“GOLDFINGER” (1964) Review

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“GOLDFINGER” (1964) Review”

Ever since its release in 1964, the movie, GOLDFINGER has been regarded as one of the best Bond movies ever. In fact, it is considered by many Bond fans as the franchise’s definitive film, considering that it more or less created what is known as “the Bond formula”. The 1959 Fleming novel that it is based up, is also highly regarded by some fans, while others believe that the movie is an improvement on the literary version. While I agree that the movie, GOLDFINGER is an improvement over the novel, I have a low opinion of both versions. However, I’m here to comment on the movie and not the novel.

As I have stated before, GOLDFINGER is without a doubt one of my least favorite Bond movies of all time. Not only did Bond seem to act like an oversexed adolescent, culminating in that ridiculous scene between him and Pussy Galore in Goldfinger’s barn, the movie is hampered by a weak Felix Leiter, portrayed by Canadian actor Cec Linder (who seemed more like a sidekick than an ally) and major plotholes that included:

1) Goldfinger’s reason for keeping Bond alive – why the man didn’t think to find out what exactly Bond knew about “Operation Grand Slam”, I don’t know.

2) The method Bond uses for convincing Ms. Galore to betray Goldfinger – it’s bad enough that Bond had to assert his masculinity over the cool and professional Ms. Galore, the writers have us believe that he used sex to convince her to betray Goldfinger. Why? Why not have Bond convince her that Golfinger was simply a fruitcake? I guess the writers wanted an excuse for Bond to use the “magic penis”. The entire barn scene left me feeling disgusted and less impressed by Pussy Galore.

3) Goldfinger’s murder of the Mafia bosses – This was so ridiculous and unecessary. Many Bond fans have claimed that the reason Goldfinger told the Mafia bosses about his plans for Fort Knox before murdering them, was because he wanted bask in the enjoyment of letting someone know about his plans. If that was the case, why not have Goldfinger tell Bond before attempting to kill the agent or leave him for dead? What makes this scenario even more ridiculous is that when Mr. Solo decided that he wants nothing of the Fort Knox plan, Goldfinger sent him on his way with a gold bar . . . before Oddjob kills the man and crushes him inside a car. Why not simply leave Solo with the other gangsters and kill them all? Without having to reveal his Fort Knox plan?

Are there any positive aspects about GOLDFINGER? Why . . . yes, or else I would consider this entry in the franchise as the worst. Thankfully, the movie’s cast included Gert Frobe as Auric Goldfinger. Although my opinion of Goldfinger’s intelligence has diminished over the years, I remain impressed by Frobe’s commanding performance. And there is the talented and classy Honor Blackman (who was already famous in the U.K. in the TV series, THE AVENGERS), playing the tough and intelligent Pussy Galore. I enjoyed Ms. Blackman’s performance so much that it seemed a shame that her character was ruined in that Galore/Bond wrestling match inside the barn. Shirley Easton made the most of her brief appearance as one of the doomed Masterson sisters, Jill. And let’s face it, no one will ever forget the last image of her gold-painted body spread out upon the bed inside Bond’s Miami hotel room.

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Last by not least, there is the movie’s theme song, performed by the talented Shirley Bassey. After all, it is considered one of the best Bond theme songs ever. And that is an opinion I do share.

Despite some of the movie’s positive aspects, I have always had ambiguous feelings about GOLDFINGER for years. In the past, I tried to accept the prevalent feeling that it was probably one of the best Bond movies. But after watching it the last time . . . Well let me put it this way, whether or not it was responsible for creating the Bond formula, I finally realize how much I truly dislike it.

3/10

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2 Responses

  1. Agree with the points about the many absurdities of the plot. (Dispersing gas from five little planes over a wide area is going to do what, again?) Goldfinger is so well-paced and done with such conviction that it manages to overcome such objections for most viewers. After all, this is James Bondland. Suspension of disbelief, or even of expectations of plausibility, is a requisite for entering.

    • Goldfinger is so well-paced and done with such conviction that it manages to overcome such objections for most viewers. After all, this is James Bondland. Suspension of disbelief, or even of expectations of plausibility, is a requisite for entering.

      Suspending my disbelief in “GOLDFINGER” became extremely difficult . . . especially in the movie’s second half.

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