wright, Skynet had damn near pulled a con job on both Connor and the Resistance. The reason I found this interesting is that Skynet’s future dealings with John Connor, Sarah Connor and Kate Brewster Connor will never be this subtle again.

Another major virtue of ”TERMINATOR SALVATION” turned out to be its cast – with the exception of one or two. I have already made my complaints about Common and Jane Alexander, so I will sing the praises of the rest of the cast. Helena Bonham-Carter made a brief and memorable appearance as Dr. Serena Kogan, the Cyberdyne scientist who convinced Marcus to donate his body, following his execution in 2003. For the past two to three years, a good number of child actors have caught my attention with some pretty damn good performances – like Dakota Blue Richards in ”THE GOLDEN COMPASS”, Paulie Litt from “SPEED RACER”, Jaden Smith in ”THE DAY THE EARTH STOOD STILL” and Brandon Walters in ”AUSTRALIA”. The fifth child who has managed to recently catch my eye turned out to be Jadagrace Berry, who portrayed the nine year-old mute/Resistance fighter, Star. I found it amazing that a nine year-old girl who had not only made her film debut, but managed to remain silent throughout the film, gave one of the best performances in the movie. And she did it with good old fashioned screen acting . . . by using her eyes, expressions and body language. Anton Yelchin is no longer the child actor he used to be when I first saw him in the 2002 miniseries, ”TAKEN”, but he is still a first-rate performer with a strong screen presence. Actor Michael Biehn had made the role of Kyle Reese memorable in the franchise’s first movie in 1984. And Yelchin proved that he could be just as memorable as Biehn, as the teenaged Kyle. Both Bryce Dallas Howard and Moon Bloodgood portrayed the two female leads in the movie – Kate Brewster Connor (wife of John) and Blair Williams (Resistance pilot who ends up falling in love with Marcus Wright). And both women gave first-rate performances and managed to stand out on their own, despite being surrounded in heavily male-dominated film. Howard – who had taken over the role first created by Claire Danes – had a very memorable moment in the film when her character first realized that Marcus was not as human as he had professed to be.

The director of the first two “TERMINATOR” movies, James Cameron, had recommended Australian actor Sam Worthington to director McG for the pivotal role of Marcus Wright, the death row inmate whose body ended up being used as a prototype by Cyberdyne and later used by Skynet to lure John Connor to his doom. Not only was Worthington was memorable, he almost ended up stealing the picture. He effectively portrayed Marcus as a tough and ruthless who was haunted by his past, fell in love and was determined to maintain his individuality despite what Cyberdyne and Skynet had done to him. The reason I had stated that Worthington had ”almost” stolen the film was due to Christian Bale’s presence in the film as future Resistance leader, John Connor. Like he has been in nearly every film he has appeared in, Bale was an intense performer with a strong screen presence. Hell, he was like this nearly twenty-two years ago in the 1987 film, ”EMPIRE OF THE SUN”. There were scenes in which Bale loudly and clearly expressed Connor’s emotions – whether it was anger, fear or concern. Only a very few actors and actresses can get away with openly expressing their characters’ emotions without being hammy. And consummate actor that he is, Bale happens to be one of them. Frankly, I really do not see the need to compare or choose on whether Bale or Worthington was the better actor. Both gave superb performances and both . . . performed with each other so well that I found myself wishing they had more scenes together.

Despite my dissatisfaction with the editing, there were other areas in the technical department where ”TERMINATION SALVATION” shone. Martin Laing’s production designs and Troy Sizemore’s art direction beautifully created an apocalyptic Southern California set some nine to ten years in the future. And Shane Hurlbut projected their work with some exciting photography. Aside from the franchise’s familiar theme that first appeared at the beginning of the end credits, I did not find Danny Elfman’s score that memorable.

Despite some of the movie’s flaws, I ended up enjoying ”TERMINATION SALVATION” very much – much to my utter surprise, thanks to McG’s direction, Brancato and Ferris’ screenplay, and the excellent cast led memorably by Christian Bale and Sam Worthington.

”THE TERMINATOR 2: Judgment Day” (1991) Review

 

”THE TERMINATOR 2: Judgment Day” (1991) Review

Seven years following the release of the 1984 movie, ”THE TERMINATOR”, James Cameron wrote, produced and directed the first of three sequels called ”TERMINATOR 2: Judgment Day”. Like its predecessor, the film starred Arnold Schwarzenegger and Linda Hamilton. It also became one of the most highly critical and successful action films of the 1990s. 

Although released in 1991, the movie is set in 1995 – eleven years after the first one. John Connor (Edward Furlong) is now ten years old and living in Los Angeles with foster parents. His mother Sarah Connor (Linda Hamilton) had been preparing him throughout his childhood for his future role as the leader of the human Resistance against Skynet. Unfortunately, was arrested after attempting to bomb a computer factory and sent to a hospital for the criminally insane under the supervision of Dr. Silberman (Earl Boen), the psychiatrist who had examined time traveler Kyle Reese (Michael Biehn) in the first film. Skynet sends a newly advanced Terminator, a T-1000 (Robert Patrick) that assumes the identity of a police officer, back in time to 1995 to kill John. Meanwhile, the future John Connor has sent back a reprogrammed Terminator (Arnold Schwarzenegger), identical to the one that attacked Sarah, to protect his younger self.

Like the first film, ”TERMINATOR 2: Judgment Day” is a thrilling and tense action film that made breakthroughs in the area special effects in film. And like in the first film, Cameron and his co-writer, William Wisher Jr. (sans Gale Anne Hurd, who only served as a producer for this film), created a story that centered around a future cyborg sent back in time to prevent a certain John Connor from ever becoming the leader of the Human Resistance against the future self-aware computer system, Skynet. Perhaps I should have said one of the storylines. Thanks to information garnered by young John’s Terminator protector, the Connors learns that the man most directly responsible for Skynet’s creation is Miles Bennett Dyson (Joe Morton), a Cyberdyne Systems engineer working on a revolutionary new microprocessor that will form the basis for Skynet. This particular storyline lead to one of the film’s more interesting scenes that feature Dyson’s reaction to the consequences his work and a great performance by Joe Morton. Another favorite scene featured the Terminator’s first rescue of John Connor from the T-1000 that had been sent to kill the latter. Arnold Schwarzenegger’s interactions with Edward Furlong not only provided some laughs in these scenes, but also a great deal of poignancy, as the two quickly form an immediate bond.

If I have to name one sequence that struck me as the movie’s pièce de résistance, it had to be the one that featured John and the T-800’s attempt to rescue Sarah from the Pescadero State Hospital, during one of her escape attempts. The entire sequence began with John convincing his T-800 savior to rescue his mother from the mental hospital in case the T-1000 came after her. John’s decision came at a time when Sarah decided to make her own escape after Dr. Silberman had rejected her request to receive a visit from her son. This exciting sequence culminated in a bizarre moment that featured Sarah’s first terrified glimpse of the T-800 coming to her rescue. By this time, the T-1000 had arrived at the hospital, killing anyone who stood in its way. This is probably one of the finest action sequences I have ever seen on screen in the past decade or two. And it is not surprising that it is the one sequence that many recall when speaking of the movie.

The movie had received a great deal of accolades for its special effects. Did it deserve it? In regard to the Industrial Light & Magic’s design of the T-1000, I would say yes. As for Stan Winston’s effects, I thought he did a good job. But I could find nothing to get excited about.

The movie also featured some pretty solid performances from the cast. Arnold Schwarzenegger gave a better performance in this film, considering that he was allowed to project more emotion than he did in the 1984 film. This is not surprising considering that the T-800 he portrayed in this film got to learn a great deal about human emotions from the 10 year-old John. Robert Patrick found himself in the same as Schwarzenegger was in the last film – portraying a remorseless and efficient killer with little emotion. And frankly, I found him just as scary. I had commented earlier on Joe Morton’s performance in a very important scene featuring his character, Myles Dyson. Not only do I stand by my comments, I would also like to add that I was impressed by his acting altogether. It was nice to see Earl Boen reprise his role as Dr. Silberman, the police psychiatrist who had examined Kyle Reese in the first film. My only gripe is that the movie never mentioned his first meeting with Sarah, back in 1984. Linda Hamilton had certainly wowed many fans of her transformation of the Sarah Connor character. In this movie, her Sarah is a tough and ruthless woman determined to ensure her son’s survival at any costs. And from the moment the camera first focuses upon her doing arm lifts inside her hospital cell, the audience gets a strong idea on how much Sarah had changed. But for me, the movie belonged to Edward Furlong, the first actor to portray future Human Resistance leader, John Connor. Furlong was around 13-14 years old at the time. And he did a superb job in combining the different aspects of the 10 year-old John’s personality – the child who had clung to his T-800 protector as a father figure, the bold and wayward delinquent that robbed from ATM machines and the tough street kid taught to survive by his high strung mother. It is not surprising that Furlong ended up winning both a Saturn Award and a MTV Movie Award for his performance.

Is ”TERMINATOR 2: Judgment Day” perfect? No. In fact I have more than a few “quibbles” about the movie. Let me start with my first problem with this film . . . Linda Hamilton. Yes, I realize that I had complimented her performance in the previous paragraph. There were some positive aspects to it. But it also annoyed me. I had read that it was Hamilton who suggested that Sarah Connor become psychotic in the intervening years after her encounter with the Terminator in 1984. Frankly, I wish to God that Cameron had NOT taken her advice. I realize that fans loved this new aspect of Sarah’s personality. I did not. I saw no reason to turn her into a borderline psychotic in order to make her seem tough. And the movie never really explained why after so many years, Sarah had mentally gone around the bend. My second problem with the movie centered on the T-1000. I had no problem with Robert Patrick’s performance. I did have a problem that the movie’s main villain managed to disappear from the screen for nearly an hour. After Sarah, John and the T-800 managed to evade him following Sarah’s escape from the mental hospital, he simply disappeared, while they a) headed south toward the U.S.-Mexico border and then b) returned to Malibu and met Myles Dyson; and c) helped Dyson steal the central processing unit(CPU) and arm of the 1984 Terminator.. At least 45-50 minutes had passed before the T-1000 appeared on the screen again. And my biggest problem with this film centered around the finale and the T-1000’s attempt to use Sarah to capture and kill John. Why do I have a problem with this entire sequence? It was TOO . . . DAMN . . . LONG!! It was too long. Why did Cameron forced the audience to watch the T-1000 chase down and attempt to kill John for nearly a half hour? It was not necessary. And why on earth did Sarah believe or even hope that following the destruction of the CPU, the old Terminator’s arm and the 1995 T-800’s sacrifice; Judgment Day may have been averted? She had proof standing next to her that it would happen – namely her son, John. If they had really averted Judgment Day, John would cease to exist. Without Judgment Day, Kyle Reese would never have a reason to travel back to 1984 and meet Sarah Connor.

Do not get me wrong. I enjoyed ”TERMINATOR 2: Judgment Day” a lot. It was a first-rate continuation of the original movie’s plot that involved one time traveler trying to prevent John Connor from becoming the Humans’ resistance leader and another time traveler sent to act as a protector. And in this movie, the protagonists also try to prevent Judgment Day. But there were times when I felt that its reputation as one of the finest science-fiction films ever made is overrated. I did not care for the psychotic turn of Sarah Connor’s character. The T-1000 managed to disappear from the story longer than necessary. In fact, the showdown between the Connors, the T-800 and the T-1000 dragged the film’s last half hour. But I would still recommend this movie to anyone who asked about it.