“PUSH” (2009) Review

kinopoisk.ru-Push-967704

 

“PUSH” (2009) Review

When I first saw the 2009 science-fiction thriller, “PUSH”, I had assumed that it was based upon some novel, comic book series or graphic novel. Several years passed before I discovered that the movie’s plot was actually the brainchild of the screenwriter, David Bourla. 

Directed by Paul McGuigan, the movie is about a group of people with psychic abilities, who band together to stop a government agency from using a dangerous drug to enhance the abilities of others like them. The story began with a boy named Nick Gant and his father Jonah, two “Movers” (or telekinetics), who are on the run from Division, the government agency established in 1945 to hunt down and experiment on psychics. Before one of the Division’s operatives, Agent Henry Carver, can catch up with them, Jonah tells Nick that he had received a vision from a “Watcher” (seer) about a young girl that Nick must help in the future in order to take down Division. Jonah helps his son finally escape as Carver arrives and kills him.

Ten years later, Nick is hiding in Hong Kong, as an expatriate. A young girl named Cassie Holmes arrives at his apartment, claiming to be a Watcher. She needs his help in finding a mysterious case that she believes will bring down the Division and lead to the release of her mother (another and more powerful Watcher) from prison. The case that Cassie seeks contains a power boosting drug developed by the Division. Agent Carver has used this drug on several test subjects who have ended up dead. The only subject to survive the drug is a Pusher (telepathic manipulator) named Kira, who was an old love of Nick’s. Kira manages to steal a sample of the drug and place in a case that she had hidden upon her arrival in Hong Kong. Not only are Cassie and Nick looking for the case, but so are members of the Pop family, who have formed a psychic Triad and of course . . . the Division.

I could go into more detail about the movie’s plot, but right now, that is all I am willing to disclose. Overall, I liked the plot. It struck me as a very interesting twist on the whole topic of those with psychic abilities at war with each other. And the movie even featured a surprising twist in the end. I also enjoyed how the movie handled the visual effects. Mark Meddings did an excellent job in supervising those effects that featured the characters’ abilities. And these visual effects were enhanced by Peter Sova’s colorful cinematography. Sova’s photography also enchanced the movie’s views of Hong Kong and other parts of China.

But there were moments when I found the plot a bit convoluted and confusing, despite Dakota Fanning’s voice over. Judging from what I had revealed in the previous episode, one would find my comment confusing. But honestly, there were moments when it seemed that the movie was so caught up in revealing new characters and new psychic abilities that I almost lost track of the plot. If I must be brutally honest, Paul McGuigan’s uneven direction did not help. I had no problems with McGuigan’s handling of some of the action sequences – especially the prologue sequence featuring Nick and his father, Kira’s escape from two Division agents, and Nick’s encounters with Carver and the latter’s henchman, Victor Budarin. But his non-action sequences – especially in the movie’s second half – tend to drag. Sometimes, the cast manages to rise above his lethargic direction and sometimes, they cannot.

I had no problems with the cast. Chris Evans made a first-rate leading man. He also did a great job in developing his character from the embittered and self-involved young man hiding from authorities, to a more strong-will character willing to toe the line for others. Evans had two leading ladies – Dakota Fanning and Camilla Belle. I have already expressed my dissatisfaction with Belle. Fanning, on the other hand, gave a very spirited and skillful performance as the strong-willed and sardonic Cassie, who seemed more than determined to bring down the Division and help her mother. More importantly, both she and Evans had a very strong screen presence . . . which did not bode well for Belle. There are times when I find myself wondering if Djimon Hounsou is underrated as an actor. His performance as villain, Agent Henry Carver, is one of the best aspects of this movie. Hounsou can do ambiguity like nobody’s business and more importantly, his Carver is not some mustache twirling villain or one-note block of ice. The movie also featured excellent performances from a supporting cast that featured Joel Gretsch, Ming-Na Wen, Nate Mooney, Corey Stoll, Scott Michael Campbell, Maggie Sif, Kwan Fung Chi and Jacky Heung. I have to give special kudos to Cliff Curtis’ charming and colorful portrayal of a former Division agent named Hook Waters and Xiao Lu Li as the sly and malevolent Pop Girl, a Watcher for the Pop Triad.

Overall, I have mixed feelings for “PUSH”. It featured a pretty interesting premise, thanks to David Bourla’s screenplay. The movie also featured some first-class visual effects supervised by Mark Meddings. Unfortunately, Paul McGuigan’s direction struck me as slightly uneven. If it were not for the screenplay, the visual effects and excellent performances from the likes of Chris Evans, Dakota Fanning and Djimon Hounsou; this movie would have sank to the ground . . . at least for me.

Top Favorite Episodes of “THE YOUNG RIDERS” Season One (1989-1990)

Below is a list of my top favorite episodes from ABC’s 1989-1992 Western television series called “THE YOUNG RIDERS”. Created by Ed Spielman, the series starred Ty Miller, Josh Brolin, Stephen Baldwin and Anthony Zerbe: 

TOP FAVORITE EPISODES OF “THE YOUNG RIDERS” SEASON ONE (1989-1990)

YR - Speak No Evil

1. (1.04) “Speak No Evil” – When Pony Express rider Ike McSwain turns in the leader of a gang responsible for a stagecoach massacre, the other gang members try to kill him in order to prevent him from testifying. Albert Salmi guest-starred.

YR - Unfinished Business

2. (1.16) “Unfinished Business” – The estranged husband of the Sweetwater Express station caretaker Emma Shannon, survives a wagon train massacre and turns to her for shelter, while the men responsible searches for him. Cliff De Young and Frederick Coffin guest-starred.

YR - Black Ulysses

3. (1.06) “Black Ulysses” – The Express riders struggle over whether to obey the Fugitive Slave Law or protect a fugitive slave from a group of militiamen, who have been tracking him from Missouri. Stan Shaw and Tim Thomerson guest-starred.

YR - Gathering Clouds

4. (1.23-1.24) “Gathering Clouds” – Virginia-born The Kid is recruited by the U.S. government to infiltrate a group of Southern guerillas, while the town of Sweetwater deal with the ruthless methods of an Army captain, who is determined to capture the group. David Soul and Cynthia Nixon guest-starred.

YR - Bull Dog

5. (1.19) “Bulldog” – When the Pony Express owners plan to move the mail route north through Sioux burial lands, they send a recent college graduate, with a case of hero worship for James Hickok, to secure the arrangement. Fisher Stevens guest-starred.

YR - Bad Blood real

Honorable Mention: (1.05) “Bad Blood” – Express rider Louise “Lou” McCloud returns to the orphanage where she had been raised to visit her younger brother and sister and discovers that her estranged father, a ruthless gunrunner, had retrieved them. Jon De Vries guest-starred.

“The Power of One” [PG-13] – 10/20

 

“THE POWER OF ONE”

PART X

Phoebe could not accompany her sisters and the other three to the Halliwell manor, since she had to return to work. But the other four found themselves standing outside the salmon-colored house nearly a half hour later. 

The two witches, the Vodoun priestess and the half-daemon entered the house, as Piper cried out Donna’s name. When a faint voice responded, the quartet headed toward the Solarium. There they found the nanny on the sofa with her charge, watching television. Donna glanced up and smiled. “Piper! What are you doing here?”

“Oh, uh . . .” The Charmed One became speechless, for Olivia had suggested that they did not directly confront the nanny.

Olivia came to Piper’s rescue. “I’m here to borrow some herbs from Piper. We just came back from lunch.”

Piper smiled weakly. “That’s it. Uh, you remember Olivia and Cecile, don’t you? Paige told me that you had met them.”

Donna smiled at the redhead and the black woman. “Oh yeah. Nice to see you, again.” Then her gaze turned to Cole.

“Oh,” Piper added, “and this is Cole. Cole Turner. He’s Olivia’s boyfriend. Cole, this is Donna Thompson. Wyatt’s new nanny.” Olivia noted that the Charmed One failed to mention the half-daemon’s past link to the Halliwell family.

The nanny smiled at Cole. “Nice to meet you.”

“Same here,” Cole replied politely.

“So,” Piper continued, “how is Wyatt doing?” She reached for her son, who had been sitting in Donna’s lap contentedly. As Piper drew Wyatt into her arms, he gurgled happily. “Hel-lo sweetie! How are you? Hmmm. Well, he seems to be doing fine.”

Donna added, “Aren’t you going to get those herbs for Olivia?”

“Huh?” Piper’s eyes widened in confusion. It took all of Olivia’s efforts not to roll her eyes at the Charmed One’s attempt at deception. She noticed that both Cole and Cecile did not bother suppress their efforts.

Olivia then spied an empty glass of water on a nearby table, and an idea came to her. “While you’re at it, Piper, could you get me a glass of water?”

The other witch nodded. “Sure.” Then Piper left the Solarium, while Olivia and her other two companions indulged in small talk with the nanny. Cole politely talked about his job at the law firm, and his relationship with Olivia. Cecile talked about Vodoun practices in New Orleans and Olivia regaled the nanny with hers and Cole’s experiences in babysitting Wyatt – much to Cole’s obvious embarrassment. Eventually, Piper returned with a glass of water for Olivia. And a brown paper bag.

“Thanks,” Olivia said to Piper. Then she deliberately paused and glanced at Donna’s neck. “Oh by the way, Piper. You should see Donna’s necklace. I saw it yesterday, and it’s gorgeous. Right Donna?” She smiled at the nanny.

Donna’s eyes blinked. “Huh?”

Olivia pointed at the leather strap around the nanny’s neck. “Your necklace. The one that you had dropped, yesterday. Why don’t you show it to the others?”

Donna hesitated. “Well . . .” The other three stared at her. “I guess. Uh, it’s . . .” Slowly, she withdrew the object from underneath her blouse. “I bought it at the Red Pyramid. It’s supposed to be some kind of ward against evil. After that daemon had attacked us, I thought it would come in handy.”

Olivia peered at the amulet. It took one glance for her to realize that it was not the one that Donna had worn, yesterday. Obviously, the other woman had made a switch. Or the other amulet was somewhere hidden in a pocket or something.

Both Piper and Cecile glanced at Olivia, before gazing at the amulet around Donna’s neck. “Very nice,” Cecile commented. “Don’t you think, Piper?”

The Charmed One added, “Yeah. But . . .” She directed her gaze at Donna. “But why keep it around your neck?”

“Like I said, it’s a protection ward,” Donna explained. “Don’t want to expose it, if I’m attacked.”

“Oh.” Piper handed the glass of water and paper bag to Olivia. “This is for you.”

Keeping her disappointment in check, Olivia began to drink her water. Wyatt picked up a small rubber ball and threw it at Cole, attracting everyone’s attention. Olivia glanced at the empty glass on the nearby table, and an idea came to her. While the others continued to focus on Wyatt and Cole, she dumped the rest of her water into a potted plant. Then she placed her glass on the table, whipped out her handkerchief and snatched up Donna’s empty glass. As she quickly stuffed the glass into her purse, Cole glanced at her. He frowned. Then Olivia glanced at her watch. “Oh, I better be getting back.” The others stared at her. “Say Piper, could you give me a lift back to the store?”

“Uh . . . sure.” Piper turned to Cole and Cecile. “You guys need a lift as well?”

Cecile nodded, while Cole replied, “I wouldn’t mind.” He continued to stare at Olivia.

The four people then bid both Donna and Wyatt good-bye and left the manor. As they marched down the stoop leading to the sidewalk, Piper asked, “Was that the amulet that you saw?”

Olivia shook her head. “Either she had switched amulets, or I was mistaken. It did look similar to the one that she wore, yesterday.”

“So much for Wyatt’s nanny being a danger,” Cecile commented.

“I’m not so sure.” Olivia reached the black SUV, first.

Cole added, “I assume you’re talking about that glass that you had put in your purse.” Olivia smiled at him.

Piper frowned. “What glass?” Olivia explained what she had done with the glass of water that she had received from Piper. And the glass that she now held inside her purse. “You have one of my glasses?”

“Don’t worry,” Olivia told her. “Just as soon as Forensics check the prints, you can have it back. Meanwhile,” the three women and the half-daemon climbed into the jeep, “can you drop me off at the precinct?”

————

Piper’s voice rang over the telephone. “Nothing happened, Phoebe. We all got a good look at Donna’s amulet. Especially Olivia. It wasn’t the same one that I saw around that demon’s neck. And Olivia claimed that she saw a different amulet, yesterday.”

Phoebe heaved a sigh, as Piper’s words sank in. So much for her suspicion of Donna Thompson. Then an idea came to her. “Wait a minute, Piper. There’s a good chance that she may have switched amulets. Especially after what happened between her and Olivia, yesterday.”

“Phoebe . . .” Piper’s voice hinted skepticism.

“C’mon Piper! Don’t tell me that isn’t possible!”

Another sigh filled Phoebe’s ears, as Piper continued, “Yes, it is possible. In fact,” she hesitated, “that’s what Olivia thinks. Which is why she had decided to steal a glass that had been used by Donna. She’s going to have the police check the prints. She’s still concerned about two Donna Thompsons being born on the same day and in the same year.”

Phoebe exclaimed, “Thank God someone is showing sense!”

“Thank you very much, Phoebe, for that little reminder. Are you now saying that I’m not showing the proper concern for my son?”

Oh God, Phoebe thought. Time for another round of ‘Piper’s Defense Mode Number One’. “Honey, I didn’t say that.”

“Really? Then what?” Piper added, “Look, I’m just as concerned for Wyatt as anyone else. Even more. And at least I haven’t abandoned him to fulfill some kind of lame ass destiny.” Thoughts of Leo flashed in Phoebe’s mind. “Besides, it’s been at least three days since I had hired Donna. Why hasn’t she done anything yet?”

Phoebe sighed. “I don’t know, Piper. Maybe it’s like Cecile had said. Maybe she’s got some elaborate ritual planned. And what about that demon who had attacked you? Nairn?”

“What about him?”

The middle Charmed One continued, “Maybe we should look into this guy. Find out if Donna had hired him.”

This time, Piper sighed. “I knew you were going to say that. I wish I could, Phoebe, but I’m going to be busy, tonight. And tomorrow night, as well. I’ve booked this local band that’s becoming big, and there’s a good chance I’ll have a large crowd on my hands.”

“Well, Paige and I . . .”

Piper interrupted, “Phoebe? You’re not going to drag Wyatt all over creation just to hunt down information on some demon that’s already dead.”

Again, Phoebe sighed. “All right! We’ll keep an eye on Wyatt. At home.” Then another idea came to her. “Or . . . I can ask Paige to get Harry, so they can look into . . .”

“Phoebe, I wouldn’t even bother.” Piper hesitated. “Cole said that he and Andre would look into Nairn’s background. Olivia and Cecile will be busy tonight. And since it has to do with some coven meeting that Paige told me about, I suspect that Harry will be taking her, as well.”

Cole. Well, of course he would be the right man for the job. Phoebe sighed. As she always did whenever she thought about her ex-husband, these days.

“Phoebe?” Piper’s voice expressed concern. “Are you okay?”

The younger woman answered, “Yeah, I’m fine. I guess it’s been a long day for me and it’s not even three o’clock yet.”

“Maybe you should leave work early today,” Piper suggested. “I’m sure that Elise would . . .”

Someone knocked on the door, causing Phoebe to glance up. Jason poked his head inside her office. “Phoebe, are . . . Oh! I’m sorry to interrupt.”

“No, that’s okay.” Phoebe returned her attention back to her sister. “Uh, Piper, I’ll get back to you, later. Bye.” She hung up the telephone, before Piper could respond and smiled at her boyfriend. “Jason! Hi! What can I do for you?”

The newspaper magnate returned Phoebe’s smile with a suggestive one of his own. “I have something in mind, but I don’t think that this is the right moment for it. I missed you at lunch.”

“I’m sorry, baby. I had lunch with Piper.”

Jason headed toward Phoebe’s desk and leaned over. “I came to ask if you’ll be free, tomorrow night.”

Phoebe frowned. “Tomorrow night? Not tonight?”

“I have a business meeting, tonight,” Jason explained. “Something special.” He paused. “Well, to be honest, tomorrow night also has to do with business. Jack McNeill is having some kind of cocktail party, which has to do with that deal between McNeill Corporation and Olivia’s friend. Cecile. The deal that you told me about.”

“But what does that have to do . . .?”

Jason interrupted, “I had asked McNeill if he could get Olivia to re-introduce me to her friend. Instead, he invited me to the party. I must say it was pretty decent of him . . . considering how my relationship with Olivia had ended.” He added, “And I was hoping that you would join me.”

Disappointed that Jason did not have romance in mind for tomorrow night, Phoebe mumbled, “Cecile’s computer software must be that great, if you want to meet her that badly.” A thought came to her. “Wait a minute! Haven’t you met Cecile before? When you were dating Olivia?”

“Once. But we never really became acquainted. Besides,” Jason smiled curtly, “Olivia and I only dated for about two months. I didn’t see Cecile again, until a few years later at Bruce’s wedding.” He paused and gave Phoebe a pleading look. “You don’t mind, do you, baby? Joining me for tomorrow night?”

Phoebe stared into Jason’s dark blue eyes and sighed. How could she resist? “No, I don’t,” she finally said. “As long as I’m with you. But on Saturday, you’ll take me to some place special. Right?”

“Whatever you say.” Jason leaned even further and planted a light kiss upon Phoebe’s forehead. “I’ll pick you up around seven, tomorrow night. Bye.” He blew her a kiss and left the office.

Another sigh escaped Phoebe’s mouth, as she leaned back into her chair. She thought about Piper’s refusals to heed her warnings; and being forced to sit back and wait, while Olivia and Cole deal with the Donna Thompson situation. And now, Jason wanted to use her as the Token Girlfriend for the McNeills’ party, tomorrow night. Despite being a powerful witch and successful career woman, she was beginning to feel pretty useless.

———–

Strains of a jazz band filled Andre’s ears, as he and Cole entered the elegant nightclub on Powell Street. The houngan glanced around the establishment, recalling the last time he had visited Vorando’s – for Bruce’s bachelor party, last spring. He still could not help but admire the nightclub’s Art Deco-style interior.

Upon making their way to the bar, he and Cole ordered drinks. Andre asked for a Black Russian, while Cole ordered a whiskey-and-soda. After the bartender served their drinks, Cole added, “By the way, is Riggerio here?”

The bartender’s face became mask-like. “Who?”

Rolling his eyes, Cole retorted, “Just tell him that an old friend from Portofino is here to see him. He’ll understand.”

Looking slightly uneasy, the bartender nodded and headed toward the back of the club. While the pair sipped their drinks, Andre said, “Guess what? I finally bought the ring, today.”

“What?” Cole stared at his friend.

Andre sighed. “The engagement ring. For Cecile?” He continued, “Olivia and old Mrs. McNeill had convinced me to go ahead and ask Cecile to marry me.” He shot a quick glance at the half-daemon’s stoic expression. “I suppose you think that I shouldn’t bother.”

Blue eyes widened, as Cole protested, “I never said such a thing. In fact, the reason Cecile wanted to break up with you in the first place was because she wanted to get married . . . and thought that you didn’t.”

The news took Andre by surprise. “What? Do you mean to say that I’ve been worried all this time for nothing? Damn man! Why didn’t you . . .?”

“Hey! We were interrupted,” Cole shot back, looking defensive. “When Olivia and Cecile had shown up for dinner. And you kept disappearing on me, after that!”

Andre opened his mouth to protest, but the bartender returned. “Uh, Riggerio can see you, now. Follow me.” He led the houngan and the half-daemon toward an inconspicuous-looking door at the far side of the nightclub, and ushered them inside an office.

Although different in color tone, Riggerio’s office had also been designed in the sleek, Art-Deco style. The club’s owner sat behind a large desk, peering at his computer and obviously enjoying the music that came from the live band. The moment the two visitors stood before his desk, the handsome-looking daemon glanced up and smiled. “Well, look who’s here! Andre!” He nodded at the bartender and ordered another round of drinks, before the latter disappeared from the office. “When Frederico mentioned Portofino, I had been expecting only Belthazor.” He stood up and shook Andre’s hand. “How are you, my friend? I have not seen you in . . . what? Three months?”

Andre smiled. “Actually, four months. Not since you had hired me to find that missing . . . friend of yours. And I believe I had ended up finding his corpse, instead.”

Riggerio turned to Cole and shook the latter’s hand. “Belthazor. What brings you here? Is the lovely Signorina McNeill with you?”

Cole smiled wryly at the mention of Olivia’s name. “The . . . lovely Signorina McNeill is doing fine. Unfortunately, she and her family are attending some kind of meeting for their coven, tonight. Cecile had joined them.”

“Ah! The beautiful Signorina Dubois is in town, as well.” Riggerio nodded, as he repeated his earlier question. “So, what brings you two here?”

Cole paused, before answered. “Information.” Andre noticed how Riggerio’s face quickly became businesslike. “Have you heard of a daemon named Nairn? He used to be an assassin.”

Riggerio frowned. “Used to be?”

Andre explained, “He was killed a few days ago. While trying to kidnap the Halliwell baby.”

Surprise illuminated Riggerio’s dark eyes. “Nairn is dead? This is certainly news to me. Did the Charmed Ones kill him?”

“The oldest sister,” Cole murmured. “Piper. Along with some Vodoun priestess, who happens to be the baby’s nanny.”

Riggerio seemed saddened by the news of his fellow daemon’s death. And yet, Andre could not help but feel that Riggerio’s grief did not seem genuine. “Poor Nairn,” the daemon said with a shake of his head. “I knew that his luck would one day run out. I supposed that going up against a Charmed One was a lot more difficult than the head of the Lehme Order. Still, accepting an assignment involving the Halliwell child.” Again, he shook his head. “Very dangerous for a mid-level daemon. Even one as skilled as Nairn.”

“Did you know that he had protection, all those years?” Cole added. Riggerio stared at him. “Some kind of amulet that blocked the powers of others.”

“And yet, he still ended up dead?”

Cole sighed. “That’s another story. Right now, we need to know who had hired him.”

The other daemon shrugged his shoulders. “How would I know? I did not know that he was dead.” He paused, as his eyes hardened. “Not that I mind, to be perfectly honest. That bastard had killed a member of our coven, back in the late 70s. He has been on our shit list, ever since. As to who may have hired him,” Riggerio’s expression became less hard, “I don’t know. But . . . I have a pretty good idea who can provide you with that information.”

Andre warily eyed his host. “Exactly how much is this piece of information is going to cost us?”

Riggerio stared at the houngan, before he threw back his head and laughed. “Ah, my friend! You know me too well.” He quickly sobered. “Do not worry. This information will cost you nothing.”

“So, who is this person that can give us the information we need?” Cole demanded.

Riggerio paused before he replied, “A witch.”

Both Andre and Cole exchanged shocked looks, before staring at the daemon in disbelief. “Say that again?” Andre demanded.

“I said a witch.” The daemon continued, “After Nairn had killed a member of our coven, we began searching for him. We never managed to catch up with him, but not long ago, one of my . . . colleagues discovered that a witch named Esmerelda Ross had acted as an agent for him. All of Nairn’s jobs had been arranged through her.”

Andre wondered if he had heard correctly. “You mean to say that a witch is associated with a demonic assassin? Are you sure she’s not a warlock?”

Riggerio shook his head. “No, my friend. Signorina Ross is neither Stregheria, Wiccan or a member of any other recognized Pagan religion. She belongs to a sect that . . . well, practices a darker view of mysticism. Which means that she has not broken her oath, as a witch.”

“And which is why she’s a witch and not a warlock,” Cole added. “Is she some kind of Satanist?”

“No, no, no. From what I had learned, her kind – like the Wiccans and the Streghore – does not believe in the concept of Satan.”

The bartender returned with another round of drinks for Andre and Cole. He also served a glass of white wine to Riggerio and left. Andre turned to Riggerio and asked, “Where can we find this Esmarelda Ross?”

With a sigh, Riggerio replied, “Unfortunately, I cannot answer that question.” He took a sip of his wine. “I have no idea where she lives. I only know her name.” The daemon turned to Andre. “But if I were you, il mio amico, I would go back to that little investigation you had done for me. The ‘missing friend’, whose corpse you had found, was the one who had told me about Signorina Ross. He had disappeared not long after our last conversation.”

Andre continued to sip his drink, as he contemplated Riggerio’s words.

END OF PART X

“POLDARK” Series One (1975): Episodes Five to Eight

 

“POLDARK” SERIES ONE (1975): EPISODES FIVE TO EIGHT

Last winter, I began watching the BBC’s 1975-77 adaptation of Winston Graham’s literary series about the life of a British Army officer and American Revolutionary War veteran, following his return to his home in Cornwall. The first four episodes proved to be adaptation of the first novel in Graham’s series, 1945’s “Ross Poldark: A Novel of Cornwall, 1783-1787”. Episodes Five to Eight focused on the series’ second novel, 1946’s “Demelza: A Novel of Cornwall, 1788-1790”

Episode Four ended with Ross Poldark, a Cornish landowner and mine owner, discovering that his young kitchen maid, the 17 year-old Demelza Carne, is pregnant with his child. Abandoning his plan to reunite with his former fiancée, Elizabeth Chynoweth Poldark, who had married his cousin Francis Polark; Ross decides to marry Demelza and take responsibility for their unborn child. Episode Five opened up six to seven months later with the birth of their daughter, Julia Poldark. Ross and Demelza decide to hold two christenings – one for his upper-crust family and neighbors and one for her working-class family. Unfortunately, fate upsets their plans when Demelza’s family crash the first christening. Episode Five also featured the introduction of new characters – a young doctor named Dwight Enys, who quickly befriends Ross; Keren Daniels, a young traveling actress who married a local miner named Mark Daniels; and George Warleggan, the scion of the Warleggan family, who became Ross’ archenemy.

The four episodes that formed the adaptation of “Demelza: A Novel of Cornwall” pretty much focused on the first two years of Ross’ marriage to Demelza. Their relationship seemed to thrive, despite the unromantic reasons why they got married in the first place. It was nice to see Ross and Demelza quickly settled into becoming an established couple. This was especially apparent in first christening for Ross and Demelza’s newborn, Julia, attended by Ross’ family and upper-class neighbors. However, this sequence also revealed that Ross and Demelza still had a long way to go, when Demelza’s religious and fanatical father and stepmother crashed the first christening. I enjoyed the sequence very much, even if it ended on an irritating note – namely Demelza and Mr. Carne’s shouting match that played merry hell on my ears. Although there were times when their relationship threatened to seem a bit too ideal, I have no other problems with it.

From a narrative point of view, the only hitch in Ross and Demelza’s relationship – so far – proved to be Demelza’s determination to help her cousin-in-law Verity Poldark’s renew the latter’s disastrous relationship with a Captain Andrew Blamey . . . behind Ross’ back. Following Blamey and Francis’ disastrous encounter in the second (or third) episode, Ross made it clear that he had no intention of helping Verity and Blamey’s romantic situation. Demelza, being young, romantic and naive; decided to intervene and help them continue their courtship. Her efforts were almost sidetracked when Francis and Elizabeth’s son, Geoffrey Charles, was stricken with Putrid Throat. Ross’ new friend, Dr. Enys, had recruited Verity to nurse Geoffrey Charles, believing that Elizabeth was incapable of serving as her son’s nurse. I must be honest . . . I found this plot line a bit contrived. One, it seemed like a theatrical way to inject tension into Verity’s romance with Captain Blamey and their plans to elope. And two, Elizabeth has never struck me as the type of woman incapable of nursing her own son, let alone anyone else. Nevertheless, Demelza’s efforts proved to be successful in the end when Verity and Captain Blamey finally eloped in Episode Seven.

Verity and Captain Blamey’s elopement also produced an ugly reaction from her brother Francis, who had been against their relationship from the beginning. That ugly reaction formed into an emotional rant against his sister that not only spoiled his wife Elizabeth and son Geoffrey Charles’ Christmas meal, but concluded with him succumbing to Putrid Throat. I will say this about Francis Poldark . . . his presence in Episodes Five to Eight proved to be a lot stronger than it was in the first four episodes. Viewers learned in the conclusion of Episode Six that he had betrayed the shareholder names of Ross’ new Carnmore Copper Company, an smelting organization formed to break the Warleggans’ monopoly on the mining industry in that part of Cornwall.

I am a little confused by why so many claim that Clive Francis had portrayed the character as less of a loser than Kyle Soller did in 2015. For example, in an article posted on the Ellen and Jim Have a Blog, Two, the writer made this description of Francis in Episode Eight of the 1975 series – “I’ve come to realize that Francis is made considerably more appealing by Wheeler’s script: Graham’s Francis is witty, but his open self-berating and guilt are from Wheeler; also his generosity of spirit now and again.”.

That was not the Francis Poldark I saw in Episode Eight. Come to think of it, that was NOT the Francis I saw between Episodes Three and Eight. Well . . . I do recall Francis engaging in self-pitying behavior. I also recall Francis being half-hearted in his attempt to reconcile with Elizabeth, his occasionally self-defensive attitude and anger at Verity for eloping. The only sign of wit I can recall was Francis’ clumsy and slightly insulting reaction at the Warleggan ball to news of prostitute Margaret’s recent wedding. And although I enjoyed Clive Francis’ performance, there were moments when he was guilty of some really histrionic acting – especially in Episode Eight, when his character went into a rant against Verity’s elopement during his family’s Christmas dinner. Either these fans and critics had failed to notice how much of a loser Francis Poldark was in the 1975 series, they remembered the actor’s performance in the episodes that followed Episode Eight, or they were blinded by nostalgia for the 1975 series. Clive Francis’ portrayal of the character struck me as much of a loser than Soller’s portrayal.

The renewal of Verity and Captain Blamey’s romance was not the only relationship shrouded in secrecy. As I had earlier pointed a traveling actress named Keren had abandoned her tawdry profession life to remain in the area and marry local miner, Mark Daniels, after meeting him at the second christening for the newborn Julia Poldark. I admire how the production went out of its way to portray Keren’s growing disenchantment with life as a miner’s wife and her marriage to Mark. In doing so, screenwriter Mark Wheeler allowed audiences to sympathize with Keren’s emotions and understand what led her to pursue an extramarital affair with the neighborhood’s new physician, the quiet and charming Dr. Dwight Enys. Although this sequence featured solid performances from Richard Morant and Martin Fisk as Dwight Enys and Mark Daniels; the one performance that really impressed me came from Sheila White, who portrayed the unfortunate Keren Daniels. However, I was not particular thrilled by how the affair ended. Mark Daniels deliberately murdered Keren, when he discovered the affair. What really riled me was that both Ross and Demelza went out of their way to help Mark evade justice. Their actions seemed to justify and approve of Mark’s violent action against his wife. The entire scenario smacked of another example of misogyny in this saga.

Episode Six of “POLDARK” not only introduced the character of George Warleggan, it also featured one of my favorite segments in the series, so far – the Warleggan ball. I thought Wheeler and Paul Annett did a solid job in this particular sequence. It was not perfect, but it proved to be an elegant affair, capped by a tense situation when Ross engaged in a gambling showdown with the Warleggans’ cousin Matthew Sanson, before exposing the latter as a cheat. One aspect of the ball sequence that really impressed me were the costumes and the music provided by Kenyon Emrys-Roberts, which helped maintained the sequence’s atmosphere. I also enjoyed both Robin Ellis and Milton Johns’ performances as Ross Poldark and Matthew Sanson in the card game sequence. Both actors did a very good job of injecting more tension in what was already a high-wired situation. By the way, both actors, along with Clive Francis, had appeared in the 1971 adaptation of “SENSE AND SENSIBILITY”.

There were other moments and sequences that I enjoyed. Aside from the Warleggan ball, I was very impressed by two other scenes. One featured Demelza’s attempt to play matchmaker for Verity and Captain Blamey in Truro. Well, the sequence began with Demelza playing matchmaker before all three became swept into a food riot that led to a violent brawl between some very hungry townsmen and local military troops trying to prevent the men from breaking into Matthew Sanson’s grain storehouse. I found the entire scene rather well shot by director Paul Annett. I was also impressed by Annett’s work in Episode Seven that featured Ross’ attempt to help Mark Daniels evade arrest for Keren’s murder. I may not approved of what happened, but I was impressed by Annett’s direction. But I feel that the director did his best work in Episode Eight, which featured the wreck of the Warleggans’ ship on Poldark land. It began on a high note when the Paynters and other locals began pillaging the ship’s cargo for much needed food, clothing and other materials. But it really got interesting when a riot broke out between the Poldark workers, miners from a nearby estate and the local troops who tried to stop them. Again, Annett really did a first-rate job in making the sequence very exciting, despite the fact that it was shot in the dark.

I noticed that Paul Wheeler, who wrote the transcripts for these four episodes and Episode Eleven, made several changes from Graham’s novel. To be honest, I can only recall one major change that did not bother me one whit. In Episode Seven, young Geoffrey Charles Poldark was stricken with Putrid’s Throat before Verity had the chance to elope with Captain Blamey. Once Verity and Elizabeth helped the boy recover, she finally took the opportunity to elope. Yes, I am aware that Verity had eloped before the Putrid fever outbreak, but I see that Wheeler was trying to create a little tension for her situation. When Francis was struck with Putrid’s Throat on Christmas, Demelza arrived at Trenwith to help Elizabeth nurse him. The two women engaged in a warm and honest conversation that showcased both Jill Townsend and Angharad Rees as talented actresses they were. However, this conversation never occurred in the novel. In fact, the literary Elizabeth Poldark also came down with Putrid’s Throat. But this change did not bother me, due to the excellent scene between Townsend and Rees.

Unfortunately, I had problems with some of Wheeler’s other changes. One change originated back in Episode Four with the “Demelza gets knocked up” storyline that led to hers and Ross’ shotgun wedding. I had assumed that the Trenwith Christmas party sequence, which followed Ross and Demelza’s wedding, would appear in Episode Five. After all, it was one of my favorite sequences from the 1945 novel. But the sequence never appeared – not in Episode Four or Episode Five. Instead, the latter opened with Julia Poldark’s birth and the christening. And I felt very disappointed.

Another change involved Ross’ former employee, Jim Carter. Back in Episode Three, Jim was tried and convicted for poaching on another landowner’s estate. In Episode Six, Ross received word that Jim was severely ill inside Bodmin Jail. With Dwight Enys’ help, the pair break the younger man out. But instead of dying during Dwight’s attempt to amputate an infected limb, Jim survived . . . until Episode Seven. This change allowed Ross to indulge in a speech on the inequities suffered by the poor and working-class in British. Personally, I had difficulty feeling sympathetic, considering that he had fired Jud and Prudie Paynter, earlier in the episode. Mind you, Jud had deserved to be fired for his drunken behavior and insults to Demelza. But Prudie did not. She tried to stop Jud and ended up fired by Ross (who found her guilty by matrimony to the perpetrator). And I ended up regarding Ross as nothing more than a first-rate hypocrite.

Because Jim Cater had survived Episode Six, Ross did not attend the Warleggan ball angry and in a drunken state. Instead, he remained a perfect and sober gentleman throughout the ball. Which was a pity . . . at least for me. Perhaps Wheeler had decided that Prudie’s fate was sufficient enough to expose Ross’ less pleasant side of his personality, I did not. The card game between Ross and Sanson provided some tension during the ball sequence. But it was not enough for me. I thought a good deal of the sequence’s drama was deleted due to “our hero” not having an excuse to get drunk and surly. I suspect that Wheeler, along with producers Morris Barry and Anthony Coburn, wanted to – once again – maintain Ross’ heroic image.

The Warleggan ball also featured another change. At the end of Episode Six, George Warleggan revealed to his father, Nicholas, that he knew the names of Ross’ Carnmore Copper Company. The revelation left me feeling flabbergasted. In the novel, Francis had not exposed the shareholders’ names to George until after Verity and Blamey’s elopement. He had believed Ross was responsible for arranging it and betrayed the latter in retaliation. Since Francis had obviously betrayed Ross before Episode Six’s final scene in the 1975 series, I found myself wondering why he had betrayed his cousin’s company in the first place. Why did he do it? Someone had hinted that Francis felt jealous over Elizabeth’s feelings for Ross. Yet, the relationship between those two had been particularly frosty since the revelation of Demelza’s pregnancy back in Episode Four. If Francis had been experiencing jealousy, what happened before the end of Episode Six that led him to finally betray Ross and the Carnmore Copper Company shareholders? It could not have been for money. Although George Warleggan had paid back the money that his cousin had cheated from Francis and the other gamblers at the ball, he did not dismiss Francis’ debt to the Warleggan Bank. If only Wheeler had followed Graham’s novel and allowed Francis to betray Ross following Verity’s elopement. This would have made more sense. Instead, the screenwriter never really made clear the reason behind the betrayal. Rather sloppy, if you ask me.

Overall, Episodes Five to Eight of “POLDARK” struck me as an interesting and very entertaining set of episodes. This is not surprising, considering that they were basically an adaptation of “Demelza – A Novel of Cornwall, 1788-1790”. Director Paul Annett and Paul Wheeler did a very solid job in adapting Graham’s novel. Yes, I had some quibbles with Wheeler’s screenplay – especially his handling of the Francis Polark character. But overall, I believe the two men, along with the cast led by Robin Ellis and Angharad Rees did an first-rate job. On to Episode Nine and the adaptation of the next novel in Graham’s series.

“I’LL NEVER FORGET YOU” (1951) Review

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“I’LL NEVER FORGET YOU” (1951) Review

I have seen my share of time travel movies and television programs over the years. But I do not believe that I have never seen one as ethereal as the 1951 movie called “I’LL NEVER FORGET YOU”

A second adaptation of John L. Balderston’s 1927 play, which was an adaptation of Henry James’ incomplete novel, “The Sense of the Past”“I’LL NEVER FORGET YOU” told the story of an American nuclear physicist named Dr. Peter Standish, who is transported to London of the late 18th century. The story begins when a co-worker of Peter’s with the British nuclear program, Dr. Roger Forsyth, expresses concern about the former’s lack of social life. As the two become friends, Peter reveals that he had inherited an old house located at London’s Berkeley Square by a distant relative. He also also reveals that he was a descendant of an American Tory who had immigrated to Britain after the Revolutionary War to marry a cousin named Kate Pettigrew. Not long after this revelation, a thunderstorm sends Peter back to 1784, where he takes the place of his late 18th century ancestor, the other Peter Standish.

However, once 20th century Peter settles into his new life, he is struck by a series of surprises. One, he finds himself slowly falling in love with his fiancée’s younger sister, Helen Pettigrew. Peter discovers that Georgian era London is not the paradise he had assumed it to be for years. He also realizes that his occasional lapses of judgment, in which he uses modern day language and revealing information he could not have known if he had actually grown up in the 18th century. Peter’s occasional lapses and his feelings for Helen lead to growing antagonism toward him from not only his fiancée Kate, but also from Mr. Throstle, the man to whom Helen had been promised; leading to potential disaster for him.

I am usually a big fan of time travel movies. But if I must be honest, my reason for watching “I’LL NEVER FORGET YOU”stemmed from sheer curiosity and nothing else. I never really thought I would be impressed by this movie. And I was . . . much to my surprise. Mind you, the film’s method of time travel – a bolt of lightning – struck me as unrealistic, even from a fictional point of view. There was no machine or vehicle like a Delorean to channel the energy from that bolt of lightning. Instead, the Peter Standish was struck by lightning and transported some 160 years back to the past. That he survived being struck is a miracle.

Nevertheless, I still enjoyed “I’LL NEVER FORGET YOU” very much. At its heart, the movie featured two genres – time traveling and romance. And both seemed to intertwine perfectly, thanks to director Roy Ward Baker, who directed the 1958 classic, “A NIGHT TO REMEMBER”. There have been time travel movies in which the protagonists are slightly taken aback by the “primative” conditions of the time period in which they end up. But I found Peter Standing’s reaction to the reality of 18th century London rather enjoyable on a perverse level. I found it satisfying to watch him come to the realization that 1784 London was not the social paradise that he had assumed it was. “I’LL NEVER FORGET YOU” is also one of the rare works of fiction that pointed out the lack of decent hygiene that permeated Western society before the 20th century. Between Peter’s disgust at London society’s array of body odors and their bafflement at his habit of a daily bath, I was nearly rolling on the floor with laughter. But more importantly, “I’LL NEVER FORGET” is a poignant love story between Peter and Helen. What made it very satisfying for me is that Helen was the only one who seemed to have a bead on Peter’s personality. More importantly, she seemed to be interested in Peter’s comments about the future, instead of repelled by them.

But what really made the romance between Peter Standing and Helen Pettigrew worked were the performances of the two leads, Tyrone Power and Ann Blyth. Thanks to their intelligent and subtle performances, they made Peter and Helen’s love story believable. I was surprised that Michael Rennie had such a small screen presence in the movie, considering that he had received third billing. Nevertheless, I thought he gave a pretty good performance as Peter’s 20th century friend and colleague, Dr. Roger Forsyth. Another performance that caught my attention came from Dennis Price, who gave a very entertaining performance as Helen and Kate’s brother, a dye-in-the-wool late 18th century cad, Tom Pettigrew. Kathleen Byron gave an energetic and brief performance as Georgiana Cavendish, Duchess of Devonshire. The movie also featured solid performances from Beatrice Campbell, Raymond Huntley and Irene Browne, who not only portrayed the Pettigrew matriarch in this film, but also in the 1933 version, “BERKELEY SQUARE”.

Although I found the mode of time travel rather implausible – being struck by lightning, I must admit that I enjoyed “I’LL NEVER FORGET YOU”. In fact, I enjoyed it a lot more than I thought I would. And I have to thank Ranald MacDougall’s adaptation of John L. Balderston’s play, intelligent performances from a cast led by Tyrone Power and Ann Blyth, and more importantly, intelligent and subtle direction from Roy Ward Baker.

“HOW I MET YOUR MOTHER” – First Meeting

 

“HOW I MET YOUR MOTHER: – First Meeting

I just recent saw the (1.01) “Pilot” episode of “HOW I MET YOUR MOTHER”, which ended with fifty-two year-old Ted Mosby making the following declaration:

“That kids, is the true story of how i met your Aunt Robin.”

I find it odd that Robin Scherbatsky was the only character in which two episodes were built around Ted meeting for the first time – “Pilot” and (1.02) “Purple Giraffe”.  Or that he never really made such a declaration on how he met Marshall Eriksen, Lily Aldrin and Barney Stinson.  Ted’s first meetings with the other three were mainly revealed in a series of brief flashbacks.

It occurred to me that Carter Bays and Craig Thomas had planned for Ted and Robin to end up together after all.  It also occurred to me that the series was really about his relationship with Robin.  Remember . . . Robin and Barney’s wedding in the series finale, (9.23) “Last Forever, Part I” and Ted’s reaction to it (making the decision to move to Chicago) led him to meet Tracy for the first time.

Between that drawing of Robin and Ted’s kids in (3.04) “Little Boys”, the revelation that Gabriel García Márquez’s 1985 novel, “Love in the Time of Cholera”, was Ted’s favorite.  His consistent feeelings for Robin throughout the series and those little intimate Ted/Robin moments in the series’ later seasons should have hinted at how it would end.

Yes, Bays and Craig handled it all a bit sloppily … especially in the last season.  But in regard to Ted Mosby and Robin Scherbatsky, the writing was on the wall.

“The Power of One” [PG-13] – 9/20

 

“THE POWER OF ONE”

PART IX

McNeill Corporation’s corporate officers filed out of the boardroom, as they chatted happily over the new deal that had been reached. Even Cecile felt better than she had in the past week. Especially since her business deal with the corporation had concluded successfully. Crescent Software’s list of clients has just spread beyond the Lower Mississippi Valley and the Southeast to include the West Coast. Cecile allowed herself a smile, as she followed Cole and the McNeills to the CEO’s office.

“That went off well,” Jack McNeill declared, as he settled into the leather chair behind his desk. “Once the contracts are signed and processed, we can set about arranging training sessions for our employees. Um . . .”

Cecile interrupted. “I suppose we can discuss the training schedules, later.”

Harry corrected, “Sure. But just to let you know, your employees can train our tech people who are employed at the corporate level. After that . . .”

“You will provide training to all of your companies,” Cecile finished. “That’s fine with me. But right now, I feel like celebrating.”

Cole shot her a penetrating glance. “Well, you’re certainly in a good mood, today. A first this week, isn’t it?”

Cecile’s smile faltered, thanks to the half-daemon’s cool observation. She suspected that he was thinking about Andre. “Yeah,” she said, staring at him. “I guess I am.” Cole looked away. “Of course, I . . .” Her cell phone rang. Cecile retrieved it from her purse. “Excuse me. Hello?”

“Hey Cecile, it’s me! Olivia! Are you busy?” The redhead’s voice rang in her ear. “I’ve been trying to get a hold of you for the past hour.”

The Vodoun priestess commented, “I’ve had my cell phone turned off. What do you need?”

“I’m just calling to let you know that I’ll have to take a rain check on our lunch, today,” Olivia continued. “Something has come up.”

Suspicion glimmered in the back of Cecile’s mind. “Does that something have to do with Donna Thompson?”

A brief hesitation on Olivia’s part followed, before she finally answered, “As a matter of fact . . . yeah. It does. Why? Do you want to help?”

Cecile glanced at Cole. “Well, I was thinking about lunch with Cole and Harry.”

“Bring them along. Especially Cole.”

“Uh . . .” Cecile faced the others. “I’ll ask.” She removed the cell phone from her ear. “Are any of you guys interested in helping Olivia with a little investigation, this afternoon?”

Harry answered, “Sorry, but I have an appointment. Business.”

“So do I,” Mr. McNeill added.

Once more, Cecile glanced at the half-daemon. “Cole?”

He shrugged. “Sure. Why not? My schedule is free.”

“Cole and I will join you,” Cecile informed Olivia. “Where do you want to meet for . . .?”

Olivia told her. “Meet me at P3 in about an hour from now. I have to get something from my apartment. I’ll see you then.”

“I’ll see you.” Cecile disconnected her telephone. Then she turned to Cole. “Olivia wants us to meet her at P3.”

Looking slightly confused, Cole demanded, “Why? By any chance does this have to do with Wyatt’s new nanny? I remember her trying to talk about this Donna, during last night’s dinner.”

Cecile sighed. “I’m afraid so. Olivia had an encounter with her, yesterday. And now she’s become paranoid over the woman. And when she gets like . . .”

“Yes, we all know how Olivia can be when her paranoia gets the best of her,” Mr. McNeill wearily added.

Cole murmured, “But she usually turns out to be right.”

“Can’t deny the truth,” Mr. McNeill shot back. Then he added, “By the way, Gwen and I will be holding a little cocktail party, tomorrow night. To celebrate today’s deal. It’ll start around seven.”

Cecile frowned. “Not tonight?”

“Our coven is holding a meeting, tonight. At Phil Bannen’s home.”

“Oh. I’ll be there.” Cecile turned to Cole. “Ready?” The half-daemon nodded, as he and the Vodoun priestess bid the McNeills good-bye, before setting out for their new destination.

———-

Family always mattered to the Halliwells. It certainly mattered to Piper, who loved her family very much. But there were moments when her family could be the biggest pain in her ass. Like now.

“Phoebe,” the oldest Charmed One said in her most patient voice, “please stop this. Please? I’m trying to finish this inventory of liquor and you’re still going on about Donna.”

The younger woman had dropped by the nightclub to invite Piper for lunch. Unfortunately, the club owner had no choice but to decline her sister’s offer due to her heavy workload. Between checking the inventory, booking new acts for the next two months and finding a new manager, Piper really had no time for ninety minute lunches. But instead of leaving, Phoebe decided to hang around the club . . . and nag her to death about her son’s new nanny.

“But Piper, don’t you find it strange that she was the last applicant to arrive? One would say that it was pretty convenient that she was around to help you vanquish that . . .” Phoebe glanced around to ensure that no one could hear them. “. . . that demon.”

Piper rolled her eyes. “A demon that she had allegedly hired to attack me?”

“Yeah.”

“Phoebe, if Donna had hired a demon to attack us, why did she help me vanquish him? Why did he attack her?” The younger sister’s mouth fell open. Piper moved in for the kill. “With me dead, no one could have stopped Donna and that demon from taking Wyatt. But that didn’t happen, Phoebe. I’m alive and we still have Wyatt with his powers intact – thanks to Donna. And she hasn’t made a move in the past few days. Can you explain that?”

Uncertainty replaced the fervent gleam in Phoebe’s eyes. “I don’t know, Piper. But I can’t help how I feel. There’s just something wrong about her.”

“Something wrong about whom?” a third voice asked. Both Piper and Phoebe looked up and saw two figures descend the nightclub’s staircase. It was Cole and Cecile. As usual, Phoebe’s face turned slightly pink at the sight of her former husband. The two newcomers approached the sisters. Cole added, “Were you two talking about someone?”

Phoebe remained silent, while Piper sighed. “Wyatt’s new nanny. Donna. Phoebe thinks there’s something suspicious about her.”

“Oh no!” Cecile groaned. “Phoebe too?”

Piper frowned. “What do you mean?”

The Vodoun priestess continued, “Olivia is also suspicious. Something to do with a necklace or amulet that she thinks your nanny has.”

An uneasy thought entered Piper’s mind at Cecile’s mention of an amulet. “Are you saying that Olivia believes that Donna has that demon’s amulet?”

Footsteps clattered on the staircase. Seconds later, Olivia appeared before them, carrying a thick book. “Hi guys! What’s going on?”

“You tell us,” Cole said, as he greeted her with a light kiss. “You asked us to join you here.”

Piper added, “We’re talking about Donna. Whom Phoebe seems to think has designs on my son. And now, Cecile tells us that you’re also suspicious.”

Olivia placed the book on the bar’s flat surface. “And you’re not?”

“What for? She hasn’t done anything! I’ve been trying to tell Phoebe, but she won’t listen.”

Phoebe retorted, “She hasn’t done anything . . . yet. For all we know, she might be biding her time. I mean, this is Wyatt we’re talking about. Donna probably has some special potion to strip his powers.”

“Or a special ritual,” Cecile added. Everyone stared at her. “Look, I’m no more suspicious than Piper. So far, I haven’t sensed anything threatening about her and I’m a telepath. But if this Donna is planning on stealing Wyatt’s powers, she would probably use some kind of ritual. I know I would.”

Feeling slightly annoyed, Piper exclaimed, “Okay, this has gone too far! Neither Phoebe or Olivia have any real proof that Donna has some . . . ‘nefarious’ scheme planned for Wyatt. Or do you?”

Olivia exchanged a glance with Phoebe before she declared, “Well . . . here’s something that you might find interesting. Did you know there are . . . or were two Donna Thompsons born on March 14, 1968? One of them died back in 1996 and the other happens to be Wyatt’s new nanny.”

Everyone – including Piper – stared at the redhead. “Meaning?” the oldest Charmed One asked, feeling suddenly uneasy.

The other witch revealed what she had learned from the city’s police records and the Department of Motor Vehicles. “I can understand if there are more than one Donna Thompson in the world. But two that were born on the same day? And in the same city? What’s even more suspicious is the fact that I could only find two driver’s licenses issued to your new nanny. And the first one had been issued about two months after the other Donna’s death. I don’t know about the rest of you, but that seems to be taking coincidence a bit too far. Don’t you think?”

Stunned by Olivia’s revelation, Piper exclaimed, “Are you trying to tell us that my son’s nanny is a fake?” The red-haired witch merely responded with a silent shrug.

“I think that’s exactly what Olivia is trying to tell us,” Phoebe added. “I haven’t been able to sense any emotions from her for the past two days or so.”

Piper retorted caustically, “Lucky woman!”

“I’m serious, Piper. I haven’t sensed anything from her. And considering my lack of control over my empathy, I should be able to.”

Sighing, Piper demanded, “So, what are you saying? That Donna isn’t even human?”

“There’s a good chance,” Phoebe murmured. Piper glared at her. “What?”

“Nothing!” Then, “I just . . . I just find it hard to believe that Donna is a demon. I mean, that demon who had attacked me, nearly killed her.”

Phoebe shot back, “I wouldn’t be surprised if your nanny had arranged that little attack.”

Olivia opened the book that she had placed on the bar. “I don’t know if she’s a daemon or not. I’m still wondering about the daemon that had attacked you.”

“Is that your Book of Shadows?” Piper asked, staring at the thick book.

“Yeah. I wondered if you would be able to identify him.”

Piper shook her head. “I’ve already checked our Book of Shadows. He wasn’t in there.”

“But he might be in mine,” Olivia added. “Your description of him reminded me of someone I had once seen about fifteen or sixteen years ago.”

Believing that she was wasting her time, Piper heaved a sigh, as she began to peruse Olivia’s book. To her surprise, it did not take long for her to find the demon that had attacked her. Olivia had added a rather well drawn sketching the demon on the book’s 14th page. “Oh my God,” she murmured. “That’s him! That’s the demon who had . . .” She stared at Olivia. “How did you . . .?”

“I had spotted him during a family trip to Scotland,” Olivia said. “Just before he had killed an old friend of my grandfather and Cousin Keith’s. A wizard named Adolphus Grant. Since I was the only one who had spotted him, I added a drawing of him in my Book of Shadows. Only, no one knew his name.”

Cole approached the bar and peered at the book. “I know him,” he commented. His name is . . . or was Nairn. A demonic assassin. A soldier-of-fortune.”

“Like you used to be,” Phoebe added. Piper noticed the plaintive tone in Phoebe’s voice.

Apparently, Cole did not. He continued, “Actually, I was never really a soldier-of-fortune. Especially since I had worked for the Source. And the Thorn Brotherhood directly. Nairn, on the other hand, was a true soldier-of-fortune. He worked for anyone who would hire him. He had been on the Source’s hit list for over forty years. Ever since he killed the head of the Lehme Brotherhood, back in the late 50s.”

Curiosity gleamed in Cecile’s dark eyes. “He managed to kill the head of a demonic order?”

“Don’t ask me how he did it,” Cole said with a shake of his head. “Granted, Nairn was a top assassin. But he was also a mid-level daemon. His assassination of Bosaal became the talk of the Source’s Realm over the next forty-two years.” The half-demon assumed a rueful expression. “Until I killed the Triad.”

“Why would he risk the Source’s vengeance with such a job?” Olivia asked. “Who hired him?”

Cole replied, “It turned out that a powerful witch coven in Norway had hired Nairn to kill Bosaal. The latter had killed their leader in order to steal their sigil. Which is supposed to be a source of great power for the coven. The coven summoned and hired Nairn, who completed his job. After Bosaal’s death, the Source retaliated by putting zoltars on his trail and tried to destroy the coven. Unfortunately, Nairn killed every zoltar who crossed his path. And the coven proved difficult to destroy. Only a few members were killed, but their sigil proved to be very effective in protecting them.”

Phoebe stared at her former husband in shock. “Wait a minute! Are you saying that witches had hired a demonic assassin?”

“Yeah.” Cole nodded. “And Nairn completed the job. Just as I had told you.”

“But witches?” Phoebe paused, and shook her head in disbelief. “I can’t believe that they would . . . Were they evil witches?”

Cole rolled his eyes in contempt. “Sorry Phoebe,” he said sarcastically, “but the Bla Mane Coven are known throughout the Asatru world as decent witches. The death of their leader had . . . somewhat affected them, I think. At least the coven’s council members. Besides, didn’t Prue and Piper once work with a zoltar to hunt me down? And none of you didn’t mind working with me, for a while.”

Oh God! Piper heaved a mental sigh. She always tends to forget about Krell, the zoltar who had been after Cole after the latter had killed the Triad. She began to fear that little alliance might haunt them forever.

“Oh yeah,” Phoebe murmured. “Krell. I forgot about him.”

Piper added sarcastically, “I wish I could.”

Cecile continued, “So, this Nairn had no trouble being hired by witches? I’m surprised that he didn’t try to double-cross them in the end.”

Cole replied, “The Bla Mane witches had something to offer Nairn in return for Bosaal’s death. Which is why he didn’t double-cross them. Besides, he’s not in the habit of double-crossing his clients. That’s how he stayed in business for nearly a century.”

“Too bad his last client didn’t follow the same policy,” Phoebe muttered.

Cecile shot back, “You don’t know if Donna Whatshername had hired this Nairn.”

“Isn’t it obvious?”

The frowning Vodoun priestess retorted, “How? How is it obvious? Look, I’m not denying that there is something suspicious about Wyatt’s nanny. And I’m not denying that she could have hired that daemon. But we don’t know for a fact that she did. And before we start assuming, I suggest we find more proof.”

Hands on her hips, Phoebe glared at Cecile. “What more proof do you need?”

Cecile glared back. “A hell of a lot more than you do! Has anyone ever told you that you have a bad habit of jumping to conclusions?”

Phoebe opened her mouth to retort, but Olivia interrupted. “I’m more interested in what the Bla Mane coven may have given to Nairn.” She turned to Cole. “Do you have any idea what they gave him?”

Cole shook his head. “Sorry, I haven’t the foggiest idea.” His eyes narrowed. “What do you think they gave him?”

With a shrug of her shoulders, Olivia replied, “An amulet perhaps? One that once belonged to a dominion spirit named Caspiel?” Everyone stared at Olivia, as she revealed what she had noticed about Donna’s necklace, yesterday. Along with her grandmother’s book on the supernatural and her knowledge of dominion spirits.

The revelation flabbergasted Piper. She could not believe her ears. “Dominion spirits? Why hasn’t Leo ever told us about them? And if this Nairn had been wearing the amulet of one . . . Oh my God! No wonder I couldn’t just easily vanquish him!” She frowned at Olivia. “You really think that Donna now has the amulet?”

Olivia sighed. “I don’t know, Piper. I don’t know for certain that she has it. For all we know, it might still be somewhere inside your house. But if the amulet had originally belonged to a dominion spirit, I doubt very much that it had been destroyed, when you and Donna killed Nairn.”

Piper glanced at her watch. It read twelve fifty-one. “So . . . I suppose you want to check to see if she has that amulet?”

Again, Olivia shrugged. “It would be a good idea.”

END OF PART IX