“THE THIN MAN” (1934) Review
Between 1934 and 1947, Metro-Goldwyn-Mayer (MGM) released at least six movies based upon the characters created by detective novelist, Dashiell Hammett. The first and one of the two best was 1934’s ”THE THIN MAN”, based upon Hammet’s novel, also released in 1934.
Produced by Hunt Stromberg and directed by W.S. Van Dyke, ”THE THIN MAN” is a murder mystery about a former detective named Nick Charles and his wealthy wife, Nora, who investigate the disappearance of an old friend of Nick’s named Clyde Wynant. When the latter’s mistress is found murdered, Wynant becomes the police’s prime suspect. Wynant’s daughter, Dorothy, asks Nick to not only find her missing father, but discover the identity of the real murderer.
William Powell and Myrna Loy first appeared in a movie with Clark Gable called ”MANHATTAN MELODRAMA”. Not only did that movie proved to be a hit, it also begat a very famous Hollywood screen couple. Producer Hunt Stromberg liked what he saw and decided to pair the two as Nick and Nora Charles, the witty and sophisticated married couple from Hammet’s mystery novel. Powell and Loy not only portrayed Nick and Nora simply as a loving husband and wife, but also two friends who clearly enjoyed each other’s company. And more so than in ”MANHATTAN MELODRAMA”, Powell and Loy were magic together. The two ended up working on twelve other films together. And even in mediocre fare like the later THIN MAN, they sizzled with a wit and charm that made them one of the best Hollywood screen teams in history.
Stromberg also included in the cast, the Irish-born ingénue Maureen O’Sullivan (from the ”TARZAN” fame) as the missing Clyde Wynant’s daughter, Dorothy; Nat Pendleton in his first of two THIN MAN movies as New York Police detective, Lieutenant Guild; Minna Gombell as Wynant’s greedy ex-wife, Mimi Wynant Jorgensen; future Hollywood legend Cesar Romero as Mimi’s gigolo husband, Chris Jorgenson; Porter Hall as Wynant’s attorney Herbert MacCauley; Natalie Moorhead as Wynant’s mistress, Julia Wolf; Edward Brophy as Julia’s gangster friend, Joe Morelli; as Harold Huber as the stool-pigeon Arthur Nunnheim; and Edward Ellis as the missing Clyde Wynant. As much as I try, I could not spot a bad performance from any of them. I was especially impressed by O’Sullivan’s performance as the seemingly normal Dorothy who seemed stuck in the middle of an eccentric and/or amoral family.
Albert Hackett and Frances Goodrich, a married couple that also happened to be contract screenwriters at MGM, wrote the screenplay. They also received Academy Award nominations for their adaptation of Hammet’s novel and I have to say that they deserved the nomination. ”THE THIN MAN’ is a witty and rich story filled with memorable characters and an intriguing mystery that was neither too complicated or insulted the moviegoers’ intelligence. Even more interesting is the fact that ”THE THIN MAN” would prove to be one of the last Pre-Code movies that would be released before the onslaught the Hays Code enforcement on July 31, 1934. ”THE THIN MAN” was released in theaters on May 23, 1934. Hackett and Goodrich’s screenplay was filled with risqué dialogue and situations that made it clear that ”THE THIN MAN” was a Pre-Code film.
And director W.S. (“Woody”) Van Dyke did justice with not only a talented cast, but also with Hackett and Goodrich’s script. During his tenure as a contract director for MGM, Van Dyke had a nickname – “One Take Woody”. Van Dyke usually shot his scenes in one take, which guaranteed that he would complete his assignment on time. MGM boss, Louis B. Mayer loved him for this. Although Van Dyke was never known as one of Hollywood’s more gifted directors, he had a reputation for coaxing natural performances from his stars. This was very apparent in his direction of ”THIN MAN”. There is not a bad performance within the entire cast. Even better, he managed to keep the story rolling with a first-rate pacing – something that is very difficult to do for murder mysteries.
Some eight to nine months after its release, ”THE THIN MAN” collected Academy Award nominations – Best Director (Van Dyke), Best Actor (Powell), (Best Adapted Screenplay) Hackett and Goodrich, and Best Picture. Unfortunately for MGM, the movie was shut out by Frank Capra’s classic screwball comedy, ”IT HAPPENED ONE NIGHT”. Well . . . even if the movie had failed to collect one Academy Award, I believe that it is still one of the best movies that was released during the 1930s.
”THE THIN MAN” was such a success that it spawned five sequels. Aside from 1936’s ”ANOTHER THIN MAN”, which proved to be just as good; the other four sequels turned out to be a ghost of its original success. If you want to see William Powell and Myrna Loy in action as Nick and Nora Charles, I suggest that you stick with this film and its 1936 sequel.
Filed under: Movie Review | Tagged: cesar romero, dashiell hammett, early 20th century, edward brophy, harold huber, literary, maureen o'sullivan, movies, myrna loy, nat pendleton, old hollywood, pre-code, thin man, w.s. van dyke, william powell |