“HELLBOY II: THE GOLDEN ARMY” (2008) Review
Based upon the Dark Horse Comics character, “HELLBOY II: THE GOLDEN ARMY” is the 2008 sequel to “HELLBOY”, the 2004 hit about a red-skinned demon that works for a paranormal agency of the U.S. government. The sequel is about Hellboy’s conflict with Prince Nuada, son of the King of Elves, who wants to use a clockwork group of soldiers called the Golden Army to exterminate humanity in revenge for the latter’s past hostilities against mythical creatures.
Okay, so what did I think about the movie? About the same as I had felt about the original 2004 film – I though it was simply a good, old-fashioned adventure-fantasy movie, filled with solid entertainment. I never saw anything really exceptional about “HELLBOY II: THE GOLDEN ARMY”. Well, I take that back. There were aspects of the movie that I really enjoyed.
For example, I was happy to see that director Guillermo del Toro managed to bring back most of the original cast from the first movie. I had read somewhere that the studio executives for the original film wanted someone like Vin Diesel in the leading role of Hellboy. Fortunately, del Toro had insisted upon casting Ron Perlman, with whom he had worked before. And all I can say is thank goodness. Just as Robert Downey Jr. made the role of Tony Stark/Ironman as his own, Perlman did the same with Hellboy not only in the first film, but in this second one, as well. Ron Perlman is Hellboy. Granted, Vin Diesel has become a good actor over the years, I really cannot see him portray the snarky and slightly aggressive demon with a mixture of gruffness, sarcasm and heartfelt tenderness toward his lady love.
Selma Blair reprised her role as Hellboy’s pyrokinetic love, Liz Sherman. And as in the first film, her subtle, yet sardonic take on Liz balanced beautifully with Perlman’s gruff Hellboy. Doug Jones’ portrayal of the fluidic Abe Sapien rose to the level of delicious charm and pathos, especially when his character falls in love with Prince Nuada’s sister, Princess Nuala. Jones also portrayed the androgynous and enigmatic Angel of Death with equal ease. Jeffrey Tambor was just as snarky as ever as director of the Bureau of Paranormal Research and Defense, Tom Manning.
Additions to the cast included Anna Walton, in a sweet and effervescent portrayal of Princess Nuala. Actor and singer Luke Goss portrayed the yang to Nuala’s yin, Prince Nuada. Although the villain of the story, Goss’ Nuada is a complex and fascinating character who desire for the destruction of humanity is not driven by sheer evil. He wants revenge for humanity’s betrayal against the supernatural world and views them – or us – as a potent threat to the future. And I must say that Goss as Nuada wielded a mean sword with moves that would impress (perhaps mildly) the likes of Jet Li. Replacing FBI Special Agent John Myers (Rupert Evans) in the Bureau of Paranormal Research and Defense was Johann Krauss, a German psychic who became an ectoplasmic being contained in a suit after a botched séance. And actor/writer Seth MacFarlane did a hilarious job in capturing the exacting and anal Krauss with a delicious German accent.
Screenwriters del Toro (the director) and Mike Mignola (also creator of Hellboy) created a solid and entertaining tale that centered around Hellboy and the Bureau of Paranormal Research and Defense’s attempts to meet the threat of Prince Nuada’s plan to use the Golden Army against the humanity. The movie also focused upon the demon’s continuing problems in his relationship with Liz (who is pregnant) and his new immediate supervisor, Strauss. Speaking of the latter, there is a hilarious sequence in which the ectoplasmic being uses locker doors to prove how dangerous he can be.
And what is a HELLBOY movie (or should I say Guillermo del Toro movie) without visual effects? Once again, del Toro enlisted the help of Spectral Motion to create some stunning visual effects. Amongst the most memorable for me were the collection of demons featured in the Troll Market sequence and especially the multi-optical demon voiced by Doug Jones – the Angel of Death. Usually, I tend to be turned off by over-the-top visual effects. Especially when they are pushed into your face by filmmakers eager to show the unusual aspects of their film. In “HELLBOY II: THE GOLDEN ARMY”, del Toro and Spectral Motion managed to refrain themselves by revealing the visuals when the story truly required them.
I am not going to pretend that “HELLBOY II: THE GOLDEN ARMY” was at the same level as the Marvel Cinematic Universe films,“SPEED RACER” or “THE DARK KNIGHT TRILOGY”. But I must admit that it was damn entertaining, thanks to a first-rate cast led by Ron Perlman, a solid story and weird and stunning visual effects. I highly recommend it.